By Stephanie Boosahda. By David J. Stearman III and Stephanie Boosahda. Arrang...(+)
By Stephanie Boosahda. By
David J. Stearman III and
Stephanie Boosahda.
Arranged
by John Leavitt. Daybreak
Choral Series. Christmas,
Communion, General
Worship,
Sacred. Octavo. 12 pages.
Published by Daybreak
Music
Il Ritmo Sul Basso Basse electrique [Partition + CD] Play Music Publishing
Bass Guitar SKU: BT.MUSMI0391 Composed by Enzo Abatucci. Tuition. Book wi...(+)
Bass Guitar
SKU:
BT.MUSMI0391
Composed
by Enzo Abatucci.
Tuition. Book with CD.
Composed 2018. Play Music
Italy #MUSMI0391.
Published by Play Music
Italy (BT.MUSMI0391).
Italian.
Saper
leggere e suonare un
ritmo fa parte delle basi
che ogni bassista deve
assolutamente
padroneggiare. In realt
molti incontrano
difficolt
nell’interpretazio
ne ritmica di uno
spartito o di un
qualsiasi esercizio
scritto, e sono quindi
incapaci di superare
questo scoglio senza
l’aiuto di un
esempio audio o video
attinente. Questo metodo,
che si rivolge a tutti i
bassisti, dal
principiante al più
avanzato, colmer tutte le
vostre lacune e vi dar
solide basi per
finalmente acquisire o
migliorare il senso del
ritmo. Estremamente
progressiva,
quest’opera
didattica vi far lavorare
su tutte le figure di
ritmo essenziali per
suonare il basso. Ma la
sua vera ricchezza
risiedenel suo approccio
tanto pratico quanto
pienamente musicale. Non
si limita alla teoria. In
effetti per affrontare le
figure ed i ritmi avrete
a che fare con veri
grooves. Il che significa
che lo studio viene
svolto in vere condizioni
musicali cioè con vere
linee di basso da suonare
su diverse basi musicali,
per progredire al livello
ritmico e divertirsi al
livello musicale! Sul
disco dati allegato al
metodo, troverete
numerosi file audio e
video. I video (mp4)
presentano tramite
l’immagine i
numerosi esempi e grooves
così come devono
essere suonati. Le
registrazioni audio (mp3)
invece propongono le basi
musicali corrispondenti
alle diverse linee
studiate.
(Serie II - France 1800-1860). Edited by Arlette Biget, Michel Giboureau. For Fl...(+)
(Serie II - France
1800-1860). Edited by
Arlette Biget, Michel
Giboureau. For Flute.
This edition: Facsimile.
Methodes and Traites.
Score. 2264 pages.
Published by Anne Fuzeau
Productions - France
By Stephanie Boosahda. By David J. Stearman III and Stephanie Boosahda. Arrang...(+)
By Stephanie Boosahda. By
David J. Stearman III and
Stephanie Boosahda.
Arranged
by John Leavitt. Daybreak
Choral Series. Christmas,
Communion, General
Worship,
Sacred. Octavo. 12 pages.
Published by Daybreak
Music
Grooves, Rhythm 'n'
Blues, Soul & Funk.
Composed by Bruno
Tazzino. Play Music
Italia. Tuition. Book
with Online Audio.
Composed 2016. Play Music
Italy #MUSMI354.
Published by Play Music
Italy (BT.MUSMI354).
Italian.
Questo
metodo ha lo scopo di
farvi immergere
nell’epoca
d’oro del basso,
ossia gli anni sessanta e
settanta, attraverso quei
generi musicali che
seppero valorizzarlo
così bene, ossia il
Rhythm ‘n’
Blues, il Soul ed il
Funk. In effetti questi
stili, che continuano
ancora oggi ad
influenzare la musica
moderna, diedero maggior
spazio al basso,
conferendogli un ruolo
importante, di primo
piano.
Quest’opera, quasi
indispensabile ad ogni
bassista degno di questo
nome, propone quindi 25
splendide linee di basso.
Potrete non solo
divertirvi alla grande,
ma anche progredire al
livello sia tecnico che
musicale. Un capitolo
preliminare vi presenta
le caratteristiche
principali di questistili
musicali (materiale e
suono, scale ed arpeggi
utilizzati, bassisti da
ascoltare…). Sul
disco allegato al metodo,
troverete sia dei file
audio che dei file video.
