SKU: HL.49015504 Edited by Frank Ziegler and Joachim Veit. This edition: ...(+)
SKU: HL.49015504
Edited by Frank Ziegler
and Joachim Veit. This
edition: Hardback/Hard
Cover. Book. Edition
Schott. Neue Aufsatze zu
Leben und Werk Carl Maria
von Webers. Classical.
475 pages. Schott Music
#ED 8583. Published by
Schott Music
(HL.49015504).
ISBN
9783795703257.
German.
Das
Anliegen der Herausgeber,
mit der Arbeit an der
Carl-Maria-von-Weber-Gesa
mtausgabe auch den
naheren Umkreis des
Komponisten zu beleuchten
und so das gesamte Umfeld
fruhromantischer Musik
und Kunstanschauung in
ein helleres Licht zu
setzen, wird in diesem
Band mit Beitragen aus
germanistischer,
musikwissenschaftlicher,
musikpraktischer und
psychologischer Sicht
weitergefuhrt.Nach
Aufsatzen zu E. T. A.
Hoffmann und zur
Musikanschauung des
fruhen 19. Jahrhunderts
folgen Beitrage, die
unbekannte Dokumente aus
Webers Umkreis erstmals
prasentieren, danach
werden editorische Fragen
der Gesamtausgabe
behandelt. Es folgen
analytische Betrachtungen
von Kompositionen sowie
Beitrage zur Rezeption
des Weberschen ouvres.
Auffuhrungspraktische und
musikpsychologische
Studien runden diesen
Teil ab. Der
abschliessende Aufsatz
zur
Entwicklungsgeschichte
des Klavierquartetts
zeigt, welche neuen und
interessanten Bezuge eine
aus der Sicht des
praktischen Musikers
verfasste Musikhistorie
offenlegen kann.
Viola Series, 2013
Edition. Composed by
The Royal Conservatory.
Viola Series, 2013
Edition. Book/CD. The
Frederick Harris Music
Company #VA6. Published
by The Frederick Harris
Music Company (FH.VA6).
ISBN
978-1-55440-568-8.
This groundbreaking
series for viola offers a
sound and progressive
collection of Repertoire,
Recordings, Etudes,
Technique, and Orchestral
Excerpts for the aspiring
virtuoso. Representing
all major style periods
and a variety of genres,
Viola Series, 2013
Edition offers all the
music and tools needed to
support a comprehensive
course of study from the
beginner to advanced
levels. A rich and varied
selection of music in
each of these nine
progressive volumes of
repertoire appeals to
violists of all ages.
From the Preparatory
Level through Level 8,
students will be exposed
to quality selections
originally written for
viola, fun arrangements
of traditional fiddle and
folk tunes, as well as
contemporary pieces by
notable composers such as
Violet Archer, Carey
Cheney, and Fritz
Kriesler. Concertos:Concerto in B flat
Major - Hoffmeister,
Franz Anton arr. Alison
A. Copland - First
Movement Premier Solo,
op. 77, no. 1 - Dancla,
Charles Concerto in C
Major - Schmitt, Joseph
arr. Bernhard Pauler -
First
Movement Sonatas: S
onata in E Minor, HWV 375
- Handel, George Frideric
arr. Harold Birston -
Second Movement -
Third Movement Solo
per alto viola (The
Billiard Sonata) -
Giardini, Felice arr.
Christine Donkin -
Second Movement -
Third Movement Sonata
in B flat Major -
Stamitz, Carl - First
Movement Concert
Repertoire: Couplets
de folies - Marais, Marin
arr. Paul
Doktor Hebrew Melody
No. 1 - Joachim,
Joseph Air with
Variations (The
Harmonious Blacksmith) -
Handel, George Frideric
arr. Watson
Forbes Orientale -
Granados, Enrique arr.
Christine
Donkin elegie, op. 44
- Glazunov,
Aleksandr Unaccompanie
d Repertoire: Fantasia
No. 1 in E flat Major,
TWV 40:14 - Telemann,
Georg Philipp - First
Movement - Second
Movement Suite No. 1
in G Major, BWV 1007 -
Bach, Johann
Sebastian - First
Movement: Prelude -
Second Movement:
Gigue.
Composed by Johannes Brahms (1833-1897), edited by Brown Clive. Score for violin...(+)
Composed by Johannes
Brahms (1833-1897),
edited by Brown Clive.
Score for violin solo and
orchestra. Published by
Baerenreiter-Ausgaben
(German import). ISBN
M006526093.
Chamber Music English Horn, Oboe SKU: CF.WF229 15 Pieces for Oboe and ...(+)
Chamber Music English
Horn, Oboe
SKU:
CF.WF229
15 Pieces
for Oboe and English
Horn. Composed by
Gustave Vogt. Edited by
Kristin Jean Leitterman.
Collection - Performance.
32+8 pages. Carl Fischer
Music #WF229. Published
by Carl Fischer Music
(CF.WF229).
