| Südwind Overture Orchestre d'harmonie [Conducteur] - Intermédiaire Ibermusica
Overture for Symphonic Band. Composed by Ferrer Ferran (1966-). IberMusica Conce...(+)
Overture for Symphonic
Band. Composed by Ferrer
Ferran (1966-).
IberMusica Concert Band.
Symphonic. Score Only.
Composed 2007. 36 pages.
Ibermusica #IB020.
Published by Ibermusica
$117.00 $111.15 (- 5%) Voir plus => AcheterDélais: 24 hours - In Stock | | |
| First Trombonanza Suite for 4-part Trombone Ensemble Quatuor de cuivres: 4 trombones [Conducteur et Parties séparées] - Intermédiaire Cherry Classics
4-part Trombone Ensemble - intermediate SKU: CY.CC2997 Composed by John F...(+)
4-part Trombone Ensemble
- intermediate SKU:
CY.CC2997 Composed by
John Frith. Contemporary
Rock. Score and Parts. 20
pages. Cherry Classics
#2997. Published by
Cherry Classics
(CY.CC2997). ISBN
9790530058169. Thes
e TWO SUITES were
composed in response to a
request form Heini
Schneebeli, the musical
director of 'TROMBONANZA
2017'. Santa Fe in
Argentina is the backdrop
for this exciting annual
event involving many
hundreds of student and
professional players.
The FIRST SUITE has
three movements and is
intended for a trio of
younger tenor trombonists
working with a teacher on
bass trombone who will
add richness and depth to
the ensemble
sound. It is my hope
that this piece will
encourage, entertain and
challenge student players
and provide useful
concert material for use
in the promotion of this
unique and versatile
instrument. John
Frith - 2017 This
work is appropriate for
younger performers at an
intermediate level all in
bass clef. The three
movements total about 5
1/2 minutes in length and
have the following
titles: 1. Totem
Tango 2. Full Steam
Ahead 3. Clowning
Around
$27.50 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Macarella Trombone et Piano [Conducteur et Parties séparées] - Facile FLEX Editions
Chamber Music & Piano Accompaniment 1 Trombone 1 Piano - Grade 3 SKU: FL.FX07...(+)
Chamber Music & Piano
Accompaniment 1 Trombone
1 Piano - Grade 3 SKU:
FL.FX074328 Composed
by Jean-Michel Maury.
Original Composition.
Classical, Educational.
Score and Set of Parts.
FLEX Editions #FX074328.
Published by FLEX
Editions (FL.FX074328).
A catchy piece
that can be played for an
exam (from 5 years of
practice), audition or
concert. With an
accompaniment by
percussions (optional)
for the Latin touch! ;
Instruments: 1 Trombone 1
Piano; Difficuly Level:
Grade 3; Duration: 3 mn
10 s; Musical Style:
Classical, Educational;
Category: Original
Composition; Composer:
Jean-Michel MAURY. $12.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Magallanes Orchestre d'harmonie [Conducteur et Parties séparées] De Haske Publications
Score and Parts. By Ferrer Ferran. IberMusica Concert Band. Published by Ibermus...(+)
Score and Parts. By
Ferrer Ferran. IberMusica
Concert Band. Published
by Ibermusica.
$294.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| El Quijote Orchestre d'harmonie [Conducteur et Parties séparées] Hal Leonard
Score and Parts. By Ferrer Ferran. De Haske Concert Band Full Set. Published by ...(+)
Score and Parts. By
Ferrer Ferran. De Haske
Concert Band Full Set.
Published by Ibermusica.
$233.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Blue Shades Orchestre d'harmonie [Conducteur] Manhattan Beach Music
By Frank Ticheli. Concert band. Suitable for the most advanced high school bands...(+)
By Frank Ticheli. Concert
band. Suitable for the
most advanced high school
bands, community,
college, university, and
professional bands.
Conductor Full Score.
Duration 10:00. Published
by Manhattan Beach Music.
Level: Grade 5.
(2)$95.00 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Blue Shades Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire/avancé Manhattan Beach Music
By Frank Ticheli. Concert band. Suitable for the most advanced high school bands...(+)
By Frank Ticheli. Concert
band. Suitable for the
most advanced high school
bands, community,
college, university, and
professional bands.
