Concert Band/Harmonie (Score) - Grade 5 SKU: HL.44011068 The Resoundin...(+)
Concert Band/Harmonie
(Score) - Grade 5
SKU:
HL.44011068
The
Resounding Passionate
Heartbeat. Composed
by Satoshi Yagisawa. De
Haske Concert Band. Score
Only. Composed 2010. De
Haske Publications
#1115007140. Published by
De Haske Publications
(HL.44011068).
This
piece was commissioned by
Japan Ground Self Defense
Force Western Army Band.
In the programme note for
the premiere the composer
wrote: I am always
impressed by the
expansive earth and
sparkling ocean scenery
when I come to Kyushu. I
have met many local
people here and they are
all expressive and
energetic. I wrote this
dramatic piece to convey
to the whole of Japan the
memory of my experience
here, swaying in the west
wind. I wrote this,
hoping that the Self
Defense Force will forge
closer ties with the
community through this
piece. Eastern drama felt
in the west
wind!
Dieses
Stück basiert auf
dem Motto eines
japanischen
Musikfestivals der
japanischen Streitkrafte:
Unsere Leidenschaft soll
in unserem Herzen
widerhallen. Der
Komponist liess sich
ausserdem von der
eindrucksvollen
Küstenlandschaft in
Kyushu, wo das Festival
stattfand, inspirieren
und vom Wunsch, dass die
verschiedenen
Militarblasorchester der
Region engere Bande
knüpfen mogen,
leiten. Aus diesen Themen
entstand dieses
ausdruckvolle,
dramatische
Werk.
L'oeuvre fut
donnee en creation dans
le cadre du Festival des
Musiques Militaires des
Forces armees japonaises
2010, qui s'est tenu sur
l'ile de Kyushu. Le theme
fut << La passion est en
nous >>. Swaying in the
West Wind revele une
profondeur d'expression
poignante. Depuis des
siecles, Kyushu s'est
ouverte aux cultures
occidentales. Et c'est la
force de ce souffle
occidental, de l'energie
des habitants de l'ile
que Satoshi Yagisawa
depeint dans son oeuvre.
Questo brano e
stato commissionato dal
Japan Ground Self Defense
Force Western Army Band
di stanza a Kyushu. Il
compositore si e ispirato
alla questa regione
giapponese dichiarando la
bellezza della natura, le
grandi distese e il
colore dell'Oceano mi
hanno profondamente. E
questa natura, sono
sicuro trasmette le
proprie energie agli
abitanti di Kyushu, gente
molto espressiva ed
energia, in perfetta
sintonia con la terra in
cui vivono.
Jazz Band Jazz Band - early intermediate SKU: XC.VJE2101FS Composed by Ro...(+)
Jazz Band Jazz Band -
early intermediate
SKU: XC.VJE2101FS
Composed by Rosana
Eckert. Arranged by
Michele Weir and Peter
Blair. Bossa, Concert,
Festival. Jazz Voyage.
Bossa, Concert, Festival.
Score. Excelcia Music
Publishing #VJE2101FS.
Published by Excelcia
Music Publishing
(XC.VJE2101FS).
UPC:
812598037869. 9 x 12
inches.
This
stunning music was
written by Dallas based
Rosana Eckert for her
debut album in 2003. It
is a light and
sophisticated bossa with
some gorgeous harmony.
Arranged by the
incomparable Michele Weir
for vocal jazz ensemble,
this version was adapted
for instrumental ensemble
by Blair Bielawski. There
is an eight-measure solo
line that may be played
by Tenor Saxophone and/or
Guitar. Though not
technically demanding,
this chart does require
some thoughtful playing
by the winds and rhythm
section.
Concert Band/Harmonie and Trumpet Solo - Grade 3 SKU: BT.AMP-320-140 T...(+)
Concert Band/Harmonie and
Trumpet Solo - Grade 3
SKU:
BT.AMP-320-140
Trumpet Solo.
Composed by J. W.
