| Verbum Caro Carl Fischer
Choral TBB chorus SKU: CF.CM9588 Composed by Tomas Luis de Victoria. Arra...(+)
Choral TBB chorus SKU:
CF.CM9588 Composed by
Tomas Luis de Victoria.
Arranged by Jeb Mueller.
Fold. Performance Score.
8 pages. Duration 1
minute, 59 seconds. Carl
Fischer Music #CM9588.
Published by Carl Fischer
Music (CF.CM9588).
ISBN 9781491154106.
UPC: 680160912605. 6.875
x 10.5 inches. Key: Eb
major. Latin. Traditional
Latin. Tomas Luis
de Victoria (15481611) is
widely considered the
greatest Spanish
Renaissance composer and
one of the most
influential musicians of
his time. Included in his
oeuvre are two settings
of the Pange
lingua, both
produced in 1581. This
motet is excerpted from
the first of those and
incorporates the original
Roman melody, or cantus
firmus. (He composed his
second Pange
lingua based on a
Spanish melody.) The
baritones anchor the
motet by singing the tune
in augmentation. This
line should be intoned
with a flowing, legato
articulation that
incorporates subtle
phrasing and text
stresses. The more
rhythmic tenor and bass
lines complement the
melody and illustrate the
hopeful nature of its
text. Singing this piece
with two pulses per
measure will encourage a
steady and vital
performance. Composers
provided minimal
performance details in
their scores during this
period in music history,
so I added a time
signature, bar lines,
dynamics, and metronome
markings in order to
facilitate performances
that musicologists
believe mimic those of
Victorias time. It should
be noted that dynamics
are largely subjective,
so performers may make
alternative choices. Each
tenuto indicates
word stress; the most
musical performances will
incorporate gentle
crescendos and
decrescendos before and
after each of them.
Lastly, using minimal
vibrato, especially at
cadences, will imbue this
wonderful motet with
style and clarity.
PRONUNCIATION GUIDE
Victoria received much of
his training in Italy,
therefore making
Italianate Latin most
appropriate. Pure vowels
are critical to correct
pronunciation, and those
phonemes remain constant
without exceptions. The
most problematic of the
vowels is o, which sounds
similar to the English
words bought and got. The
letter t should be
produced dentally: lift
the tongue to the top of
the mouth as in English,
but aspirate less on the
release. All occurrences
of s should be soft and
never hardened to [z],
such as in praise. Verbum
caro, panem verum,
[v??bum k??? p?n?m v?rum]
verbo carnem efficit:
fitque sanguis Christi
merum. [v??b? k??n?m
??fit?it fitkw? s??gwis
k?isti m??um] Et si
sensus deficit, ad
firmandum cor sin cerum.
[?t si s?nsus ?d?fit?it,
?d fi??m?ndum k?? sin
t???um] Jeb
Mueller. TomA!s Luis
de Victoria (1548a1611)
is widely considered the
greatest Spanish
Renaissance composer and
one of the most
influential musicians of
his time. Included in his
oeuvre are two settings
of the Pange
lingua, both
produced in 1581. This
motet is excerpted from
the first of those and
incorporates the original
Roman melody, or cantus
firmus. (He composed his
second Pange
lingua based on a
Spanish melody.) The
baritones anchor the
motet by singing the tune
in augmentation. This
line should be intoned
with a flowing, legato
articulation that
incorporates subtle
phrasing and text
stresses. The more
rhythmic tenor and bass
lines complement the
melody and illustrate the
hopeful nature of its
text. Singing this piece
with two pulses per
measure will encourage a
steady and vital
performance. Composers
provided minimal
performance details in
their scores during this
period in music history,
so I added a time
signature, bar lines,
dynamics, and metronome
markings in order to
facilitate performances
that musicologists
believe mimic those of
Victoriaas time. It
should be noted that
dynamics are largely
subjective, so performers
may make alternative
choices. Each
tenuto indicates
word stress; the most
musical performances will
incorporate gentle
crescendos and
decrescendos before and
after each of them.
Lastly, using minimal
vibrato, especially at
cadences, will imbue this
wonderful motet with
style and clarity.
