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Concerto For Alto Saxophone And String Orchestra E-Flat Major Op. 109
32.71
Concerto For Alto Saxophone And String Orchestra E-Flat Major Op. 109
Saxophone et Orchestre
[Conducteur]
Barenreiter
The Concerto for Alto Saxophone and Orchestra is Alexander Glazunov's last work-...
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The Concerto for Alto Saxophone and Orchestra is Alexander Glazunov's last work- since its first performance in 1934 it has become part of the standard saxophone repertoire.The sole surviving autograph manuscript is the hand-written dedication score given by Glazunov to Sigurd Raschèr (Raschèr was the founder and leader of the well-known and innovative Raschèr Saxophone Quartet).This score contains the original version of the work without the alterations which were made in the proofs to the orchestral score as well as the full version of the composer's cadenza which was later shortened. The autograph manuscript also contains some performance markings by Raschèr.The correspondence between Raschèr and Glazunov documents the composer's thoughts on the work and his recommendations about the size of the accompanying string orchestra. Evidence from this correspondence has been integrated into this edition.This first scholarly-critical edition of a work by Glazunov contains an informative introduction with commentaries about the history of its composition, facsimiles and a critical commentary.The solo part includes both the complete and the shortened version of the cadenza as well as a cadenza by Raschèr which the composer authorised.- Includes the original and new solo cadenzas- With helpful performance tips by Carina Raschèr, the daughter of Sigurd Raschèr- With an Urtext solo saxophone part and a second part prepared by Carina Raschèr- Informative foreword (Ger/Eng) / Saxophone Alto Et Orchestre A Cordes
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Rumänische Weihnachtslieder (BARTOK BELA)
37.20
Rumänische Weihnachtslieder (BARTOK BELA)
4 Saxophones [SATB]
[Conducteur et Parties séparées]
Universal Edition
Par BARTOK BELA. What distinguishes Béla Bartók from most of his European cont...
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Par BARTOK BELA. What distinguishes Béla Bartók from most of his European contemporaries is his lifelong dedication to folk music. He began to look into Hungarian peasant music out of musical interest only, but gradually extended his research to the neighbouring countries' folk music to study relatedness and differences, origins and influences. Bartók started to collect Romanian folk tunes in 1908, in 1915 he adapted them to be played on the piano – his “Romanian Christmas Carols” (UE 5890). This edition of sheet music provides the rewarding opportunity to plan a concert quite different to every other Christmas concert. This arrangement of Bartók's varied composition makes full use of a saxophone quartet's abundant acoustic possibilities. The colourful pieces will enhance the saxophone quartet repertoire./ Répertoire / 4 Saxophones [SATB]
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Universal Method For Saxophone (DEVILLE PAUL)
40.30
Universal Method For Saxophone (DEVILLE PAUL)
Saxophone
Dover Publications
Par DEVILLE PAUL. Commonly referred to as 'The Saxophone Bible,' this volume is ...
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Par DEVILLE PAUL. Commonly referred to as 'The Saxophone Bible,' this volume is the trusted training method for aspiring and serious musicians. From how to play your first note to mastering advanced concert pieces, it offers exercises and advice for every stage of learning, making it both an excellent guide for dedicated students and an indispensable tool for instructors. Paul DeVille's guide covers everything students need to learn to develop mastery of the saxophone. He explains the components of the instrument itself, how to make your own reeds, tuning, tone production, fingering, breath control, and playing low and high ranges. Numerous exercises provide reinforcement in playing scales, intervals, slurred and detached notes, arpeggios, cadenzas, and other musical passages. In addition to several operatic melodies and duets for two saxophones, a dozen solos include works by Schubert, Brahms, Donizetti, and other composers. No saxophonist's musical library is complete without this comprehensive guide, now available in a sturdy and inexpensive edition. Commonly referred to as 'The Saxophone Bible,' this volume is the trusted training method for aspiring and serious musicians. From how to play your first note to mastering advanced concert pieces, it offers exercises and advice for every stage of learning, making it both an excellent guide for dedicated students and an indispensable tool for instructors. Paul DeVille' s guide covers everything students need to learn to develop mastery of the Saxophone. He explains the components of the instrument itself, how to make your own reeds, tuning, tone production, fingering, breath control, and playing low and high ranges. Numerous exercises providereinforcement in playing scales, intervals, slurred and detached notes, arpeggios, cadenzas, and other musical passages. In addition to several operatic melodies and duets for two Saxophones, a dozen solos include works by Schubert, Brahms, Donizetti, and other composers. No saxophonist's musical library is complete without this comprehensive guide, now available in a sturdy and inexpensive edition. Reprint of the Carl Fisher, New York edition. / Méthode / Méthode / Saxophone
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For Ray (VIERA JOE)
23.00
For Ray (VIERA JOE)
Quintette de Saxophone: 5 saxophones
Advance Music
[Dedicated to Ray Brown]. Par VIERA JOE. Dedicated To Ray Brown/ Recueil / 5 Sax...