Callcott. Arranged by
Philip Sparke. Anglo
Music Midway Series.
Score Only. Composed
2011. 20 pages. Anglo
Music Press #AMP 320-140.
Published by Anglo Music
Press (BT.AMP-320-140).
9x12 inches.
English-German-French-Dut
ch.
The lyrics to
Drink to Me Only with
Thine Eyes can be
traced to English poet
Ben Jonson, a
contemporary of
Shakespeare. The
melody’s origin,
on the other hand, is not
certain. In this three-
movement arrangement,
Philip Sparke provides
the soloist with plenty
of substance while
respecting the beautiful
simplicity of the
original tune.
Vooral bij jonge
musici is dit oude
Engelse lied van
onbekende herkomst
buitengewoon populair.
Met zijn arrangement voor
trompet en blaasorkest
dat uit drie coupletten
bestaat werkte Philip
Sparke de solomelodie
iets uit. De
eenvoudigeschoonheid van
het origineel verloor hij
daarbij echter niet uit
het oog.
Dieses
alte englische Lied nicht
ganz geklärter
Herkunft erfreut sich
besonders bei jungen
Musikern großer
Beliebtheit. In seinem
dreistrophigen
Arrangement für
Trompete und
Blasorchester arbeitete
Philip Sparke die Melodie
für den Solisten
etwas aus, immer jedoch
mit Rücksicht auf
die schlichte
Schönheit des
Originals.
Questa antica
canzone inglese, di
origini non ben definite,
è particolarmente
apprezzata dai giovani
musicisti. In questo
arrangiamento per tromba
e banda, composto da tre
strofe, Philip Sparke
elabora la parte solista
rimanendo però fedele
alla sobria bellezza
dell’originale.
Oratorio in two parts. Composed by George Frideric Handel (1685-1759). Edited ...(+)
Oratorio in two parts.
Composed by George
Frideric
Handel (1685-1759).
Edited by
Michael Pacholke. This
edition: complete
edition,
urtext edition. Cloth
bound.
Hallische Handel-Ausgabe
(HHA) I/4,1. Rome 1707.
Complete Edition, Score.
HWV
46a. Baerenreiter Verlag
#BA10721-01. Published by
Baerenreiter Verlag
Edited by Amy Appleby, Liz Seelhoff Byrum. For voice and piano. Format: piano/vo...(+)
Edited by Amy Appleby,
Liz Seelhoff Byrum. For
voice and piano. Format:
piano/vocal/chords
songbook (spiral bound).
With vocal melody, piano
accompaniment, lyrics,
chord names,
illustrations and
introductory text.
Children's and Folk. 240
pages. 9x12 inches.
Published by Music Sales.
(Serie I - France 1600-1800). Edited by Jean Saint-Arroman, Philippe Lescat. For...(+)
(Serie I - France
1600-1800). Edited by
Jean Saint-Arroman,
Philippe Lescat. For
Bassoon. Facsimiles.
Methodes and Traites.
Grade 0. 136 pages.
Published by Anne Fuzeau
Productions - France
Jazz Band Jazz Band - early intermediate SKU: XC.VJE2101 Composed by Rosa...(+)
Jazz Band Jazz Band -
early intermediate
SKU: XC.VJE2101
Composed by Rosana
Eckert. Arranged by
Michele Weir and Peter
Blair. Bossa, Concert,
Festival. Jazz Voyage.
Bossa, Concert, Festival.
Set of parts. Excelcia
Music Publishing
#VJE2101. Published by
Excelcia Music Publishing
(XC.VJE2101).
UPC:
812598038088. 9 x 12
inches.
This
stunning music was
written by Dallas based
Rosana Eckert for her
debut album in 2003. It
is a light and
sophisticated bossa with
some gorgeous harmony.
Arranged by the
incomparable Michele Weir
for vocal jazz ensemble,
this version was adapted
for instrumental ensemble
by Blair Bielawski. There
is an eight-measure solo
line that may be played
by Tenor Saxophone and/or
Guitar. Though not
technically demanding,
this chart does require
some thoughtful playing
by the winds and rhythm
section.
