Concert Band (optional solo piano) - intermediate SKU: AI.AMC-WB-003SSC C...(+)
Concert Band (optional
solo piano) -
intermediate
SKU:
AI.AMC-WB-003SSC
Composed by Francis
Johnson. Arranged by
Kenneth Amis. Music of
Black Composers and
Artists. Study score
only. Amis Musical Circle
#AMC-WB-003SSC. Published
by Amis Musical Circle
(AI.AMC-WB-003SSC).
8.5 x 11
inches.
The 1818
publication of Francis
Johnson's A Collection of
New Cotillions marks the
first known publication
of original music by a
black composer in the
United States. A prolific
composer,
instrumentalist, teacher
and conductor, Johnson
led a varied and
successful career in an
era in U.S. history that
was not inviting to black
professionals. His
musical interests ranged
from the contemporary
works of Johann Strauss
Jr. to traditional,
popular
dances.
The
cotillion is a French
country dance that was
popular in Europe and
America in the 18th
century. It was
originally danced by four
couples in square
formation and was an
important influence in
the development of the
square dance in the
United States. Francis
Johnson composed two sets
of six piano
accompaniments for this
dance. The original 1818
publication even included
movement instructions for
the eight dancers. The
short and charming
melodies that he composed
are a fitting example of
popular dance music of
the time.
This
transcription may be
performed as a piano
solo, with the piano as a
non-solistic instrument
within the ensemble or
without piano at all. If
it is to be a piano solo,
the other instruments
should not play the
passages marked
“opt. tacet
(optional tacet). If the
piano will not be treated
soloistically, the
conductor can have some
or all of the “opt.
tacet passages played at
their discretion. When
there is no piano
involved in the
performance ,all
instrumentalists should
ignore the “opt.
tacet instruction and
play everything.
Concert Band (optional solo piano) - intermediate SKU: AI.AMC-WB-003 Comp...(+)
Concert Band (optional
solo piano) -
intermediate
SKU:
AI.AMC-WB-003
Composed by Francis
Johnson. Arranged by
Kenneth Amis. Music of
Black Composers and
Artists. Score and Parts.
Amis Musical Circle
#AMC-WB-003. Published by
Amis Musical Circle
(AI.AMC-WB-003).
The 1818
publication of Francis
Johnson's A Collection of
New Cotillions marks the
first known publication
of original music by a
black composer in the
United States. A prolific
composer,
instrumentalist, teacher
and conductor, Johnson
led a varied and
successful career in an
era in U.S. history that
was not inviting to black
professionals. His
musical interests ranged
from the contemporary
works of Johann Strauss
Jr. to traditional,
popular
dances.
The
cotillion is a French
country dance that was
popular in Europe and
America in the 18th
century. It was
originally danced by four
couples in square
formation and was an
important influence in
the development of the
square dance in the
United States. Francis
Johnson composed two sets
of six piano
accompaniments for this
dance. The original 1818
publication even included
movement instructions for
the eight dancers. The
short and charming
melodies that he composed
are a fitting example of
popular dance music of
the time.
This
transcription may be
performed as a piano
solo, with the piano as a
non-solistic instrument
within the ensemble or
without piano at all. If
it is to be a piano solo,
the other instruments
should not play the
passages marked
“opt. tacet
(optional tacet). If the
piano will not be treated
soloistically, the
conductor can have some
or all of the “opt.
tacet passages played at
their discretion. When
there is no piano
involved in the
performance ,all
instrumentalists should
ignore the “opt.
tacet instruction and
play everything.
Concert Band (optional solo piano) - intermediate SKU: AI.AMC-WB-003SCO C...(+)
Concert Band (optional
solo piano) -
intermediate
SKU:
AI.AMC-WB-003SCO
Composed by Francis
Johnson. Arranged by
Kenneth Amis. Music of
Black Composers and
Artists. Conductor score.
Amis Musical Circle
#AMC-WB-003SCO. Published
by Amis Musical Circle
(AI.AMC-WB-003SCO).
11
x 17 inches.
