Pour Quatour De Saxophones. Par EOTVOS PETER. I got the idea of writing this piece during a rehearsal with Klaus Michael Grüber I saw in Berlin. Three actors were rehearsing a scene of Kleist. At the end, Grüber said: ‘… now once again in a different way.’ The text was identical but the interpretation was completely different and had almost nothing in common with the previous version. My piece is going in that direction too. In ‘Scène 1/A’ I imposed a certain character, and in ‘Scène 1/B lecture différente’ the same material is interpreted in a completely different way. The same is true in the second scene. Peter Eötvös / Niveau : 5 / Répertoire / 4 Saxophones [SATBar]

Imagine someone who has worked as an international saxophonist, an educator, a technician, a consultant, and as a designer, and you can imagine Peter Ponzol. For the first time, Peter offers details from his famous Saxophone Workshops. Learn about: ' Maintenance ' Reeds ' Mouthpieces ' Ligatures ' Sound ' Flexibility This exciting and informational pocket book will be a much needed addition to your musical library! Convenient pocket-sized book - 3.5 x 5.5 - perfect to toss in your gig bag! 64 pages. Peter has been around saxophones for decades, doing it all from manufacturing horns to reeds to mouthpieces. As well, he is a seasoned player. What he discusses in this book is coming from one of the sources-read carefully! - David Liebman, Sax artist/ author/ clinician. Read this review from Sax On The Web: The information in this book is right up SOTW's alley, with answers regarding reeds, necks, mouthpieces, saxes, maintenance, and the like. I would assume that the number of redundant threads started could be reduced almost in half simply with a reading of this book and those owning it could refer back to it at their leisure, as needed. And there is enough info in this book which contradicts some of our SOTW urban legends to make an episode of MythBusters. If you catch the right posts at the right time, much of the info in this book is already posted here on SOTW. But you have to see it and if hunting for it, you have to find it. OTOH it's all conveniently gathered and organized here in this primer - plus more. There are suggestions such as replacing the neck cork once or twice a year, which I would, if posting a response, say is not necessary. But here's the difference. Many of us on the forum are experienced musicians but few have the experience and depth that Ponzol has. We can write with credibility - Ponzol writes with authority. And this is based on decades not only as a top-echelon player, but as a successful and innovative sax, neck and mpc designer. The book is a 61 page pocket reference booklet which, in addition to topics mentioned above, include thoughts on ligatures, sound and flexibility. It is based on items of interest asked by attendees at workshops he has given over the years, hence the title. He begins by pointing out that at these workshops one of the first things he does is look at the condition of attendees' equipment with the observation that at least 90% of them need some kind of work and adjustments. What follows in the book's 61 pages are recommendations generated by this observation. Included are interesting comments such as: aging store-bought reeds by letting them sit for several years is fairly useless since the aging process stops once the bark has been cut away from the reed; not earth-shattering but interesting and certainly myth debunking. Again something that fits right in with many of the conversations on this forum. Interesting thoughts follow regarding the future of natural cane reeds, or how to select and get the most from your reeds - things I wouldn't think of like sanding the heel of your reed. SOTWers might also get a kick out of, and relate to, the title of his section on mouthpieces, 'Now the Fun Begins'. There are also interesting side comments we don't often hear like: in the 70s so many young players like Ponzol were trying to get Trane's recorded sound by working on metal Links because that's what they saw in photos and yet, Trane often recorded with hard rubber mpcs because, in Trane's opinion, it didn't have as much spit in the sound for him. It's interesting how some things come around back to you. There are two exercises I recommend to my students and have recommended on the forum regarding volume and embouchure control and flexibility. I've never heard anyone else recommend these exercises and yet here they are in Peter's book. Then it hit me. The only other one I know who uses them is a former teacher of mine and I remembered that years ago he said he had had some lessons with Ponzol. So 'the circle is unbroken' LOL. I would highly recommend it for beginners and intermediates, as well as for more advanced players to recommend to their students. It has made me re-think even some of my most basic assumptions regarding equipment and maintenance, which has made the read well worth it. I wish every SOTW newbie would start out their Forum time with this booklet at their disposal.

Par WASTALL PETER. Le saxophone fait partie d'une série de livres d'instruction pour cuivres et d'instruments à vent (publiés par Boosey and Hawkes). Peter Wastall, un enseignant très expérimenté et reconnu, a spécialement conçu cette série pour les personnes qui avvicier la première fois à l'étude des instruments à vent. Cette méthode convient pour les leçons individuelles et de groupes. Cette méthode est simple à comprendre et facile à utiliser. Le livre est divisé en sections qui fournissent des explications complètes pour chaque nouvel apprentissage lidi. Comprend plusieurs chansons complètes et des exercices, pour résumer à chaque niveau. Le livre, divisé en 24 sections, met l'accent sur le développement précoce de musicalité, présentant dès maintenant un large éventail d'exemples musicaux, y compris les compositeurs contemporains même. Cette édition mise à jour prend en compte l'évolution des instrumental, méthode d'enseignement. Est idéal pour ceux qui s'approcher d'un instrument de musique de bois, puisqu'il fournit un guide complet pour le débutant. / Pédagogie / Méthode / Saxophone Contralto

