Combo Edition of Books 1 and 2 with Online Audio. Guitar Tab Method. Instructi...(+)
Combo Edition of Books 1
and 2
with Online Audio. Guitar
Tab
Method. Instruction,
Method.
Softcover Audio Online.
64
pages. Published by Hal
LeonISBN 9781705141724.
9.0x12.0 inches.
Get started quickly and
easily, and with songs
you
want to play! Learn the
notes
of the bass with riffs
like
"Day Tripper" and "Stand
by
Me," reading rhythms and
tab
with classics by the Who
and
Red Hot Chili Peppers,
fingerstyle and pick
technique with songs like
"Roxanne" and "Low
Rider,"
beginning slap technique
with
songs like "Higher
Ground"
and "Fly Away," and much
more. The method's
unique,
well-paced, and logical
teaching sequence will
get
students playing more
easily
than ever before, and
music
from popular artists like
the
Beatles, Nirvana, and
Green
Day will keep them
playing
and having fun. This
special
combo edition includes
books
one and two of the series
plus online audio
access.ard
2 Pianos, 4 Hands (2-Pianos) SKU: HL.48024257 Reduction for Two Pianos...(+)
2 Pianos, 4 Hands
(2-Pianos)
SKU:
HL.48024257
Reduction for Two
Pianos. Composed by
Einojuhani Rautavaara. BH
Piano. Classical.
Softcover. 52 pages.
Fennica Gehrman
#M550113329. Published by
Fennica Gehrman
(HL.48024257).
Piano reduction
for Rautavaara's Piano
Concerto No. 3 Gift of
Dreams now available for
the first time. The
concerto is composed for
Vladimir Ashkenazy. The
opening of the concerto
is lyrical and
meditative. The second
movement, Adagio, drifts
into a piano monologue
that picks up speed. As
the orchestra enters, the
dialogue becomes
aggressive. The finale
begings with an energetic
introduction, continues
with blazing fanfares and
textures. Rautavaara's
Piano Concerto No. 3 is a
masterpiece of modern
concerto literature. It
is written is such manner
that toe soloist can lead
the orchestra from the
grand piano. Rautavaaran
3. pianokonserton, Gift
of Dreams, pianoreduktio
on nyt julkaistu
ensimmaista kertaa.
Konsertto on savelletty
Vladimir Ashkenazylle, ja
sen voi esittaa solistin
johdolla. Gift of Dreams
on takuuvarmaa ja
taitavaa Rautavaara;
unenkaltaiset elementit,
fanfaarit, pulppuileva
solistiosuus, jamakka
orkesteri seka
rautavaara-harmoniat ovat
kaikki lasna tassa vuonna
1998 savelletyssa
konsertossa.
Piano duet SKU: GH.GE-10518 Composed by Inger Elevant / Inja-Bodil Sylvan...(+)
Piano duet
SKU:
GH.GE-10518
Composed
by Inger Elevant /
Inja-Bodil Sylvan.
Educational. Gehrmans
Musikforlag #GE 10518.
Published by Gehrmans
Musikforlag
(GH.GE-10518).
ISBN
9790070105187.
Att
spela fyrhandigt ar
roligt! Den har boken
innehaller 15 kanda
melodier, saval svenska
som utlandska, i
arrangemang for fyra
hander. Svarighetsgraden
varierar nagot, men det
mesta ar overkomligt for
den som har spelat i ett
eller ett par ar.
Violin - Concerto Orchestre, Violon SATB, Orchestre Editorial de Musica Boileau
Violin and orchestra SKU: BO.B.3340 Composed by Jordi Cervello. Instrumen...(+)
Violin and orchestra
SKU: BO.B.3340
Composed by Jordi
Cervello. Instrumental
Sets. Duration 29:00.
Published by Editorial de
Musica Boileau
(BO.B.3340).
ISBN
9788480207591.
Engl
ish comments: My
dedication to the string
instruments has been a
constant throughout my
compositional career and
I knew that sooner or
later the time would come
to compose a concerto for
violin and orchestra.