The
1818 publication of
Francis Johnson's A
Collection of New
Cotillions marks the
first known publication
of original music by a
black composer in the
United States. A prolific
composer,
instrumentalist, teacher
and conductor, Johnson
led a varied and
successful career in an
era in U.S. history that
was not inviting to black
professionals. His
musical interests ranged
from the contemporary
works of Johann Strauss
Jr. to traditional,
popular
dances.
The
cotillion is a French
country dance that was
popular in Europe and
America in the 18th
century. It was
originally danced by four
couples in square
formation and was an
important influence in
the development of the
square dance in the
United States. Francis
Johnson composed two sets
of six piano
accompaniments for this
dance. The original 1818
publication even included
movement instructions for
the eight dancers. The
short and charming
melodies that he composed
are a fitting example of
popular dance music of
the time.
This
transcription may be
performed as a piano
solo, with the piano as a
non-solistic instrument
within the ensemble or
without piano at all. If
it is to be a piano solo,
the other instruments
should not play the
passages marked
“opt. tacet
(optional tacet). If the
piano will not be treated
soloistically, the
conductor can have some
or all of the “opt.
tacet passages played at
their discretion. When
there is no piano
involved in the
performance ,all
instrumentalists should
ignore the “opt.
tacet instruction and
play everything.
First Circle ,The Big band [Conducteur et Parties séparées] Sierra Music
By Metheny / Mays. Arranged by Bob Curnow. Jazz Ensemble / Jazz Band. The Pat Me...(+)
By Metheny / Mays.
Arranged by Bob Curnow.
Jazz Ensemble / Jazz
Band. The Pat Metheny Big
Band Series. Latin
Fusion. Level: Grade 6 .
Score and set of parts.
Published by Sierra
Music.
Composed by Lee "Drew" Andrews. Children and Young Beginner,Ukulel...(+)
Composed by Lee
"Drew"
Andrews. Children and
Young
Beginner,Ukulele:
Soprano,Solos, Duets and
Ensembles,Ukuele Soprano.
First Jams. Book and
Online
Audio. 24 pages.
Published by
Mel Bay Publications, Inc
Bells; Glockenspiel SKU: HL.322944 A Must-Have Collection of Well-Know...(+)
Bells; Glockenspiel
SKU: HL.322944
A Must-Have Collection
of Well-Known Songs,
Including Several Bells
Features!. Composed
by Various. Instrumental
Folio. Pop, Standards.
Softcover. 64 pages.
Published by Hal Leonard
(HL.322944).
ISBN
9781540070111. UPC:
888680977009.
9.0x12.0x0.165
inches.
If you've
been taking Glockenspiel
lessons for a while,
you're probably eager to
learn some familiar
songs. The First 50 Songs
You Should Play on the
Bells/Glockenspiel
includes a wide variety
of favorite songs, from
pop hits and movie themes
to folk songs and
classical melodies,
several of which
originally featured
bells! Songs include: All
of Me • All You
Need Is Love •
Canon in D •
Carnival of Venice
• Fight Song
• The Fool on the
Hill • God Bless
America® • The
Godfather (Love Theme)
• Hallelujah
• Happy •
Hello • I Will
Always Love You •
Just Give Me a Reason
• Let It Go •
Pure Imagination •
Roar • Rolling in
the Deep • Satin
Doll • Shake It Off
• Shallow •
Stand by Me • Stay
with Me • This Is
Me • Ukranian Bell
Carol • What a
Wonderful World •
and more.
About First
50
You've
been taking lessons,
you've got a few chords
under your belt, and
you're ready to buy a
songbook. Now what? Hal
Leonard has the answers
in its First 50 series.
The First 50 series
steers new players in the
right direction. These
books contain easy to
intermediate arrangements
for must-know songs. Each
arrangement is simple and
streamlined, yet still
captures the essence of
the tune.
Violin Duet SKU: BT.MUSM570207480 Composed by Sadie Harrison. Classical. ...(+)
Violin Duet
SKU:
BT.MUSM570207480
Composed by Sadie
Harrison. Classical. Book
Only. 15 pages.