Composed by Traditional. Arranged by Blair Bielawski. Score. Flexcel Jazz Comb...(+)
Composed by Traditional.
Arranged by Blair
Bielawski.
Score. Flexcel Jazz Combo
Series. Score. Excelcia
Music
Publishing #FJE2003FS.
Published by Excelcia
Music
Publishing
Atlas Symphony Orchestre d'harmonie De Haske Publications
Concert Band/Harmonie - Grade 6 SKU: BT.DHP-1115235-010 Composed by Thier...(+)
Concert Band/Harmonie -
Grade 6
SKU:
BT.DHP-1115235-010
Composed by Thierry
Deleruyelle. Concert and
Contest Collection CBHA.
Concert Piece. Set (Score
& Parts). Composed 2011.
De Haske Publications
#DHP 1115235-010.
Published by De Haske
Publications
(BT.DHP-1115235-010).
9x12 inches.
English-German-French-Dut
ch.
The Atlas
Symphony for
symphonic wind band is an
impressive and subtle
work, thematically
complex, with a rich
orchestration, but also
great beauty. The
composer was keen to draw
a parallel between an
atlas, where all the
geographical maps of the
world are collected in
one book, and his score,
which brings together all
the facets of his musical
style. Despite being
written without any
breaks, the symphony is
structured around three
main ideas. It is based
upon a series of notes
that will become the very
essence of the piece, its
building blocks. Like the
works of composers of
serial music, the series
appears in different
forms - melodic and
harmonic, thematic or
simply asan
accompaniment. With its
wealth of rhythms and
contrapuntal power, this
piece is a compelling
concerto for orchestra.
The Orchestre de la
Police Nationale was
the first to be attracted
to this work and
premiered it with
excellence under the
baton of composer Thierry
Deleruyelle.
Die
Atlas Symphony
für symphonisches
Blasorchester ist ein
eindrucksvolles,
feinsinniges Werk, mit
einer komplexen Thematik
und einer reichhaltigen
Orchestrierung, aber
dennoch anmutig. Der
Komponist beabsichtigte,
eine Parallele zwischen
einem Atlas, der
geografische Karten der
ganzen Welt enthält,
und seiner Partitur zu
ziehen, die alle Facetten
seines persönlichen
Musikstils enthält.
Obwohl sie ohne
Unterbrechung geschrieben
ist, ist diese Symphonie
doch auf drei Hauptachsen
aufgebaut. Sie basiert
auf einer Reihe von
Noten, welche die
Quintessenz, das Material
des gesamten Stückes
bilden. Wie bei den
Komponisten serieller
Musik tritt diese Reihe
in verschiedenenGestalten
auf - melodisch oder
harmonisch, thematisch
oder einfach als
Begleitung. Mit seinem
Reichtum an Rhythmen und
der kontrapunktischen
Brillanz ist die Atlas
Symphony ein
wahrhaftes Konzert
für Orchester. Das
Orchestre de la Police
Nationale
(Frankreich) war das
erste Orchester, das sich
von diesem Werk
verführen ließ und
spielte eine brillante
Uraufführung unter
der Leitung des
Komponisten Thierry
Deleruyelle.
Atlas
Symphony è un
brano grandioso, di
enorme bellezza, pieno di
sfumature, tematicamente
complesso, con una ricca
orchestrazione. La
sinfonia è scritta
senza interruzioni e
basata su una serie di
note che vengono proposte
nella melodia,
nell’armonia e nel
tema. La ricchezza di
ritmi e la brillantezza
dei contrappunti, fanno
di Atlas Symphony
un brano da concerto
perfetto.
Concert Band - Grade 3 SKU: HL.44011009 Brass Band - Score Only. C...(+)
Concert Band - Grade 3
SKU: HL.44011009
Brass Band - Score
Only. Composed by J.