Level: Grade 5. Conductor
score and set of parts.
Duration 10:00. Published
by Manhattan Beach Music.
$365.00 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Spring Is Here Big band [Conducteur et Parties séparées] Handelsware
Big band (Alto Sax 1, Alto Sax 2, Tenor Sax 1, Tenor Sax 2, Baritone Sax, Flugel...(+)
Big band (Alto Sax 1,
Alto Sax 2, Tenor Sax 1,
Tenor Sax 2, Baritone
Sax, Flugelhorn/Trumpet
1-3, Trumpet 4,
Flugelhorn/Trumpet 5
(opt.), Trombone 1-3,
Trombone 4 (opt.), Bass
Trombone 5, Piano, Bass,
Drums) - advanced to
difficult SKU:
M7.SMP-563
Swing. Composed by
Richard Rodgers and
Stanley Newcomb Kenton.
Arranged by Lennie
Niehaus. Sheet music.
Swing. Score and parts.
Handelsware #SMP 563.
Published by Handelsware
(M7.SMP-563).
English. This is
another one of those
absolutely wonderful
charts that Lennie did
for Stan Kenton for what
was known as the dance
book. It was the hippest
dance book ever! A
medium-swing tempo sets
this great standard in a
framework that is very
musical and very
exciting. Trumpet and
bass are featured.
Limited ranges (tpt.
written high D). This one
will be a real favorite.
5-5-5-3. $97.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Abracadabra Orchestre d'harmonie [Conducteur] - Intermédiaire Manhattan Beach Music
By Frank Ticheli. Concert band. Suitable for advanced middle school, high school...(+)
By Frank Ticheli. Concert
band. Suitable for
advanced middle school,
high school, community
and college bands. Level:
Grade 3. Conductor Full
Score. Duration 4:30.
Published by Manhattan
Beach Music.
(5)$25.00 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Abracadabra Ensemble d'École [Conducteur et Parties séparées] - Intermédiaire Manhattan Beach Music
By Frank Ticheli. Concert band. Suitable for advanced middle school, high school...(+)
By Frank Ticheli. Concert
band. Suitable for
advanced middle school,
high school, community
and college bands. Level:
Grade 3. Conductor score
and set of parts.
Duration 4:30. Published
by Manhattan Beach Music.
(2)$165.00 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Hymn for Band Orchestre Symphonique [Conducteur et Parties séparées] - Facile Hal Leonard
A Hymn for Band by Hugh Stuart. For Concert Band (Score and Parts). MusicWorks G...(+)
A Hymn for Band by Hugh
Stuart. For Concert Band
(Score and Parts).
MusicWorks Grade 3. Grade
2.5. Score and parts. Hal
Leonard #K0481. Published
by Hal Leonard
$70.00 $66.5 (- 5%) Voir plus => AcheterDélais: 24 hours - In Stock | | |
| One Small Child Chorale 3 parties SSA [Octavo] Hope Publishing Company
Composed by David Meece. Arranged by Lloyd Larson. Ring and Sing Series / Vocal ...(+)
Composed by David Meece.
Arranged by Lloyd Larson.
Ring and Sing Series /
Vocal Solo Sheet Music
Series. Christmas,
Sacred, Contemporary.
Octavo. 12 pages.
Published by Hope
Publishing Company
(HP.C6044).
$3.25 - Voir plus => AcheterDélais: 4 to 6 business days | | |
| Tone Builders For Developing Bands Score And Parts Orchestre d'harmonie [Conducteur et Parties séparées] - Débutant Hal Leonard
Tone Builders for Developing Bands (Grade 1 to 2.5 - Score and Parts). By James ...(+)
Tone Builders for
Developing Bands (Grade 1
to 2.5 - Score and
Parts). By James Curnow.
For Concert Band. Curnow
Music Concert Band. Grade
1-2. Curnow Music
#009496. Published by
Curnow Music
$69.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Quartet No. 5, For 2 Cornets, Horn Or Trombone, And Baritone Leduc, Alphonse
SKU: HL.48185075 Composed by Luis de Victoria. Robert King. Classical. Al...(+)
SKU: HL.48185075
Composed by Luis de
Victoria. Robert King.
