Missa O Rex Gloriae (SATB, a cappella). By Alonso Lobo. Edited by David Trendell. Choir Sacred. SATB choir. Choral (Sacred); Choral Worship Cantata; Larger Works; Masterworks; Score; Worship Resources. Faber Edition. Masterwork; Renaissance; Sacred. Published by Faber Music

Performed by Gloria Gaither, Bill Gaither. Piano/Vocal/Chords Songbook (Arrangements for piano and voice with guitar chords). Softcover. Size 9x12 inches. 128 pages. Published by PraiseGathering Music Group.

Choral (2-Part)

SKU: HL.1723103

Discovery Level 1. Composed by Roger Emerson. Discovery Choral. Concert, Festival, Latin. Octavo. Duration 165 seconds. Published by Hal Leonard (HL.1723103).

UPC: 196288277781. 6.75x10.5 inches.

“Glori a! Gloria!” is an energetic piece ideal for contest or festival with its contrasting sections and emphasis on pure vowels. Easy to sing and inspiring for novice singers, this work is a sequel to “Alleluia! Alleluia!” (00383578 and 00383579), a best seller also by Roger Emerson.

Choral (3-Part Mixed choir)

SKU: HL.1723102

Discovery Level 1. Composed by Roger Emerson. Discovery Choral. Concert, Festival, Latin. Octavo. Duration 165 seconds. Published by Hal Leonard (HL.1723102).

UPC: 196288277774. 6.75x10.5 inches.

“Glori a! Gloria!” is an energetic piece ideal for contest or festival with its contrasting sections and emphasis on pure vowels. Easy to sing and inspiring for novice singers, this work is a sequel to “Alleluia! Alleluia!” (00383578 and 00383579), a best seller also by Roger Emerson.

Gloria '1' by John Rutter (1945-). For SATB choir and brass/orchestra ([2, 2, 2, 2-4, 3, 3, 4], timpani, percussion, harp, strings). Mixed Voices. Contemporary, Choral Works. Vocal score. 16 pages. Duration 5'. Published by Oxford University Press

Gloria Estefan -- The Standards (Piano/Vocal/Guitar). By The music of various composers as Gloria Estefan. For Guitar; Keyboard; Piano; Voice. This edition: Piano/Vocal/Guitar. Artist/Personality; Book; Personality Book; Piano/Vocal/Chords. Standard. 108 pages. Published by Alfred Music

(A Jubilant Gloria). Composed by Claren D. Wilson. For 3-part choir. Octavo. 16 pages. Duration 2 minutes, 20 seconds. Published by Carl Fischer

SSAA Choir

SKU: HL.14042861

Composed by Michael Bojesen. Choral. Hymns & Chorals. Octavo. Edition Wilhelm Hansen #FU84. Published by Edition Wilhelm Hansen (HL.14042861).

ISBN 9788774841241. UPC: 888680931704. 7.0x10.0x0.08 inches.

Michael Bojesen 's is a fine melodist whose primary field of work is choral music. Bojesen is a versatile artist whose activities in the musical sphere include composing, conducting and teaching. This piece, Gloria , has been composed for two Soprano and two Alto voices.

Michael Bojesen's is a fine melodist whose primary field of work is choral music.

Boje sen is a versatile artist whose activities in the musical sphere include composing, conducting and teaching.

This piece, Gloria, has been composed for two Soprano and two Alto voices.

Choral (ChoirTrax CD)

SKU: HL.8703422

From Petite Mass. Composed by John Leavitt. Festival Choral. Choir & Orchestra, Concert, Festival, Latin, Mass, Sacred. CD only. Published by Hal Leonard (HL.8703422).

UPC: 884088632434. 4.75x5 inches.

Alternating between a dance-like 6/8 and a more tranquil 2/2 meter, this buoyant setting of the Gloria of the Latin mass is a fresh and contemporary work that will absolutely delight your audience! Whether you perform it with piano or with the sparkling chamber orchestration, this will become a welcome addition to the choral repertoire! Available separately: SATB, SSA, ChoirTrax CD. Chamber Orchestra score and parts available as a printed edition and as a digital download (fl 1-2, ob, cl 1-2, bn, perc 1-2-3, hp, vn 1-2, va, vc, db). Duration: ca. 4:00.