I video (mp4) presentano
tramite l’immagine
tutti i grooves di basso
così come devono
essere suonati, a velocit
normale, poi ridotta. Le
registrazioni audio (mp3)
invece propongono le basi
musicali corrispondenti,
anch’esse a due
velocit diverse. Potrete
in questo modo suonare i
grooves proposti su
queste basi oppure
sviluppare liberamente le
vostre proprie idee di
accompagnamento.
Flute SKU: FZ.5957 Serie II - France 1800-1860. Edited by Arlette ...(+)
Flute
SKU: FZ.5957
Serie II - France
1800-1860. Edited by
Arlette Biget, Michel
Giboureau. This edition:
Facsimile. Methodes &
Traites. Score. Published
by Anne Fuzeau
Productions - France
(FZ.5957).
ISBN
9790230659574. 24.00 x
33.00 cm
inches.
These early
music methods are in
facsimile in seven books.
N. BOUSQUET - Victor
CORNETTE - Philippe
GATTERMANN (1-2). Table
of contents: Gattermann
Philippe: Methode de
flute - c. 1851. Cornette
Victor: Methode de flute
- 1855. Bousquet N. :
Methode de flute - 1858.
Gattermann Philippe:
Methode precedee des
principes - c. 1861.
Collection supervised by
the musicologist Jean
Saint-Arroman, professor
at the Conservatoire
National Superieur de
Musique et de Danse of
Paris and at the CEFEDEM
Ile de France (Training
Centre for Music
Teachers). He is the
author of the majority of
our prefaces and has also
been involved in library
searches. Facsimile of a
copy in the National
Library of Paris
(France). Anne Fuzeau
Classique propose the
complete theoretic
documentation, methods,
classical music scores on
the flute.
Choir SKU: HL.50494703 Per 12 Voci Miste A Cappella. Composed by S...(+)
Choir
SKU:
HL.50494703
Per 12
Voci Miste A
Cappella. Composed by
Sylvano Bussotti. MGB.
Classical. Score Only.
Composed 1976. Ricordi
#NR132284. Published by
Ricordi (HL.50494703).
Kohaut was a contemporary of Dittersdorf, Vanhal and Hoffmeister. This three ...(+)
Kohaut was a
contemporary of
Dittersdorf, Vanhal and
Hoffmeister. This three
movement concerto,
published here for the
first time, offers
musical and technical
challenges of Grade 8
standard and above.
Scored for Double
Basswith a Piano
reduction of the original
Orchestral Score
Five States of Change Fanfare [Conducteur et Parties séparées] - Intermédiaire Anglo Music
Fanfare Band - Grade 4 SKU: BT.AMP-342-020 Composed by Philip Sparke. Ang...(+)
Fanfare Band - Grade 4
SKU:
BT.AMP-342-020
Composed by Philip
Sparke. Anglo Music
Midway Series. Set (Score
& Parts). Composed 2012.
Anglo Music Press #AMP
342-020. Published by
Anglo Music Press
(BT.AMP-342-020).
9x12
inches.
English-German-French-Dut
ch.
Five States
of Change was
commissioned by
Kunstfactor for the 4th
section of the Dutch
National Brass Band
Championships (NBK) 2011.
It is dedicated to Jappie
Dijkstra and the Music
Information Centre (MUI),
Arnhem, Holland, in
acknowledgement of their
outstanding work in
developing band
repertoire.The composer
writes: The idea for the
piece came when I was
reading an article about
a branch of Chinese
philosophy which is
abbreviated as Wu
Xing*, which has no
exact translation but can
mean, for example,
five elements, five
phases or five
states of change. It
is central to all
elements of Chinese
thought, including
science, philosophy,
medicine andastrology,
and in simple terms tries
to create various cyclic
relationships between
five elements in all
walks of life.An example
is: Earth - Metal - Water
- Wood - Fire - (Earth)
etc. where (in one cycle)
earth bears metal, metal
changes to liquid (water)
when heated, water helps
trees grow, wood burns to
create fire, fire
produces ash (earth) and
the cycle continues.I was
particularly interested
in the cycle of
emotions:- Meditation -
Sorrow - Fear - Anger -
Joy - (Meditation) etc.
and thought this cyclic
principle would provide
an effective emotional
journey for a piece of
music. So Five States
of Change has five
equal sections which
loosely characterise this
emotional cycle. I have
tried to make the music
grow organically, with
minimal repetition, and
each movement evolves
from the musical elements
at the end of the
previous one, with the
opening material
appearing, transformed,
at the end of the piece
to complete the cycle.
