I Got Rhythm Quatuor de Cuivres - Intermédiaire De Haske Publications
Brass Quartet - intermediate SKU: BT.DHP-1084468-070 For Brass Quartet...(+)
Brass Quartet -
intermediate
SKU:
BT.DHP-1084468-070
For Brass Quartet.
Composed by George
Gershwin. Arranged by
Coen Wolfgram. Symphonic
Brass Ensemble Series.
Jazz. Set (Score &
Parts). Composed 2008. 8
pages. De Haske
Publications #DHP
1084468-070. Published by
De Haske Publications
(BT.DHP-1084468-070).
ISBN 9789043129398.
9x12 inches.
English-German-French-Dut
ch.
The American
composer George Gershwin
(1898-1937) wrote the
energetic song I Got
Rhythm, with lyrics by
his brother Ira Gershwin,
in 1930 for the musical
Girl Crazy. The story of
Girl Crazy takes place in
the theatre world of the
1930s. The Gaiety Theater
in Deadrock, Nevada, is
practically bankrupt, but
the rich banker’s
son Bobby Child turns
things around. His
passion for the theatre
leads to the customary
love vicissitudes and
comical intricacies - and
a new successful show.I
Got Rhythm, now a jazz
standard, has been
performed over the years
by numerous famous and
not-so-famous artists.
The chord scheme has
become so well-known that
it has been named rhythm
changes, and is oftenused
by jazz musicians.
Der amerikanische
Komponist George Gershwin
schrieb diesen
schwungvollen Titel im
Jahre 1930 für das
Musical Girl
Crazy. Das hier
verwendete Akkordschema
wurde unter dem Namen
Rhythm Changes
sehr bekannt und oft
zitiert. Coen Wolfgram
bearbeitete den
Jazz-Standard für zwei
Trompeten, Horn und
Posaune.
Questo
arrangiamento vi
permetter di chiudere in
bellezza un vostro
concerto con uno
spumeggiante bis.
Opera in Two Acts Vocal Score. Composed by York Hoeller. Boosey & Hawkes...(+)
Opera in Two Acts Vocal
Score. Composed by York
Hoeller. Boosey &
Hawkes
Scores/Books. Opera,
Classical. Softcover. 308
pages. Boosey &
Hawkes
#M060133695. Published by
Boosey & Hawkes
Alpine Flowers' Party! Orchestre d'harmonie - Intermédiaire/avancé De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1063946-140 Composed by Itaru...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-1063946-140
Composed by Itaru Sakai.
Inspiration Series. Score
Only. Composed 2006. 60
pages. De Haske
Publications #DHP
1063946-140. Published by
De Haske Publications
(BT.DHP-1063946-140).
9x12 inches.
English-German-French-Dut
ch.
The Hida High
School is in a highland
city called Takayama in
Gifu Prefecture. Takayama
City has some of the
highest mountains in
Japan, atmospheric rows
of houses and streets,
and a beautiful
landscape. The
magnificent views from
these mountains can be
described as a paradise
above the clouds. When
the composer visited
there in the summer of
2001, the lovely flowers
spreading through the
valley and the refreshing
air welcomed him. The
flowers looked as if they
were fashionably dressed
and fully enjoying
conversation and a short
summer at a reunion
party. The composer was
inspired by this scenery
to compose this piece.
The musical party opens
with happy greetings of a
reunion andjoyful themes
follow one after another.
A light xylophone solo, a
waltz and an adagio
featuring alternate solos
by alto saxophone,
euphonium and trumpet
lead to a brilliant
finale featuring brass
and percussion played in
irregular time. A
beautiful musical picture
that your band will enjoy
performing for many
years.
Takayama
is een hooggelegen stad
in de Gifu-prefectuur
(Japan). Het oostelijke
stadsdeel Tatamidaira
ligt tussen schitterende
bergen die behoren tot de
noordelijke Japanse
Alpen. Toen de componist
in de zomer deze plaats
bezocht,werd hij ge
nspireerd tot het
schrijven van Alpine
Flowers’
Party! Het muzikale
festijn begint met
opgewekte klanken, waarna
meer vrolijke scènes
elkaar opvolgen. Een
xylofoonsolo, een wals en
een adagio met wisselende
solo’svoor
altsaxofoon, euphonium en
trompet leiden naar een
briljante finale met veel
maatwisselingen, waarin
het koper en het slagwerk
de leiding nemen op weg
naar een spetterend
slot.