W. Callcott. Arranged by
Philip Sparke. Anglo
Music Concert Band. Score
Only. Composed 2011.
Anglo Music Press
#AMP320130. Published by
Anglo Music Press
(HL.44011009).
The lyrics to
Drink to Me Only with
Thine Eyes can be
traced to English poet
Ben Jonson, a
contemporary of
Shakespeare. The melody's
origin, on the other
hand, is not certain. In
this three- movement
arrangement, Philip
Sparke provides the
soloist with plenty of
substance while
respecting the beautiful
simplicity of the
original tune.
Vooral bij jonge
musici is dit oude
Engelse lied van
onbekende herkomst
buitengewoon populair.
Met zijn arrangement voor
trompet en blaasorkest
dat uit drie coupletten
bestaat werkte Philip
Sparke de solomelodie
iets uit. De
eenvoudigeschoonheid van
het origineel verloor hij
daarbij echter niet uit
het oog.
Dieses
alte englische Lied nicht
ganz geklarter Herkunft
erfreut sich besonders
bei jungen Musikern
grosser Beliebtheit. In
seinem dreistrophigen
Arrangement für
Trompete und
Blasorchester arbeitete
Philip Sparke die Melodie
für den Solisten
etwas aus, immer jedoch
mit Rücksicht auf
die schlichte Schonheit
des Originals.
La
chanson anglaise Drink
to me Only with Thine
Eyes a connu un vif
succes des deux cotes de
l'Atlantique pendant plus
de deux siecles. Elle est
particulierement
appreciee par les jeunes
musiciens. L'arrangement
de Philip Sparke propose
au trompettiste soliste
une structure plus
elaboree, tout en restant
fidele a la delicate
simplicite de la version
originale.
Questa
antica canzone inglese,
di origini non ben
definite, e
particolarmente
apprezzata dai giovani
musicisti. In questo
arrangiamento per tromba
e banda, composto da tre
strofe, Philip Sparke
elabora la parte solista
rimanendo pero fedele
alla sobria bellezza
dell'originale.
Concert Band Piano SKU: AP.40724 Chorales and Warm-up Exercises for To...(+)
Concert Band Piano
SKU: AP.40724
Chorales and Warm-up
Exercises for Tone,
Technique, and Rhythm
(Piano). Composed by
Chris M. Bernotas and
Peter Boonshaft. Band
Method; MakeMusic Cloud;
Method/Instruction; NAMM
Best Tools for Schools;
Technique Musicianship;
Warm-Ups. Sound
Innovations for Concert
Band: Ensemble
Development. Book. 52
pages. Alfred Music
#00-40724. Published by
Alfred Music (AP.40724).
ISBN 9781470634018.
UPC: 038081520568.
English.
Sound
Innovations: Ensemble
Development for Young
Concert Band is a
complete curriculum for
beginning band students
to help them grow as
ensemble musicians. The
series complements any
band method and
supplements any
performance music. It
contains 167 exercises,
including more than 100
chorales by some of
today's most renowned
young band composers.
Various exercises at the
grade 1/2, 1, and 1 1/2
levels are grouped by
key, including:
The
compositions were written
by Roland Barrett, Chris
Bernotas, Jodie
Blackshaw, Matt Conaway,
Ralph Ford, Tyler S.
Grant, Rob Grice, John
O'Reilly, Robert Sheldon,
Todd Stalter, Randall
Standridge, Michael
Story, and Scott Watson.
Whether your students are
progressing through
exercises to better their
technical facility, or
improving their
musicianship with
beautiful chorales, we
are confident your
performers will be
excited, motivated, and
inspired by using Sound
Innovations: Ensemble
Development for Young
Concert Band. The
Ensemble Development
Series is also available
for Intermediate and
Advanced Band. Learn more
at www.alfred.com/SIED.
This title is
available in MakeMusic
Cloud.
