Appartenant à la catégorie partition de la Jazz & Blues juste normes Real Book Bb Auteurs plongeurs est éditée par la maison d'édition ID Music. Sa référence catalogue est FBM0002BF. / Instruments En Bb / 398 pages / Partition

This eclectic collection for solo Flute will delight film fans of all ages! 101 Movie Hits contains a dazzling selection of favourites from the silver screen, including Diamonds Are A Girl\'s Best Friend (Gentlemen Prefer Blondes), Eye Of The Tiger (Rocky III), Hallelujah (Shrek), Happy (Despicable Me 2), Mrs. Robinson (The Graduate), The Dreame (Sense And Sensibility), Let It Go (Frozen), Summer Nights (Grease), The Music Of Goodbye (Out Of Africa) and more. / Saxophone Alto

Imagine someone who has worked as an international saxophonist, an educator, a technician, a consultant, and as a designer, and you can imagine Peter Ponzol. For the first time, Peter offers details from his famous Saxophone Workshops. Learn about: ' Maintenance ' Reeds ' Mouthpieces ' Ligatures ' Sound ' Flexibility This exciting and informational pocket book will be a much needed addition to your musical library! Convenient pocket-sized book - 3.5 x 5.5 - perfect to toss in your gig bag! 64 pages. Peter has been around saxophones for decades, doing it all from manufacturing horns to reeds to mouthpieces. As well, he is a seasoned player. What he discusses in this book is coming from one of the sources-read carefully! - David Liebman, Sax artist/ author/ clinician. Read this review from Sax On The Web: The information in this book is right up SOTW's alley, with answers regarding reeds, necks, mouthpieces, saxes, maintenance, and the like. I would assume that the number of redundant threads started could be reduced almost in half simply with a reading of this book and those owning it could refer back to it at their leisure, as needed. And there is enough info in this book which contradicts some of our SOTW urban legends to make an episode of MythBusters. If you catch the right posts at the right time, much of the info in this book is already posted here on SOTW. But you have to see it and if hunting for it, you have to find it. OTOH it's all conveniently gathered and organized here in this primer - plus more. There are suggestions such as replacing the neck cork once or twice a year, which I would, if posting a response, say is not necessary. But here's the difference. Many of us on the forum are experienced musicians but few have the experience and depth that Ponzol has. We can write with credibility - Ponzol writes with authority. And this is based on decades not only as a top-echelon player, but as a successful and innovative sax, neck and mpc designer. The book is a 61 page pocket reference booklet which, in addition to topics mentioned above, include thoughts on ligatures, sound and flexibility. It is based on items of interest asked by attendees at workshops he has given over the years, hence the title. He begins by pointing out that at these workshops one of the first things he does is look at the condition of attendees' equipment with the observation that at least 90% of them need some kind of work and adjustments. What follows in the book's 61 pages are recommendations generated by this observation. Included are interesting comments such as: aging store-bought reeds by letting them sit for several years is fairly useless since the aging process stops once the bark has been cut away from the reed; not earth-shattering but interesting and certainly myth debunking. Again something that fits right in with many of the conversations on this forum. Interesting thoughts follow regarding the future of natural cane reeds, or how to select and get the most from your reeds - things I wouldn't think of like sanding the heel of your reed. SOTWers might also get a kick out of, and relate to, the title of his section on mouthpieces, 'Now the Fun Begins'. There are also interesting side comments we don't often hear like: in the 70s so many young players like Ponzol were trying to get Trane's recorded sound by working on metal Links because that's what they saw in photos and yet, Trane often recorded with hard rubber mpcs because, in Trane's opinion, it didn't have as much spit in the sound for him. It's interesting how some things come around back to you. There are two exercises I recommend to my students and have recommended on the forum regarding volume and embouchure control and flexibility. I've never heard anyone else recommend these exercises and yet here they are in Peter's book. Then it hit me. The only other one I know who uses them is a former teacher of mine and I remembered that years ago he said he had had some lessons with Ponzol. So 'the circle is unbroken' LOL. I would highly recommend it for beginners and intermediates, as well as for more advanced players to recommend to their students. It has made me re-think even some of my most basic assumptions regarding equipment and maintenance, which has made the read well worth it. I wish every SOTW newbie would start out their Forum time with this booklet at their disposal.

Une perle pour les tous les musiciens. Les 100 plus beaux morceaux de jazz arrange pour tous les instruments re mineure et sol majeure / Saxophone / Partition

The easiest tunes from Horace Silver, Eddie Harris, Freddie Hubbard, Red Garland, Cannonball Adderley, Sonny Rollins, Cedar Walton, Wes Montgomery, etc. Get yourself---or your beginning jazz combo --- sounding good right away with the first fake book ever designed for the beginning improviser: Easy, but classic jazz tunes give the student a good start in learning the jazz repertoire.Sample piano voicings, guitar chord diagrams, sample bass lines, and useful scales for improvisation are included with each tune, for easy reference. Developed and road-tested for years at the Stanford Jazz Workshops summer jazz camps. It works! Each song will sound good played in rock, funk or Latin styles, as well as swing. Perfect for individual students of all ages, as well as jazz combos. A great resource for music teachers and band directors. Available in C, Bb, Eb and Bass Clef. / Instruments En Eb

for Tenor Sax. If you play an instrument and you're a Disney fan, you'll love this collection of 101 favorites to learn and play! Songs include: Beauty and the Beast - Can You Feel the Love Tonight - A Dream Is a Wish Your Heart Makes - Evermore - Go the Distance - He's a Pirate - I See the Light - Kiss the Girl - Let It Go - Mickey Mouse March - Reflection - A Spoonful of Sugar - True Love's Kiss - We're All in This Together - When You Wish upon a Star - A Whole New World - You've Got a Friend in Me - Zip-A-Dee-Doo-Dah - and more./ Recueil / Saxophone Ténor