Classical. Alphonse Leduc
#AL28417. Published by
Alphonse Leduc
(HL.48185075). UPC:
888680879228.
9.0x12.0x0.251
inches. “Germ
an composer, Wilhelm
Ramsöe (1837-1895) is
best remembered for his
compositions for brass.
His Quartet No. 5 for 2
Cornets, Horn or
Trombone, and Baritone is
no exception. As the
final of five brass
quartets by the composer,
Quartet No. 5 remains
prominent in the brass
ensemble repertoire. Made
of of four movements,
each part contains a
variety of exciting
musical features. The
movements are 1) Allegro
Moderato, 2) Andante,
Quasi Allegretto, 3)
Scherzo, and 4) Finale,
all of which contain
edits by Robert King. For
all advanced brass
ensembles, Ramsöe's
Quartet No. 5 is a
sublime addition to the
repertoire.â€. $59.60 - Voir plus => Acheter | | |
| One Small Child Cloches [Conducteur] - Intermédiaire Hope Publishing Company
By Meece, David. Arranged by Lloyd Larson. For Handbells. Ring and Sing, Contemp...(+)
By Meece, David. Arranged
by Lloyd Larson. For
Handbells. Ring and Sing,
Contemporary and Sacred.
Print Music Single (3-5
oct. L3-). 8 pages.
Published by Hope
Publishing Company.
Level: L3-.
$7.00 - Voir plus => AcheterDélais: 4 to 6 business days | | |
| 3e Symphonie en ut mineur, op. 78 - Avancé Barenreiter
Orchestra, Organ (Fl1, Fl2 , Fl3(Fl-picc), 2 Ob, EnglHn, 2 clarinet, clarinet-B,...(+)
Orchestra, Organ (Fl1,
Fl2 , Fl3(Fl-picc), 2 Ob,
EnglHn, 2 clarinet,
clarinet-B, 2 bassoon,
bassoon-Co, Hn1, Hn2 ,
Hn3(chrom.), Hn4(chrom.),
3Trp, 3trombone, timpani,
Tr-Gr, Tri, Be, Org,
piano-4ms, 2 Violin,
Viola, Cello, Double
Bass) - Level 5 SKU:
BA.BA10303-01
Composed by Camille
Saint-Saens. Edited by
Michael Stegemann. This
edition: Edition of
selected works, Urtext
edition. Linen.
Saint-Saens, Camille.
Oevres instrumentales
completes I/3. Edition of
selected works, Score.
Opus 78. Duration 39
minutes. Baerenreiter
Verlag #BA10303_01.
Published by Baerenreiter
Verlag (BA.BA10303-01).
ISBN 9790006559503. 33
x 26 cm inches. Key: C
minor. Preface: Michael
Stegemann. The
third symphony by Camille
Saint-Saens, known as the
Organ Symphony, is the
first publication in a
complete
historical-critical
edition of the French
composer's instrumental
works.
I gave
everything I was able to
give in this work. [...]
What I have done here I
will never be able to do
again.Camille Saint-Saens
was rightly proud of his
third Symphony in C minor
Op.78, dedicated to the
memory of Franz Liszt.
Called theOrgan
Symphonybecause of its
novel scoring, the work
was a commission from the
Philharmonic Society in
London, as was
Beethoven's Ninth, and
was premiered there on 19
May 1886. The first
performance in Paris
followed on 9 January
1887 and confirmed the
composer's reputation
asprobably the most
significant, and
certainly the most
independent French
symphonistof his time, as
Ludwig Finscher wrote in
MGG. In fact the work
remains the only one in
the history of that genre
in France to the present
day, composed a good half
century after the
Symphonie fantastique by
Hector Berlioz and a good
half century before
Olivier Messiaen's
Turangalila
Symphonie.
You
would think that such a
famous, much-performed
and much recorded opus
could not hold any more
secrets, but far from it:
in the first
historical-critical
edition of the Symphony,
numerous inconsistencies
and mistakes in the
Durand edition in general
use until now, have been
uncovered and corrected.
