Performed by Alice In Chains. For guitar and voice. Format: guitar tablature son...(+)
Performed by Alice In
Chains. For guitar and
voice. Format: guitar
tablature songbook. With
guitar tablature,
standard notation, vocal
melody, lyrics, chord
names and guitar notation
legend. Grunge,
alternative rock and
metal. Series: Hal
Leonard Guitar Recorded
Versions. 71 pages. 9x12
inches. Published by Hal
Leonard
45 Favourite Songs. By Margery Hargest Jones. (Voice and Piano). Boosey and Haw...(+)
45 Favourite Songs. By
Margery Hargest Jones.
(Voice and Piano). Boosey
and Hawkes Voice. Book
only. Size 8.25x11.75
inches. 95 pages.
Published by Boosey &
Hawkes.
By Stacy Phillips. For Violin(S). Folk, Celtic. Sheet Music. 52 pages. Published...(+)
By Stacy Phillips. For
Violin(S). Folk, Celtic.
Sheet Music. 52 pages.
Published by Music Sales.
Music for 50 fiddle tunes
from Ireland, England,
Scotland, and Wales. Plus
tips on authentic
techniques,
interpretation, and a
discography.
(The Drummerâ??s Guide to the Genre and the Legends Who Defined It). By Rich La...(+)
(The Drummerâ??s Guide
to the Genre and the
Legends Who Defined It).
By Rich Lackowski. For
Drumset.
Artist/Personality;
Method/Instruction;
Percussion - Drum Set
Method or Collection. On
the Beaten Path. Metal;
Rock. Book and CD. 104
pages. Published by
Alfred Music Publishing
For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chor...(+)
For voice and C
instrument. Format:
fakebook. With vocal
melody, lyrics and chord
names. Folk. Series: Hal
Leonard Fake Books. 536
pages. 9.6x12 inches.
Published by Hal Leonard.
Concert Band/Harmonie - Grade 5 SKU: BT.AMP-426-010 Droga do Nieba...(+)
Concert Band/Harmonie -
Grade 5
SKU:
BT.AMP-426-010
Droga do Nieba.
Composed by Philip
Sparke. Elite Series.
Opening Pieces. Set
(Score & Parts). Composed
2017. Anglo Music Press
#AMP 426-010. Published
by Anglo Music Press
(BT.AMP-426-010).
English-German-French-
Dutch.
The Way
to Heaven was
commissioned by the Royal
Air Force Music Services.
2015 was the 75th
anniversary of the Battle
of Britain, which took
place between July and
October 1940, when the
courageous fighter pilots
of the Royal Air
Forcethwarted
Hitler’s ambitions
to launch an invasion on
the UK. The Way to
Heaven opens with
fluttering woodwind
figures and brass
fanfares, which build to
a climax before a change
of key introduces a short
quotation for the Polish
National Anthem - Mazurek
Dbrowskiego. This fades
and you can hear
thesignal to scramble and
the throaty sounds of the
squadron’s Merlin
engines bursting into
life before they line up
to take off. This leads
to the main thematic
material of the work,
which depicts the
heaven-bound flight of
303 Squadron as it climbs
tointercept the incoming
Messerschmitt 109s. A
brief allusion to the
Polish national anthem
brings the piece to a
triumphant close.
The Way to
Heaven is geschreven
in opdracht van de Britse
Royal Air Force Music
Services. In 2015 was het
75 jaar geleden dat de
Slag om Engeland
plaatsvond, tussen juli
en oktober 1940, toen de
moedige gevechtspiloten
van de Royal Air Forcede
ambities van Hitler om
het Verenigd Koninkrijk
tot capitulatie te
dwingen wisten te
dwarsbomen. The
Way to Heaven opent
met
‘dwarrelendeâ€â„
¢ motieven in het hout en
koperfanfares, die worden
opgebouwd tot een climax
voordat een modulatie een
kort citaat van het
Poolse volkslied Mazurek
Dbrowskiego introduceert.
