Winning Tradition Orchestre d'harmonie [Conducteur et Parties séparées] - Facile C.L. Barnhouse
Grade 2 SKU: CL.015-2857-00 Composed by K. Harris. Young Concert Band. Co...(+)
Grade 2
SKU:
CL.015-2857-00
Composed by K. Harris.
Young Concert Band.
Command Series. Audio
recording available
separately (item
CL.WFR183). March. Score
and set of parts.
Composed 1997. Duration 2
minutes, 24 seconds. C.L.
Barnhouse #015-2857-00.
Published by C.L.
Barnhouse
(CL.015-2857-00).
Ken Harris
definitely has a long
tradition of writing
exceptional marches for
younger bands and his
latest, Winning Tradition
is one of his nicest.
Tuneful and playable with
modest technical
requirements, you simply
can’t go wrong
with this quality march.
Perfect for contest or
concert performances. A
Real Winner! Recorded on
the CD King’s
Mountain Adventure by The
Washington Winds.
About C.L.
Barnhouse Command
Series
The
Barnhouse Command Series
includes works at grade
levels 2, 2.5, and 3.
This series is designed
for middle school and
junior high school bands,
as well as high school
bands of smaller
instrumentation or
limited experience.
Command Series
publications have a
slightly larger
instrumentation than the
Rising Band Series, and
are typically of larger
scope, duration, and
musical content.
From Jewish Life Violoncelle, Piano Guitare classique Carl Fischer
Chamber Music Cello, Piano SKU: CF.BF141 Composed by Ernest Bloch. Edited...(+)
Chamber Music Cello,
Piano
SKU:
CF.BF141
Composed by
Ernest Bloch. Edited by
Julian Schwarz. 12+8
pages. Carl Fischer Music
#BF141. Published by Carl
Fischer Music (CF.BF141).
ISBN 9781491159989.
UPC:
680160918584.
The
three pieces From Jewish
Life were composed by
Swiss-American composer
Ernest Bloch in 1924, the
same year he took U.S.
citizenship. Though
clearly inspired and
influenced by Jewish
experience, they are
purely concert pieces,
and do not provide any
specific liturgical
significance.
The
first movement, Prayer,
is a deeply heartfelt
plea to the almighty. As
Neil W Levin writes, The
initial four-note motive
in the minor mode,
together with its
elaboration in the
ensuing phrases, sounds
as if it might have
served as the skeletal
model for Max Janowski's
(1912-1991) now
well-known setting of the
High Holyday prayer Avinu
Malkenu. This prayer has
special meaning in my own
spiritual life, as I have
been singing it since my
childhood. Both Prayer
and Janowski's Avinu
Malkenu are cantorial in
nature, to be sung with
heartfelt
pathos.
The second
movement, Supplication
(the act of begging
humbly), has more angst,
almost a sense of urgency
as a result of the
rhythmic motor in the
piano. The third
movement, Jewish Song,
evokes a quintessentially
Eastern-European
melancholy. Its falling
motives with bent
intonation might
represent the pain of the
Jewish
experience.
The
works were dedicated to
Dutch-American cellist
Hans Kindler, a highly
influential musician of
his time, and founder of
the National Symphony
Orchestra in Washington,
D.C. Mr. Kindler was the
soloist for the world
premiere of Bloch's most
celebrated work, Schelomo
in 1917.
Though
the popularity of Bloch's
oeuvre has been dominated
by works of Jewish
connection, we should not
forget that Bloch had
many other stylistic
periods, including
Franco-Belgian, modal,
serial, and even American
folk. In 1927, he was
awarded Musical America's
composition prize in a
unanimous vote, despite
being regarded as an
outsider by American
music writers at the
time. His winning work
America (1928) was
performed by every major
orchestra and conductor
in the following seasons.