*in full Wu zhong liu
xing zhi chi or
the five types of chi
dominating at different
times
Five
States of Change is
geschreven in opdracht
van Kunstfactor voor de
4e divisie van de NBK
(Nederlandse Brassband
Kampioenschappen) 2011.
Het werk is opgedragen
aan Jappie Dijkstra en
het MUI (Muziekuitleen-
en Informatiecentrum)te
Arnhem,als waardering
voor hun inspanningen met
betrekking tot de
ontwikkeling van het
repertoire voor
blaasorkesten.De
componist schrijft: Het
idee voor het werk kwam
in mij op toen ik een
artikel las over een
takbinnen de Chinese
filosofie waarvan denaam
wordt afgekort tot Wu
Xing* - waar geen
exacte vertaling voor is,
maar wat zoveel betekent
als vijf elementen,
vijf fasen of vijf
stadia van verandering.
Het gaat om eenwezenlijk
onderdeel van alle
componenten binnen
hetChinese gedachtegoed,
inclusief de wetenschap,
filosofie, geneeskunst en
astrologie. Simpel gezegd
draait het om het
creëren van diverse
cyclische verbanden
tussen vijf elementendie
in ieders leven een rol
spelen.Een voorbeeld:
Aarde - Metaal - Water-
Hout - Vuur - (Aarde)
enz. In deze cyclus bevat
aarde metaal, metaal
verandert in vloeistof
(water) door verhitting,
water helpt bomen te
groeien, houtdat brandt
creëert vuur, en vuur
produceert as (aarde). Zo
blijft de cyclus
voortgaan. Zelf wasik
vooral ge nteresseerd in
de cyclus van emoties:
Meditatie - Verdriet -
Angst - Boosheid -
Vreugde - (Meditatie)
enz. De gedachte aandit
cyclische principe
leverde een reis door een
muzikale wereld van
emoties op. Five
States of
Changebestaat uit
vijf delen die betrekking
hebben op de emotionele
cyclus. Ik heb geprobeerd
de muziek op natuurlijke
wijzete laten ontstaan,
met zo weinig mogelijk
herhalingen. Elk deel
vloeit voort uit de
muzikale elementen uit
het slot van
hetvoorgaande deel. Het
openingsmateriaal komt,
in getransformeerde
gedaante, terug aan het
einde van het
werk.
Five
States of Change
wurde von Kunstfactor
für die vierte
Abteilung der
Holländischen
Nationalen
Brass-Band-Meisterschaft
(NBK) 2011 in Auftrag
gegeben. Die Widmung gilt
Jappie Dijkstra und dem
Musik-Informationszentrum
(MUI) in Arnhem(Holland),
in Anerkennung derer
außerordentlichen
Bemühungen um die
Entwicklung des
Blasorchester-Repertoires
. Der Komponist
über sein Werk: Die
Idee zu diesem
Stück kam mir beim
Lesen eines Artikels
über eine Richtung
derchinesischen
Philosophie, die
abgekürzt Wu
Xing* heißt, was
nicht wörtlich
übersetzt werden
kann, aber so viel wie
fünf Elemente,
fünf Phasen
oder fünf
Stadien der
Verwandlung bedeutet.
DiesesPrinzip nimmt eine
zentrale Position im
gesamten chinesischen
Gedankengut ein, sei es
in der Wissenschaft,
Medizin oder Astrologie.
Einfach
ausgedrückt, werden
damit in allen
Lebensbereichen
verschiedene zyklische
Beziehungen
zwischenfünf
Elementen hergestellt.Zum
Beispiel: Erde - Metall -
Wasser - Holz - Feuer -
(Erde) - usw. In diesem
Zyklus enthält die
Erde Metall, das sich bei
Erhitzung
verflüssigt
(Wasser); Wasser lässt
Bäume wachsen, deren
Holz verbrennt (Feuer)und
zu Asche wird (Erde),
womit der Kreislauf von
neuem beginnt.Mich
interessierte besonders
der Kreislauf von
Gefühlen:Meditation
- Trauer - Angst -
Ärger - Freude -
(Meditation) usw.Ich
dachte mir, dass dieser
Kreislauf eine
wirkungsvolleemotionale
Reise“ durch ein
Musikstück
darstellen könnte.
Folglich besteht Five
States of Change aus
fünf gleichen
Abschnitten, die diesen
Kreislauf der
Gefühle grob
nachzeichnen. Ich habe
versucht, die Musik
organischwachsen zu
lassen mit möglichst
wenig Wiederholungen.
