Par . The Real Books are the best-selling jazz books of all time. Since the 1970s, musicians have trusted these volumes to get them through every gig, night after night. The problem is that the books were illegally produced and distributed, without any regard to copyright law, or royalties paid to the composers who created these musical masterpieces. Hal Leonard is very proud to present the first legitimate and legal editions of these books ever produced. You won't even notice the difference, other than all the notorious errors being fixed: the covers and typeface look the same, the song list is nearly identical, and the price for our edition is even cheaper than the original! Every conscientious musician will appreciate that these books are now produced accurately and ethically, benefitting the songwriters that we owe for some of the greatest tunes of all time! Includes 400 songs / Date parution : 2024-01-18/ Recueil / Instruments en Mib

Imagine someone who has worked as an international saxophonist, an educator, a technician, a consultant, and as a designer, and you can imagine Peter Ponzol. For the first time, Peter offers details from his famous Saxophone Workshops. Learn about: ' Maintenance ' Reeds ' Mouthpieces ' Ligatures ' Sound ' Flexibility This exciting and informational pocket book will be a much needed addition to your musical library! Convenient pocket-sized book - 3.5 x 5.5 - perfect to toss in your gig bag! 64 pages. Peter has been around saxophones for decades, doing it all from manufacturing horns to reeds to mouthpieces. As well, he is a seasoned player. What he discusses in this book is coming from one of the sources-read carefully! - David Liebman, Sax artist/ author/ clinician. Read this review from Sax On The Web: The information in this book is right up SOTW's alley, with answers regarding reeds, necks, mouthpieces, saxes, maintenance, and the like. I would assume that the number of redundant threads started could be reduced almost in half simply with a reading of this book and those owning it could refer back to it at their leisure, as needed. And there is enough info in this book which contradicts some of our SOTW urban legends to make an episode of MythBusters. If you catch the right posts at the right time, much of the info in this book is already posted here on SOTW. But you have to see it and if hunting for it, you have to find it. OTOH it's all conveniently gathered and organized here in this primer - plus more. There are suggestions such as replacing the neck cork once or twice a year, which I would, if posting a response, say is not necessary. But here's the difference. Many of us on the forum are experienced musicians but few have the experience and depth that Ponzol has. We can write with credibility - Ponzol writes with authority. And this is based on decades not only as a top-echelon player, but as a successful and innovative sax, neck and mpc designer. The book is a 61 page pocket reference booklet which, in addition to topics mentioned above, include thoughts on ligatures, sound and flexibility. It is based on items of interest asked by attendees at workshops he has given over the years, hence the title. He begins by pointing out that at these workshops one of the first things he does is look at the condition of attendees' equipment with the observation that at least 90% of them need some kind of work and adjustments. What follows in the book's 61 pages are recommendations generated by this observation. Included are interesting comments such as: aging store-bought reeds by letting them sit for several years is fairly useless since the aging process stops once the bark has been cut away from the reed; not earth-shattering but interesting and certainly myth debunking. Again something that fits right in with many of the conversations on this forum. Interesting thoughts follow regarding the future of natural cane reeds, or how to select and get the most from your reeds - things I wouldn't think of like sanding the heel of your reed. SOTWers might also get a kick out of, and relate to, the title of his section on mouthpieces, 'Now the Fun Begins'. There are also interesting side comments we don't often hear like: in the 70s so many young players like Ponzol were trying to get Trane's recorded sound by working on metal Links because that's what they saw in photos and yet, Trane often recorded with hard rubber mpcs because, in Trane's opinion, it didn't have as much spit in the sound for him. It's interesting how some things come around back to you. There are two exercises I recommend to my students and have recommended on the forum regarding volume and embouchure control and flexibility. I've never heard anyone else recommend these exercises and yet here they are in Peter's book. Then it hit me. The only other one I know who uses them is a former teacher of mine and I remembered that years ago he said he had had some lessons with Ponzol. So 'the circle is unbroken' LOL. I would highly recommend it for beginners and intermediates, as well as for more advanced players to recommend to their students. It has made me re-think even some of my most basic assumptions regarding equipment and maintenance, which has made the read well worth it. I wish every SOTW newbie would start out their Forum time with this booklet at their disposal.