Dit sterft weg endan
horen we het alarmsignaal
voor het opstijgen van de
vliegtuigen, en het
schorre geluid van de
Merlin-motoren voordat de
gevechtstoestellen de
lucht in gaan. Dit leidt
tot het belangrijkste
thematische materiaal van
het werk, dat de
‘vlucht naarde
hemel’ van het 303
Squadron beschrijft
tijdens de klim omhoog
met als doel het
onderscheppen van de
Duitse Messerschmitts Bf
109. Een toespeling op
het Poolse volkslied
brengt het werk naar zijn
triomfantelijke
slot.
The Way
to Heaven wurde von
den Royal Air Force Music
Services in Auftrag
gegeben. 2015 jährte
sich die Luftschlacht um
England, die von Juli bis
Oktober 1940
stattgefunden hat, zum
75. Mal. Die mutigen
Jagdflieger der Royal Air
Force hattenHitlers
Ambitionen einer Invasion
Englands verhindert. The Way to Heaven
beginnt mit einer
unruhigen Figur in den
Holzbläsern und mit
Blechbläser-Fanfaren,
die sich zu einem
Höhepunkt aufbauen,
bevor ein Tonartwechsel
einen kurzen Verweis auf
die polnische
Nationalhymne Mazurek
Dbrowskiego“
einleitet. Dies verklingt
langsam und man hört
das Signal zum Kampf und
das Dröhnen der
Merlin-Triebwerke der
Staffeln, die vor dem
Start zum Leben erwachen
und sich aufstellen. Dies
führt zum Hauptthema
des Werkes, das den Flug
in den Himmel vonStaffel
303 beschreibt, um die
herankommenden
Messerschmidt 109
abzufangen. Es klingt
nochmals kurz die
polnische Nationalhymne
an, bevor das Stück
mit einem triumphalen
Schluss
endet.
The Way to Heaven Orchestre d'harmonie [Conducteur] - Intermédiaire Anglo Music
Concert Band/Harmonie - Grade 5 SKU: BT.AMP-426-140 Droga do Nieba...(+)
Concert Band/Harmonie -
Grade 5
SKU:
BT.AMP-426-140
Droga do Nieba.
Composed by Philip
Sparke. Elite Series.
Opening Pieces. Score
Only. Composed 2017.
Anglo Music Press #AMP
426-140. Published by
Anglo Music Press
(BT.AMP-426-140).
English-German-French-
Dutch.
The Way
to Heaven was
commissioned by the Royal
Air Force Music Services.
2015 was the 75th
anniversary of the Battle
of Britain, which took
place between July and
October 1940, when the
courageous fighter pilots
of the Royal Air
Forcethwarted
Hitler’s ambitions
to launch an invasion on
the UK. The Way to
Heaven opens with
fluttering woodwind
figures and brass
fanfares, which build to
a climax before a change
of key introduces a short
quotation for the Polish
National Anthem - Mazurek
Dbrowskiego. This fades
and you can hear
thesignal to scramble and
the throaty sounds of the
squadron’s Merlin
engines bursting into
life before they line up
to take off. This leads
to the main thematic
material of the work,
which depicts the
heaven-bound flight of
303 Squadron as it climbs
tointercept the incoming
Messerschmitt 109s. A
brief allusion to the
Polish national anthem
brings the piece to a
triumphant close.
The Way to
Heaven<+O> is geschreven
in opdracht van de Britse
Royal Air Force Music
Services. In 2015 was het
75 jaar geleden dat de
Slag om Engeland
plaatsvond, tussen juli
en oktober 1940, toen de
moedige gevechtspiloten
van de Royal Air Forcede
ambities van Hitler om
het Verenigd Koninkrijk
tot capitulatie te
dwingen wisten te
dwarsbomen. The
Way to Heaven opent
met
‘dwarrelendeâ€â„
¢ motieven in het hout en
koperfanfares, die worden
opgebouwd tot een climax
voordat een modulatie een
kort citaat van het
Poolse volkslied Mazurek
Dbrowskiego introduceert.
Dit sterft weg endan
horen we het alarmsignaal
voor het opstijgen van de
vliegtuigen, en het
schorre geluid van de
Merlin-motoren voordat de
gevechtstoestellen de
lucht in gaan. Dit leidt
tot het belangrijkste
thematische materiaal van
het werk, dat de
‘vlucht naarde
hemel’ van het 303
Squadron beschrijft
tijdens de klim omhoog
met als doel het
onderscheppen van de
Duitse Messerschmitts Bf
109. Een toespeling op
het Poolse volkslied
brengt het werk naar zijn
triomfantelijke
slot.