Violin and orchestra (solo: vl - 2.2.2.2 - 4.2.0.0 - timp - str) SKU: BR.PB-1...(+)
Violin and orchestra
(solo: vl - 2.2.2.2 -
4.2.0.0 - timp - str)
SKU: BR.PB-15132
Urtext. Composed
by Max Bruch. Edited by
Michael Kube. Orchestra;
stapled.
Partitur-Bibliothek
(Score Library). In
Cooperation with G. Henle
Verlag. Solo concerto;
Romantic; Late-romantic.
Full score. 84 pages.
Duration 25'. Breitkopf
and Haertel #PB 15132.
Published by Breitkopf
and Haertel
(BR.PB-15132).
ISBN
9790004214688. 10 x 12.5
inches.
Bruch's
evergreen for the first
time in UrtextThanks to
the premiere performance
by Joseph Joachim and to
the release of the
printed edition in 1868,
Max Bruch's Violin
Concerto no. 1 zipped
onto the road to success
and has never left it
since. Yet from the
preface of the
BreitkopfUrtext
edition,one can infer how
things looked like behind
the dazzling facade.
After the world premiere,
the composer struggled
for the definitive form.
He wrote 3, 4 development
sections in the finale,
and sought the advice of
celebrated virtuosi such
as Joseph Joachim and
Ferdinand David to revise
the solo part. And after
all this was done (see
above), Bruch suffered
under the work's
popularity: Have I
written nothing but this
one concerto?The new
Urtext edition is based
primarily on the first
edition. Next to the main
source and the autograph,
what is supremely
interesting is a solo
part with entries by
Joachim and Bruch. It
confirms how intensively
the two men collaborated
on honing the final form
of the work.
Urtext. Composed
by Max Bruch. Edited by
Michael Kube. Orchestra;
stapled.
Orchester-Bibliothek
(Orchestral Library). In
Cooperation with G. Henle
Verlag. Solo concerto;
Romantic; Late-romantic.
Part. 8 pages. Duration
25'. Breitkopf and
Haertel #OB 15132-15.
Published by Breitkopf
and Haertel
(BR.OB-15132-15).
ISBN
9790004341940. 10 x 12.5
inches.
Bruch's
evergreen for the first
time in UrtextThanks to
the premiere performance
by Joseph Joachim and to
the release of the
printed edition in 1868,
Max Bruch's Violin
Concerto no. 1 zipped
onto the road to success
and has never left it
since. Yet from the
preface of the
BreitkopfUrtext
edition,one can infer how
things looked like behind
the dazzling facade.
After the world premiere,
the composer struggled
for the definitive form.
He wrote 3, 4 development
sections in the finale,
and sought the advice of
celebrated virtuosi such
as Joseph Joachim and
Ferdinand David to revise
the solo part. And after
all this was done (see
above), Bruch suffered
under the work's
popularity: Have I
written nothing but this
one concerto?The new
Urtext edition is based
primarily on the first
edition. Next to the main
source and the autograph,
what is supremely
interesting is a solo
part with entries by
Joachim and Bruch. It
confirms how intensively
the two men collaborated
on honing the final form
of the work.
Violin and orchestra (solo: vl - 2.2.2.2 - 4.2.0.0 - timp - str) SKU: BR.PB-1...(+)
Violin and orchestra
(solo: vl - 2.2.2.2 -
4.2.0.0 - timp - str)
SKU:
BR.PB-15133-07
Urtext. Composed
by Max Bruch. Edited by
Michael Kube. Orchestra;
stapled.
Partitur-Bibliothek
(Score Library).
In
Cooperation with
G. Henle Verlag
Solo concerto; Romantic;
Late-romantic. Study
Score. 84 pages. Duration
25'. Breitkopf and
Haertel #PB 15133-07.
Published by Breitkopf
and Haertel
(BR.PB-15133-07).
ISBN
9790004214695. 6.5 x 9
inches.
Bruch's
evergreen for the first
time in UrtextThanks to
the premiere performance
by Joseph Joachim and to
the release of the
printed edition in 1868,
Max Bruch's Violin
Concerto no. 1 zipped
onto the road to success
and has never left it
since. Yet from the
preface of the
BreitkopfUrtext
edition,one can infer how
things looked like behind
the dazzling facade.
After the world premiere,
the composer struggled
for the definitive form.
He wrote 3, 4 development
sections in the finale,
and sought the advice of
celebrated virtuosi such
as Joseph Joachim and
Ferdinand David to revise
the solo part. And after
all this was done (see
above), Bruch suffered
under the work's
popularity: Have I
written nothing but this
one concerto?The new
Urtext edition is based
primarily on the first
edition. Next to the main
source and the autograph,
what is supremely
interesting is a solo
part with entries by
Joachim and Bruch. It
confirms how intensively
the two men collaborated
on honing the final form
of the work.