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[Dedicated to Ray Brown]. Par VIERA JOE. Dedicated To Ray Brown/ Recueil / 5 Saxophones (AATTBar)
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Baobab (for saxophone) (VOLANS KEVIN)
20.10
Baobab (for saxophone) (VOLANS KEVIN)
Saxophone
[Partition]
Chester
Par VOLANS KEVIN. Baobab is derived from the composer's cello concerto (1997) an...
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Par VOLANS KEVIN. Baobab is derived from the composer's cello concerto (1997) and much of the material is cast as a dialogue between voices of differing colour. Baobab is dedicated to Raaf Hekkema./ Répertoire / Saxophone
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Concert En Quatuor (RUEFF JANINE)
78.10
Concert En Quatuor (RUEFF JANINE)
Quatuor de Saxophones: 4 saxophones
Leduc, Alphonse
1. Entrée - 2. Fugue - 3. Menuet - 4. Passepied - 5. Air - 6. Final. Par RUEFF ...
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1. Entrée - 2. Fugue - 3. Menuet - 4. Passepied - 5. Air - 6. Final. Par RUEFF JANINE. Concert En Quatuor by Jeanine Rueff is a piece for four Saxophones (Bb Soprano, Eb Alto, Bb Tenor, Eb Baritone). This edition features all the scores, including the conductor's. Very difficult, it is dedicated to the ; Marcel Mule Quartet. Divided into six parts and lasting 17'30 minutes, this work is really melodious and contains a fugue, minuet and a passepied: 1. Entree & Largo (4/4) 2. Fugue & Allegretto (2/4) 3. Menuet - Andantino (5/4) 4. Passepied & Allegreto (3/8) 5. Air & Largo (4/4) 6. Final en forme de Rondo & Presto (2/4) Jeanine Rueff composed numerous pieces for Saxophones often used in contests, as well as many pieces for Saxhorn, Clarinet, Horn and Cornet./ Répertoire / 4 Saxophones
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Introduction Et Variations Sur Une Ronde Populaire Quatuor Saxophones/Ption Pties (PIERNE)
39.60
Introduction Et Variations Sur Une Ronde Populaire Quatuor Saxophones/Ption Pties (PIERNE)
Quatuor de Saxophones: 4 saxophones
[Partition]
Leduc, Alphonse
Par PIERNE. This quartet for Saxophones, entitled Introduction Et Variations Sur...
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Par PIERNE. This quartet for Saxophones, entitled Introduction Et Variations Sur Une Ronde Populaire by Gabriel Pierne, is a standard in the Saxophone quartet repertoire. Composed in 1934 and dedicated to the Marcel Mule Quartet, this piece for advanced players is as bright and cheerful as a round dance should be, and yet, quite delicate and light in terms of writing. With many ornaments and variations, Introduction Et Variations begins slowly but is interrupted twice by the roundo. Gabriel Pierne (1863-1937) won the Prix de Rome in 1882. The composer wrote manychamber compositions, Piano pieces, symphonic music and some oratorios./ Répertoire / 4 Saxophones
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Jazz Sessions
12.50
Jazz Sessions
Saxophone et Piano
Faber Music Limited
The Jazz Sessions Series is a tremendous collection of Jazz standards, classics ...
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The Jazz Sessions Series is a tremendous collection of Jazz standards, classics and original material by contemporary composers Alexander L'Estrange and Tom Pilling. Each book is dedicated to a particular instrument but they are all able to work in conjunction with each other in ensembles and Jazz bands, providing an exciting and enjoyable repertoire. A professionally recorded CD accompanies each book and contains play-along backing tracks as a substitute for real life musicians. This allows for practice at an individual's preferred pace and enables students to get an authentic feel of the style. One of the main purposes of Jazz Sessions is help encourage and develop improvisational skills with a full written solo on one page and an alternative, extended version for improvising. A great introduction to experimentation and ideal preparation for ABRSM exams. Reflects a variety of Jazz styles including swing, Latin, gospel and blues. Backing Tracks give opportunity for confident and atmospheric performance. Carefully tailored for intermediate musicians.