May we be proud of his
contributions to American
music. The three
pieces From Jewish Life
were composed by
Swiss-American composer
Ernest Bloch in 1924, the
same year he took U.S.
citizenship. Though
clearly inspired and
influenced by Jewish
experience, they are
purely concert pieces,
and do not provide any
specific liturgical
significance. The first
movement, Prayer, is a
deeply heartfelt plea to
the almighty. As Neil W
Levin writes, The initial
four-note motive in the
minor mode, together with
its elaboration in the
ensuing phrases, sounds
as if it might have
served as the skeletal
model for Max Janowski's
(1912-1991) now
well-known setting of the
High Holyday prayer Avinu
Malkenu. This prayer has
special meaning in my own
spiritual life, as I have
been singing it since my
childhood. Both Prayer
and Janowski's Avinu
Malkenu are cantorial in
nature, to be sung with
heartfelt pathos. The
second movement,
Supplication (the act of
begging humbly), has more
angst, almost a sense of
urgency as a result of
the rhythmic motor in the
piano. The third
movement, Jewish Song,
evokes a quintessentially
Eastern-European
melancholy. Its falling
motives with bent
intonation might
represent the pain of the
Jewish experience. The
works were dedicated to
Dutch-American cellist
Hans Kindler, a highly
influential musician of
his time, and founder of
the National Symphony
Orchestra in Washington,
D.C. Mr. Kindler was the
soloist for the world
premiere of Bloch's most
celebrated work, Schelomo
in 1917. Though the
popularity of Bloch's
oeuvre has been dominated
by works of Jewish
connection, we should not
forget that Bloch had
many other stylistic
periods, including
Franco-Belgian, modal,
serial, and even American
folk. In 1927, he was
awarded Musical America's
composition prize in a
unanimous vote, despite
being regarded as an
outsider by American
music writers at the
time. His winning work
America (1928) was
performed by every major
orchestra and conductor
in the following seasons.
May we be proud of his
contributions to American
music. The three
pieces From Jewish Life
were composed by
Swiss-American composer
Ernest Bloch in 1924, the
same year he took U.S.
citizenship. Though
clearly inspired and
influenced by Jewish
experience, they are
purely concert pieces,
and do not provide any
specific liturgical
significance.The first
movement,
“Prayerâ€, is
a deeply heartfelt plea
to the almighty. As Neil
W Levin writes,
“The initial
four-note motive in the
minor mode, together with
its elaboration in the
ensuing phrases, sounds
as if it might have
served as the skeletal
model for Max
Janowski’s
(1912–1991) now
well-known setting of the
High Holyday prayer Avinu
Malkenu.†This
prayer has special
meaning in my own
spiritual life, as I have
been singing it since my
childhood. Both
“Prayer†and
Janowski’s Avinu
Malkenu are cantorial in
nature, to be sung with
heartfelt pathos.The
second movement,
“Supplicationâ€
(the act of begging
humbly), has more angst,
almost a sense of urgency
as a result of the
rhythmic motor in the
piano. The third
movement, “Jewish
Songâ€, evokes a
quintessentially
Eastern-European
melancholy. Its falling
motives with bent
intonation might
represent the pain of the
Jewish experience.The
works were dedicated to
Dutch-American cellist
Hans Kindler, a highly
influential musician of
his time, and founder of
the National Symphony
Orchestra in Washington,
D.C. Mr. Kindler was the
soloist for the world
premiere of
Bloch’s most
celebrated work, Schelomo
in 1917.Though the
popularity of
Bloch’s oeuvre has
been dominated by works
of Jewish connection, we
should not forget that
Bloch had many other
stylistic periods,
including Franco-Belgian,
modal, serial, and even
American folk. In 1927,
he was awarded Musical
America’s
composition prize in a
unanimous vote, despite
being regarded as an
outsider by American
music writers at the
time. His winning work
America (1928) was
performed by every major
orchestra and conductor
in the following seasons.
May we be proud of his
contributions to American
music.