Als Itaru
Sakai im Sommer 2001 die
reizvolle Region um den
Berg Tatamidaira in Japan
besuchte, wurde er von
einem Meer von Blumen
empfangen. Sie sahen aus,
als würden sie in
festlichem Aufzug eine
unterhaltsame Party
feiern und den kurzen
Sommer genießen. Diese
Szenerie inspirierte den
Komponisten zu Alpine
Flowers’
Party! Die
musikalische Party
beginnt mit einer
herzlichen
Begrüßung, dann
folgt ein fröhlicher
Programmpunkt dem
anderen. Ein spritziges
Xylophonsolo, ein Walzer
und ein Adagio mit
abwechselnden Soli für
Altsaxophon, Euphonium
und Trompete führen zu
einem brillanten Finale,
in dem Blechbläser und
Schlagzeug im Vordergrund
stehen. Feiern Sie
mit!
Soggiornando nel
cuore della splendida
catena montuosa delle
Alpi giapponesi, Itaru
Sakai è sorpreso del
dolce profumo e dai
colori dei fiori. Si
lascia ispirare dalla
bellezza armoniosa che si
rivela ai suoi occhi. Ha
inizio il delizioso
festival dei fiori
alpini. La conversazione
è animata. Un assolo
di xilofono apporta un
tocco di leggerezza, un
valzer fa piroettare lo
sviluppo del tema, ed in
seguito un adagio snoda i
soli e accompagna il
brano verso un finale
brillante.
A Highland Rhapsody Orchestre d'harmonie - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-0910314-010 Composed by Jan V...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-0910314-010
Composed by Jan Van der
Roost. Inspiration
Series. Concert Piece.
Set (Score & Parts).
Composed 1991. De Haske
Publications #DHP
0910314-010. Published by
De Haske Publications
(BT.DHP-0910314-010).
After Israel
(Rikudim), Hungary
(Puszta) and France
(Suite Provencale) it was
Scotland, with its famous
highlands, that was to be
a source of inspiration
for Jan Van der Roost. In
a musically impressive
way the composer combines
the caracteristics of
Scottish folk-music with
his own creativity. As
may be expected from Jan
Van der Roost ‘A
Highland Rhapsody’
developed into a gripping
concert piece, which will
be appreciated by both
players and audiences.
In diesem Werk
widmet sich Jan Van der
Roost Schottland und
dessen berühmten
Hochland. In musikalisch
gekonnter Weise verbindet
er die charakteristischen
Eigenarten der
schottischen Volksmusik
mit seiner eigenen
kompositorischen
Kreativität. Mit der
Highland Rhapsody
gelang es Jan Van der
Roost, die Atmosphäre
dieser rauen, aber
wunderschönen
Landschaft einzufangen
und damit ein
einzigartiges Konzertwerk
zu schaffen, das Musiker
und Publikum begeistern
wird.
Dall’immag
inazione di Jan Van der
Roost, compositore
estremamente versatile,
è nato questo brano
danzante, espressivo e
facile da eseguire.
Associando le
caratteristiche della
musica tradizionale
scozzese al suo talento,
Jan Van der Roost ci
dipinge con delicatezza
la sottile bellezza dei
paesaggi delle Highlands,
regione montagnosa del
nord della Scozia.
Joy to the World Ensemble Jazz [Conducteur et Parties séparées] - Intermédiaire Excelcia Music Publishing
Composed by Traditional. Arranged by Blair Bielawski. Set and Score. Flexcel J...(+)
Composed by Traditional.
Arranged by Blair
Bielawski.
Set and Score. Flexcel
Jazz
Combo Series. Set and
Score.
Excelcia Music Publishing
#FJE2004. Published by
Excelcia Music Publishing
Alpine Flowers' Party! Orchestre d'harmonie - Intermédiaire/avancé De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1063946-010 Composed by Itaru...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-1063946-010
Composed by Itaru Sakai.
Inspiration Series. Set
(Score & Parts). Composed
2006. De Haske
Publications #DHP
1063946-010. Published by
De Haske Publications
(BT.DHP-1063946-010).