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Jerry Coker - Keys Unlocked - Pocket Guide
6.40
Jerry Coker - Keys Unlocked - Pocket Guide
Jamey Aebersold Jazz
Jerry Coker's new 84 page pocket-sized handbook teaches you not only how to play...
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Jerry Coker's new 84 page pocket-sized handbook teaches you not only how to play in all 12 keys, but also why it is essential to play in all 12 keys. This book is dedicated to all musicians who recognize that jazz improvisation, at its highest level of achievement, requires a lifetime of growth, yet have chosen to respond to the challenge by working to close every gap in order to realize their fullest potential. Move to a higher level of confidence in any musical situation.
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Introduction and Dance (MARTON KEREKFY)
15.10
Introduction and Dance (MARTON KEREKFY)
Saxophone et Piano
[Partition]
EMB (Editio Musica Budapest)
Par MARTON KEREKFY. Introduction and Dance exploits the alto saxophone's charact...
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Par MARTON KEREKFY. Introduction and Dance exploits the alto saxophone's characteristic sound and virtuosity. It starts with a slow, nascent music, which gives way to a very fast dance with aksak rhythm in an asymmetrically segmented 8/16 meter. The work was commissioned by and is dedicated to saxophonist Levente Puskás and pianist Judit Váradi, who premiered it in September 2020 in the Hungarian Radio, and then first performed in concert in November that year. Márton Kerékfy (b. 1981) studied musicology and composition at the Liszt Academy of Music in Budapest (2000-2007) and received his PhD in musicology (2015) from the same institution. In 2006 he spent one semester on an Erasmus Grant at the Mozarteum in Salzburg. Márton is Senior Research Fellow at the Budapest Bartók Archives, Editor of the Béla Bartók Complete Critical Edition, and Editor-in-Chief at Editio Musica Budapest Zenemukiadó. / Date parution : 2022-04-12/ Répertoire / Saxophone et Piano
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Pavane Pour Une Infante Défunte
18.10
Pavane Pour Une Infante Défunte
Quatuor de Saxophones: 4 saxophones
Advance Music
The Pavane for a Dead Princess is considered to be one of Ravel's most popular w...
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The Pavane for a Dead Princess is considered to be one of Ravel's most popular works. The solemn and stately court dance strutting along in an even pulse turns into a melancholic, yet not sombre dirge.This Pavane is dedicated to the Princess of Polignac. Trying to put a stop to rampant poetic interpretations of the composition's title, Ravel made a point of stating that ?When I phrased the title, I was merely interested in having the fun of creating a pun. Pavane pour une Infante Défunte - the alliterations can hardly be ignored.' The arrangement on hand is in line with the orchestral version written by Ravel himself in 1910 and constitutes part of the series Ravel for Saxophone Quartet including publications of, among others, Ma Mère L'Oye (Mother Goose), Trois Chansons (Three Songs) and Le Tombeau de Couperin. / 4 Saxophones (SATBar)
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Artist Transcriptions
38.00
Artist Transcriptions
Saxophone Tenor
[Sheet music]
Music Sales
Dedicated to the memory of Stan Getz, artist transcriptions of melodies and solo...
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Dedicated to the memory of Stan Getz, artist transcriptions of melodies and solos by Greg Fishman. Includes biography and style analysis. Titles include 'All The Things You Are', 'Body And Soul', 'Early Autumn' and 'The Girl From Ipanema'. / Saxophone Tenor
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South Africa (LIEBMAN DAVID)
23.00
South Africa (LIEBMAN DAVID)
Advance Music
Par LIEBMAN DAVID. For Bb soprano saxophone or clarinet and viola or Eb alto sax...
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Par LIEBMAN DAVID. For Bb soprano saxophone or clarinet and viola or Eb alto sax South Africa was originally written to feature the texture of the soprano saxophone with viola, the performance can be adapted to other instruments as indicated on the score or others within the written range. Although the piece is not specifically by African music, it is dedicated to Nelson Mandela upon his release from prison. The writing alternates between counter and synchronized lines - the same is true for other pairings such as dissonance/consonance, changing tempos and dynamics. The challenge is to get the piece to flow through these many shifts of texture. Towards the conclusion there is some space (optional) for improvising using the suggested written notes and intervals as the source material for both instruments. Medium advanced/ Répertoire / Saxophone Soprano (Clarinette ou Violon) et Alto
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Chant Premier (MIHALOVICI MARCEL)
54.20
Chant Premier (MIHALOVICI MARCEL)
Saxophone en Sib et Piano
[Partition]
Heugel
Par MIHALOVICI MARCEL. Chant Premier, Op. 103 is a sonata for Tenor Saxophone an...