SATB choir SKU: WD.080689655173 Composed by Daniel Semsen. Choral, cantat...(+)
SATB choir
SKU:
WD.080689655173
Composed by Daniel
Semsen. Choral, cantatas.
Christmas. Book. Word
Music #080689655173.
Published by Word Music
(WD.080689655173).
UPC:
080689655173.
Dove
Award winning songwriters
Joel Lindsey and Jeff
Bumgardner, with Dove
Award winning arranger/
orchestrator Daniel
Semsen, have, once again,
brought to life an
astoundingly appealing
new musical for
Christmas, Love Was
Born a King. With a
slew of critically
acclaimed dramatic
musicals for Christmas
under their belt, this
highly awarded creative
team has done it again,
this time with a twist!
Their newest offering,
Love Was Born a
King, is actually 2
musicals in one! Fully
developed as a dramatic
musical in the vein of
their previous successes
(How to Have the Best
Christmas Ever, An
Unexpected Christmas,
Welcome to Bethlehem,
Under a Starry Sky),
Love Was Born a
King certainly
doesn’t disappoint
those in search of their
next, new, dramatic
musical. For others, who
love the music heard in
those previously released
musicals but
aren’t looking for
a dramatic musical, Joel
and Jeff have delivered
an amazing choir with
narrator musical option
that fully utilizes all
the songs found in the
drama version…
literally, 2 musicals in
1! The option with drama
deals poignantly and
sensitively with the
plight of the homeless,
drawing on the
responsibility of
God’s people to
minister and care for
those in need. And in the
course of helping others,
finding that we just
might find ourselves
being ministered to in
the process! If instead
you’re looking for
a choir with narrator
option, you’ll
discover the same
brilliantly written songs
wrapped in a beautifully
expressed narrative
highlighting the
traditional Christmas
story focusing on the
power and beauty of
God’s Love come
down to earth, manifested
in the birth of the
Christ Child.
Award-Winning
Fingerstyle Guitar
Solos. Composed by Al
Petteway.
Saddle-stitched, Solos.
Celtic / Irish. Book.
With transcribed solos.
76 pages. Mel Bay
Publications, Inc #95381.
Published by Mel Bay
Publications, Inc
(MB.95381).
ISBN
9780786603213. UPC:
796279023641. 8.75 x
11.75 inches.
Whispering
Stones won the award
for â??Best
Recordingâ? from the
Washington Area Music
Association and has
continued to be a
favorite with fans of
fingerstyle guitar music
throughout the world. The
book features
Celtic-inspired original
and traditional tunes
performed on solo
acoustic guitar with the
occasional addition of
flute, mandolin, cello,
piano, or bells. The
tunes appear in the same
order as in the
recording. Al Petteway is
an award-winning
fingerstyle guitarist and
composer. His many
â??Wammieâ? awards
from the Washington Area
Music Association include
â??Artist of the
Yearâ? and
â??Musician of the
Yearâ?. Alâ??s
playing fuses
Celtic/British ideas and
tunings with American
themes and drive.
Acoustic Guitar Magazine
praised his â??concise,
clean arrangements
similar to John
Renbournâ??s better
workâ??. In notation and
tablature.
Composed by Illustrated by Eilidh Muldoon, Music by Aaron Burrows, Penelope Ro...(+)
Composed by Illustrated
by
Eilidh Muldoon, Music by
Aaron
Burrows, Penelope
Roskell, and
Words by Carl Heap.
Method/Instruction; Piano
Method; Technique
Musicianship. Penelope
Roskell's Complete
Pianist
Series. Form: Classical.
Book.
48 pages. Edition Peters
#98-
EP73706. Published by
Edition
Peters
Award-Winning
Fingerstyle Guitar
Solos. Composed by Al
Petteway.
Saddle-stitched, Solos.
All styles. Book. With
transcribed solos. 76
pages. Mel Bay
Publications, Inc #95552.