African Gloria by Benjamin Harlan. For Choral, Percussion (SATB). Brookfield Christmas Choral. Sacred. 12 pages. Published by Brookfield Press

2, Bassoon, Cello, Choral, Clarinet 1,2, Double Bass, Flute 1,2, Harp, Oboe, Percussion, Viola, Violin 1 (Chamber Orchestra)

SKU: HL.8703421

From Petite Mass. Composed by John Leavitt. Festival Choral. Choir & Orchestra, Concert, Festival, Latin, Mass, Sacred. Full Score and Parts. 54 pages. Published by Hal Leonard (HL.8703421).

UPC: 884088649579. 8.5x11 inches.

Alternating between a dance-like 6/8 and a more tranquil 2/2 meter, this buoyant setting of the Gloria of the Latin mass is a fresh and contemporary work that will absolutely delight your audience! Whether you perform it with piano or with the sparkling chamber orchestration, this will become a welcome addition to the choral repertoire! Available separately: SATB, SSA, ChoirTrax CD. Chamber Orchestra score and parts available as a printed edition and as a digital download (fl 1-2, ob, cl 1-2, bn, perc 1-2-3, hp, vn 1-2, va, vc, db). Duration: ca. 4:00.

Choral (SSA Choir)

SKU: HL.8703420

From Petite Mass. Composed by John Leavitt. Festival Choral. Choir & Orchestra, Concert, Festival, Latin, Mass, Sacred. Octavo. 16 pages. Published by Hal Leonard (HL.8703420).

UPC: 884088632410. 6.75x10.5 inches.

Alternating between a dance-like 6/8 and a more tranquil 2/2 meter, this buoyant setting of the Gloria of the Latin mass is a fresh and contemporary work that will absolutely delight your audience! Whether you perform it with piano or with the sparkling chamber orchestration, this will become a welcome addition to the choral repertoire! Available separately: SATB, SSA, ChoirTrax CD. Chamber Orchestra score and parts available as a printed edition and as a digital download (fl 1-2, ob, cl 1-2, bn, perc 1-2-3, hp, vn 1-2, va, vc, db). Duration: ca. 4:00.

3-Part Mixed Choral (3-Part Mixed choir)

SKU: HL.382552

Composed by Franz Joseph Haydn. Arranged by Russell L. Robinson. Shawnee Press. Concert, Contest, Festival. Octavo. Duration 165 seconds. Published by Shawnee Press (HL.382552).

ISBN 9781705153543. UPC: 196288020660. 6.75x10.5x0.029 inches.

Accessible voice parts shine in with this Latin text of the Haydn “Gloria.” It's suitable for concert, contest or festival use with optional solo opportunities. History included on Lord Nelson and Napoleon for additional teaching purposes.

By Mark Hayes. For SATB Choir. Sacred Octavos. Octavo. Published by Beckenhorst Press.

Orchestra Solo Bar, Coro SATB (divisi), Big Band (S-/A-Sax, A-Sax, 2 T-Sax, Bar-Sax, BClt, 5 Tr, 4 Trb, Pfte, Git, Cb, Perc, [2 Fl, 2 Clt]) - Level 4

SKU: CA.2801005

Composed by Wolfram Buchenberg. Sacred vocal music, Masses, Latin. Choral Score. Duration 32 minutes. Carus Verlag #CV 28.010/05. Published by Carus Verlag (CA.2801005).

ISBN M-007-25232-8. Latin.

Wolfram Buchenberg's Missa ad maiorem Dei gloriam in Latin for big band, chorus, and baritone is a good half hour in duration. In the Kyrie the composer takes as his theme people's deep-seated fear and its overcoming through faith; the Gloria and Sanctus/Benedictus express overwhelming joy, and the Dona nobis in the Agnus Dei dies away in a mood of weightless floating. This absolutely thrilling setting of the mass, influenced by Latin jazz, suitable for concert or equally for liturgical performance, requires a large, well-rehearsed chorus and big band.