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Par MIHALOVICI MARCEL. Chant Premier, Op. 103 is a sonata for Tenor Saxophone and Piano by Marcel Mihalovici. Introduced by some verses by the Comte de Lautreamont, this very melodious piece was dedicated to S. A. S the Prince Raigner III of Monaco and is perfect to be played in a contest or for a recital. It was commissioned by the French Cultural Council. Considered as hard, this piece was initially written for Tenor Saxophone and Orchestra. This reduction starts ; Moderato, with a tempo between 76 and 80 and requires the mastering of numerous technical aspects: trills, glissandos, accidentals and ornaments among others. The variousnuances make this piece really interesting and challenging to play. Marcel Mihalovici (1898-1995) was a French-Romanian born contemporary composer, who produced numerous works, including plays, small operas, sonatas and studies./ Répertoire / Saxophone en Sib et Piano
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Bariller R. - Rapsodie Bretonne - Saxophone Alto Et Piano
26.99
Bariller R. - Rapsodie Bretonne - Saxophone Alto Et Piano
Saxophone Alto et Piano
Leduc, Alphonse
Saxophonist Robert Bariller's understanding and virtuosity of his instrument led...
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Saxophonist Robert Bariller's understanding and virtuosity of his instrument led to the composition of his excellent Breton Rhapsody, suitable for advanced saxophonists. Published in 1953, Breton Rhapsody addresses virtuosic features of semiquaver flourishes, much variation in time signatures and tempo, complex rhythm and articulation and wide intervals, amongst other aspects. Dedicated to Marcel Mule, Bariller's Breton Rhapsody is an exciting and exquisite addition to the Alto Saxophone repertoire and is essential to advanced players of the instrument.
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Bluesier Side Of Jazz
33.60
Bluesier Side Of Jazz
Saxophone Alto
[Partition + CD]
ADG Productions
The Bluesier Side of Jazz for Alto Saxophone and Eb instruments by Andrew D. Gor...
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The Bluesier Side of Jazz for Alto Saxophone and Eb instruments by Andrew D. Gordon and Frank Villafranca was inspired by the piano students Andrew teaches at Shepherd University School of Music in Los Angeles and is dedicated to those students: Jungwon, Yumiko, Yoko, Eunice, Sooji, Hae Ji and Ok Kyu. As with many students that come from a classical background it is a difficult transition to learn to play Blues & Jazz. When a musician improvises they usually play a variety of riffs or phrases that they have developed and learnt over a period of time and can access these phrases instantaneously whatever key they are playing in to create a seamless improvisedsolo from the phrases they have learnt. Andrew's idea for this book is to create phrases or riffs over two measures of various Blues progressions. He sub-divided each of the 12 Bar Blues progressions used in this book (the chord progression for Watermelon Man is a 16 measure progression) into six sections (two measures each) and within each of the six sections created four different phrases or riffs so that the student has a choice of four different phrases to play over every two measures. They can then create a solo based on which phrase they choose for each two measures. By breaking down these phrases to two measures each, he has found that the students have an easier time of learning to improvise than by trying to transcribe a whole solo from an audio recording or leaving them to their own devices in trying to play a solo based on the Blues scale or other related scales. Each of the ten examples are based on common Jazz/Blues chord progressions from Jazz songs such as 'Watermelon Man', 'Blue Monk', 'Tenor Madness', 'Route 66', 'Blue Trane', 'Bag's Groove' starting off with basic I-IV-V chords and increasing in complexity throughout the book. There are over 200 phrases/riffs to choose from that can be learned and applied to many types of jazz songs. The package includes: Book or PDF file 30 audio tracks to play on your CD player or computer Over 200 mp3 files Over 200 MIDI files/ Recueil / Saxophone Alto
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The Green Ray (BRYARS GAVIN)
25.50
The Green Ray (BRYARS GAVIN)
Saxophone Soprano et Piano
Schott
for soprano saxophone and chamber orchestra. Par BRYARS GAVIN. The piece is dedi...