Published by Mel Bay
Publications, Inc
(MB.95552).
ISBN
9780786605828. UPC:
796279026826. 8.75 x
11.75 inches.
Master guitarist
Al Petteway ventures into
new territory with 15
Celtic-inspired,
traditional, and New Age
fingerstyle compositions
in standard and alternate
tunings. Derived from
Alâ??s award-winning
solo recording of the
same title, each piece
bears the inimitable
Petteway signature of
profoundly graceful,
inspired innovation.
Written in standard
notation and tab with
several pieces in
alternate tunings. Al
began his professional
music career at the age
of 11. He played guitar,
drums, and string bass
with a variety of rock
and folk acts in the
Washington D.C. area
during the 60â??s,
becoming a local legend
by the time he went to
college to study music
composition in 1970. In
1977, Al took a job with
The National Geographic
Society. His work as
Supervisor of Picture
Editing for the
societyâ??s Image
Collection, gave him the
artistic freedom to
develop his own acoustic
guitar style. While long
recognized as one of the
countryâ??s foremost
bluegrass and folk
sidemen, Celtic music
specialty label
Maggieâ??s Music signed
Al in 1993 and released
Whispering
Stones following by
The Waters and the
Wild-exposing his
solo acoustic guitar work
to an international
audience for the first
time. Al left the
National Geographic to
become a full-time
musician in the spring of
1995, just before the
release of Midsummer
Moon.
Composed by Illustrated by Eilidh Muldoon, Music by Aaron Burrows, Penelope Ro...(+)
Composed by Illustrated
by
Eilidh Muldoon, Music by
Aaron
Burrows, Penelope
Roskell, and
Words by Carl Heap.
Method/Instruction; Piano
Method; Technique
Musicianship. Penelope
Roskell's Complete
Pianist
Series. Form: Classical.
Book.
48 pages. Edition Peters
#98-
EP73705. Published by
Edition
Peters
Love-Free Chorale 3 parties SSA, Piano Carl Fischer
Choral SSA Choir and Piano SKU: CF.CM9706 Composed by Meredith Tompkins. ...(+)
Choral SSA Choir and
Piano
SKU:
CF.CM9706
Composed by
Meredith Tompkins. 12
pages. Duration 2:45.
Carl Fischer Music
#CM9706. Published by
Carl Fischer Music
(CF.CM9706).
ISBN
9781491160022. UPC:
680160918621. Key: D
minor. English. Sara
Teasdale, adapted by
Meredith
Tompkins.
Sara
Teasdale was a celebrated
American poet who lived
at the turn of the
twentieth century, known
for her classical style
and pure, openhearted
writing. At the young age
of twenty-three, she
became a published author
and went on to release a
total of eight
award-winning collections
of poetry in her
lifetime. Love-Free is a
reflective poem that
appears in Part I of
Rivers to the Sea,
published in 1915. In the
text, the narrator
experiences a range of
emotions centering around
lost love and the desire
to either separate from
or rekindle it.
Reminiscent of an antique
music box, the text is
paired with a waltz-like
accompaniment in a
lilting 3/4 pattern.
Melodic exploration of
the natural minor scale
is achieved through
mostly step-wise motion
and some carefully
placed, text-painted
leaps ranging from a
minor third to a sixth.
With some unison, SA, and
SSA sections, this piece
can show off the wide
array of colors and
textures available to
treble choirs. Sara
Teasdale was a celebrated
American poet who lived
at the turn of the
twentieth century, known
for her classical style
and pure, openhearted
writing. At the young age
of twenty-three, she
became a published author
and went on to release a
total of eight
award-winning collections
of poetry in her
lifetime. Love-Free is a
reflective poem that
appears in Part I of
Rivers to the Sea,
published in 1915. In the
text, the narrator
experiences a range of
emotions centering around
lost love and the
desire to either separate
from or rekindle it.