That moment came in the
autumn of 2002 and after
ten months of
uninterrupted work I
finished it in August of
2003. It is a work
structured similarly to
the traditional
concertos. An important
impetus for the
elaboration of my
concerto was due to the
ill-fated violinist
Ginette Neveu. Her
version of Sibelius'
Concerto has always
stayed with me. For this
reason the first
movement,
Moderato-Allegro, begins
with a contemplative
atmosphere similar to
that of Sibelius'
Concerto in which the
principal thematic ideas
appear tentatively. These
ideas, two rhythmic and
two melodic, are
reaffirmed through a
broad development that
culminates in an
orchestral fullness. A
calm, mysterious passage
recalls the introduction
and after becoming
blurred, three bars burst
in leading to the rapid
section of the movement.
Soloist and orchestra
engage in a dialectic
struggle of a dramatic
nature. The agitation
subsides leaving only a
tranquil and suggestive
clarinet phrase. This
will be taken up by the
soloist who leads up to
the movement's most
dramatic moment playing
an accelerating triplet
figure supported by an
orchestral pedal in
crescendo. From here the
soloist's cadenza emerges
beginning with soft
double notes. It finishes
with an ascending
progression and the
soloist settles into the
high register to elicit
the orchestra's
intervention in a soft
and transfigured
atmosphere. Once
internalised the second
movement, Adagio poco
sostenuto e leggero
begins. It has a solemn
character and opens with
two trumpet calls
answered by the
violoncellos and the
contrabasses. The violin
soloist introduces and
plays two nostalgic
themes, the first in the
low register and the
second, more extensive,
in the middle register.
The soft and delicate
Misterioso e leggero
begins with the violin
singing on high. The
rhythm of the constant
quaver figures gradually
accelerates until the
soloist provokes a
dramatic full orchestra
as in a cadenza. Once
again, the Calmo, in
which the soloist with
less and less orchestral
attire serenely bids
farewell. A rising series
of double stops by the
soloist serves to
initiate the
Finale-Scherzo. In 6/8
rhythm and with the
character of a rondo it
carries us along in a
carefree, virtuosic
ambiance. The principal
motives, brief and
concise, emerge from the
happy, playful theme
presented by the soloist.
With an intricate
progression of rapid
sixths in double stops it
reaches a tense and
somewhat combative
moment. However this
resolves itself in a
diminuendo that the
soloist peacefully takes
up with the notes re-la
to commence the cadenza.
This culminates in a
series of tied notes to
reintroduce the principal
theme. A moment of
melodic suspension serves
as a farewell before the
brief and jovial final
coda. --The
author
Comentari
os del Espanol: A lo
largo de mi carrera
compositiva mi dedicacion
a los instrumentos de
cuerda ha sido constante
y sabia que, tarde o
temprano, llegaria el
momento de componer un
concierto para violin y
orquesta. Este llego en
otono de 2002 y, tras
diez meses de trabajo
ininterrumpido, lo
termine en agosto de
2003. Se trata de una
obra estructurada de
manera similar a los
conciertos tradicionales.
Un importante impulso a
la elaboracion de mi
concierto lo debo al
recuerdo de la malograda
violinista Ginette Neveu.
Su version del concierto
de Sibelius ha
permanecido siempre
dentro de mi. Por ese
motivo, el primer
movimiento
Moderato-Allegro se
inicia con una atmosfera
contemplativa cercana a
la del mencionado
Concierto, en la que
aparecen cautamente las
principales ideas
tematicas. Con un amplio
desarrollo se llega a un
lleno orquestal en el que
estas ideas -dos ritmicas
y dos melodicas- quedan
reafirmadas. Un pasaje
calmo y misterioso
rememora la introduccion.
Tras desdibujarse,
irrumpen tres compases
que nos llevan a la parte
rapida del movimiento.
