Composed by Various. Instrumental Folio. Christian, General Worship, Worship. Softcover. 120 pages. Published by Hal Leonard

101 Popular Songs for Alto Sax * Solos and Duets * with 3 CDs composed by Various. Arranged by Jonathon Robbins. For alto sax. This edition: Paperback. Collection. Popular, Play Along. Collection and 3 CDs. Text Language: English. 160 pages. Published by Santorella Publications

Inspirational Hymns for Alto Sax with CD composed by Various. Arranged by Tony Santorella and Jonathon Robbins. For alto sax. This edition: Paperback. Collection. Sacred. Book and CD. Text Language: English. 32 pages. Published by Santorella Publications

Fake Book (Includes melody line and chords). Size 9x12 inches. 568 pages. Published by Hal Leonard.

Alto Sax. By Various Composers. Arranged by S Pethel. Instrumental Folio. Softcover with CD. Size 9x12 inches. 16 pages. Published by Hal Leonard.

Alto Saxophone. Arranged by Mike Hannickel, Amy Adam. Curnow Play-Along Book. Book and CD Package. Size 9x12 inches. 20 pages. Published by Curnow Music.

Composed by Various. Instrumental Folio. Softcover. 64 pages. Published by Hal Leonard

Instrumental Play-Along. Composed by Various. Instrumental Play-Along. Christian, General Worship, Hymns, Sacred. Softcover Audio Online. 24 pages. Published by Hal Leonard

Traditional Hymns with a Popular Twist. Composed by Ed Hogan. Conductor's score, enhanced CD. Lorenz Publishing Company #9780834178199. Published by Lorenz Publishing Company

(Alto Sax). By Various. For Alto Saxophone (Alto Sax). Curnow Play-Along Book. Play Along. Book with CD. 20 pages. Curnow Music #092904. Published by Curnow Music

Organ - advanced

SKU: HL.49045437

For Organ. Composed by Enjott Schneider. This edition: Saddle stitching. Sheet music. Organ Large Works. Classical. Softcover. Composed 2016. 48 pages. Duration 24'. Schott Music #ED 22668. Published by Schott Music (HL.49045437).

ISBN 9790001162715. UPC: 841886029088. 9.0x12.0x0.168 inches.

On the occasion of the quincentenary of Reformation Day in 2017, the composer Enjott Schneider thoroughly studied Martin Luther the individual and all his contradictions. The result is a brilliant, demanding organ symphony which is perfect for concerts on the subject of Reformation and Martin Luther.The composer describes the five movements of the symphony as follows:'1st movement:Wir glauben all an einen Gott with its quintuplet-like beginning is very Gregorian in style, outlining the range of Lutheran emotionalism between the Middle Ages and the modern era. The irrationality of faith ultimately has priority over any thought and evidence. At the beginning of the movement, sounds of knocking on wood remind of the nailing of the Ninety-Five Theses to the doors of churches in Wittenberg. The chorale melody sometimes hides with an almost rough medieval saltarello, referring to Luther's robustness and vitality with which he knew to carry away even common people.2nd movement:In 1530, the electoral prince of Saxony presented to Luther at Coburg Castle the golden signet ring with the Luther rose which became the symbol of his theology of grace. A white heart with black cross is fixed on a five-petalled rose. To him, white is the colour of angels and ghosts, black stands for the pain of crucification: The just shall live by faith, but by faith in the Crucified. But the fact that the rose and the heart are the dominating symbols shows how Catholic Marian piety remained an ingredient of Luther's spirituality throughout his life. In line with the dominant five-petal structure of the rose, this movement was composed, to a large extent, in accordance with the floating, lyrical rhythm in 5/8 time.3rd movement:The omnipresence of death and dying - from the plague and war to the never-ending dangers of daily life - was an essential part of the world view of that time. Fears ensued that might heighten into the grotesque, e.g. in the pictures of Hieronymus Bosch. The Danse macabre was a popular motif in those years. Luther's chorale Mitten wir im Leben sind / mit dem Tod umfangen from 1524 (Enchiridion from Erfurt) is based on the Gregorian chant Media vita in morte sumus created in France around 750 and, with its idea of transience, inspired a simplistic air.4th movement:The famous confession delivered at the Diet of Worms in 1521, I stand here and can say no more. God help me. Amen, are not Luther's words but the version later used as text for a pamphlet. However, it represents quite plainly the straightforwardness and inevitability of his mission. Musically, it was made into a perpetuum mobile, i.e. a dogged, ostinato and never-ending musical air.5th movement:The Mighty Fortress, on the other hand, is one of the great symbols of Martin Luther which, with its shining C major key, embodies the Protestant ideology and willful nature of the Reformation unlike any other song. Heinrich Heine called it the Marseille anthem of the Reformation, Friedrich Engels the Marseillaise of the Peasants' Wars. This disputability is not thought through to the end but rather interrupted: With a jubilant birdcall version of the melody, the finale shows a rather chamber-music-like side of the ideals of freedom of Christians.'.

Arranged by Stan Pethel. (Alto Sax). Brookfield Choral Series. Size 9x12 inches. 27 pages. Published by Brookfield Press.

(SAXOPHONE & PIANO)

SKU: HL.48184235

Composed by Amy Quate. Leduc. Classical. CD. 16 pages. Alphonse Leduc #AL27190. Published by Alphonse Leduc (HL.48184235).

UPC: 888680904852. 9.0x12.0x0.065 inches.

“Cont emporary composer Amy Quate works in a wide variety of musical styles, forms and media. Composed in 1982 and dedicated to saxophonist Debra Richtmeyer, Light of Sothis creatively depicts the brightest star in heaven. Sothis, now called Sirius, is the star aspect of the goddess Isis, whose light confines the cycles of nature which bring beauty, prosperity and life. It is believed that Sothis blesses us with sacred illumination and it is this which Quate depicts in Light of Sothis. In three movements, Grace, Passion and Faith, the Saxophone line has lyrical melodies contrasted with dramatic scalic passages, covering the entire range of the instrument. Suitable for intermediate level saxophonists, a performance Quate's Light of Sothis proves to be an enticing prospect.”.

(From the Renaissance to the Romantic Periods). Arranged by William Ryden. For Alto Saxophone (E-Flat Saxes & E-Flat Clarinets). Mixed Instruments - Flexible Instrumentation. Sacred Instrumental Ensembles for All. 24 pages. Published by Alfred Publishing.