University of York Music
Press #MUSM570207480.
Published by University
of York Music Press
(BT.MUSM570207480).
English.
First
performance: Peter
Sheppard Skaerved and
Phillipa Mo, Leighton
House, London, May
2004.
Easy Piano Piano/Keyboard SKU: HL.235867 By Various. Easy Piano Songbook....(+)
Easy Piano Piano/Keyboard
SKU: HL.235867
By
Various. Easy Piano
Songbook. Folk.
Softcover. 106 pages.
Published by Hal Leonard
(HL.235867).
ISBN
9781495095634. UPC:
888680694746.
9.0x12.0x0.269
inches.
50 great
folk favorites simply
arranged with lyrics for
beginning pianists to
learn. Includes: Amazing
Grace • Buffalo
Gals (Won't You Come Out
Tonight?) • Down by
the Riverside •
Good Night Ladies •
Home on the Range •
I've Been Working on the
Railroad • Kumbaya
• Man of Constant
Sorrow • Michael
Row the Boat Ashore
• My Old Kentucky
Home • Nobody Knows
the Trouble I've Seen
• Oh! Susanna
• The Red River
Valley •
Scarborough Fair •
She'll Be Comin' 'Round
the Mountain • This
Little Light of Mine
• Turkey in the
Straw • The Wabash
Cannon Ball • When
the Saints Go Marching In
• Yankee Doodle
• The Yellow Rose
of Texas • and
more.
About First
50
You've
been taking lessons,
you've got a few chords
under your belt, and
you're ready to buy a
songbook. Now what? Hal
Leonard has the answers
in its First 50 series.
The First 50 series
steers new players in the
right direction. These
books contain easy to
intermediate arrangements
for must-know songs. Each
arrangement is simple and
streamlined, yet still
captures the essence of
the tune.
SKU: HL.303498 Easy Piano Songbook. Softcover. 208 pages. Hal Leonard #HL...(+)
SKU: HL.303498
Easy Piano Songbook.
Softcover. 208 pages. Hal
Leonard #HL00303498.
Published by Hal Leonard
(HL.303498).
ISBN
9781540065728. UPC:
888680968335.
9.0x12.0x0.706
inches.
About First
50
You've
been taking lessons,
you've got a few chords
under your belt, and
you're ready to buy a
songbook. Now what? Hal
Leonard has the answers
in its First 50 series.
The First 50 series
steers new players in the
right direction. These
books contain easy to
intermediate arrangements
for must-know songs. Each
arrangement is simple and
streamlined, yet still
captures the essence of
the tune.
(John Thompson's Modern Course Compiled and edited by Philip Low, Sonya Schumann...(+)
(John Thompson's Modern
Course Compiled and
edited by Philip Low,
Sonya Schumann and
Charmaine Siagian).
Composed by Various. For
Piano. Willis. Early to
Later Elementary.