Une perle pour les tous les musiciens. Les 100 plus beaux morceaux de jazz arrange pour tous les instruments re mineure et sol majeure / Saxophone / Partition

Par KEMBER JOHN. Broadway abrite parmi les meilleures comédies musicales de tous les temps et incarne, mieux que tout autre endroit, le clinquant et le glamour de la scène. Broadway Pièce proposer dix des meilleurs spectacles qui marquèrent les dernières décennies, des grands classiques de ' Anything Goes ' en passant par ' Chicago ' et ' Graisse '. Toutes les chansons ont été arrangées pour convenir à un interprète de niveau moyen (3-5) avec un CD de fond être et des acompagnements pianistiques à télécharger de l'enhanced CD. Les partitions pour saxophone alto./ Recueil / Saxophone Alto et Piano

Par WEDGWOOD PAM. This book is perfect for those looking for something to bridge the gap between grades. Pam Wedgwood's inimitable, style is guaranteed to breathe new life into your saxophone playing - the varied pieces in this bright collection range from toe-tapping jazzy numbers to more classical styles, all designed to ease you gently on towards the next grade. This book is especially useful to students who have passed Grade 2 and would like a break before plunging into the syllabus for Grade 3. So lighten up and move on with Up-Grade!. ABRSM Alto and Baritone Saxophone examination grade 3. / Niveau : Facile / Recueil / Saxophone Alto et Piano

Par GORDON ANDREW D.. The idea for this book series is to give instrumentalists the opportunity to practice solo improvisational techniques while playing along to rhythm tracks of keyboards, guitar, bass, drums/percussion in various different Latin styles including Calypso, Mambo, Salsa, Songo, Bossa, Guaracha, Samba and Latin-Blues. The 24 grooves totalling over 200 riffs/phrases and play-a-long tracks consists of a variety of tempos and keys. Each groove has a variety of riffs to learn that are generally 4 or 8 measures in length. It would be beneficial if you could memorize these riffs so that you can experiment using different permutations of the riffs as well as being used as a starting off point for one's own improvisations. Each riff has been recorded with a rhythm track with each style having an extended play-a-long track, around 3 minutes in length, recorded without the solo part so you can practice the riffs that you have learned. Also, these musical phrases or riffs may be interchanged from one groove to another and should be learned in as many keys as possible. / Niveau : Intermédiaire / Etude / Saxophone Alto

11 inspirational works by black composers. This inspiring collection celebrating black composers has been selected and edited by the renowned saxophonist, YolanDa Brown. Suitable for intermediate-level tenor saxophone with piano accompaniment, plus commentary from YolanDaand downloadable backing tracks./ Recueil / Saxophone Ténor et Piano

This inspiring collection celebrating black composers has been selected and edited by the renowned saxophonist, YolanDa Brown. Suitable for intermediate-level alto saxophone with piano accompaniment, plus commentary from YolanDaand downloadable backing tracks.
1. Blinded By Your Grace (Part 1) [Stormzy]
2. Blue And Sentimental [Count Basie]
3. I Can See The Change [Celeste]
4. I Wish I Knew How It Would Feel To Be Free [Nina Simone]
5. In A Sentimental Mood [Duke Ellington]
6. Lady [Fela Kuti]
7. Million Billion Love [YolanDa Brown]
8. Misty [Erroll Garner]
9. TokYo Sunset [YolanDa Brown]
10. Total Praise [Richard Smallwood]
11. Wishing On A Star [Rose Royce]
/ Partitions jazzandblues / Bois / Saxophone / FABER MUSIC