Chorales and Warm-up Exercises for Tone, Technique, and Rhythm (Baritone Saxo...(+)
Chorales and Warm-up
Exercises for Tone,
Technique, and Rhythm
(Baritone Saxophone).
Composed by Peter
Boonshaft; Chris
Bernotas. Band Method;
Method/Instruction; NAMM
Best Tools for Schools;
SmartMusic; Technique
Musicianship; Warm-Ups.
Sound Innovations for
Concert Band: Ensemble
Development. Book. 24
pages. Alfred Music
#00-40715. Published by
Alfred Music (AP.40715).
Chorales and Warm-up Exercises for Tone, Technique, and Rhythm. Composed ...(+)
Chorales and Warm-up
Exercises for Tone,
Technique, and
Rhythm. Composed by
Peter Boonshaft; Chris
Bernotas. Band Method;
Method/Instruction; NAMM
Best Tools for Schools;
SmartMusic; Technique
Musicianship; Warm-Ups.
Sound Innovations for
Concert Band: Ensemble
Development. Score. 232
pages. Alfred Music
#00-40709. Published by
Alfred Music (AP.40709).
I Got Rhythm Quatuor de Saxophones: 4 saxophones - Intermédiaire De Haske Publications
Saxophone Quartet - intermediate SKU: BT.DHP-1084462-070 For Saxophone...(+)
Saxophone Quartet -
intermediate
SKU:
BT.DHP-1084462-070
For Saxophone
Quartet. Composed by
George Gershwin. Arranged
by Coen Wolfgram.
Collection Adolphe Sax.
Set (Score & Parts).
Composed 2008. 8 pages.
De Haske Publications
#DHP 1084462-070.
Published by De Haske
Publications
(BT.DHP-1084462-070).
ISBN 9789043129053.
9x12 inches.
English-German-French-Dut
ch.
The American
composer George Gershwin
(1898-1937) wrote the
energetic song I Got
Rhythm, with lyrics by
his brother Ira Gershwin,
in 1930 for the musical
Girl Crazy. The story of
Girl Crazy takes place in
the theatre world of the
1930s. The Gaiety Theater
in Deadrock, Nevada, is
practically bankrupt, but
the rich banker’s
son Bobby Child turns
things around. His
passion for the theatre
leads to the customary
love vicissitudes and
comical intricacies - and
a new successful show.I
Got Rhythm, now a jazz
standard, has been
performed over the years
by numerous famous and
not-so-famous artists.
The chord scheme has
become so well-known that
it has been named rhythm
changes, and is oftenused
by jazz musicians.
Der
Jazz-Standard, aus dem
das oft zitierte
Akkordschema Rhythm
Changes stammt, in
einer flotten Bearbeitung
für Saxophonquartett:
Altsaxophon 1 & 2,
Tenorsaxophon und
Baritonsaxophon.
Questo
arrangiamento vi
permetter di chiudere in
bellezza un vostro
concerto con uno
spumeggiante bis.
Atlantic Overture Orchestre d'harmonie - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1155617-140 Composed by Thier...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1155617-140
Composed by Thierry
Deleruyelle. Concert and
Contest Collection CBHA.
Score Only. Composed
2015. De Haske
Publications #DHP
1155617-140. Published by
De Haske Publications
(BT.DHP-1155617-140).
English-German-French-
Dutch.
Atlantic
Overture is a
sparkling piece
symbolising a journey by
ship from Europe to the
Americas. The music tells
the story of a ship
leaving the European
coast on a journey that
depicts the beauty of the
open sea and the sunlight
on the horizon. Finally,
the main theme returns in
a brilliant ending that
heralds the arrival in
America.
Atlantic
Overture is een
sprankelend werk dat
symbool staat voor een
reis per schip vanuit
Europa naar Amerika. De
muziek vertelt het
verhaal van een schip dat
de Europese kust verlaat.
Ze toont een wereld vol
schoonheid, van de open
zee en de zon aan de
horizon... Tenslotte
keert het belangrijkste
thema terug in een
briljant einde: de
aankomst in Amerika!