Reminiscent of an antique
music box, the text is
paired with a waltz-like
accompaniment in a
lilting 3/4 pattern.
Melodic exploration of
the natural minor scale
is achieved through
mostly step-wise motion
and some carefully
placed, text-painted
leaps ranging from a
minor third to a sixth.
With some unison, SA, and
SSA sections, this piece
can show off the wide
array of colors and
textures available to
treble choirs.
(The Ultimate Guide to Building Tone Technique and Flexibility). By Frank T. Wil...(+)
(The Ultimate Guide to
Building Tone Technique
and Flexibility). By
Frank T. Williams. For
trombone. Softcover book.
64 pages. Published by
Carl Fischer
Voice, Piano Accompaniment SKU: HL.287551 Vocal Score. Composed by...(+)
Voice, Piano
Accompaniment
SKU:
HL.287551
Vocal
Score. Composed by
William Bolcom. LKM
Music. Opera. Softcover.
244 pages. Edward B.
Marks Music #EBM00287551.
Published by Edward B.
Marks Music (HL.287551).
Manhattan
socialite Millicent
Jordan plans a lavish
dinner party for visiting
English nobility, unaware
that her guest list
abounds with people
linked by business
intrigues and romantic
entanglements. In
adapting the witty and
biting depression-era
play by Kaufman and
Ferber, Pulitzer Prize-
and Grammy-Award winning
composer William Bolcom
(A View from the
Bridge, A Wedding)
and renowned librettist
Mark Campbell (Silent
Night, The Shining),
have created a winning
opera that successfully
weds American musical
comedy and opera.
(Everything You Need to Play Electric Guitar Today!). By Ron Manus and L.C. Harn...(+)
(Everything You Need to
Play Electric Guitar
Today!). By Ron Manus and
L.C. Harnsberger. This
edition: Book, Enhanced
CD, DVD, Software, 3/4
Size Electric Guitar,
Portable Amplifier, Gig
Bag, Electronic Tuner and
Guitar Picks. Guitar
Method or Supplement.
Kid's Guitar Course.
Published by Alfred Music
(
SKU: HL.1105200 Mackie. Live Sound. Hal Leonard #2051991-00. Published by...(+)
SKU: HL.1105200
Mackie. Live Sound. Hal
Leonard #2051991-00.
Published by Hal Leonard
(HL.1105200).
UPC:
663961058895.
18.5x17.0x7.5
inches.
Give your
project studio or mobile
rig the analog mixer it
deserves. The Mackie
Onyx12 is a premium
12-channel USB mixer
optimized for multitrack
recording and live sound.
Experience impeccable
sound quality, a flexible
FX engine and seamless
workflow for your home
recording or live shows.
Level-up your rig with a
versatile 12-channel
mixer designed by
engineers who know that
great sound lives in the
details. Every element of
the Mackie Onyx12 is
geared towards recording
at a professional level,
from our award-winning
Onyx preamps to the
Perkins “British
Style†EQs inspired
by classic desks from the
'60s and '70s. Record
ultra-clean, transparent
sound with incredible
accuracy. Our
award-winning Onyx Mic
Preamps are designed for
maximum studio-quality
performance. Create
podcasts, live stream
gameplay, or produce the
next hit. No matter what
you do, we want to make
sure you sound great. The
Mackie Onyx12 features an
enhanced 3-Band
“British
Style†EQ based on
the same circuit used on
classic mixing consoles
from the '60s and '70s.
This version designed by
Mackie has greater filter
control, minimum phase
shift and allows you to
pinpoint specific
frequency ranges. To
create the Perkins EQ,
Cal Perkins started with
the Wien Bridge circuit
topology inspired by the
hallowed
“Britishâ€
desks of the '60s and
'70s. This design
essentially trades
boost/cut capability for
a wider, highly musical Q
filter. After
a±mind-numbing amount
of math, Cal was able to
specify capacitor and
resistor values that
would give the EQ an
extra 6dB of control
(±15 dB) without
excessively narrowing the
“Q†or
bandwidth of the filters.