Solista y orquesta
establecen un combate
dialectico de caracter
dramatico. La inquietud
desaparece hasta una
tranquila e insinuante
frase del clarinete. Esta
sera recogida por el
solista, quien, a base de
una figuracion de
tresillos cada vez mas
rapidos apoyada por un
pedal de la orquesta in
crescendo, conduce hacia
el momento mas dramatico
del movimiento. De aqui
nace la cadenza del
solista, que se incia con
suaves notas dobles.
Finaliza con una
progresion ascendente y
el solista se coloca en
el registro agudo para
llamar la intervencion de
la orquesta dentro de una
atmosfera suave y
transfigurada.
Interiorizado es el
segundo movimiento Adagio
poco sostenuto e leggero.
Con dos llamadas de las
trompas respondidas por
los violonchelos y
contrabajos inicia el
Adagio de caracter grave.
El violin solista
introduce y canta dos
temas nostalgicos. El
primero en el registro
grave y el segundo, mas
amplio, en el medio.
Inicia el Misterioso e
leggero, de caracter
suave y delicado. Con el
violin cantando en agudo.
La constante figuracion
de corcheas acelerara
poco a poco el ritmo
hasta que el solista a
modo de cadenza provocara
un dramatico lleno
orquestal. De nuevo el
Calmo, donde el solista,
cada vez con menos ropaje
orquestal, se despide
serenamente. Una subida
de dobles cuerdas a cargo
del solista sirve para
iniciar el
Finale-Scherzo. Este, en
ritmo de 6/8 y con
caracter de rondo, nos
transporta en un clima
virtuosistico y
despreocupado. Del tema
alegre y jugueton
presentado por el solista
nacen los principales
motivos, breves y
concisos. Con una
intrincada sucesion de
rapidas sextas en doble
cuerda se llega a un
momento crispado y algo
combativo que, sin
embargo, se resolvera en
un diminuendo que el
solista recoge
apaciblemente con las
notas re-la para inciar
la cadenza. Esta culmina
con un suave rosario de
notas en ligado para
introducir de nuevo el
tema principal. Un
momento de suspension
melodica sirve como
despido antes de la breve
y jovial coda final. La
obra fue estrenada el 23
de septiembre de 2005 en
el Teatre Monumental de
Madrid por la Orquesta
Sinfonica de RTVE con
Markus Placci de solista
y Uwe Mund de director.
Gravacion: RNE y Canal
Clasico de TVE. --El
Autor.
44 Easy Guitar Pieces from 5 Centuries. Edited by Peter Ansorge and Bruno Szordi...(+)
44 Easy Guitar Pieces
from 5 Centuries. Edited
by Peter Ansorge and
Bruno Szordikowski. This
edition: Saddle
stitching. Sheet music
with CD. Guitar. Die
Auswahl der uberwiegend
originalen Werke ist nach
Epochen gegliedert und
bietet so auch ein
kleines Panorama der
Geschichte der Gitarren-
und Lautenmusik von John
Dowland uber Gaspar Sanz
bis zu Leo Brouwer.
Edition with CD. 32
pages. Schott Music #ED
20601. Published by
Schott Music
Solo
concerto; Music
post-1945; New music
(post-2000). Solo part.
Composed 2012. 32 pages.
Duration 17'. Breitkopf
and Haertel #OB 5693-03.
Published by Breitkopf
and Haertel
(BR.OB-5693-03).
ISBN
9790004347232. 10 x 12.5
inches.
A Musical
Portrait In 2012 Nicola
Campogrande received a
rather singular
commission when a total
stranger asked him to
compose a musical
portrait of his fiancee.
The man knew exactly what
he wanted: a concerto for
piano and orchestra.
After some reflection,
Campogrande realised that
he would be able to paint
with music. It would
never be possible, of
course, to recognise the
shape of the woman's face
or the colour of her
hair, but the score could
evoke the way in which
she occupied space and
time, and the different
movements of the
composition would be like
the faces on a rotating
prism. Campogrande thus
accepted the commission
and the stranger sent him
a few photos of his
fiancee, spoke to him
about her and, finally,
introduced him to her.