Jeder Satz entwickelt
sich aus den Elementen
vom Ende des
vorhergehenden Satzes und
das Material der
Eröffnung vollendet am
Schluss des Werkes den
Kreis. *Abkürzung
für Wu zhongliu
xing zhi chi oder
Die fünf Arten
von Chi, die zu
unterschiedlichen Zeiten
dominieren
L’idea
di comporre questo brano
è venuta a Philip
Sparke leggendo un
articolo sulla filosofi a
cinese che si basa su
cicli di cinque elementi,
fasi e stadi di
cambiamento. A Sparke
interessavano in
particolare il flusso dei
sentimenti come la
meditazione, il lutto, la
paura, la rabbia e la
gioia. A partire da
questi elementi ha
composto un
impressionante
“viaggioâ€
musicale suddiviso in
cinque sezioni,
tematicamente intrecciate
tra loro, quasi a voler
formare un cerchio.
Performed by The Carpenters. For voice, piano and guitar chords. Format: piano/v...(+)
Performed by The
Carpenters. For voice,
piano and guitar chords.
Format:
piano/vocal/chords
songbook. With vocal
melody, piano
accompaniment, lyrics,
chord names and guitar
chord diagrams. Soft rock
and pop. 231 pages. 9x12
inches. Published by Hal
Leonard.
Soprano and Orchestra SKU: HL.50494674 Per Soprano E Grande Orchestra ...(+)
Soprano and Orchestra
SKU: HL.50494674
Per Soprano E Grande
Orchestra -
Partitura. Composed
by Sylvano Bussotti. MGB.
Contemporary Music. Score
Only. Composed 2003.
Ricordi #NR132219.
Published by Ricordi
(HL.50494674).
China Suite Orchestre d'harmonie [Conducteur et Parties séparées] Curnow Music
Concert Band - easy SKU: BT.CMP-0704-03-040 Composed by Mike Hannickel. G...(+)
Concert Band - easy
SKU:
BT.CMP-0704-03-040
Composed by Mike
Hannickel. Great
Foundation Series.
Concert Piece. Set (Score
& Parts). Composed 2003.
Curnow Music #CMP
0704-03-040. Published by
Curnow Music
(BT.CMP-0704-03-040).
This delightful
beginning band suite is
based on three Chinese
folk songs. The extremely
limited ranges and
rhythms make it
accessible to any band,
and the
“suiteâ€
format gives you a great
deal of flexibility in
performance.There are
numerous suggestions for
additional interest in
the percussion section,
but it is easily
performed with just the
standard instruments, or
even lacking a percussion
section
altogether!Explore the
orient with CHINA SUITE
this year!
Deze
fraaie suite voor
blaasorkest is gebaseerd
op drie Chinese
volksliedjes. Het eerste
verwijst naar werken op
de boerderij, het tweede
beschrijft een prachtige
bloem, terwijl het derde
gaat over een onderwerp
dat kinderen overalter
wereld bezighoudt: de
school gaat uit! De
creatieve toepassing van
aanvullende, deels
optionele,
slagwerkinstrumenten
geeft China Suite
een exotische, Chinees
aandoende
sfeer.
Diese
entzückende Suite
für Blasorchester
basiert auf drei
chinesischen
Volksliedern. Der erste
Satz erzählt von der
Arbeit auf dem Lande. Der
zweite beschreibt eine
wunderschöne Blume,
während der dritte
Satz einen Titel
trägt, der die
Schülerherzen auf der
ganzen Welt höher
schlagen lässt: Die
Schule ist aus! Der
kreative Einsatz von
zusätzlichen, teils
optionalen
Schlaginstrumenten
verleiht der China
Suite einen
exotischen, original
chinesisch anmutenden
Charakter.
From Terra Nostra.
Composed by Stacy Garrop.
Full score. Duration
3:15. Theodore Presser
Company #312-41902S.
Published by Theodore
Presser Company
(PR.31241902S).
UPC:
680160690589.
English.
Commission
ed by the San Francisco
Choral Society and the
Piedmont East Bay
Children’s Choir,
Terra Nostra is a
70-minute oratorio on the
relationship between our
planet and humankind, how
this relationship has
shifted over time, and
how we can re-establish a
harmonious balance. Part
I: Creation of the World
explores various creation
myths from different
cultures, culminating in
a joyous celebration of
the beauty of our planet.