PRONUNCIATION GUIDE
Victoria received much of
his training in Italy,
therefore making
Italianate Latin most
appropriate. Pure vowels
are critical to correct
pronunciation, and those
phonemes remain constant
without exceptions. The
most problematic of the
vowels is ao,a which
sounds similar to the
English words bought and
got. The letter ata
should be produced
dentally: lift the tongue
to the top of the mouth
as in English, but
aspirate less on the
release. All occurrences
of asa should be soft and
never hardened to [z],
such as in praise. Verbum
caro, panem verum, [vEE
3/4 bum kEE 3/4 E pEnEm
vErum] verbo carnem
efficit: fitque sanguis
Christi merum. [vEE 3/4
bE kEE 3/4 nEm EEfitEit
fitkwE sEAgwis kE 3/4
isti mEE 3/4 um] Et si
sensus deficit, ad
firmandum cor sin cerum.
[Et si sEnsus EdEfitEit,
Ed fiE 3/4 EmEndum kEE
3/4 sin tEEE 3/4 um] Jeb
Mueller. Tomas Luis de
Victoria (1548-1611) is
widely considered the
greatest Spanish
Renaissance composer and
one of the most
influential musicians of
his time. Included in his
oeuvre are two settings
of the Pange
lingua, both
produced in 1581. This
motet is excerpted from
the first of those and
incorporates the original
Roman melody, or cantus
firmus. (He composed his
second Pange
lingua based on a
Spanish melody.) The
baritones anchor the
motet by singing the tune
in augmentation. This
line should be intoned
with a flowing, legato
articulation that
incorporates subtle
phrasing and text
stresses. The more
rhythmic tenor and bass
lines complement the
melody and illustrate the
hopeful nature of its
text. Singing this piece
with two pulses per
measure will encourage a
steady and vital
performance. Composers
provided minimal
performance details in
their scores during this
period in music history,
so I added a time
signature, bar lines,
dynamics, and metronome
markings in order to
facilitate performances
that musicologists
believe mimic those of
Victoria's time. It
should be noted that
dynamics are largely
subjective, so performers
may make alternative
choices. Each
tenuto indicates
word stress; the most
musical performances will
incorporate gentle
crescendos and
decrescendos before and
after each of them.
Lastly, using minimal
vibrato, especially at
cadences, will imbue this
wonderful motet with
style and clarity.
PRONUNCIATION GUIDE
Victoria received much of
his training in Italy,
therefore making
Italianate Latin most
appropriate. Pure vowels
are critical to correct
pronunciation, and those
phonemes remain constant
without exceptions. The
most problematic of the
vowels is o, which sounds
similar to the English
words bought and got. The
letter t should be
produced dentally: lift
the tongue to the top of
the mouth as in English,
but aspirate less on the
release. All occurrences
of s should be soft and
never hardened to [z],
such as in praise. Verbum
caro, panem verum,
[verbum karo panem verum]
verbo carnem efficit:
fitque sanguis Christi
merum. [verbo karnem
'efitSit fitkwe saNGgwis
kristi merum] Et si
sensus deficit, ad
firmandum cor sin cerum.
[et si sensus 'defitSit,
ad fir'mandum kor sin
tSerum] Jeb
Mueller. Tomas Luis de
Victoria (1548-1611) is
widely considered the
greatest Spanish
Renaissance composer and
one of the most
influential musicians of
his time. Included in his
oeuvre are two settings
of the Pange lingua, both
produced in 1581. This
motet is excerpted from
the first of those and
incorporates the original
Roman melody, or cantus
firmus. (He composed his
second Pange lingua based
on a Spanish melody.) The
baritones anchor the
motet by singing the tune
in augmentation. This
line should be intoned
with a flowing, legato
articulation that
incorporates subtle
phrasing and text
stresses. The more
rhythmic tenor and bass
lines complement the
melody and illustrate the
hopeful nature of its
text. Singing this piece
with two pulses per
measure will encourage a
steady and vital
performance. Composers
provided minimal
performance details in
their scores during this
period in music history,
so I added a time
signature, bar lines,
dynamics, and metronome
markings in order to
facilitate performances
that musicologists
believe mimic those of
Victoria's time. It
should be noted that
dynamics are largely
subjective, so performers
may make alternative
choices. Each tenuto
indicates word stress;
the most musical
performances will
incorporate gentle
crescendos and
decrescendos before and
after each of them.