Tunes for Beginning Improvisers. The easiest tunes from Horace Silver, Eddie Harris, Freddie Hubbard, Red Garland, Cannonball Adderley, Sonny Rollins, Cedar Walton, Wes Montgomery, etc. Get yourself---or your beginning jazz combo --- sounding good right away with the first fake book ever designed for the beginning improviser. Easy, but classic jazz tunes give the student a good start in learning the jazz repertoire.Sample piano voicings, guitar chord diagrams, sample bass lines and useful scales for improvisation are included with each tune, for easy reference. Developed and road-tested for years at the Stanford Jazz Workshop's summer jazz camps. It works! Each song will sound good played in rock, funk or Latin styles, as well as swing. Perfect for individual students of all ages, as well as jazz combos. A great resource for music teachers and band directors. / Instruments En Bb

Step into the spotlight and play along with the specially recorded audio.Demonstration and playalong tracks are available to stream and download Top line arrangements for all twenty chart hits, showstoppers and film themes superbly arranged for Alto Saxophone.This book is supported by SoundWise. It includes a range of interactive digital features:eBook: A digital edition of your music to read on any device.Audio: Full demonstration recordings of each song plus accompaniment-only backing tracks to stream and download. / Saxophone Alto

An exciting collection of twenty-three light classics and folk songs expertly arranged for the beginning soloist with piano accompaniment in printed and digitally recorded formats with piano accompaniment. / Rép International / Recueil / Saxophone

Instrumentalists will delight in this collection, which features thematic interpretations of 28 selections from Howard Shore's brilliant scores to The Hobbit motion picture trilogy. Shore masterfully expands upon the musical palette of Middle-earth, blending familiar motifs from the Lord of the Rings trilogy with an exciting array of memorable new themes. This beautifully produced folio features an array of colorful photos from the film. / Saxophone Alto

Par HUMMEL BERTOLD. The overall form of this work in one movement is in seven sections. A slow introduction begins with multiphonics of the saxophone and sounds of cymbals played with a double-bass bow. Vibraphone and marimbaphone provide the chordal foundation for a fanfare-like invocation by the saxophone. The atmosphere of the following Allegro is dominated by an ostinato series of notes taken from the chords of the introduction and played by the marimbaphone - over this, starting from a four-note series, the saxophone develops jazz-influenced figures. The constructional elements are worked into a cadenza-like section, followed by an arioso passage, leading over lightly-pulsating sounds to a final climax with a B-A-C-H (B flat - A - C - B) quotation in the saxophone. Once again, it continues with a cadenza-like section. Slap in the saxophone and stopped notes in the vibraphone and marimbaphone introduce new ideas and sonorities for discussion, the constructional elements are played off against each other in a loose sequence. At the end of this second cadenza, the B-A-C-H (B flat - A - C - B) quotation re-appears in the saxophone. A varied reprise of the first Allegro section leads to a concluding passage, taking up the atmosphere of the introduction, combined however with clear references to the four-note series of the Allegro. The interval of a third is heard and remains hovering in the air to the very end, closing the work in pianissimo./ Répertoire / Saxophone Soprano et Percussions

Sound Innovations: Ensemble Development for Young Concert Band is a complete curriculum for beginning band students to help them grow as ensemble musicians. The series complements any band method and supplements any performance music. It contains 167 exercises, including more than 100 chorales by some of today's most renowned young band composers. Various exercises at the grade 1/2, 1, and 1 1/2 levels are grouped by key, including: * Long Tones* Passing the Tonic* Pitch Matching* Scale Builders* Interval Builders* Expanding Intervals* Chord Builders* Moving Chord Tones* Diatonic Harmony* Rhythmic Subdivision* 5-Note Scales* Scale Canons (5-, 6-, or 8-Note Scales)* Scale Chorales (5-, 6-, and 8-Note Scales) * ChoralesThe compositions were written by Roland Barrett, Chris Bernotas, Jodie Blackshaw, Matt Conaway, Ralph Ford, Tyler S. Grant, Rob Grice, John O'Reilly, Robert Sheldon, Todd Stalter, Randall Standridge, Michael Story, and Scott Watson. Whether your students are progressing through exercises to better their technical facility, or improving their musicianship with beautiful chorales, we are confident your performers will be excited, motivated, and inspired by using Sound Innovations: Ensemble Development for Young Concert Band. / Saxophone Alto

Dip In to this great selection of pop songs! All the tunes are specially arranged for Alto Sax, with chord symbols at concert pitch for easy accompaniment, and are graded to suit a wide range of playing levels. Each song is awarded a star rating based on difficulty - making this folio ideal for everyone, from the beginning sax player to the experienced musician. Includes hit songs by Lady Gaga, Coldplay, Beyoncé, Take That and many more. / Saxophone Alto