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for soprano saxophone and chamber orchestra. Par BRYARS GAVIN. The piece is dedicated to John Harle and the Bournemouth Sinfonietta, who commissioned it with funds made available by South West Arts. It makes use of the saxophone's ability to play long expressive melodic passages, and was written too, having seen the Sinfonietta perform, with some of its individual players in mind. Although played without a break, the piece does fall into a number of recognisable sections delineated by a change of tempo, or by a substantial shift of texture. For example, shortly before the end, there is a passage where the saxophone is accompanied by 21 solo strings - the entire string section playing divisi, followed by a coda, which contains simultaneous 'laments' (for saxophone, cor anglais, French horn, and solo violin). The Green Ray is the title of a romantic novel by Jules Verne, set in the West of Scotland, in which a peculiar atmospheric phenomenon plays the key part. A 'green ray' is seen at sunset in certain latitudes, and in certain coastal conditions, just as the sun touches the horizon and, for a brief moment, the orange sun emits a green ray of light. In the Verne story the simultaneous sighting of the ray will seal a couple's love, and the attempts of a young man to do this are constantly frustrated (by sudden clouds, by a yacht passing along the horizon, and so on). This part of Western Scotland is also the place where certain piping traditions originated. Male pipers practised in one cave on the seashore, females in another ( the 'piper's cave' and the 'pigeon's cave'). As they played their laments at twilight a triangulation, similar to that in the Verne story (male-ray-female) may well have occurred without the knowledge of the innocent participants, hence the sequence of simultaneous laments in the coda. On one occasion I witnessed the green ray in Southern California. I was returning along the coast after having climbed up Mt. Tecate, on the top of which is a house, now empty, where Evans-Wentz translated The Tibetan Book of the Dead. Gavin Bryars./ Répertoire / Saxophone Soprano et Piano
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Bluesier Side Of Jazz
33.60
Bluesier Side Of Jazz
Saxophone Tenor
[Partition + CD]
ADG Productions
The Bluesier Side of Jazz for Tenor Saxophone and Bb instruments by Andrew D. Go...
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The Bluesier Side of Jazz for Tenor Saxophone and Bb instruments by Andrew D. Gordon and Frank Villafranca was inspired by the piano students he teaches at Shepherd University School of Music in Los Angeles and is dedicated to those students: Jungwon, Yumiko, Yoko, Eunice, Sooji, Hae Ji and Ok Kyu. As with many students that come from a classical background it is a difficult transition to learn to play Blues & Jazz. When a musician improvises they usually play a variety of riffs or phrases that they have developed and learnt over a period of time and can access these phrases instantaneously whatever key they are playing in to create a seamless improvisedsolo from the phrases they have learnt. Andrew's idea for this book is to create phrases or riffs over two measures of various Blues progressions. He sub-divided each of the 12 Bar Blues progressions used in this book (the chord progression for Watermelon Man is a 16 measure progression) into six sections (two measures each) and within each of the six sections created four different phrases or riffs so that the student has a choice of four different phrases to play over every two measures. They can then create a solo based on which phrase they choose for each two measures. By breaking down these phrases to two measures each, he has found that the students have an easier time of learning to improvise than by trying to transcribe a whole solo from an audio recording or leaving them to their own devices in trying to play a solo based on the Blues scale or other related scales. Each of the ten examples are based on common Jazz/Blues chord progressions from Jazz songs such as 'Watermelon Man', 'Blue Monk', 'Tenor Madness', 'Route 66', 'Blue Trane', 'Bag's Groove' starting off with basic I-IV-V chords and increasing in complexity throughout the book. There are over 200 phrases/riffs to choose from that can be learned and applied to many types of jazz songs. The package includes: Book or PDF file 30 audio tracks to play on your CD player or computer Over 200 mp3 files Over 200 MIDI files/ Recueil / Saxophone Ténor
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Bird Concerto For Alto Saxophone And Piano (OBRADOVIC PETAR)
32.20
Bird Concerto For Alto Saxophone And Piano (OBRADOVIC PETAR)
Saxophone Alto et Piano
Alry Publications
Par OBRADOVIC PETAR. The Bird Concerto by Petar Obradovi is a work for alto saxo...
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Par OBRADOVIC PETAR. The Bird Concerto by Petar Obradovi is a work for alto saxophone and orchestra with a duration of approximately 20 minutes. The score available here is the piano reduction of the orchestral parts. Dedicated to saxophone virtuoso Nikola Fabijani , the concerto was premiered by the Dubrovnik Symphony Orchestra in 2017./ Répertoire / Saxophone Alto et Piano
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Jazz Sonata
40.00
Jazz Sonata
Saxophone Alto ou Baryton et Piano
[Partition + CD]
Advance Music
This composition is in its own way meant to be a tribute dedicated to Paquito D'...