An examination and
evaluation of the sources
ranged from two early
sketches, now preserved
in Paris and Washington
(in which the Symphony
was still in B minor!)
via the autograph
manuscript and a set of
proofs corrected by
Saint-Saens himself, to
the first and subsequent
editions of the full
score and parts. The
versions for piano duet
(by Leon Roques) and for
two pianos (by the
composer himself) were
also consulted. Further
crucial information was
finally found in his
extensive correspondence,
encompassing thousands of
previously unpublished
letters. The discoveries
made in producing this
edition include the fact
that at its London
premiere, the Symphony
probably looked quite
different from its
present appearance
...
No less
exciting than the work
itself is the history of
its composition and
reception, which are
described in an extensive
foreword. With his
Symphony, Saint-Saens
entered right into the
dispute which divided
French musical life into
pro and contra Wagner in
the 1880s and 1890s. At
the same time, the work
succeeded in preserving
the balance between
tradition and modernism
in masterly fashion, as a
contemporary critic
stated:The C minor
Symphony by Saint-Saens
creates a bridge from the
past into the future,
from immortal richness to
progress, from ideas to
their
implementation.
On
19 March 1886 Saint-Saens
wrote to the London
Philharmonic Society,
which commissioned the
work:
Work on the
symphony is in full
swing. But I warn you, it
will be terrible. Here is
the precise
instrumentation: 3 flutes
/ 2 oboes / 1 cor anglais
/ 2 clarinets / 1 bass
clarinet / 2 bassoons / 1
contrabassoon / 2 natural
horns / [3 trumpets /
Saint-Saens had forgotten
these in his listing.] 2
chromatic horns / 3
trombones / 1 tuba / 3
timpani / organ / 1 piano
duet and the strings, of
course. Fortunately,
there are no harps.
Unfortunately it will be
difficult. I am doing
what I can to mitigate
the
difficulties.
As
in my 4th Concerto [for
piano] and my [1st]
Violin Sonata [in D minor
Op.75] at first glance
there appear to be just
two parts: the first
Allegro and the Adagio,
the Scherzo and the
Finale, each attacca.
This fiendish symphony
has crept up by a
semitone; it did not want
to stay in B minor, and
is now in C
minor.
It would be
a pleasure for me to
conduct this symphony.
Whether it would be a
pleasure for others to
hear it? That is the
question. It is you who
wanted it, I wash my
hands of it. I will bring
the orchestral parts
carefully corrected with
me, and if anyone wants
to give me a nice
rehearsal for the
symphony after the full
rehearsal, everything
will be fine.
When
Saint-Saens hit upon the
idea of adding an organ
and a piano to the usual
orchestral scoring is not
known. The idea of adding
an organ part to a
secular orchestral work
intended for the concert
hall was thoroughly novel
- and not without
controversy. On the other
hand, Franz Liszt, whose
music Saint-Saens'
Symphony is so close to,
had already demonstrated
that the organ could
easily be an orchestral
instrument in his
symphonic poem
Hunnenschlacht (1856/57).
There was also a model
for the piano duet part
which Saint-Saens knew
and may possibly have
used quite consciously as
an exemplar: theFantaisie
sur la Tempetefrom the
lyrical monodrama Lelio,
ou le retour a la Vie op.
14bis (1831) by Berlioz.
The name of the organist
at the premiere ist
unknown, as,
incidentally, was also
the case with many of the
later performances; the
organ part is indeed not
soloistic, but should be
understood as part of the
orchestral
texture.
In fact
the subsequent success of
the symphony seems to
have represented a kind
of breakthrough for the
composer, who was then
over 50 years of age.My
dear composer of a famous
symphony, wrote
Saint-Saens' friend and
pupil Gabriel Faure:You
will never be able to
imagine what a pleasure I
had last Sunday [at the
second performance on 16
January 1887]! And I had
the score and did not
miss a single note of
this Symphony, which will
endure much longer than
we two, even if we were
to join together our two
lifespans!
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p> MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
$566.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Renaissance Fair Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Manhattan Beach Music
By Bob Margolis (After Claude Gervaise). Concert band. Suitable for high school,...(+)
By Bob Margolis (After
Claude Gervaise). Concert
band. Suitable for high
school, community, and
college bands. Level:
Grade 4. Conductor score
and set of parts.
Duration 4:30. Published
by Manhattan Beach Music.