Part II: The Rise of
Humanity examines human
achievements,
particularly since the
dawn of our Industrial
Age, and how these
achievements have
impacted the planet. Part
III: Searching for
Balance questions how to
create more awareness for
our planet’s
plight, re-establish a
deeper connection to it,
and find a balance for
living within our
planet’s
resources. In addition to
the complete oratorio,
stand-alone movements for
mixed chorus, and for
solo voice with piano,
are also available
separately. Terra
Nostra focuses on the
relationship between our
planet and mankind, how
this relationship has
shifted over time, and
how we can re-establish a
harmonious balance. The
oratorio is divided into
three parts:Part I:
Creation of the World
celebrates the birth and
beauty of our planet. The
oratorio begins with
creation myths from
India, North America, and
Egypt that are integrated
into the opening lines of
Genesis from the Old
Testament. The music
surges forth from these
creation stories into
“God’s
World†by Edna St.
Vincent Millay, which
describes the world in
exuberant and vivid
detail. Percy Bysshe
Shelley’s
“On thine own
child†praises
Mother Earth for her role
bringing forth all life,
while Walt Whitman sings
a love song to the planet
in “Smile O
voluptuous cool-breathed
earth!†Part I ends
with “A Blade of
Grass†in which
Whitman muses how our
planet has been spinning
in the heavens for a very
long time.Part II: The
Rise of Humanity examines
the achievements of
mankind, particularly
since the dawn of the
Industrial Age. Lord
Alfred Tennyson’s
“Locksley
Hall†sets an
auspicious tone that
mankind is on the verge
of great discoveries.
This is followed in short
order by Charles
Mackay’s
“Railways
1846,†William
Ernest Henley’s
“A Song of
Speed,†and John
Gillespie Magee,
Jr.’s “High
Flight,†each of
which celebrates a new
milestone in
technological
achievement. In
“Binsey
Poplars,†Gerard
Manley Hopkins takes note
of the effect that these
advances are having on
the planet, with trees
being brought down and
landscapes forever
changed. Percy Bysshe
Shelley’s “A
Dirge†concludes
Part II with a warning
that the planet is
beginning to sound a
grave alarm.Part III:
Searching for Balance
questions how we can
create more awareness for
our planet’s
plight, re-establish a
deeper connection to it,
and find a balance for
living within our
planet’s
resources. Three texts
continue the
earth’s plea that
ended the previous
section: Lord
Byron’s
“Darknessâ€
speaks of a natural
disaster (a volcano) that
has blotted out the sun
from humanity and the
panic that ensues;
contemporary poet Esther
Iverem’s
“Earth
Screaming†gives
voice to the modern
issues of our changing
climate; and William
Wordsworth’s
“The World Is Too
Much With Us†warns
us that we are almost out
of time to change our
course.
Contemporary/agrarian
poet Wendell
Berry’s “The
Want of Peaceâ€
speaks to us at the
climax of the oratorio,
reminding us that we can
find harmony with the
planet if we choose to
live more simply, and to
recall that we ourselves
came from the earth. Two
Walt Whitman texts
(“A Child said,
What is the grass?â€
and “There was a
child went forth every
dayâ€) echo
Berry’s thoughts,
reminding us that we are
of the earth, as is
everything that we see on
our planet. The oratorio
concludes with a reprise
of Whitman’s
“A Blade of
Grass†from Part I,
this time interspersed
with an additional
Whitman text that
sublimely states,
“I bequeath myself
to the dirt to grow from
the grass I
love…â€My hope
in writing this oratorio
is to invite audience
members to consider how
we interact with our
planet, and what we can
each personally do to
keep the planet going for
future generations. We
are the only stewards
Earth has; what can we
each do to leave her in
better shape than we
found her?
Diogenes Fanfare [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Fanfare Band - Grade 4 SKU: BT.DHP-0950656-020 Composed by Jacob De Haan....(+)
Fanfare Band - Grade 4
SKU:
BT.DHP-0950656-020
Composed by Jacob De
Haan. Inspiration Series.
Concert Piece. Set (Score
& Parts). Composed 1995.
De Haske Publications
#DHP 0950656-020.
Published by De Haske
Publications
(BT.DHP-0950656-020).
Met
Diogenes
componeerde Jacob de Haan
een concertwerk waarvan
de titel is ontleend aan
de filosoof Diogenes, die
rond 400 v.Chr. in
Griekenland leefde.
Diogenes wordt beschouwd
als de grondlegger van de
Cynische school. Detwee
hoofdthema’s in
deze compositie zijn
verwerkt in drie in
elkaar overgaande delen,
elk met een overgeleverd
verhaal over Diogenes als
inspiratiebron.