This is how R (A portrait
for piano and orchestra)
was born, first performed
in April 2013 by Lilya
Zilberstein with the
Orchestra Verdi in Milan.
Subsequently, following
other performances and a
TV documentary, a number
of different pianists
asked Campogrande to
write a version for solo
piano. Hence Nudo
emerged, a piece that
would be very similar to
R, were it not for the
fact that, as the title
suggests, the pianist is
naked, without orchestral
clothing.Un portrait
musical En 2012, Nicola
Campogrande s'est vu
proposer une commission
fort singuliere ; un
parfait etranger lui
demandait de composer le
portrait musical de sa
compagne. L'homme savait
exactement ce qu'il
voulait : un concert pour
piano et orchestre. Apres
quelques hesitations,
Campogrande s'est rendu
compte qu'il pouvait se
servir de la musique
comme d'un pinceau. Bien
entendu, il ne serait
jamais possible de
reconnaitre la forme du
visage de la femme ou la
couleur de ses cheveux,
mais la partition
pourrait evoquer la facon
dont elle se deplacait
dans l'espace et dans le
temps, et les differents
mouvements de la piece
seraient comme les
figures d'un prisme en
rotation. Campogrande a
donc accepte la
commission ; l'etranger
lui a envoye des photos
de sa compagne, il lui a
parle d'elle, avant de
les faire se rencontrer
personnellement. Ainsi
est ne R (Un portrait
pour piano et orchestre),
interprete pour la
premiere fois en avril
2013 par Lilya
Zilberstein et
l'orchestre Verdi de
Milan. D'autres
executions ont suivi,
ainsi qu'un documentaire
televise, apres quoi
plusieurs pianistes ont
prie Campogrande d'ecrire
une version pour piano
seul. C'est ainsi que
Nudo a vu le jour : un <<
nu >> tres semblable au
premier portrait, si ce
n'est que le piano s'y
trouve, comme le suggere
le titre, depouille de
son vetement orchestral.
Ritrarre con la musica
Nel 2012 Nicola
Campogrande ha ricevuto
la piu singolare delle
commissioni, quando un
perfetto sconosciuto gli
ha chiesto di comporre il
ritratto musicale della
sua fidanzata. L'uomo
sapeva esattemente cio
che voleva: un concerto
per pianoforte e
orchestra. Dopo qualche
esitazione, Campogrande
si e reso conto di poter
dipingere con la musica;
certo, non sarebbe stato
possibile riconoscere la
forma del viso della
donna o il colore dei
suoi capelli, ma la
partitura avrebbe evocato
il modo nel quale lei si
muoveva nello spazio e
nel tempo, e i vari
movimenti del brano
sarebbero stati come le
facce di un prisma in
rotazione. Campogrande ha
dunque accettato la
commissione e lo
sconosciuto gli ha
mandato alcune foto della
sua fidanzata, gli ha
parlato di lei e, alla
fine, gliela ha
presentata personalmente.
E cosi nato cosi R (Un
ritratto per pianoforte e
orchestra), eseguito per
la prima volta
nell'aprile 2013 da Lilya
Zilberstein insieme
all'Orchestra Verdi di
Milano.In seguito, dopo
altre esecuzioni e un
documentario tv, diversi
pianisti hanno chiesto a
Campogrande di preparare
una versione per
pianoforte solo. E stato
cosi che ha preso forma
Nudo, un brano del tutto
simile a R tranne per il
fatto che, come
suggerisce il titolo, il
pianista e nudo, senza un
abito orchestrale.
Information on R on the
composer's
websiteRecording of the
premiere of R in Milano
(YouTube).
Piano SKU: BR.EB-8990 After R (A Portrait for Piano and Orchestra)...(+)
Piano
SKU:
BR.EB-8990
After R
(A Portrait for Piano and
Orchestra). Composed
by Nicola Campogrande.