SATB Choir (Mixed choir) - Level 3

SKU: BA.BA01054

Composed by Hugo Distler. Stapled. 2 Sätze aus Liturgische Sätze über altevangelische Kyrie- und Gloriaweisen op. 13 (1933/35). Choral score. Opus 13. Baerenreiter Verlag #BA01054_00. Published by Baerenreiter Verlag (BA.BA01054).

ISBN 9790006407859. 27 x 19 cm inches.

2 Satze aus Liturgische Satze uber altevangelische Kyrie- und Gloriaweisen op. 13 (1933/35).

(Vocal Score) Composed by Francis Poulenc (1899-1963). Vocal score for SATB choir. With piano accompaniment. Series: Choral Large Works. Text language Latin. 60 pages. Published by Salabert.

Concert Band and Mixed Choir - Grade 3

SKU: BT.DHP-1145564-050

Composed by Jacob De Haan. Musica Sacra. Set of Parts. Composed 2014. De Haske Publications #DHP 1145564-050. Published by De Haske Publications (BT.DHP-1145564-050).

English-German-French- Dutch.

The Gospel Mass—a mass for mixed choir, combo and concert band—is based on the gospel music that has spread throughout the world since its creation in America. After Missa Brevis and Missa Katharina this is the third mass fromthe pen of Jacob de Haan.
The movements of the mass ordinary as we know it have now been composed in various pop styles that have their origin in the gospel music. We hear, then, not only the classic American gospel style (including thecharacteristic clapping and swing rhythms), but also freer gospel styles that have developed over the course of time. The Credo, for example, is a ballad with rock and funk influences. The Agnus Dei is heard as a slow blues—a genreclosely linked to gospel music. The unique feature of this work, of course, is in the combination of all these pop and gospel elements with the Latin liturgy of the Kyrie, Gloria, Sanctus, Benedictus and Agnus Dei, which results in abeautiful, cohesive whole. As far as we know, The Gospel Mass is the only true gospel mass.

The Gospel Mass – een mis voor gemengd koor, combo en blaasorkest – is gebaseerd op de gospelmuziek zoals die zich sinds haar ontstaan in Amerika overal in de wereld heeft verspreid en ontwikkeld. Het werk is na Missa Brevisen Missa Katharina de derde mis van componist Jacob de Haan.
De ordinariumdelenzoals we die kennen van een mis, zijn hier gecomponeerd in diverse popstijlen die hun oorsprong vinden in de gospelmuziek. Zo horen we niet alleen deklassiekeAmerikaanse gospelstijl (inclusief hand-clapping en swing), maar ook de vrijere gospelstijlen die zich in de loop der tijd hebben ontwikkeld. Het Credo is bijvoorbeeld gecomponeerd als een ballad, terwijl in andere delen rock- en funkinvloeden zijnverwerkt. Het Agnus Dei klinkt in een slow blues, een genre dat nauw verbonden is met de gospelmuziek. De unieke factor is de combinatie van al deze pop- en gospelelementen met de Latijnse misteksten van het Kyrie, Gloria, Credo, Sanctus, Benedictusen Agnus Dei – daarmee ontstaat een fraai, samenhangend geheel. Voor zover bekend is The Gospel Mass de enige echte gospelmis.

The Gospel Mass eine Messe für gemischten Chor, Combo und Blasorchester basiert auf der Gospelmusik, wie sie sich seit ihrer Entstehung in Amerika überall auf der Welt verbreitet hat. Das Werk ist nach Missa Brevis und MissaKatharina die dritte Messe aus der Feder von Jacob de Haan.
Die Ordinariumsteile, wie man sie aus einer Messe kennt, sind hier in diversen Popstilen komponiert, die ihren Ursprung in der Gospelmusik haben. So hören wir nicht nur den klassischen amerikanischen Gospelstil (inklusive Händeklatschen und Swing),sondern auch freiere Gospelstile, die sich im Laufe der Zeit entwickelt haben. Das Credo ist beispielsweise eine Ballade, in der Rock- und Funk-Einflüsse verarbeitet wurden. Das Agnus Dei erklingt als langsamer Blues ein Genre, daseng mit der Gospelmusik verknüpft ist. Der einzigartige Faktor dieses Werkes besteht natürlich in der Kombination all dieser Pop- und Gospelelemente mit den lateinischen Messetexten der Ordinariumsteile Kyrie, Gloria, Sanctus, Benedictusund Agnus Dei, die ein schönes, zusammenhängendes Ganzes ergibt. Soweit bekannt, ist The Gospel Mass die einzige echte Gospelmesse.