The Way
to Heaven wurde von
den Royal Air Force Music
Services in Auftrag
gegeben. 2015 jährte
sich die Luftschlacht um
England, die von Juli bis
Oktober 1940
stattgefunden hat, zum
75. Mal. Die mutigen
Jagdflieger der Royal Air
Force hattenHitlers
Ambitionen einer Invasion
Englands verhindert.
The Way to
Heaven beginnt mit
einer unruhigen Figur in
den Holzbläsern und
mit
Blechbläser-Fanfaren,
die sich zu einem
Höhepunkt aufbauen,
bevor ein Tonartwechsel
einen kurzen Verweis auf
die polnische
Nationalhymne Mazurek
Dbrowskiego“
einleitet. Dies verklingt
langsam und man hört
das Signal zum Kampf und
das Dröhnen der
Merlin-Triebwerke der
Staffeln, die vor dem
Start zum Leben erwachen
und sich aufstellen. Dies
führt zum Hauptthema
des Werkes, das den Flug
in den Himmel vonStaffel
303 beschreibt um die
herankommenden
Messerschmidt 109
abzufangen. Es klingt
nochmals kurz die
polnische Nationalhymne
an, bevor das Stück
mit einem triumphalen
Schluss
endet.
A Sevenoaks Suite Orchestre d'harmonie [Conducteur] - Intermédiaire Anglo Music
Concert Band/Harmonie - Grade 4 SKU: BT.AMP-472-140 Composed by Philip Sp...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.AMP-472-140
Composed by Philip
Sparke. Anglo Music
Midway Series. Concert
Piece. Score Only.
Composed 2019. 50 pages.
Anglo Music Press #AMP
472-140. Published by
Anglo Music Press
(BT.AMP-472-140).
English-German-French-
Dutch.
A
Sevenoaks Suite was
commissioned by the
Sevenoaks and Tonbridge
Concert Band from Kent in
the south-east of
England. The suite
describes 3 famous
landmarks in the
Sevenoaks and Tonbridge
area: ‘Knole
Park’, situated to
the south-east of
Sevenoaks. ‘The
Chapel - Tonbridge
School’: This
movement centres around a
hymn-like chorale,
depicting the years of
worship that have taken
place within the chapel,
and ‘The Vine
Bandstand’
suggesting the type of
music often played in
bandstands. It is in
march form, but is not
actually a march
throughout, veering off
into other styles before
ending
emphatically.
A
Sevenoaks Suite werd
geschreven in opdracht
van de Sevenoaks and
Tonbridge Concert Band
uit Kent, in het
zuidoosten van Engeland.
De suite beschrijft drie
beroemde
landschapselementen en
bouwwerken in de buurt
van Sevenoaks en
Tonbridge: als eerste
‘Knole
Park’, dat ten
zuidoosten van Sevenoaks
ligt. Dan volgt
‘The Chapel
Tonbridge School’,
een deel dat is opgebouwd
rond een hymne-achtig
koraal. ‘The Vine
Bandstand’ doet
denken aan het type
muziek dat vaak in
muziekpaviljoens wordt
gespeeld. Dit laatste
deel is gecomponeerd in
marsvorm, maar het is
geen complete mars, in
die zin dat er ook wordt
afgedwaald naar andere
stijlen voordat het werk
eindigt in eenkrachtig
slot.
A
Sevenoaks Suite wurde
von der Sevenoaks and
Tonbridge Concert Band
aus Kent im Südosten
Englands in Auftrag
gegeben. Die Suite
beschreibt drei
berühmte
Sehenswürdigkeiten in
der Gegend von Sevenoaks
und Tonbridge: Knole
Park“ liegt
südöstlich von
Sevenoaks, The Chapel
Tonbridge School“
dreht sich um einen
hymnenartigen Choral, der
die vielen Gottesdienste
beschreibt, die in der
Kapelle stattgefunden
haben, und The Vine
Bandstand“ deutet
die Art von Musik an, die
oftmals in Musikpavillons
gespielt wird. Der Satz
ist daher in Form eines
Marsches geschrieben,
auch wenn er nicht die
ganze Zeit wie ein Marsch
klingt, und geht in
andere Stilarten über,
bevor er energischendet.