Softcover. Published by
Willis Music
The Book of Urizen is Jacob de Haan his first Symphony for concert band, ...(+)
The Book of Urizen
is Jacob de Haan his
first Symphony for
concert band, solo
soprano, and a male
narrator in which sound
collages of expressions
are used. The piece is
inspired by the
compelling visionary poem
of the samename (which
the poet illustrated
himself) by the
Englishman William Blake
(1757-1827). The
Vision, first
movement and The
Creation, second
movement of The Book
of Urizen are
available by following
editionnumber: DHP
1043551. The Web,
the third movement of
The Book of Urizen
is available by the
following edition number:
DHP 1125252. Download the
audio samples here: track
1, track 2, track
3
In The Book
of Urizen - Jacob de
Haan zijn eerste symfonie
voor harmonieorkest,
zangstem (sopraan) en een
mannelijke spreekstem -
wordt gebruik gemaakt van
geluidscollages. De
compositie is ge
nspireerd op het
gelijknamigegedicht van
William Blake
(1757-1827). The
Vision, het eerste
deel en The
Creation, het tweede
deel van The Book of
Urizen zijn
beschikbaar via volgend
editienummer: DHP
1043551. The Web,
het derdedeel van The
Book of Urizen is
verkrijgbaar via
editienummer: DHP
1125252. Download
audiofragmenten hier:
track 1, track 2, track
3
The Book of
Urizen ist Jacob de
Haan seine erste
Symphonie für
Blasorchester, Gesang
(Sopran) und
(männliche)
Sprechstimme, in welcher
Botschaften durch
Geräuschcollagen
wiedergegeben werden. Als
Inspirationsquelle
dienteder gleichnamige
Gedichtzyklus des
großen englischen
Dichters und Malers
William Blake
(1757-1827). The
Vision, erster Satz
und The Creation,
zweiter Satz von The
Book of Urizen sind
unter der
folgendenEditionsnummer
erhältlich: DHP
1043551. The Web,
der dritte Satz von
The Book of Urizen , ist
unter der folgenden
Editionsnummer
erhältlich: DHP
1125252. Laden Sie hier
die Audiosamples
herunter: track 1, track
2,track 3
The Book of
Urizen is a work for
concert band, solo
soprano, and a male
narrator in which sound
collages of religious
expressions are used. The
piece is inspired by the
compelling visionary poem
of the same name (which
the poet
illustratedhimself) by
the Englishman William
Blake (1757-1827), who
occupies a unique
position in western
literature and the visual
arts. He was not just a
poet and a writer, but he
was also a graphic
artist, a painter, an
illustrator, a
spiritualist, areligious
visionary, and a mystic
philosopher. For the
performance of this work,
a professional sound
system, including two
microphones and a CD
player, is needed. The
three sound collages are
three separate tracks on
the enclosed CD and can
beplayed easily at the
right moment. The Book
of Urizen bears
resemblance to Genesis
and Exodus, of which the
contents form the basis
of the Christian, Jewish,
and Islamic faith. Blake
adhered to the principle
that all religions are in
fact one,and that deities
reside in human beings.
In The Book of
Urizen this is
represented in “The
Net of Religion,â€
which is spanned over the
earth by Urizen. The
sound collages, compiled
by Jacob de Haan in the
studio, find their origin
inJerusalem, the Holy
City, where the
afore-mentioned faiths
“come
together.†In the
first movement of
this composition, The
Vision, Urizen
prepares his vision of
the world, and he
presents this to the
“Eternals.â€
His vision is
rejected,and Urizen locks
himself up in his own
abstract world. When he
does emerge again, he is
confronted with rage by
the gathered Eternals.
Urizen flees the wrath of
the Eternals, “the
flames of eternal
fury,†and enwombs
himself in his own world.
Whenthe Eternals see
Urizen in his
“stony
sleep,†they wonder
if this is death. The
blacksmith Los is torn by
grief because of the
isolation of Urizen. It
brings him to rouse his
fires, prepare his forge,
and to give
Urizen’s world
concrete form. In
thesecond
movement, The
Creation,
Urizen’s world,
but also man, woman, and
child are created. Los is
horrified with the
appearance of
Urizen’s body. He
mourns and pities Urizen,
and from his blood a
female form comes into
being, with thename
Enitharmon. The Eternals,
fearful of the female
form, decide to erect a
tent to obstruct their
view to eternity.
Enitharmon and Los beget
a son, called Orc. Los
baptizes him as a child
of the “fallen
world.†Orc is fed
at Enitharmon’s
breast,which makes a
girdle of jealousy
restrict Los’
chest. He takes the child
to the top of the
mountain and chains him
down. The cries of Orc
awaken Urizen, who
explores his world
creating instruments of
scientific measurement to
do so. Los encircles
theface of Enitharmon
from the sight of Urizen
and Orc. She then
populates the earth by
giving birth to an
enormous race.The
Web, third movement
of The Book of
Urizen is now
available: DHP 1125252
Piano/Vocal/Guitar SKU: HL.256650 Composed by Various. Piano/Vocal/Guitar...(+)
Piano/Vocal/Guitar
SKU: HL.256650
Composed by Various.