Lastly, using minimal
vibrato, especially at
cadences, will imbue this
wonderful motet with
style and clarity.
PRONUNCIATION GUIDE
Victoria received much of
his training in Italy,
therefore making
Italianate Latin most
appropriate. Pure vowels
are critical to correct
pronunciation, and those
phonemes remain constant
without exceptions. The
most problematic of the
vowels is o, which sounds
similar to the English
words bought and got. The
letter t should be
produced dentally: lift
the tongue to the top of
the mouth as in English,
but aspirate less on the
release. All occurrences
of s should be soft and
never hardened to [z],
such as in praise. Verbum
caro, panem verum,
[verbum karo panem verum]
verbo carnem efficit:
fitque sanguis Christi
merum. [verbo karnem
'efitSit fitkwe saNGgwis
kristi merum] Et si
sensus deficit, ad
firmandum cor sin cerum.
[et si sensus 'defitSit,
ad fir'mandum kor sin
tSerum] Jeb
Mueller. Tomas Luis de
Victoria (1548-1611) is
widely considered the
greatest Spanish
Renaissance composer and
one of the most
influential musicians of
his time. Included in his
oeuvre are two settings
of the Pange lingua, both
produced in 1581. This
motet is excerpted from
Pange lingua more
hisapano. The baritones
anchor the motet by
singing the tune in
augmentation. This line
should be intoned with a
flowing, legato
articulation that
incorporates subtle
phrasing and text
stresses. The more
rhythmic tenor and bass
lines complement the
melody and illustrate the
hopeful nature of its
text. Singing this piece
with two pulses per
measure will encourage a
steady and vital
performance. Composers
provided minimal
performance details in
their scores during this
period in music history,
so I added a time
signature, bar lines,
dynamics, and metronome
markings in order to
facilitate performances
that musicologists
believe mimic those of
Victoria's time. It
should be noted that
dynamics are largely
subjective, so performers
may make alternative
choices. Each tenuto
indicates word stress;
the most musical
performances will
incorporate gentle
crescendos and
decrescendos before and
after each of them.
Lastly, using minimal
vibrato, especially at
cadences, will imbue this
wonderful motet with
style and clarity.
PRONUNCIATION GUIDE
Victoria received much of
his training in Italy,
therefore making
Italianate Latin most
appropriate. Pure vowels
are critical to correct
pronunciation, and those
phonemes remain constant
without exceptions. The
most problematic of the
vowels is o, which sounds
similar to the English
words bought and got. The
letter t should be
produced dentally: lift
the tongue to the top of
the mouth as in English,
but aspirate less on the
release. All occurrences
of s should be soft and
never hardened to [z],
such as in praise. Verbum
caro, panem verum,
[verbum karo panem verum]
verbo carnem efficit:
fitque sanguis Christi
merum. [verbo karnem
'efitSit fitkwe saNGgwis
kristi merum] Et si
sensus deficit, ad
firmandum cor sin cerum.
[et si sensus 'defitSit,
ad fir'mandum kor sin
tSerum] Jeb
Mueller. Tomás Luis
de Victoria
(1548–1611) is
widely considered the
greatest Spanish
Renaissance composer and
one of the most
influential musicians of
his time. Included in his
oeuvre are two settings
of the Pange lingua, both
produced in 1581. This
motet is excerpted from
Pange lingua more
hisapano.The baritones
anchor the motet by
singing the tune in
augmentation. This line
should be intoned with a
flowing, legato
articulation that
incorporates subtle
phrasing and text
stresses. The more
rhythmic tenor and bass
lines complement the
melody and illustrate the
hopeful nature of its
text. Singing this piece
with two pulses per
measure will encourage a
steady and vital
performance.Composers
provided minimal
performance details in
their scores during this
period in music history,
so I added a time
signature, bar lines,
dynamics, and metronome
markings in order to
facilitate performances
that musicologists
believe mimic those of
Victoria’s time.