9x12 inches.
English-German-French-Dut
ch.
The Hida High
School is in a highland
city called Takayama in
Gifu Prefecture. Takayama
City has some of the
highest mountains in
Japan, atmospheric rows
of houses and streets,
and a beautiful
landscape. The
magnificent views from
these mountains can be
described as a paradise
above the clouds. When
the composer visited
there in the summer of
2001, the lovely flowers
spreading through the
valley and the refreshing
air welcomed him. The
flowers looked as if they
were fashionably dressed
and fully enjoying
conversation and a short
summer at a reunion
party. The composer was
inspired by this scenery
to compose this piece.
The musical party opens
with happy greetings of a
reunion andjoyful themes
follow one after another.
A light xylophone solo, a
waltz and an adagio
featuring alternate solos
by alto saxophone,
euphonium and trumpet
lead to a brilliant
finale featuring brass
and percussion played in
irregular time. A
beautiful musical picture
that your band will enjoy
performing for many
years.
Takayama
is een hooggelegen stad
in de Gifu-prefectuur
(Japan). Het oostelijke
stadsdeel Tatamidaira
ligt tussen schitterende
bergen die behoren tot de
noordelijke Japanse
Alpen. Toen de componist
in de zomer deze plaats
bezocht,werd hij ge
nspireerd tot het
schrijven van Alpine
Flowers’
Party! Het muzikale
festijn begint met
opgewekte klanken, waarna
meer vrolijke scènes
elkaar opvolgen. Een
xylofoonsolo, een wals en
een adagio met wisselende
solo’svoor
altsaxofoon, euphonium en
trompet leiden naar een
briljante finale met veel
maatwisselingen, waarin
het koper en het slagwerk
de leiding nemen op weg
naar een spetterend
slot.
Als Itaru
Sakai im Sommer 2001 die
reizvolle Region um den
Berg Tatamidaira in Japan
besuchte, wurde er von
einem Meer von Blumen
empfangen. Sie sahen aus,
als würden sie in
festlichem Aufzug eine
unterhaltsame Party
feiern und den kurzen
Sommer genießen. Diese
Szenerie inspirierte den
Komponisten zu Alpine
Flowers’
Party! Die
musikalische Party
beginnt mit einer
herzlichen
Begrüßung, dann
folgt ein fröhlicher
Programmpunkt dem
anderen. Ein spritziges
Xylophonsolo, ein Walzer
und ein Adagio mit
abwechselnden Soli für
Altsaxophon, Euphonium
und Trompete führen zu
einem brillanten Finale,
in dem Blechbläser und
Schlagzeug im Vordergrund
stehen. Feiern Sie
mit!
Soggiornando nel
cuore della splendida
catena montuosa delle
Alpi giapponesi, Itaru
Sakai è sorpreso del
dolce profumo e dai
colori dei fiori. Si
lascia ispirare dalla
bellezza armoniosa che si
rivela ai suoi occhi. Ha
inizio il delizioso
festival dei fiori
alpini. La conversazione
è animata. Un assolo
di xilofono apporta un
tocco di leggerezza, un
valzer fa piroettare lo
sviluppo del tema, ed in
seguito un adagio snoda i
soli e accompagna il
brano verso un finale
brillante.
(A project piece for developing band). Composed by Jodie Blackshaw. For concert ...(+)
(A project piece for
developing band).
Composed by Jodie
Blackshaw. For concert
band. Music Education.
Sacred. Full Score only.
124 pages. Published by
GIA Publications
Violin and Piano Reduction. By Antonio Vivaldi. Arranged by Francesco Bellezza. ...(+)
Violin and Piano
Reduction. By Antonio
Vivaldi. Arranged by
Francesco Bellezza.
(Violin). Study Score.
Book only. Size 9x12
inches. 20 pages.
Published by Ricordi.
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1135490-010 City of Roses<...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-1135490-010
City of Roses.
Composed by Jan Van der
Roost. Concert and
Contest Collection CBHA.
Set (Score & Parts).
Composed 2013. De Haske
Publications #DHP
1135490-010. Published by
De Haske Publications
(BT.DHP-1135490-010).
9x12 inches.
English-German-French-Dut
ch.