Piano/Vocal/Guitar
Songbook. Children,
Disney, Movies.
Softcover. 288 pages.
Published by Hal Leonard
(HL.256650).
ISBN
9781540015303. UPC:
888680723699.
9.0x12.0x0.78
inches.
This
updated 7th edition
coffee table collection
is a Disney lover's dream
come true! It is a guided
tour through the many
legendary years of Disney
music. The book begins
with an extensive musical
history of Disney,
followed by beautiful
piano/vocal arrangements
of 70 Disney classics.
Printed on deluxe stock
with more than 100
stunning full-color
illustrations
accompanying the text and
music, this book is a
keepsake to treasure for
years to come! Songs
include:
Bibbidi-Bobbidi-Boo (from
Cinderella) * Circle of
Life (from The Lion King)
* Evermore (from Beauty
and the Beast) * How Far
I'll Go (from Moana) * I
See the Light (from
Tangled) * Let It Go
(from Frozen) * Under the
Sea (from The Little
Mermaid) * When You Wish
Upon a Star (from
Pinocchio) * You've Got a
Friend in Me (from Toy
Story) * and more.
Circle Chorale SSAA SSAA A Cappella Treble Clef Music Press
SSAA, a cappella SKU: SU.80300192 For SSAA, a cappella. Composed b...(+)
SSAA, a cappella
SKU:
SU.80300192
For
SSAA, a cappella.
Composed by Joan Szymko.
Vocal/Choral, Secular
Choral. A cappella.
Choral Octavo. Treble
Clef Music Press
#80300192. Published by
Treble Clef Music Press
(SU.80300192).
In this
medieval mystic text the
circle is an image for
meditation, first
excluding, then
embracing, the world. The
musical setting reflects
the image with
contracting and expanding
textures, and a soprano
solo. English. SSAA a
cappella with Soprano
solo. Medium-Difficult.
SSAA, a cappella
Published by: Treble Clef
Music Minimum order
quantity: 8 copies.
By Pat Metheny / Lyle Mays. Arranged by James Ancona. Percussion Ensemble. For c...(+)
By Pat Metheny / Lyle
Mays. Arranged by James
Ancona. Percussion
Ensemble. For crotales,
glockenspiel, chimes, 3
marimbas (low A), 2
vibraphones, 5 timpani,
sizzle cymbal, 16" and
18" suspended cymbals,
ride cymbal, mark tree,
bongos, small cabasa. (8
players). Level:
Advanced. Full score and
CD-Rom (containing
printable parts).
Duration 3:20. Published
by Tapspace Publications.
Piano seul [Partition] - Débutant Yorktown Music Press
Edited by Denes Agay. For piano. Format: piano solo book. With fingerings. Baro...(+)
Edited by Denes Agay.
For piano. Format: piano
solo book. With
fingerings. Baroque,
Classical Period and
Romantic Period. 80
pages. 9x12 inches.
Published by Yorktown
Music Press. (MS.YK21376)
A selected repertoire of
classical pieces for the
beginning pianist.
Includes inventions,
minuets, gavottes, and
airs from such well-known
composers as Bach,
Handel, Schumann, Haydn,
Mozart and Purcell.
If I Could (Pro) Big band [Conducteur et Parties séparées] Handelsware
Big band (5-5-5-4) - advanced to difficult SKU: M7.SMP-120-01 Ballad(+)
Big band (5-5-5-4) -
advanced to difficult
SKU: M7.SMP-120-01
Ballad. Composed
by Pat Metheny. Arranged
by Bob Curnow. Sheet
music. Ballad. Score and
parts. Handelsware #SMP
120-01. Published by
Handelsware
(M7.SMP-120-01).
English.
Pat
plays this at just about
every concert of the
Group. It is on the First
Circle LP. The featured
solo is played on Alto
Saxophone. This is a two
chorus version in the
original key, a much more
demanding chart than the
first version published
by Sierra. Your alto
soloist will love the
chance to play this one.
(10 brass) As recorded on
Bob Curnow's L.A. Big
Band,The Music of Pat
Metheny and Lyle
Mays.