Solo instruments;
stapled. Edition
Breitkopf.
He
re you will find the
concerto R (A Portrait
for Piano and
Orchestra).
Solo
concerto; Music
post-1945; New music
(post-2000). Score.
Composed 2015. 36 pages.
Duration 15'. Breitkopf
and Haertel #EB 8990.
Published by Breitkopf
and Haertel (BR.EB-8990).
ISBN 9790004187197. 9
x 12 inches.
A
Musical Portrait In 2012
Nicola Campogrande
received a rather
singular commission when
a total stranger asked
him to compose a musical
portrait of his fiancee.
The man knew exactly what
he wanted: a concerto for
piano and orchestra.
After some reflection,
Campogrande realised that
he would be able to paint
with music. It would
never be possible, of
course, to recognise the
shape of the woman's face
or the colour of her
hair, but the score could
evoke the way in which
she occupied space and
time, and the different
movements of the
composition would be like
the faces on a rotating
prism. Campogrande thus
accepted the commission
and the stranger sent him
a few photos of his
fiancee, spoke to him
about her and, finally,
introduced him to her.
This is how R (A portrait
for piano and orchestra)
was born, first performed
in April 2013 by Lilya
Zilberstein with the
Orchestra Verdi in Milan.
Subsequently, following
other performances and a
TV documentary, a number
of different pianists
asked Campogrande to
write a version for solo
piano. Hence Nudo
emerged, a piece that
would be very similar to
R , were it not for the
fact that, as the title
suggests, the pianist is
naked, without orchestral
clothing. Information on
Nudo on the composer's
website Audio recording
of Nudo (YouTube) Un
portrait musical En 2012,
Nicola Campogrande s'est
vu proposer une
commission fort
singuliere ; un parfait
etranger lui demandait de
composer le portrait
musical de sa compagne.
L'homme savait exactement
ce qu'il voulait : un
concert pour piano et
orchestre. Apres quelques
hesitations, Campogrande
s'est rendu compte qu'il
pouvait se servir de la
musique comme d'un
pinceau. Bien entendu, il
ne serait jamais possible
de reconnaitre la forme
du visage de la femme ou
la couleur de ses
cheveux, mais la
partition pourrait
evoquer la facon dont
elle se deplacait dans
l'espace et dans le
temps, et les differents
mouvements de la piece
seraient comme les
figures d'un prisme en
rotation. Campogrande a
donc accepte la
commission ; l'etranger
lui a envoye des photos
de sa compagne, il lui a
parle d'elle, avant de
les faire se rencontrer
personnellement. Ainsi
est ne R (Un portrait
pour piano et orchestre)
, interprete pour la
premiere fois en avril
2013 par Lilya
Zilberstein et
l'orchestre Verdi de
Milan. D'autres
executions ont suivi,
ainsi qu'un documentaire
televise, apres quoi
plusieurs pianistes ont
prie Campogrande d'ecrire
une version pour piano
seul. C'est ainsi que
Nudo a vu le jour : un <<
nu >> tres semblable au
premier portrait, si ce
n'est que le piano s'y
trouve, comme le suggere
le titre, depouille de
son vetement orchestral.
Ritrarre con la musica
Nel 2012 Nicola
Campogrande ha ricevuto
la piu singolare delle
commissioni, quando un
perfetto sconosciuto gli
ha chiesto di comporre il
ritratto musicale della
sUrauffuhrung fidanzata.
L'uomo sapeva esattemente
cio che voleva: un
concerto per pianoforte e
orchestra. Dopo qualche
esitazione, Campogrande
si e reso conto di poter
dipingere con la musica;
certo, non sarebbe stato
possibile riconoscere la
forma del viso della
donna o il colore dei
suoi capelli, ma la
partitura avrebbe evocato
il modo nel quale lei si
muoveva nello spazio e
nel tempo, e i vari
movimenti del brano
sarebbero stati come le
facce di un prisma in
rotazione. Campogrande ha
dunque accettato la
commissione e lo
sconosciuto gli ha
mandato alcune foto della
sUrauffuhrung fidanzata,
gli ha parlato di lei e,
alla fine, gliela ha
presentata personalmente.