$135.00 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Galloping Ghosts Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Manhattan Beach Music
Concert band - Grade 4 SKU: MH.1-59913-064-5 Composed by William Ryden. S...(+)
Concert band - Grade 4
SKU:
MH.1-59913-064-5
Composed by William
Ryden. Suitable for high
school, community, and
college bands. Conductor
score and set of parts.
Duration 2:45. Published
by Manhattan Beach Music
(MH.1-59913-064-5).
ISBN
9781599130644. I
wrote Galloping Ghosts (A
Ragtime March) to
conclude a concert of my
chamber music in New York
City on October 28, 1986.
It is the final part of a
work called Rags for
Divers Players. This work
was written to show the
variety possible within
the standard rag form. I
used all the players
available for the finale
-- two violins, viola,
cello, bass, flute, oboe,
clarinet, horn, bassoon,
and piano. Since this is
a rather unusual
instrumental combination
and not easy to
reassemble, I decided to
rescore the work for
concert band. Galloping
Ghosts is written in a
standard march form but
incorporates many of the
syncopations found in
ragtime. The uniquely
American music called
ragtime traces its
history to African
rhythms brought over by
slaves. Over the years
this music became welded
to European musical forms
such as the quadrille and
the march. Drums and
banjos and the minstrel
tradition lent a special
flavor, and from all
these elements ragtime
slowly evolved within the
largely unknown black
subculture of the late
19th century. In the late
1890's it emerged as a
fully developed form in
the classic piano solos
of Scott Joplin
(1869-1917). Joplin's
1899 hit, Maple Leaf Rag,
was an overnight
sensation and brought
ragtime worldwide fame.
Ensemble instrumentation:
1 Piccolo, 8 Flute 1 and
2, 2 Oboe, 1 Eb Clarinet,
4 Bb Clarinet 1, 4 Bb
Clarinet 2, 4 Bb Clarinet
3, 2 Eb Alto Clarinet, 3
Bb Bass and Bb Contrabass
Clarinet, 2 Bassoon 1 and
2, 2 Eb Alto Saxophone 1,
2 Eb Alto Saxophone 2, 2
Bb Tenor Saxophone, 1 Eb
Baritone Saxophone, 3 Bb
Cornet 1, 3 Bb Cornet 2,
3 Bb Cornet 3, 2 Horn 1
and 2 in F, 2 Horn 3 and
4 in F, 4 Trombone 1 and
2, 4 Bass Trombone, 2
Baritone (B.C.), 2
Baritone (T.C.), 4 Tuba,
1 String Bass, 1 Timpani,
1 Xylophone, 3 Percussion
1, 3 Percussion 2. $95.00 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| After You've Gone Big band [Conducteur et Parties séparées] Handelsware
Big band (Alto Sax 1, opt. Alto Sax 2, Tenor Sax 1, Tenor Sax 2, Baritone Sax, T...(+)
Big band (Alto Sax 1,
opt. Alto Sax 2, Tenor
Sax 1, Tenor Sax 2,
Baritone Sax, Trumpet
1-4, Trombone 1, Trombone
2, opt. Trombone 3, opt.
Bass Trombone 4, Piano,
Bass, Drums) - advanced
to difficult SKU:
M7.SMP-419
Swing. Composed by
Maynard Ferguson and
Turner Layton. Arranged
by Michael Abene. Sheet
music. Swing. Score and
parts. Handelsware #SMP
419. Published by
Handelsware (M7.SMP-419).
English. The
Maynard Ferguson Band
performed a lot of
Abene's charts over the
years. This chart is an
excellent example of
Abene's very musical
approach to a great jazz
standard. Very reasonable
ranges throughout.
Features tenor sax,
trumpet and trombone
solos. Destined to be a
best-seller! Printed as
originally scored
(4-4-2-3), but including
extra parts for a
standard 5-4-4-4
instrumentation. This one
burns! $97.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Rituals Theodore Presser Co.
Orchestra Bass Clarinet, Bass Trombone, Bassoon, Clarinet, Contrabass, Contrabas...(+)
Orchestra Bass Clarinet,
Bass Trombone, Bassoon,
Clarinet, Contrabass,
Contrabassoon, English
Horn, Flute 1, Flute 2,
Horn 1, Horn 2, Horn 3,
Horn 4, Oboe, Percussion,
Trombone 1, Trombone 2,
Trumpet 1, Trumpet 2,
Tuba, Viola, Violin 1,
Violin 2, Violoncello
SKU: PR.44641192L
For 5 Percussionists
and Orchestra.