It should be noted that
dynamics are largely
subjective, so performers
may make alternative
choices. Each tenuto
indicates word stress;
the most musical
performances will
incorporate gentle
crescendos and
decrescendos before and
after each of them.
Lastly, using minimal
vibrato, especially at
cadences, will imbue this
wonderful motet with
style and
clarity.PRONUNCIATION
GUIDEVictoria received
much of his training in
Italy, therefore making
Italianate Latin most
appropriate. Pure vowels
are critical to correct
pronunciation, and those
phonemes remain constant
without exceptions. The
most problematic of the
vowels is
“o,†which
sounds similar to the
English words bought and
got. The letter
“t†should be
produced dentally: lift
the tongue to the top of
the mouth as in English,
but aspirate less on the
release. All occurrences
of “s†should
be soft and never
hardened to [z], such as
in praise.Verbum caro,
panem
verum,[vɛɾbum
kɑɾɔ
pɑnɛm
vɛrum]verbo carnem
efficit: fitque sanguis
Christi
merum.[vɛɾbɔ
kɑɾnɛm
ˈɛfitʃit
fitkwÉ›
sɑŋgwis kɾisti
mɛɾum]Et si sensus
deficit, ad firmandum cor
sin cerum.[ɛt si
sɛnsus
ˈdɛfitʃit,
É‘d
fiɾˈmɑndum
kɔɾ sin
tʃɛɾum]Jeb
Mueller. $2.25 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Gloria in Excelsis Deo (from Alma Redemptoris) Chorale SATB Shawnee Press
Choral (SATB) SKU: HL.35007834 Eartraining. Composed by Tomá...(+)
Choral (SATB) SKU:
HL.35007834
Eartraining.
Composed by Tomá
and s Luis de Victoria.
Arranged by James
McKelvy. Mark Foster.
Advent, Christmas Sacred,
Christmas/Advent Sacred,
Classical, Concert.
Octavo. 8 pages. Shawnee
Press #MF0404. Published
by Shawnee Press
(HL.35007834). UPC:
747510051954.
7.0x10.5x0.016 inches.
French. Avoir
une bonne oreille
musicale fait
indéniablement
partie des
éléments
requis pour être ou
devenir un bon pianiste.
C’est bien
simple... tout part de
là ! Et tout passe
par là !Mais
à l’instar
des doigts qui sont au
contact du clavier,
l’oreille doit
aussi être
formée et
entraînée
pour devenir performante.
Et cela passe
inévitablement par
des
exercicesspécifiqu
es, tels que ceux qui
vous sont proposés
dans cette
méthode. Savoir
reconnaître les
intervalles entre les
notes est la base de la
formation auditive (ear
training, en anglais).
C’estpourquoi un
premier grand chapitre
est consacré ici
à leur
étude approfondie.
Dans les suivants, vous
serez alors en mesure
d’aborder, pas
à pas, les
arpèges et accords
de 3 et 4 sons,ainsi que
les gammes... qui sont
autant d’outils
indispensables pour
identifier à
l’oreille les
mélodies et
accompagnements
joués par le
piano. Chaque
étape de
l’apprentissage
estponctuée
d’un quiz musical,
permettant
d’évaluer
vos acquis, vos
progrès... mais
aussi votre aptitude
à passer à
la suite. Vous trouverez
sur le disque MP3 joint
tous lesenregistrements
audios (au format mp3)
correspondant aux
multiples exercices et
autres quiz de la
méthode. Avoir une bonne oreille
musicale fait
indeniablement partie des
elements requis pour etre
ou devenir un bon
pianiste. C'est bien
simple... tout part de la
! Et tout passe par la !
Mais a l'instar des
doigts qui sont au
contact du clavier,
l'oreille doit aussi etre
formee et entrainee pour
devenir performante. Et
cela passe inevitablement
par des exercices
specifiques, tels que
ceux qui vous sont
proposes dans cette
methode. Savoir
reconnaitre les
intervalles entre les
notes est la base de la
formation auditive (ear
training, en anglais).