Hadrian's Wall Orchestre d'harmonie [Conducteur] - Facile Opus III Wind Orchestra Publications
Grade 3 SKU: CL.012-3983-01 Composed by Robert W. Smith. Concert Band. Co...(+)
Grade 3
SKU:
CL.012-3983-01
Composed by Robert W.
Smith. Concert Band.
Concert Band Series.
Audio recording available
separately (item
CL.WFR367). Extra full
score. Composed 2010.
Duration 5 minutes, 48
seconds. Opus III Wind
Orchestra Publications
#012-3983-01. Published
by Opus III Wind
Orchestra Publications
(CL.012-3983-01).
When the Roman
emperor Hadrian first
envisioned a huge wall
across England in A.D.
122, he used stone, wood,
and iron to shield Roman
Britannia from the
unconquered Celtic
tribes. Hadrian's Wall by
Robert W. Smith is based
on the legend and lore of
the great wall. Suitable
for concert and festival
performance, Hadrian's
Wall is written well
within the technical
abilities of bands at the
medium easy level. This
powerful work will
capture the imagination
of the band while
providing exceptional
teaching opportunities.
An excellent work that
yields maximum musical
results.
99 Traditional Pieces. Composed by Pete Cooper. Arranged by Pete Cooper. This ed...(+)
99 Traditional Pieces.
Composed by Pete Cooper.
Arranged by Pete Cooper.
This edition: Saddle
stitching. Sheet music
with CD. Edition Schott.
Diese Ausgabe enthalt 99
traditionelle englische
Geigenmelodien. Der Band
ist versehen mit Akkorden
und Hinweisen zur
Bogenfuhrung. Ausserdem
ist ihm eine CD von Pete
Cooper beigelegt. Folk,
Classical, English.
Edition/Softcover with
CD. 12758. 68 pages.
Schott Music #ED12758.
Published by Schott Music
Composed by Adam Gorb.
Arranged by Michael
Brand. Band Music. Score
only. Duration 4:20.
Published by G & M Brand
Music Publishers
(CN.S11242).
Scenes from an
English Landscape is a
brief nostalgic tone poem
taking its inspiration
from visions of rural
England as depicted in
the paintings of John
Constable, the novels of
Thomas Hard, and the
music of Gustav Holst and
Ralph Vaughan Williams. A
chorale-like theme is
stated in the brass and
then taken up at three
times the tempo in the
woodwinds. At the end of
the work, both versions
of the theme are stated
together to bring the
piece to a triumphant
climax.
This is a
brief nostalgic tone poem
taking its inspiration
from visions of rural
England as depicted in
the paintings of John
Constable, the novels of
Thomas Hard, and the
music of Gustav Holst and
Ralph Vaughan Williams. I
imagined a community of
villagers coming out of
church and filling a
village square with their
vibrant presence. A
chorale-like theme is
stated in the brass and
then taken up at three
times the tempo in the
woodwinds. At the end o
the work, both versions
of the theme are stated
together to bring the
piece to a triumphant
climax. Adam Gorb was
born in Cardiff and
started composing at the
age of ten. His first
work broadcast on
national radio was
written when he was
fifteen. He studied at
Cambridge University
(1977-1980) and the Royal
Academy of Music
(1991-1993) where he
graduated with the
highest honours including
the Principal's Prize. He
has been on the staff at
the London College of
Music and Media, the
junior Academy of the
Royal Academy of Music
and, since 2000 he has
been the Head of School
of Composition at the
Royal Northern College of
Music in Manchester .
International recognition
came in 1994 with the US
Walter Beeler Prize for
his work Metropolis .
With it began what has
developed into probably
the most important wind
ensemble catalogue by a
contemporary composer,
ranging from extremely
challenging to the most
accessible, at all
technical levels, seized
on by players
internationally, widely
recorded and now
absolutely central to the
world's wind repertoire.