Jan Van der
Roost wrote this festive
overture for the Yokohama
Art Festival. The theme
is an obvious reflection
of the vibrant, dynamic
city of Yokohama. The
chorale-like moments in
this energetic and
colourful composition
refl ect the stately
beautyof the symbol of
the city: the
rose.
Jan Van der
Roost schreef deze
feestelijke ouverture
voor het Art Festival
Yokohama. Het thema lag
met de levendige,
dynamische stad Yokohama
voor de hand. De
koraalachtige momenten in
deze energieke en
kleurrijke compositie
weerspiegelen de
statigeschoonheid van het
symbool van de stad: de
roos.
Jan
Van der Roost ha composto
questa solenne ouverture
per l’Art Festival
di Yokohama. Il tema è
in armonia con la citt di
Yokohama, piena di vita e
dinamica. I momenti a
mo’ di coro di
questa composizione ricca
di energia e colori
riflettonol’impone
nte bellezza del simbolo
della citt : la rosa.
By Camilla De Rossi; Catterina Benedetta Grazianini. Edited by Barbara Jackson. ...(+)
By Camilla De Rossi;
Catterina Benedetta
Grazianini. Edited by
Barbara Jackson. Text by:
Camilla de Rossi;
Cardinal Benedettoo
Pamphili. Voices and
basso continuo. Arias.
Arias From Oratorios By
Women Composers Of The
18th Century, Volume 3.
Arias from oratorios.
Baroque. Level: Adult.
Sheet music. 73 pages.
Published by ClarNan
Editions.
All Time Klezmers Violoncelle [Partition + CD] - Intermédiaire De Haske Publications
Cello - intermediate SKU: BT.DHP-1135502-400 Composed by Joachim Johow. F...(+)
Cello - intermediate
SKU:
BT.DHP-1135502-400
Composed by Joachim
Johow. Folk Klezmer. Book
with CD. Composed 2013.
28 pages. De Haske
Publications #DHP
1135502-400. Published by
De Haske Publications
(BT.DHP-1135502-400).
ISBN 9789043137683.
9x12 inches.
English-German-French-Dut
ch.
This is a
wonderful collection of
klezmer music, inspired
by the Jewish dances and
songs of the klezmorim
from Eastern Europe -
from the lyrical HORA to
the fast, compelling
FREILACH. Some of the
pieces have a second part
ad libitum - for
playingtogether or for
variation in a repeat.
For the accompaniment,
chord symbols have been
added and on the included
CD there are complete
versions as well as
play-along versions of
all pieces, played live
by genuine klezmer
musicians.
ALL TIME KLEZMERS ist
eine wundervolle Sammlung
von Klezmermusik,
inspiriert von den
jüdischen Tänzen
und Liedern der Klezmorim
aus Osteuropa: vom
lyrischen Hora bis hin
zum schnellen,
unwiderstehlichen
Freilach. Einige
Stücke haben eine
optionalezweite Stimme
für das Zusammenspiel
oder eine Variation in
einer Wiederholung.
Für die Begleitung
wurden Akkordsymbole
hinzugefügt. Auf der
beiliegenden CD gibt es
vollständige Aufnahmen
sowie Mitspielversionen
aller Stücke, live
eingespielt vonechten
Klezmermusikern.
La raccolta
All Time Klezmers
si ispira alle danze e ai
balli: dalla bellezza
lirica della Hora
allâ??esuberanza di
Freilach. Ci si ritrova
ugualmente lâ??influenza
della musica tradizionale
israeliana nello spirito
di Giora Feidman.
Lâ??accompagnamento è
affidato ad un vero
gruppo klezmorim
che vi trasciner
nellâ??autenticit di
questo genere
musicale.
Thirty Spirituals Voix haute, Piano [Partition + Accès audio] Schirmer
For High Voice and Piano. Arranged by Hall (Francis) Johnson. Vocal Collection. ...(+)
For High Voice and Piano.
Arranged by Hall
(Francis) Johnson. Vocal
Collection. Sacred.
Softcover Audio Online.
104 pages. G. Schirmer
#ED4354. Published by G.
Schirmer
Joy to the World Ensemble Jazz [Conducteur] - Intermédiaire Excelcia Music Publishing
Composed by Traditional. Arranged by Blair Bielawski. Score. Flexcel Jazz Comb...(+)
Composed by Traditional.