C'est pourquoi un premier
grand chapitre est
consacre ici a leur etude
approfondie. Dans les
suivants, vous serez
alors en mesured'aborder,
pas a pas, les arpeges et
accords de 3 et 4 sons,
ainsi que les gammes...
qui sont autant d'outils
indispensables pour
identifier a l'oreille
les melodies et
accompagnements joues par
le piano. Chaque etape de
l'apprentissage est
ponctuee d'un quiz
musical, permettant
d'evaluer vos acquis, vos
progres... mais aussi
votre aptitude a passer a
la suite. Vous trouverez
sur le disque MP3 joint
tous les enregistrements
audios (au format mp3)
correspondant aux
multiples exercices et
autres quiz de la
methode.
$2.50 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Agnus Dei-Two Settings in Alternatim Chorale SATB GIA Publications
SATB choir, cantor, Assemby SKU: GI.G-005279 Composed by William Byrd & T...(+)
SATB choir, cantor,
Assemby SKU:
GI.G-005279 Composed
by William Byrd &
Tomás Luis de
Victoria. Arranged by
Richard Proulx. Lent.
Tune Name: Agnus Dei
Xvi Adapted From
Litany Of The Saints,
Missa Dominicalis.
Sacred. Octavo. GIA
Publications #005279.
Published by GIA
Publications
(GI.G-005279).
Latin. Alternati
m is a practice dating
from the early Christian
church that utilizes two
or more performing groups
or contrasting styles of
composition in the
presentation of a
liturgical text. In these
two Agnus Dei settings,
plainchant is contrasted
with polyphony. Richard
Proulx has edited these
useful settings that
seamlessly combine a
familiar chant dialogue
(Agnus Dei XVI) for
cantor and assembly with
choral extensions by
Renaissance composer
William Byrd based on
this same melody. These
settings from the rich
heritage of the Church
can easily be integrated
into your community's
Communion rite.
$1.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| 30 Sacred Masterworks Chorale Faber Music Limited
Edited by Judith Blezzard. Choir Sacred. Women's Choir. Book; Choral (Sacred); C...(+)
Edited by Judith
Blezzard. Choir Sacred.
Women's Choir. Book;
Choral (Sacred); Choral
Worship Collection;
Worship Resources. Faber
Edition. Masterwork;
Sacred. Published by
Faber Music
$19.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Ave Maria Quatuor de Cuivres Eighth Note Publications
Composed by Tom�¡s Luis de Victoria. Arranged by James Haynor. For Brass Qu...(+)
Composed by Tom�¡s
Luis de Victoria.
Arranged by James Haynor.
For Brass Quartet. Brass
Ensemble - Quartet;
Masterworks; Part(s);
Quartet; Score. Eighth
Note Publications.
Masterwork Arrangement;
Renaissance. 10 pages.
Published by Eighth Note
Publications
$12.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Tenebrae Factae Sunt Quatuor de cuivres: 4 trombones Eighth Note Publications
By Tomás Luis de Victoria. Arranged by Don Sweete. For 4 Trombones. Brass - T...(+)
By Tomás Luis de
Victoria. Arranged by Don
Sweete. For 4 Trombones.
Brass - Trombone Quartet;
Masterworks; Quartet.
Renaissance. Duration
00:04:06
$12.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| O Magnum Mysterium Quatuor de Cuivres Eighth Note Publications
By Tomas Luis de Victoria (0-1611). Arranged by David Marlatt. For Brass Quartet...(+)
By Tomas Luis de Victoria
(0-1611). Arranged by
David Marlatt. For Brass
Quartet. Brass Ensemble -
Quartet; Masterworks;
Part(s); Quartet; Score.
Eighth Note Publications.
Masterwork Arrangement;
Renaissance. 16 pages.
Published by Eighth Note
Publication
$12.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| O Vos Omnes Chorale SATB SATB Hal Leonard
By TomÌÁs Luis de Victoria and Tom. Edited by John Leavitt. For Choral (SATB)....(+)
By TomÌÁs Luis de
Victoria and Tom. Edited
by John Leavitt. For
Choral (SATB). Treasury
Choral. 12 pages.