Equally important though
are his works for dance,
and concert pieces like
the chamber orchestral
Weimar , the Violin
Sonata , a Clarinet
Concerto for the Royal
Liverpool Philharmonic
Orchestra and Diaspora
for strings (for the
Goldberg Ensemble).
Deceptively mainstream at
first glance, they
display the same
inventive brilliance,
pulsating sound world,
striking use of rhythm
and an undogmatic absence
of stylistic hang-ups to
embrace jazz and
serialism in works where
power, poetry, irony and
pathos, often underlaid
by a theatrical and
deeply subversive
element, coalesce in an
integrated, highly
individual musical voice.
Gorb is also not afraid
to draw on the vivid
musical heritage of his
Jewish roots, sometimes
directly, often in a more
subsumed or radically
creative way. The crucial
and consistent feature of
Gorb's work though is
that it communicates
strongly without
patronizing players or
audiences. He firmly
believes that if
contemporary music - any
music - does not impact
on listeners then its
message is irrelevant; it
is lost.
Ave Maria Chorale SATB SATB divisi, A Cappella - Intermédiaire Laurendale Associates
SATB choir divisi (a cappella) - Late Intermediate SKU: MN.CH-1296 Compos...(+)
SATB choir divisi (a
cappella) - Late
Intermediate
SKU:
MN.CH-1296
Composed
by Andrew Bonacci.
Catholic Year A
Immaculate Conception.
21st Century. Choral
score. Laurendale
Associates #CH-1296.
Published by Laurendale
Associates (MN.CH-1296).
UPC:
765844005764.
Ave
Maria was composed for
the University of Kansas
Choirs, and dedicated
with appreciation to
Simon Carrington (Kings
Singers). It was
premiered by the Oread
Consort at Edington
Priori Church in
Wiltshire, England in May
of 1997. The Gregg Smith
Singers brought new life
to this work at the 2000
Adirondack Festival of
American Music in Saranac
Lake, and followed with a
recording on the Living
Artist series. This piece
was inspired by Gyorgy
Ligeti's setting of Lux
Aeterna (1966), as well
as by Giuseppe Verdi's
Ave Maria, the scala
enigmatica armonizzata a
Quattro voci (1898). It
is shaped by a series of
breath-like harmonic
swells leading to
climactic homophonic
statements of the text,
with strident voice
pairings yearning for
resolution. New York
writer Watson Bosler
describes the work as an
iridescent wash of color
as an intricate web of
interrelated melodic and
rhythmic themesThis Ave
hymns not the sugar-water
Virgin of Gounod or
Scott, but rather the
powerful Goddess Yeats
depicts: The Roman Empire
stood appalled:/ It
dropped the reins of
peace and war/ When that
fierce virgin and her
Star/ Out of the fabulous
darkness called.
Composed by Rhian Samuel.
Chamber music. For High
Voice, String Quartet and
Piano. Score (2 copies
supplied) and parts.
Score and parts. Stainer
& Bell Ltd. #Y296.
Published by Stainer &
Bell Ltd. (ST.Y296).
ISBN
9790220223525.
Natu
re and landscape have
been the dominant themes
of much of Rhian Samuel's
vocal music of the last
ten years, projected
chiefly through the
poetry of Anne Stevenson,
and in her most recent
song-settings, the
writings of the
Pakistan-born Texas-based
poet Zulfikar Ghose. His
poem 'Conspiracy of the
Clouds' describes how,
the clouds having chosen
to become invisible,
'Even the astronauts on
the space shuttle /
looked down on a
cloudless America' as
hurricanes ravage
Louisiana and storms
engulf Nebraska. An
intriguing conceit in the
tradition of magic
realism, the text is
presented as a scena
lasting around 16
minutes, with
interpolations from
'Haze' by the
nineteenth-century New
England transcendentalist
Henry David Thoreau. Thus
modern fable and romantic
nature-description are
juxtaposed, and their
interaction becomes the
source of musical
contrasts too. Thoreau's
words are assigned
predominantly to the
vocalist's highest
register, those of Ghose
to her lower tessitura;
and the suggestive and
dramatic accompaniment
builds tension steadily
to the final ironic
response of an
incredulous American
public: not one of awe
and wonder, but the
question 'Why weren't we
told about it?