E cosi nato cosi R (Un
ritratto per pianoforte e
orchestra ), eseguito per
la prima volta
nell'aprile 2013 da Lilya
Zilberstein insieme
all'Orchestra Verdi di
Milano.In seguito, dopo
altre esecuzioni e un
documentario tv, diversi
pianisti hanno chiesto a
Campogrande di preparare
una versione per
pianoforte solo. E stato
cosi che ha preso forma
Nudo , un brano del tutto
simile a R tranne per il
fatto che, come
suggerisce il titolo, il
pianista e nudo, senza un
abito orchestrale. 'Nudo'
is a scintillating work
that paints a vivid and
fascinating sequence of
musical portraits of its
subject. And the
Breitkopf score is simply
superb.
(www.pianodao.com).
Piano SKU: BT.SINF244 Metodo per pianoforte con esecizi e brani per i ...(+)
Piano
SKU:
BT.SINF244
Metodo
per pianoforte con
esecizi e brani per i
primi corsi. Composed
by Maria Teresa Levati.
Method. Book Only. 152
pages. Sinfonica
#SINF244. Published by
Sinfonica (BT.SINF244).
ISBN 9788884001474.
Italian.
Metodo per
pianoforte con esercizi e
brani per i primi corsi
Nuova edizione de A
scuola con il pianoforte.
Al suo interno si trovano
elementi di teoria
musicale, esercizi di
tecnica e studi
selezionati dal
repertorio pianistico dal
barocco al novecento. Un
metodo completo per i
primi corsi adatto a
tutte le realt
educative.
SKU: SU.92090242 Composed by Roberto Sierra Live. Concert Band/Wind Ensem...(+)
SKU: SU.92090242
Composed by Roberto
Sierra Live. Concert
Band/Wind Ensemble. CD
(Audio). Subito Music
Corporation #92090242.
Published by Subito Music
Corporation
(SU.92090242).
The Eastman
Wind Ensemble is
America's leading wind
ensemble. Frederick
Fennell first formulated
the general concept of
the wind ensemble at
Eastman nearly 65 years
ago. Under his leadership
the group became known as
the pioneering force in
the wind ensemble
movement in the United
States and abroad. A.
Clyde Roller served as
conductor between 1962
and 1964, continuing the
tradition established by
Fennell. Donald
Hunsberger became
conductor in 1965 and led
the ensemble for 37 years
to international
prominence. The
ensemble's current
director, Mark Davis
Scatterday, was
introduced as the fourth
conductor of this
prestigious group during
the EWE's 50th
anniversary celebration
on February 8, 2002.
Since its founding, the
EWE has been the leader
in elevating the wind
repertory through
recordings. Fennell's
Mercury Recordings albums
of the 1950s and early
'60s are notable for
their pioneering use of
binaural, stereo, and
35mm recording
techniques. These Living
Presence recordings
focused on standard band
literature by the most
respected classical
composers -- heard for
the first time in the
newly balanced
one-per-part
instrumentation. They
also centered on major
repertory not found on
traditional band
programs, such as
Mozart's Serenade in
B-flat (the Gran
Partita), Messiaen's Et
exspecto resurrectionem
mortuorum, and
Stravinsky's Symphonies
of Wind Instruments.
Under Hunsberger, the EWE
continued its progressive
stance in recording
techniques with
participation in
quadraphonic and digital
recording. Since its
founding, the ensemble
has premiered more than
200 new works. The EWE
and Mark Scatterday have
continued this rich
recording tradition with
several CDs starting in
2005 with Danzante
(featuring trumpet
virtuosi James Thompson)
on Summit Records. Track
Listing Fandangos
Sinfonia No 3 La Salsa:
1. Tumbao Sinfonia No 3
La Salsa: 2. Habanera
Sinfonia No 3 La Salsa:
3. Danzas Sinfonia No 3
La Salsa: 4. Jolgorio
Fanfarria Diferencias: 1.