Published by Hal Leonard
$2.25 $2.1375 (- 5%) Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Ave Maria Chorale 3 parties SSA Shawnee Press
By TomÌÁs Luis de Victoria and Tom. Arranged by Russell L. Robinson. For Chora...(+)
By TomÌÁs Luis de
Victoria and Tom.
Arranged by Russell L.
Robinson. For Choral
(SSA, OPT.
ACCOMPANIMENT). Choral. 8
pages. Published by
Shawnee Press
$2.50 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| O Magnum Mysterium Orchestre d'harmonie - Intermédiaire Eighth Note Publications
Composed by Tomás Luis de Victoria. Arranged by David Marlatt. Concert Ba...(+)
Composed by Tomás
Luis de Victoria.
Arranged by David
Marlatt. Concert Band.
Concert Band;
Masterworks; Part(s);
Score. Eighth Note
Publications. Masterwork
Arrangement; Renaissance;
Sacred. Grade 3. 110
pages. Published by
Eighth Note Publications
$65.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Ave Maria Chorale SATB SATB A Cappella [Octavo] CanticaNOVA Publications
Composed by Tomas Luis de Victoria (1548-1611). Edited by Andrea Angelini. Text:...(+)
Composed by Tomas Luis de
Victoria (1548-1611).
Edited by Andrea
Angelini. Text: Hail
Mary. Renaissance
treasure. Marian. Octavo.
Published by CanticaNOVA
Publications (C5.7019).
$1.40 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Tenebrae Factae Sunt Eighth Note Publications
Composed by Tomás Luis de Victoria. Arranged by Don Sweete. For 4 Trumpet...(+)
Composed by Tomás
Luis de Victoria.
Arranged by Don Sweete.
For 4 Trumpets. Brass -
Cornet (Trumpet) Quartet;
Masterworks; Part(s);
Quartet; Score. Eighth
Note Publications.
Renaissance. Duration
00:04:05. Published by
Eighth Note Publications
$12.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Improperia Wilhelm Hansen
(Music For Voice) SKU: HL.14068345 Composed by Tom S. Luis De Victoria. C...(+)
(Music For Voice) SKU:
HL.14068345 Composed
by Tom S. Luis De
Victoria. Choral. General
Merchandise. Duration 240
seconds. Edition Wilhelm
Hansen #MK0310. Published
by Edition Wilhelm Hansen
(HL.14068345).
$3.60 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Ecce Nunc Benedicite Wilhelm Hansen
SKU: HL.14071847 Composed by Tom S. Luis De Victoria. Choral. General Mer...(+)
SKU: HL.14071847
Composed by Tom S. Luis
De Victoria. Choral.
General Merchandise.
Duration 240 seconds.
Edition Wilhelm Hansen
#OC05-3. Published by
Edition Wilhelm Hansen
(HL.14071847).
$5.69 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| O Domine Jesu Christe Wilhelm Hansen
(Mixed Choir) SKU: HL.14071846 Composed by Tom S. Luis De Victoria. Chora...(+)
(Mixed Choir) SKU:
HL.14071846 Composed
by Tom S. Luis De
Victoria. Choral. General
Merchandise. Duration 240
seconds. Edition Wilhelm
Hansen #OC05-2. Published
by Edition Wilhelm Hansen
(HL.14071846).
$4.74 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| O Quam Gloriosum Est Reg Wilhelm Hansen
(Music For Voice) SKU: HL.14066654 Composed by Tom S. Luis De Victoria. C...(+)
(Music For Voice) SKU:
HL.14066654 Composed
by Tom S. Luis De
Victoria. Choral. General
Merchandise. Duration 240
seconds. Edition Wilhelm
Hansen #KB297-2.
Published by Edition
Wilhelm Hansen
(HL.14066654).
$3.60 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Beatus Vir Wilhelm Hansen
(Mixed Choir) SKU: HL.14071845 Composed by Tom S. Luis De Victoria. Chora...(+)
(Mixed Choir) SKU:
HL.14071845 Composed
by Tom S. Luis De
Victoria. Choral. General
Merchandise. Duration 240
seconds. Edition Wilhelm
Hansen #OC05-1. Published
by Edition Wilhelm Hansen
(HL.14071845).