Atlantic Overture
(Atlantische
Ouvertüre“) ist
ein glanzvolles Stück,
das eine Schiffsreise von
Europa nach Amerika
beschreibt. Die Musik
erzählt die Geschichte
eines Schiffes, das die
europäische Küste
verlässt und sich auf
eine Reise begibt, die
die Schönheit des
offenen Meeres und das
Sonnenlicht am Horizont
nachzeichnet. Im
brillanten Schluss kehrt
schließlich das
Hauptthema zurück und
kündigt die Ankunft in
Amerika an.die Ankunft in
Amerika an.
Atlantic Overture
(Ouverture Atlantica)
è un brano
scintillante che
rappresenta un viaggio in
nave dall’Europa
alle Americhe. La musica
racconta la storia di una
nave che salpa dalla
costa europea per un
viaggio e descrive la
bellezza del mare aperto
e della luce del sole
all’orizzonte.
Alla fine il tema
principale ritorna in un
finale brillante che
annuncia l’arrivo
in America.
Voice and Piano SKU: BT.EMBZ20017A New Liszt Edition, Series IX. Vol.2...(+)
Voice and Piano
SKU:
BT.EMBZ20017A
New
Liszt Edition, Series IX.
Vol.2.. By David
Trippett. By Franz Liszt.
EMB New Listz Edition.
Classical. Book
Hardcover. Composed 2019.
180 pages. Editio Musica
Budapest #EMBZ20017A.
Published by Editio
Musica Budapest
(BT.EMBZ20017A).
English-German-Hungari
an.
In 1845 Franz
Liszt embarked on a
project to compose an
Italian opera based on
Lord Byron’s
tragedy, Sardanapalus
(1821). It was central to
his ambition to attain
status as a major
European composer, with
premieres variously
planned for Milan,
Vienna, Paris and London.
But he abandoned it half
way through, and the
music he completed has
lain silently for 170
years.
Liszt’s difficulty
in obtaining a libretto
meant that composition
only began in April 1850.
He completed virtually
all the music for Act 1
in an annotated
piano-vocal score of 111
pages, contained within
his N4 music
‘sketch
book’. The unnamed
librettist was an Italian
poet and political
prisoner, seemingly
living under house
arrest, and a close
acquaintance of Cristina
Belgiojoso. His libretto
survives as underlay in
the N4 sketchbook and has
been critically
reconstructed and
translated.
Sardanapalo is
Liszt’s only
mature opera. While he
consistently referred to
it in French, as
Sardanapale, the
published title of the
Italian opera would
almost certainly have
used the Italian name,
hence this forms the
title of the first
edition. There are three
solo roles and a chorus
of concubines. The
manuscript was previously
thought to be fragmentary
and partially illegible,
but it was finally
deciphered to
international acclaim in
March 2017.
Liszt’s score
offers a richly melodic
style, with elements from
Bellini and Verdi
alongside glimmers of
Wagner and the symphonic
poems ahead: a unique
mixture of Italianate
pastiche and mid-century
harmonic innovation. It
remains quintessentially
Lisztian. The opera sets
Byron’s tragedy
about war and peace in
ancient Assyria: the last
King, effeminate in his
tastes, is drawn to wine,
concubines and feasts
more than politics and
war: his subjects find
him dishonourable (a
‘man queen’)
and military rebels seek
to overthrow him, but are
pardoned, for the King
rejects the ‘deceit
of glory’ built on
others’ suffering:
this leads only to a
larger uprising, the
Euphrates floods its
banks, destroying the
castle’s main
defensive wall, and
defeat is inevitable: the
King sends his family
away and orders that he
be burned alive with his
lover, amid scents and
spices in a grand
inferno. As Byron put it:
‘not a mere pillar
formed of cloud and
flame, but a light to
lessen ages.’ For
his part, Liszt told a
friend that his finale
‘will even aim to
set fire to the entire
audience!’