Fanfarria Diferencias: 2.
Sonoro Diferencias: 3.
Ritmico Diferencias: 4.
Sonoro Diferencias: 5.
Vigoroso The Phoenix from
Carnaval.
Lemminkainen ja saaren
neidot - Urtext based on
the Complete Edition Jean
Sibelius Works (JSW).
Composed by Jean
Sibelius. Edited by Tuija
Wicklund. Orchestra;
stapled.
Partitur-Bibliothek
(Score Library).
Symphonic poem; Suite;
Late-romantic; Early
modern. Full score. 84
pages. Duration 17'.
Breitkopf and Haertel #PB
5582. Published by
Breitkopf and Haertel
(BR.PB-5582).
ISBN
9790004213926. 10 x 12.5
inches.
Little is
known about the actual
composition process of
Lemminkainen, and the
performance and
publication history is
rather complex, resulting
in a first complete
printing of all four
movements en suite
through the complete
edition of Jean Sibelius
Works only in 2013.In
summer 1894 Sibelius went
to Central Europe,
carrying among others a
plan for an opera freely
based on the Kalevala in
his mind. But during this
trip he reassessed his
composing: I think I have
found my old self again,
musically speaking. I
think I really am a tone
painter and a poet. As a
result he abandoned his
opera plans, but musical
parts may have found
their way into the
Lemminkainen pieces which
he started composing
during that time.
Lemminkainen became
popular from the
beginning and has
attained a fixed position
in the concert
repertoire.A critic
opined on Lemminkainen
and the Maidens on the
Island: We do not
hesitate to award this
tone painting of
Lemminkainen's erotic
emotional world the first
prize among all the young
composer's works..
SATB choir - Intermediate SKU: WD.080689643170 Book. Word Music #08068964...(+)
SATB choir - Intermediate
SKU:
WD.080689643170
Book.
Word Music #080689643170.
Published by Word Music
(WD.080689643170).
UPC:
080689643170.
Intro
ducing THE BIG RED
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Compiling 32
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SKU: HL.49044095 Verzeichnis der musikalischen Werke von Bernd Alois Z...(+)
SKU: HL.49044095
Verzeichnis der
musikalischen Werke von
Bernd Alois Zimmermann
und ihrer Quellen.
Composed by Bernd Alois
Zimmermann and Heribert
Henrich. This edition:
Full-cloth binding. Book.
Edition Schott. Das
Werkverzeichnis entstand
im Rahmen der
wissenschaftlichen
Erschliessung des
Bernd-Alois-Zimmermann-Ar
chivs der Akademie der
Kunste, Berlin. Die
Akademie der Kunste wird
gefordert vom
Beauftragten der
Bundesregierung fur
Kultur und Medien. Die
Vorlagen. Hardcover. 1326
pages. Schott Music
#ED20767. Published by
Schott Music
(HL.49044095).
ISBN
9783795706883. UPC:
888680022945.
German.
Mit dem
Werkverzeichnis des
Komponisten Bernd Alois
Zimmermann von Heribert
Henrich veroffentlichen
Schott Music und die
Akademie der Kunste,
Berlin, das erste
umfassende, nach
historisch-kritischen
Methoden erarbeitete
Werkverzeichnis eines
Komponisten der zweiten
Halfte des 20.
Jahrhunderts.Rund 350
erhaltene,
fragmentarische und
verschollene Werke sind
in dem fast 1.400 Seiten
starken Band verzeichnet.