Par HAIGHT RUSSELL. This collection of ten jazz etudes with accompanying audio provides intermediate to advanced alto sax students with a fun and effective way to learn to play in the specific odd meters: 3/4, 5/4, 7/4, and 9/4. Each etude is based on the chord progression of a different jazz standard, and includes an in-depth analysis of the melodic, harmonic, and rhythmic devices used. The addition of the odd-time ingredient, along with completely original melodies and improv lines, converts what would be mere academic etudes to a delightful jazz listening and playing experience.If you want to improve your fluency in reading, performing, and improvising in odd time signatures, this is the book for you! A generous number of preparatory exercises gradually introduce the student to not only reading music, but also 'hearing how phrases land within a measure” of odd time.Play-along audio tracks featuring a professional rhythm section (piano, bass, and drums) minus the sax track allow you to play as the soloist. Includes access to online audio. / Niveau : Intermédiaire à Avancé / Jazz / Date parution : 2019-05-27/ Etude / Saxophone Alto

Twenty of the best-ever jazz standards for Alto Saxophone, in melody line arrangements with specially recorded backing tracks on the included audio download. Guest Spot allows you to learn some of the all-time greatest jazz tunes, before playing along to the professional backing tracks.Featuring classic songs like Fly Me To The Moon, Hit The Road Jack, Straight No Chaser and I Wish I Knew How It Would Feel To Be Free, Guest Spot features 20 Jazz Greats in top line arrangements. While learning the song, you can listen to the full performance version of the track using the audio download, then the Saxophone part will be omitted so you can step into the spotlight and play along!Other songs include Perdido, Harlem Nocturne, The Girl From Ipanema, I'm Gettin' Sentimental Over You. With such a great selection of songs, as well as an invaluable Saxophone fingering chart, this jazz Alto Saxophone sheet music is perfect for any saxophonists looking to expand their repertoire with some fantastic standards. / Saxophone Alto

Partitions arrangées pour sax tenor un CD audio contenant 2 versions de chaque titre: une démonstration complète puis une version sans saxophone qui vous permettra de jouer accompagné. / Saxophone / Partition Cd

Hip Licks for Saxophone is designed to help saxophonists develop fluency in the jazz language by providing mainstream jazz vocabulary (swing/bop/post-bop) that nails the changes and lays great on the horn.Think of Hip Licks for Saxophone as a musical reference book, like a dictionary of great licks in all twelve keys, available when you need it. You can open the book to any page and just start playing.Need something that will help you sound like a total pro while playing over the most challenging keys, like: C#, F# or B' Hip Licks for Saxophone is an indispensable resource that can immediately show you how a professional player would approach those tough keys and chord progressions.Special Features of Hip Licks for Saxophone by Greg Fishman:' 168 Hip Licks ' Each lick is unique and customized for each key, based on the best timbre, register and playability on the horn. The C7 lick is different than the B7 lick, which is different than the Bb7 lick, etc.' Idiomatic Construction ' Alto and Tenor read the same written part, while the rhythm section is recorded in two different keys, ensuring that each lick lays perfectly on all saxophones.' Slow Tempo and Fast Tempo Play-Along CDs are included for both Alto and Tenor ' 4 CDs included:2 Alto CDs and 2 Tenor CDs, providing over four hours of play-along tracks.' Hip Licks Nail the Most Popular Chord Progressions:- Major 7th, Dominant 7th, Dominant 7b9, Minor 7th, Minor 7b5, and Diminished 7th and Augmented 7th Chords- ii-7 / V7 / I Major (two and four-measure phrases)- ii-7b5 / V7b9 / i Minor (two and four-measure phrases)- Parallel Major to Minor Progressions- ii- ii-Maj7 / ii-7 V7 / I Maj7 (ii-7 / V7 / I Maj7 with moving 7ths)' Modular Design ' The licks are self-contained, easily taken out of the book to be used in a wide variety of songs.' Interactive Call and Response Format, perfect for ear-training and developing your musical memory. Each lick is played twice in a row on the Play-Along CDs, so you can hear the lick and then immediately play along.' Twelve Key Approach ' Every CD track takes you through all twelve keys.' Rhythm-Section-Only Tracks let you experiment with your own variations on the licks and improvise over a wide variety of harmonic settings. These tracks are also excellent backgrounds for practicing all of your chords and scales.' Technique Builder ' Use Hip Licks for Saxophone as part of your daily practice routine to dramatically increase your technical command of the saxophone.