This critical edition
includes a detailed study
on the genesis of
Liszt’s
Sardanapalo in English,
German, and Hungarian,
the libretto in the
original Italian as well
as in English, German,
and Hungarian
translation, several
facsimile pages of
Liszt’s
manuscript, and a
detailed Critical
Report.
Concert Band/Harmonie - Grade 2.5 SKU: BT.DHP-1064045-010 Composed by Tra...(+)
Concert Band/Harmonie -
Grade 2.5
SKU:
BT.DHP-1064045-010
Composed by Traditional.
Arranged by Wil van der
Beek. Your Favorite
Classics. Classical. Set
(Score & Parts). Composed
2006. De Haske
Publications #DHP
1064045-010. Published by
De Haske Publications
(BT.DHP-1064045-010).
9x12 inches.
English-German-French-Dut
ch.
The Last Rose
of Summer is a popular
Irish folksong. The
original text was written
by Thomas Moore
(1779-1852) and the
melody is a traditional
air titled The Groves of
Blarney. The German
composer Friedrich von
Flotow (1812-1883)
cleverly used this song
in his opera Martha, a
light-hearted, successful
work that is still
regularly performed. The
melancholy character of
The Last Rose of Summer
still appeals to many
people in the present day
and this arrangement by
Wil van der Beek
certainly does justice to
the beauty of the melody.
A wonderful item to
change the mood of any
performance.
Th
e Last Rose of Summer
is een geliefd Iers
volkslied. De originele
tekst is van Thomas Moore
(1779-1852) en de melodie
is een traditionele air
met de titel The
Groves of Blarney. De
Duitse componist
Friedrich von
Flotow(1812-1883)
gebruikte dit lied op
handige wijze in zijn
opera Martha, een
lichtvoetig, succesvol
werk, dat tot op heden
repertoire gehouden
heeft. Het melancholische
karakter van The Last
Rose of Summer
spreekt ook vandaagde dag
nog veel mensen aan. Dit
arrangement van Wil van
der Beek doet beslist
recht aan de schoonheid
van de
melodie.
The
Last Rose of Summer
ist ein beliebtes
irisches Volkslied. Der
ursprüngliche Text
stammt von Thomas Moore,
die Melodie ist ein
überliefertes Air mit
dem Titel The Groves
of Blarney. Der
deutsche Komponist
Friedrich von Flotow
verarbeitete das Lied
geschickt in seiner Oper
Martha, ein
heiteres, erfolgreiches
Werk, das heute noch
aufgeführt wird. Der
melancholische Charakter
dieses Liedes hat auch in
der Gegenwart nichts von
seinem Reiz verloren.
Diese Bearbeitung von Wil
van der Beek wird
Schönheit der Melodie
absolut
gerecht.
The Last Rose
of Summer è uno
dei più celebri canti
tradizionali irlandesi.
Nel 1847, il compositore
tedesco Friedrich von
Flotow (1812-1883)
include questa melodia
nell’opera Martha.
Il successo è
immediato e gode ancora
oggi di immensa notoriet
. L’arrangiamento
di Wil van der Beek
conserva la bellezza
della melodia
originale.
4 Saxophones AATBar SKU: AP.1-ADV7474 For AATBar Saxophone Quartet...(+)
4 Saxophones AATBar
SKU: AP.1-ADV7474
For AATBar Saxophone
Quartet. Composed by
Javier Zalba. Quartet;
Solo Small Ensembles;
Woodwind - Saxophone
Quartet. Advance Music.
Jazz; Latin. Score and
Part(s). Advance Music
#01-ADV7474. Published by
Advance Music
(AP.1-ADV7474).
ISBN
9783892218562. UPC:
805095074741.
English.
This
jazz-flavored composition
reflects an ordinary day
filled with everyday
activities. An improvised
solo chorus for alto(s)
and/or tenor can be
repeated as desired, and
spirited bebop phrases
will require special
attention.