Arranged by Blair
Bielawski.
Score. Flexcel Jazz Combo
Series. Score. Excelcia
Music
Publishing #FJE2004FS.
Published by Excelcia
Music
Publishing
Con accompagnamento di pianoforte - Prefazione di Alfonso Alberti. Composed ...(+)
Con accompagnamento di
pianoforte - Prefazione
di
Alfonso Alberti. Composed
by
Victor De sabata
(1892-1967).
String Solo. Classical.
Book
with Part. Composed 2018.
11
pages. Ricordi #NR
14185700.
Published by Ricordi
Piano, Voix et Guitare [Partition] - Facile Music Sales
For voice, piano and guitar chords. Format: easy piano/vocal/chords songbook. Wi...(+)
For voice, piano and
guitar chords. Format:
easy piano/vocal/chords
songbook. With vocal
melody, piano
accompaniment, lyrics,
chord names, guitar chord
chart and illustrations.
Children's. 63 pages.
9x12 inches. Published by
Music Sales.
Voice and Piano SKU: BT.EMBZ20017A New Liszt Edition, Series IX. Vol.2...(+)
Voice and Piano
SKU:
BT.EMBZ20017A
New
Liszt Edition, Series IX.
Vol.2.. By David
Trippett. By Franz Liszt.
EMB New Listz Edition.
Classical. Book
Hardcover. Composed 2019.
180 pages. Editio Musica
Budapest #EMBZ20017A.
Published by Editio
Musica Budapest
(BT.EMBZ20017A).
English-German-Hungari
an.
In 1845 Franz
Liszt embarked on a
project to compose an
Italian opera based on
Lord Byron’s
tragedy, Sardanapalus
(1821). It was central to
his ambition to attain
status as a major
European composer, with
premieres variously
planned for Milan,
Vienna, Paris and London.
But he abandoned it half
way through, and the
music he completed has
lain silently for 170
years.
Liszt’s difficulty
in obtaining a libretto
meant that composition
only began in April 1850.
He completed virtually
all the music for Act 1
in an annotated
piano-vocal score of 111
pages, contained within
his N4 music
‘sketch
book’. The unnamed
librettist was an Italian
poet and political
prisoner, seemingly
living under house
arrest, and a close
acquaintance of Cristina
Belgiojoso. His libretto
survives as underlay in
the N4 sketchbook and has
been critically
reconstructed and
translated.
Sardanapalo is
Liszt’s only
mature opera. While he
consistently referred to
it in French, as
Sardanapale, the
published title of the
Italian opera would
almost certainly have
used the Italian name,
hence this forms the
title of the first
edition. There are three
solo roles and a chorus
of concubines. The
manuscript was previously
thought to be fragmentary
and partially illegible,
but it was finally
deciphered to
international acclaim in
March 2017.
Liszt’s score
offers a richly melodic
style, with elements from
Bellini and Verdi
alongside glimmers of
Wagner and the symphonic
poems ahead: a unique
mixture of Italianate
pastiche and mid-century
harmonic innovation. It
remains quintessentially
Lisztian. The opera sets
Byron’s tragedy
about war and peace in
ancient Assyria: the last
King, effeminate in his
tastes, is drawn to wine,
concubines and feasts
more than politics and
war: his subjects find
him dishonourable (a
‘man queen’)
and military rebels seek
to overthrow him, but are
pardoned, for the King
rejects the ‘deceit
of glory’ built on
others’ suffering:
this leads only to a
larger uprising, the
Euphrates floods its
banks, destroying the
castle’s main
defensive wall, and
defeat is inevitable: the
King sends his family
away and orders that he
be burned alive with his
lover, amid scents and
spices in a grand
inferno. As Byron put it:
‘not a mere pillar
formed of cloud and
flame, but a light to
lessen ages.’ For
his part, Liszt told a
friend that his finale
‘will even aim to
set fire to the entire
audience!’
This critical edition
includes a detailed study
on the genesis of
Liszt’s
Sardanapalo in English,
German, and Hungarian,
the libretto in the
original Italian as well
as in English, German,
and Hungarian
translation, several
facsimile pages of
Liszt’s
manuscript, and a
detailed Critical
Report.