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This composition is in its own way meant to be a tribute dedicated to Paquito D'Rivera showing the author's appreciation for this musician as an exponent of Cuban music of the past and present century, who represents a stronghold and example for all musicians - in particular for saxophonists and clarinetists - not only in his capacity as a performer and composer but also as a cultivator of both sound worlds, the so-called classical music and its popular counterpart in its most ample interpretative spectrum. The piece consists of four movements: Allegro Moderato, Lento, Allegretto and Allegro con Fuoco. Its outstanding feature is the fusion of elements of jazz (such as the improvisation in the first and fourth movements, parts of which are accompanied by the piano with its interpretation being based on concepts characteristic of jazz or the 'tumbaos” to be found in Cuban music) and classical music. The second movement starts off with a short recitativo, followed by a mixture of phrases borrowed from contemporary music, Afro-Cuban styles and jazz, whose distinctive rhythmic cells and articulations clearly define the character of the movement and finally culminate in tempo primo. The third movement shows a certain 'casualness” and tranquility in its melody as well as in its accompaniment, including a cadenza the musician may execute at will - the movement then culminates either in an improvisation ad lib or in the mere execution of the melody as notated. The fourth movement is charged with spiritual energy. Saxophone and piano frequently trade phrases, and there is an abundance of improvised passages and jazz phrases. The movement finally ends in unison forte together with the piano. / Jazz / Recueil / Saxophone Alto ou Baryton et Piano
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Improvisations 2 Et 3 (NODA)
16.30
Improvisations 2 Et 3 (NODA)
En Français
Saxophone Alto
Leduc, Alphonse
Par NODA. Improvisations by Ryo Noda is a set of two pieces for solo Alto Saxoph...
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Par NODA. Improvisations by Ryo Noda is a set of two pieces for solo Alto Saxophone. Dedicated to Jean Marie Londeix, these pieces over 2 pages are written to give the player freedom of improvisation. This score only features Improvisations 2 and 3. Improvisations 1 exists as a separate volume. Ryo Noda is a Japanese saxophonist with experience in all genres: classical, romantic, and baroque, among others. He is also known for his improvisatory work./ Répertoire / Saxophone en Mib
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The Real Book Play Along Sixth Edition - Vol.1 A-D - 3Cd's
21.19
The Real Book Play Along Sixth Edition - Vol.1 A-D - 3Cd's
Tous Les Instruments
[CD]
Hal Leonard
Le premier des quatre paquets 3-CD et propose des titres adossés des sélection...
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Le premier des quatre paquets 3-CD et propose des titres adossés des sélections du Volume 1 de la sixième édition de The Real Book Play-Along, édition européenne. / Instruments En Sib, Instruments En Mib, Instruments En Do Et Instruments À Basse
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Jan Hadermann - Game Over - Saxophone Alto Et Piano
15.99
Jan Hadermann - Game Over - Saxophone Alto Et Piano
Saxophone Alto et Piano
De Haske Publications
Game Over pour saxophone alto (ou cor en mi bémol) et accompagnement de piano e...
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Game Over pour saxophone alto (ou cor en mi bémol) et accompagnement de piano est une composition de caractère vif et enjoué. La partie solo présente une étendue relativement limitée d'une octave et demie. C'est pourquoi Game Over est une pièce particulièrement adaptée aux jeunes élèves, à jouer en audition ou comme répertoire d'examen. Son effet est encore rehaussé par un accompagnement de piano rythmique et attractif. Jan Hadermann a dédié cette 'uvre à son petit-fils.
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THE REAL BOOK - VOLUME I - SIXTH EDITION Eb
67.20
THE REAL BOOK - VOLUME I - SIXTH EDITION Eb
Instruments en Mib
[Partition]
Hal Leonard
Par . The Real Books are the best-selling jazz books of all time. Since the 1970...
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Par . The Real Books are the best-selling jazz books of all time. Since the 1970s, musicians have trusted these volumes to get them through every gig, night after night. The problem is that the books were illegally produced and distributed, without any regard to copyright law, or royalties paid to the composers who created these musical masterpieces. Hal Leonard is very proud to present the first legitimate and legal editions of these books ever produced. You won't even notice the difference, other than all the notorious errors being fixed: the covers and typeface look the same, the song list is nearly identical, and the price for our edition is even cheaper than the original! Every conscientious musician will appreciate that these books are now produced accurately and ethically, benefitting the songwriters that we owe for some of the greatest tunes of all time! Includes 400 songs / Date parution : 2024-01-18/ Recueil / Instruments en Mib
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