$5.69 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Vere Languores Nostros Wilhelm Hansen
(Music For Voice) SKU: HL.14066653 Composed by Tom S. Luis De Victoria. C...(+)
(Music For Voice) SKU:
HL.14066653 Composed
by Tom S. Luis De
Victoria. Choral. General
Merchandise. Duration 240
seconds. Edition Wilhelm
Hansen #KB297-1.
Published by Edition
Wilhelm Hansen
(HL.14066653).
$3.60 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Ave Maria Chorale 3 parties SAB, Piano Shawnee Press
(Together We Sing). By TomÌÁs Luis de Victoria. Arranged by Russell L. Robinso...(+)
(Together We Sing). By
TomÌÁs Luis de
Victoria. Arranged by
Russell L. Robinson. SAB,
OPT ACCOMPANIMENT.
Choral. 8 pages.
Published by Shawnee
Press
(1)$2.50 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Stella Chorale SATB SATB A Cappella Faber Music Limited
A Reflection on Ave Maris Stella by Tomás Luis de Victoria for Unacco...(+)
A Reflection on Ave Maris
Stella by Tomás
Luis de
Victoria for
Unaccompanied
Mixed Choir in 8 Parts.
Composed by Francisco
Coll.
Performance Music
Ensemble;
Single Titles. Faber
Edition.
Masterwork; Sacred.
Choral
Octavo. Faber Music #12-
0571536522. Published by
Faber
Music
$4.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| 3 Motets Wilhelm Hansen
(Mixed Choir) SKU: HL.14071844 Composed by Tom S. Luis De Victoria. Chora...(+)
(Mixed Choir) SKU:
HL.14071844 Composed
by Tom S. Luis De
Victoria. Choral. General
Merchandise. Duration 240
seconds. Edition Wilhelm
Hansen #OC05. Published
by Edition Wilhelm Hansen
(HL.14071844).
$11.39 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| O Magnum Mysterium Quatuor de cuivres: 4 trombones [Conducteur] Cherry Classics
Trombone Quartet - Moderately Advanced SKU: CY.CC2372 Composed by Tomas L...(+)
Trombone Quartet -
Moderately Advanced
SKU: CY.CC2372
Composed by Tomas Luis de
Victoria. Arranged by
Andrew Converse.
Renaissance. Full score &
Parts. Published by
Cherry Classics
(CY.CC2372).
Tomas Luis de
Victoria was the most
famous composer of the
16th century in Spain,
and one of the most
important composers of
the Counter-Reformation,
along with Palestrina and
Orlando di Lasso.
Victoria was not only a
composer, but also an
accomplished organist and
singer. However, he
preferred the life of a
composer to that of a
performer. He is
sometimes known as the
Spanish Palestrina
because he may have been
taught by Palestrina.
O Magnum Mysterium
is a 4 part a cappella
motet written in Latin
for the Catholic Church
service and is performed
mostly around the
Christmas period as the
text refers to the great
mystery of the Virgin
birth, animals and baby
Jesus in the manger. This
work was written during
the composer's stay in
Rome and has some of
Palestrina's influence.
Dr. Converse has done
a beautiful job of
transcribing one of the
most beautiful sacred
choral works of the
Renaissance period. $17.50 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| O Quam gloriosum est regnum Eulenburg
Choral (Study Score) SKU: HL.49009669 (Motet and Mass) for Choir. ...(+)
Choral (Study Score)
SKU: HL.49009669
(Motet and Mass) for
Choir. Composed by
Tomas Luis de Victoria.
Edited by Thomas Rive.
This edition: Saddle
stitching. Sheet music.
Edition Schott. Sacred.
Study Score. 32 pages.
Eulenburg Edition
#ETP1706. Published by
Eulenburg Edition
(HL.49009669). ISBN
9790200211443. UPC:
073999354454.
5.25x7.5x0.118 inches.
Latin. With more
than 1,200 titles from
the orchestral and choral
repertoire, from chamber
music and musical
theatre, Edition
Eulenburg is the world's
largest series of scores,
covering large part of
music history from the
Baroque to the Classical
era and looking back on a
long tradition. $11.99 - Voir plus => Acheter | | |
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