Par WENIGER PETER. This CD (including music booklet) has not especially been worked out for the use in musical education. It is, on the contrary, an audio CD which has been recorded for sale as a trio CD under my name. Mixing the recordings at the studio, however, gave us the idea to offer this CD Legal Paradizer also as a play along CD. For this reason I have never taken a pedagogic approach to the musical conception of the pieces performed, which, in my opinion, is exactly what makes these recordings so unique. The structure of none of the pieces is, for instance, as simple as that of the tunes on some other play along CDs. Therefore, I have taken the liberty of adding a short explanationand/or comment on every piece meant to make it easier for you to follow the road map of the tunes. Additionally I have explained some stylistic features to help you interprete the individual pieces. Working with my students has shown me how much fun it can be to also offer groove and funk oriented music on a CD to play along. In most of the pieces you do not necessarily have to follow the changes; you should rather develop simple ideas in time. A real strong emphasis is here placed on the term groove./ Recueil / Instruments en Sib

A primer for the wind instrumentalist. Par DE BOER PETER / LUTZ SIMON. The Swinging Beginning is a collection of easy play-along pieces in a variety of pop, latin and dance styles all with the emphasis on swing. The CDs contain a live backing band with an excellent latin percussion section. / Niveau : Facile / Recueil / Saxophone

Ein Spielbuch für Anfänger. Par DE BOER PETER / LUTZ SIMON. The Swinging Beginning is a collection of easy play-along pieces in a variety of pop, latin and dance styles all with the emphasis on swing. The CDs contain a live backing band with an excellent latin percussion section. / Niveau : Facile / Recueil / Saxophone

Ein Spielbuch für Anfänger. Par DE BOER PETER / LUTZ SIMON. The Swinging Beginning is a collection of easy play-along pieces in a variety of pop, latin and dance styles all with the emphasis on swing. The CDs contain a live backing band with an excellent latin percussion section. / Niveau : Facile / Recueil / Saxophone

Etude, Méthode, Exercice, tout est bon pour apprendre et perfectionner son apprentissage musical. A travers, cette partition pour Saxophone vous pourrez découvrir une des oeuvres de Wastall Peter en l'occurence Apprendre En Jouant Du Saxophone qui a été éditée par la maison d'édition Leduc. / Saxophone / Partition

The Grade By Grade series draws on the rich and varied Boosey and Hawkes catalogue of classical, contemporary and educational repertoire, highlighting composers including Serge Prokofieff, Dmitri Shostakovich, Karl Jenkins, Carol Barratt and Christopher Norton, alongside arrangements of traditional music from around the world by Peter Wastall, Vera Gray and others. Carefully selected by Janet Way, this practical anthology provides the complete repertoire resource for the aspiring Grade 3 saxophonist and creates the perfect package for teaching, exam preparation and performance. Each volume contains:19 pieces and short studies, each complemented by a useful practice and performance tipgrade-appropriate scales and arpeggios linked to the repertoire through bespoke text and exercisesbrand new sight-reading activitiesnewly-commissioned aural awareness tasksa piano accompaniment bookletPackaged with a CD of full performance demonstrations, piano backing tracks, and grade-appropriate aural awareness resources. Janet Way is an experienced performer and teacher. She is a tutor for the LRAM woodwind teaching course at the Royal Academy of Music, and has worked as a mentor and diploma examiner for the Associated Board of the Royal Schools of Music. She is founder and director of the internationally-acclaimed Oxford Flute Summer School. / Saxophone Alto Et Piano

L'intention de compatibles Christmas Duets For Winds est de fournir aux joueurs d'instruments la possibilité de jouer cinquante chants de Noël populaires dans les arrangements pour deux instruments.Ces duos vont travailler avec n'importe quelle combinaison de deux instruments, de sorte que vous pouvez jouer des chants avec vos amis, peu importe de quel instrument ils jouent. Il ya des possibilités infinies pour l'utilisation de combinaisons duo pour le plaisir et de divertissement autour des vacances. Vous pouvez jouer pour la famille, des amis, ou dans un cadre de concert.Compatible Christmas Duets for Winds vous fournit des offres intéressantes et jouables. Il peut aussi aider à se moquer de temps de pratique autour des vacances et peut être utilisé avec les amis et les enseignants ainsi.Une des meilleures faCons d'améliorer en tant que joueur est de jouer dans de petits groupes de musique de chambre et duos sont le moyen le plus facile pour commencer. Jouer des duos avec d'autres de niveaux de capacité similaires ou même de plus grande capacité permettra de stimuler la croissance de votre lecture. / Ensemble A Vent

Par HARLE JOHN. A wonderful collection of classical pieces, which have been collected and arranged by John Harle for Soprano, Alto or Tenor Saxophone and Piano Accompaniment. Selected for the ABRSM Alto and Tenor Saxophone Examinations Grade 2./ Recueil / Saxophone en Mib ou Sib et Piano

Ce livre/cd permet aux saxophonistes d'étudier style et de l'improvisation, présente les répértoires de gammes et nomenclatures. Il contient 15 solos qui sont enregistrés sur le CD par Ted Nash (sax tenor), Dave Hazeltine (Piano), Peter Washington (Basse) et Kenny Washington (Batterie). Deux enregistrements par morceaux : une version complète + une version sans la partie solo. / Saxophone