Composed by Ellen Taaffe
Zwilich. Contemporary.
Large Score. With
Standard notation.
Composed 2003. 72 pages.
Duration 30 minutes.
Theodore Presser Company
#446-41192L. Published by
Theodore Presser Company
(PR.44641192L). UPC:
680160610860. 11 x 14
inches. One of my
greatest pleasures in
writing a concerto is
exploring the new world
that opens for me each
time I enter the
sometimes alien, but
always fascinating, world
of a solo instrument or
instruments. For me, the
challenge is to discover
the deepest nature of the
solo instrument (its
karma, if you will) and
to allow that essential
character to guide the
shape and form of the
work and the nature of
the interaction between
soloists and orchestra.
In recent years, many of
us have become more aware
of the musical world
outside the Western
tradition of musics that
follow different
procedures and spring
from other aesthetics.
And contemporary
percussionists have
opened many of these
worlds to us, as they
have ventured around the
globe, participating in
Brazilian Samba schools,
studying Gamelan and
African drumming with
local experts, collecting
instruments from Asia and
Africa and South America
and the South Pacific,
widening our horizons in
the process. I will never
forget our first meeting
in Toronto when Nexus
invited me into their
world of hundreds of
exciting percussion
instruments. The vast
array of instruments in
the collection of the
Nexus ensemble is truly
global in scope as well
as offering a thrilling
sound-universe. I was
inspired by the
incredible range of sound
and moved by the fact
that so many of these
instruments were musical
reflections of a
spiritual dimension.
After long consideration,
I decided that it would
not only be impossible,
but even undesirable for
this
Western-tradition-steeped
composer to attempt to
use these instruments in
a culturally authentic
way. My goal was an
existential kind of
authenticity: searching
instead for universal
ideas that would be true
to both myself and the
performers while
acknowledging the
traditional uses of the
instruments. Since many
percussion instruments
are associated with
various kinds of ritual,
I decided that I would
allow that concept to
shape my piece. Rituals
is in four movements,
each issuing from a
ritual associated with
percussion, but with the
orchestral interaction
providing an essential
element in the musical
form. I. Invocation
alludes to the traditions
of invoking the spirit of
the instruments, or the
gods, or the ancestors
before performing. II.
Ambulation moves from a
processional, through
march and dance to
fantasy based on all
three. III. Remembrances
alludes to traditions of
memorializing. IV.
Contests progresses from
friendly competition
games, contests to a
suggestion of a battle of
big band drummers, to
warlike exchanges. In the
2nd and 4th movements,
another percussion
tradition, improvisation,
is employed. Written into
these movements are a
number of seeds for
improvisation.
Indications in the score
call for the soloists to
improvise in three
different ways, marked A
for percussion alone;
marked B for percussion
with and in response to
the orchestra; and C
where the percussionists
are free to add and
embellish the written
parts. These
improvisations should
grow out of and embellish
previous motives and
gestures in the
movement. $95.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Reflections on the Mississippi Orchestre d'harmonie [Conducteur] - Intermédiaire/avancé Hal Leonard
(for Tuba and Symphonic Band). Composed by Michael Daugherty (1954-). For Concer...(+)
(for Tuba and Symphonic
Band). Composed by
Michael Daugherty
(1954-). For Concert Band
(Full Score). Michael
Daugherty Music. Grade
5-6. Softcover. Published
by Hal Leonard
$65.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Immortals Fanfare [Conducteur et Parties séparées] - Intermédiaire Arrangers' Publishing Company
By Fall Out Boy. Arranged by Tom Wallace. Arrangers' Publ Marching Band. Disne...(+)
By Fall Out Boy. Arranged
by
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Marching Band. Disney,
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Published
by Arrangers' Publishing
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| Opus 4 Big band [Conducteur et Parties séparées] - Intermédiaire Hal Leonard
By Charles Mingus. Arranged by Boris Koslov. Charles Mingus Big Band Jazz. Publi...(+)
By Charles Mingus.
Arranged by Boris Koslov.
Charles Mingus Big Band
Jazz. Published by Hal
Leonard.
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