Neben der Darlegung
musikalischer Quellen
umfassen die Werkeintrage
auch
Erstveroffentlichungen
von Zimmermanns Briefen,
Notizen und
Kalendereintragen mit
allen fur das jeweilige
Werk relevanten
Stellen.Das
Werkverzeichnis enthalt
zusatzlich 23 farbige
Abbildungen von
Autographen. Es ist Teil
der wissenschaftlichen
Erschliessung des
Bernd-Alois-Zimmermann-Ar
chivs der Akademie der
Kunste und berucksichtigt
die Vorarbeiten des
verstorbenen
Zimmermann-Forschers
Klaus Ebbeke.Die
Herausgabe des Buchs
erfolgt mit freundlicher
Unterstutzung der Ernst
von Siemens
Musikstiftung.
Burning Love Fanfare [Conducteur et Parties séparées] - Facile Music Sales
Fanfare Band - Grade 3 SKU: BT.1342-06-020-MS Composed by Dennis Linde. A...(+)
Fanfare Band - Grade 3
SKU:
BT.1342-06-020-MS
Composed by Dennis Linde.
Arranged by Thijs Oud.
Scherzando Pop, Film and
Show. Pop & Rock. Set
(Score & Parts). Composed
2006. Music Sales
#1342-06-020 MS.
Published by Music Sales
(BT.1342-06-020-MS).
9x12 inches.
English-German-French-Dut
ch.
In the
seventies, Elvis Presley
gave many concerts with
an orchestra that
included a large wind
section. These concerts
were characterised by
enthusiasm and a fast
tempo. Burning Love was
one of the up-tempo
numbers where the bass
guitar player played an
especially important
role. Thus, this
arrangement of Burning
Love, written by Thijs
Oud, brings a specific
challenge for the
musicians in the low
register. The trumpets
and the trombones can
also play standing behind
the band adding to the
visual and dynamic
enhancement.
Elvis
Presley gab in den
siebziger Jahren viele
Konzerte, auf denen er
sich von einem großen
Orchester mit zahlreichen
Bläsern begleiten
ließ. Ein hohes Tempo
und absolut
mitreißende
Begeisterung
kennzeichneten diese
Auftritte. Eine der
beliebten schnellen
Nummern war Burning
Love, in dem die
Bassgitarre eine wichtige
Rolle spielte. So ist
denn auch Thijs Ouds
gelungene Bearbeitung von
Burning Love eine
besondere Herausforderung
für das tiefe
Register, während die
Trompeten und Posaunen
die ursprünglichen
Bläserstimmen
übernehmen.
Negli
anni 1970, Elvis Presley
si esibì a più
riprese con
un’orchestra
avente a disposizione una
grande sezione di
strumenti a fiato. Questi
concerti furono
caratterizzati da un
enorme entusiasmo e
coinvolgimento del
pubblico. Burning
Love è una di
queste canzoni dal ritmo
molto elevato dove il
basso riveste un ruolo
particolarmente
importante.
One Final Mission Orchestre d'harmonie [Conducteur] - Facile MakeMusic
Concert Band - Grade 2 SKU: AP.51029S Composed by Adrian B. Sims. Concert...(+)
Concert Band - Grade 2
SKU: AP.51029S
Composed by Adrian B.
Sims. Concert Band;
Performance Music
Ensemble; Single Titles.
MakeMusic Young Band.
Score. MakeMusic
#00-51029S. Published by
MakeMusic (AP.51029S).
ISBN 9781470669607.
UPC: 038081591551.
English.
Inspired
by the sounds of epic
film and video game
scores, One Final Mission
takes the listener from
the safety of home base
right into the center of
the action. Adrian Sims
has written an extremely
approachable work for
developing bands with a
deceivingly massive and
sophisticated sound that
is sure to have jaws
dropping during the
performance!
(2:10)
About
ColorFlex
Conductors
no longer need to choose
between function and
texture! Ensembles with
instrumentation
challenges still have
numerous options to cover
all parts, yet
orchestration is elevated
significantly to be
faithful to the
composer's original
intent. Musicians have
more opportunities to
rest, and timbre once
again becomes a central
element of each work. So
go ahead and have the
best of both worlds:
flexible and
colorful.