(Music For Voice) SKU: HL.14069063 Composed by Enrico Bellucci. Choral. G...(+)
(Music For Voice)
SKU:
HL.14069063
Composed
by Enrico Bellucci.
Choral. General
Merchandise. Duration 240
seconds. Edition Wilhelm
Hansen #MM11101.
Published by Edition
Wilhelm Hansen
(HL.14069063).
Tirol Terra Fortis Orchestre d'harmonie - Intermédiaire/avancé De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1094734-010 Composed by Jan V...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-1094734-010
Composed by Jan Van der
Roost. Concert and
Contest Collection CBHA.
Concert Piece. Set (Score
& Parts). Composed 2009.
De Haske Publications
#DHP 1094734-010.
Published by De Haske
Publications
(BT.DHP-1094734-010).
9x12 inches.
English-German-French-Dut
ch.
The
Stadtmusikkapelle
Wilten-Innsbruck
(Austria) invited Belgian
composer Jan Van der
Roost to write a work to
mark the bicentenary of
the Tyrolean fight for
freedom, which was
settled in 1809. Various
musical elements reflect
this historical event.
First, a hymn-like
section rings out, based
on melodic fragments from
the ‘Tiroler
Landeshymne’ (by
Leopold Knebelsberger),
which intertwine in a
counterpoint-like
arrangement. The second
passage is more bellicose
in character, and mirrors
the fight of the
Tyroleans - under the
inspiring leadership of
freedom fighter Andreas
Hofer (1767-1810) -
against Bavarian, French
and Italian troops. Next,
a broad, chorale-style
melodyappears again:
here, the imposing beauty
of nature in Tyrol, and
the amiable, lively
temperament of the people
who live in this
mountainous region, are
glorified.This is neither
a programmatic work
around an historical
reconstruction, nor a
politically inspired
work: it is a combination
of factual and cultural
components, with an
artistic and sonorous
character. The use of the
flugelhorn in particular
gives Tirol Terra
Fortis its
‘couleur
locale’: for this
beautiful instrument can
invariably be found in
the Austrian wind band.
The commissioning music
society had therefore
specifically asked the
composer to incorporate
the instrument in this
work. It certainly
enhances the already
extensive colour palette
of the modern concert
band!
Een hymne
bestaand uit fragmenten
van het Tiroolse
volkslied. Strijdlustige
klanken in het tweede
deel. Tot slot een
melodie in koraalstijl
die de bewoners van Tirol
en de indrukwekkende
schoonheid van de natuur
beschrijft. Hebt ual een
idee? Tirol Terra
Fortis is een
programmatisch werk
rondom de geschiedenis
van Andreas Hofer en de
vrijheidsstrijd van Tirol
200 jaar geleden. De
bugel geeft dit
kunstzinnige en
klankvolle werk zijn
bijzondere
‘couleurlocaleâ€
™.
Eine Hymne
aus Fragmenten der
Tiroler Landeshymne,
kämpferische Klänge
im zweiten Teil und
schließlich eine
Melodie im Choralstil,
welche die eindrucksvolle
Schönheit der Natur
und die Menschen in Tirol
beschreibt. Sie haben es
erraten? Tirol Terra
Fortis ist ein
programmatisches Werk
rund um die Geschichte
Andreas Hofers und den
Freiheitskampf Tirols vor
200 Jahren. Der Einsatz
des Flügelhorns
verleiht diesem
künstlerischen und
klangvollen Werk ein
besonderes
Lokalkolorit.
La
Stadtmusikkapelle
Wilten-Innsbruck
(Austria) ha invitato il
compositore belga Jan Van
der Roost a scrivere
un'opera per celebrare il
bicentenario
dell’Insorgenza
tirolese, che ebbe luogo
nel 1809. L'uso del
flicorno, in particolare,
conferisce al Tirol
Terra Fortis il suo
colore locale: questo
bellissimo strumento si
può sempre trovare
nelle bande
austriache.