It's what we call a
win-win. Tired of
fumbling with your gear?
We got you covered. Carry
and transport your Mackie
Onyx12 mixer effortlessly
with our QuickGrip side
handles. Whether you're
moving gear around your
home studio or heading to
rehearsal, the rugged
design of our steel
chassis and sealed rotary
will protect your
investment wherever you
go.
Composed by Illustrated by Eilidh Muldoon, Music by Aaron Burrows, Penelope Ro...(+)
Composed by Illustrated
by
Eilidh Muldoon, Music by
Aaron
Burrows, Penelope
Roskell, and
Words by Carl Heap.
Method/Instruction; Piano
Method; Technique
Musicianship. Penelope
Roskell's Complete
Pianist
Series. Form: Classical.
Book.
64 pages. Edition Peters
#98-
EP73707. Published by
Edition
Peters
Discovery Level 1.
Composed by James Horner.
Arranged by Cristi Cary
Miller. Discovery Choral.
Movies, Pop. CD. Duration
255 seconds. Published by
Hal Leonard (HL.282924).
UPC: 888680790851.
5.0x5.0x0.148
inches.
With My
Heart Will Go On, the
late James Horner created
a love song for the ages,
winning the Academy Award
for Best Original Song in
the 1997 mega-hit
Titanic. Sung
unforgettably by Celine
Dion, the Grammy and
Golden Globe-winning
ballad is now available
for younger choirs.
Composed by Richard Nichols. Fred Bock Publications. Anthem, Easter, Sacred....(+)
Composed by Richard
Nichols.
Fred Bock Publications.
Anthem, Easter, Sacred.
Octavo. 8 pages. Fred
Bock
Music Company #BG2636.
Published by Fred Bock
Music
Company
Orchestra SKU: FG.55011-444-9 Composed by Einojuhani Rautavaara. Score (l...(+)
Orchestra
SKU:
FG.55011-444-9
Composed by Einojuhani
Rautavaara. Score
(large). Fennica Gehrman
#55011-444-9. Published
by Fennica Gehrman
(FG.55011-444-9).
ISBN
9790550114449.
Eino
juhani Rautavaara
(1928-2016) was one of
Finland's internationally
most successful
composers. He made his
major breakthrough with
the Symphony No. 7, Angel
of Light, in the 1990s,
but his output includes
numerous classic operas,
concertos, chamber music
and choral works.
Over his extensive
career, he progressed
from Neo-Classicism to
strict dodecaphony to
free-tonal
Neo-Romanticism,
combining modernism with
mystical romanticism in
his later works.
According to the
composer, the role of the
composer is to be
mediator, a midwife, who
helps the music become
alive on its own terms;
Listen to what the music
wants to tell you, he
told his composition
students, sense where it
wants to go.
Rautavaara rose to great
international fame with
the success of his
Symphony No. 7, Angel of
Light (1995) powered by
the prize-winning
recording (Helsinki
Philharmonic, Segerstam,
Ondine label) later the
same year. Many
high-profile
international commissions
followed, creating yet
more prize-winning
recordings. To mark
the 25th anniversary of
the work's premiere - in
its original form as the
Bloomington Symphony - by
the Bloomington Symphony
Orchestra and conductor
David Pickett, Fennica
Gehrman is publishing an
entirely new edition of
the symphony based on all
available sources,
including the composer's
manuscript and his
markings in various
printed scores. This
is a large-sized
conductor score with
extensive analysis of the
work and its genesis.
Discovery Level 1. Composed by James Horner (1953-2015). Arranged by Cristi Ca...(+)
Discovery Level 1.
Composed
by James Horner
(1953-2015).
Arranged by Cristi Cary
Miller. Discovery Choral.
Movies, Pop. Octavo. 16
pages. Published by Hal
Leonard