Th e Gospel Mass messe pour chœur mixte, combo et orchestre d’harmonie, fut composée partir du style gospel, qui, depuis ses origines en Amérique, s’est peu peu étendu dans le monde entier. Après Missa Brevis et MissaKatharina, voici la troisième messe signée par le compositeur Jacob de Haan.
Les différents mouvements de la composition de Jacob de Haan s’articulent selon le déroulement d’une célébration liturgique ordinaire. La Gospel Mass comporte divers styles pop qui trouvent leur origine dans la musique gospel. Nous entendonsalors, non seulement le style classique américain des gospels songs (y compris les applaudissements caractéristiques et rythmes swinguant), mais aussi une plus grande liberté d’usage des styles de gospel qui se sont développés au fil du temps. LeCredo, par exemple, est une ballade aux influences rock et funk. LAgnus Dei résonne comme un slow blues - un genre lent étroitement lié la musique gospel. La particularité de cette œuvre réside dans une belle et cohérente combinaisonde tous ces éléments pop et gospel avec le Kyrie, Gloria, Sanctus, Benedictus et Agnus Dei de la liturgie latine. Pour autant que nous sachions, The Gospel Mass est la seule véritable messe gospel.

The Gospel Mass-a mass for mixed choir, combo and concert band-is based on the gospel music that has spread throughout the world since its creation in America. After Missa Brevis and Missa Katharina this is the third mass fromthe pen of Jacob de Haan.
The movements of the mass ordinary as we know it have now been composed in various pop styles that have their origin in the gospel music. We hear, then, not only the classic American gospel style (including thecharacteristic clapping and swing rhythms), but also freer gospel styles that have developed over the course of time. The Credo, for example, is a ballad with rock and funk influences. The Agnus Dei is heard as a slow blues-a genreclosely linked to gospel music. The unique feature of this work, of course, is in the combination of all these pop and gospel elements with the Latin liturgy of the Kyrie, Gloria, Sanctus, Benedictus and Agnus Dei, which results in abeautiful, cohesive whole. As far as we know, The Gospel Mass is the only true gospel mass.

Chorus Parts. By Francis Poulenc. (SATB). Choral Large Works. Size 7x10.25 inches. 32 pages. Published by Salabert.

Study Score. By Francis Poulenc. (score). Choral Large Works. Size 9x12 inches. 86 pages. Published by Salabert.

Satz aus "Liturgische Satze uber altevangelische Kyrie- und Gloriaweisen" (1933/35). By Hugo Distler. For Soprano solo, Mixed Choir-SATB. Singing Score. Op. 13. Published by Baerenreiter-Ausgaben (German import).

SATB Choir (Mixed choir (SATB)) - Level 3

SKU: BA.BA01055

Composed by Hugo Distler. Stapled. 1 Satz aus Liturgische Sätze über altevangelische Kyrie- und Gloriaweisen op. 13 (1933/35). Choral score. Composed 1545. Opus 13. Baerenreiter Verlag #BA01055_00. Published by Baerenreiter Verlag (BA.BA01055).

ISBN 9790006407866. 27 x 19 cm inches.

There are songbirds and birds whose bird calls are less than cantabile. In the garden of Rome's Villa Massimo, the one and the other birds (ucelli) and songbirds (ucelletti), inspired composer Manfred Trojahn to write this adventurous and very charming piece for bassoon solo. This is a valuable addition to the small repertoire for this fantastic instrument!ucelli e ucelletticaptivates with its vitality and musical richness.

- An effective concertante piece
- An addition to the more demanding repertoire
- Practical page turns