Composed by Clara Wieck- Schumann (1819-1896). Edited by Jacqueline Ross. This ...(+)
Composed by Clara Wieck-
Schumann (1819-1896).
Edited
by Jacqueline Ross. This
edition: urtext edition.
Stapled. Barenreiter
Urtext.
Performance score, Parts
(2).
Opus 22. Baerenreiter
Verlag
#BA10947. Published by
Baerenreiter Verlag
Violin and orchestra (solo: vl - 2.2.2.2 - 4.2.0.0 - timp - str) SKU: BR.PB-1...(+)
Violin and orchestra
(solo: vl - 2.2.2.2 -
4.2.0.0 - timp - str)
SKU: BR.PB-15133
Urtext. Composed
by Max Bruch. Edited by
Michael Kube. Orchestra;
stapled.
Partitur-Bibliothek
(Score Library). Solo
concerto; Romantic;
Late-romantic. Study
Score. Duration 25'.
Breitkopf and Haertel #PB
15133. Published by
Breitkopf and Haertel
(BR.PB-15133).
ISBN
9790004214695. 6.5 x 9
inches.
Bruch's
evergreen for the first
time in UrtextThanks to
the premiere performance
by Joseph Joachim and to
the release of the
printed edition in 1868,
Max Bruch's Violin
Concerto no. 1 zipped
onto the road to success
and has never left it
since. Yet from the
preface of the
BreitkopfUrtext
edition,one can infer how
things looked like behind
the dazzling facade.
After the world premiere,
the composer struggled
for the definitive form.
He wrote 3, 4 development
sections in the finale,
and sought the advice of
celebrated virtuosi such
as Joseph Joachim and
Ferdinand David to revise
the solo part. And after
all this was done (see
above), Bruch suffered
under the work's
popularity: Have I
written nothing but this
one concerto?The new
Urtext edition is based
primarily on the first
edition. Next to the main
source and the autograph,
what is supremely
interesting is a solo
part with entries by
Joachim and Bruch. It
confirms how intensively
the two men collaborated
on honing the final form
of the work.
Urtext. Composed
by Max Bruch. Edited by
Michael Kube. Orchestra;
stapled.
Orchester-Bibliothek
(Orchestral Library). In
Cooperation with G. Henle
Verlag. Solo concerto;
Romantic; Late-romantic.
Part. 12 pages. Duration
25'. Breitkopf and
Haertel #OB 15132-19.
Published by Breitkopf
and Haertel
(BR.OB-15132-19).
ISBN
9790004341964. 10 x 12.5
inches.
Bruch's
evergreen for the first
time in UrtextThanks to
the premiere performance
by Joseph Joachim and to
the release of the
printed edition in 1868,
Max Bruch's Violin
Concerto no. 1 zipped
onto the road to success
and has never left it
since. Yet from the
preface of the
BreitkopfUrtext
edition,one can infer how
things looked like behind
the dazzling facade.
After the world premiere,
the composer struggled
for the definitive form.
He wrote 3, 4 development
sections in the finale,
and sought the advice of
celebrated virtuosi such
as Joseph Joachim and
Ferdinand David to revise
the solo part. And after
all this was done (see
above), Bruch suffered
under the work's
popularity: Have I
written nothing but this
one concerto?The new
Urtext edition is based
primarily on the first
edition. Next to the main
source and the autograph,
what is supremely
interesting is a solo
part with entries by
Joachim and Bruch. It
confirms how intensively
the two men collaborated
on honing the final form
of the work.
Urtext. Composed
by Max Bruch. Edited by
Michael Kube. Orchestra;
stapled.
Orchester-Bibliothek
(Orchestral Library). In
Cooperation with G. Henle
Verlag. Solo concerto;
Romantic; Late-romantic.
Part. 8 pages. Duration
25'. Breitkopf and
Haertel #OB 15132-23.
Published by Breitkopf
and Haertel
(BR.OB-15132-23).
ISBN
9790004341971. 10 x 12.5
inches.
Bruch's
evergreen for the first
time in UrtextThanks to
the premiere performance
by Joseph Joachim and to
the release of the
printed edition in 1868,
Max Bruch's Violin
Concerto no. 1 zipped
onto the road to success
and has never left it
since. Yet from the
preface of the
BreitkopfUrtext
edition,one can infer how
things looked like behind
the dazzling facade.
After the world premiere,
the composer struggled
for the definitive form.
He wrote 3, 4 development
sections in the finale,
and sought the advice of
celebrated virtuosi such
as Joseph Joachim and
Ferdinand David to revise
the solo part. And after
all this was done (see
above), Bruch suffered
under the work's
popularity: Have I
written nothing but this
one concerto?The new
Urtext edition is based
primarily on the first
edition. Next to the main
source and the autograph,
what is supremely
interesting is a solo
part with entries by
Joachim and Bruch. It
confirms how intensively
the two men collaborated
on honing the final form
of the work.
Urtext. Composed
by Max Bruch. Edited by
Michael Kube. Orchestra;
stapled.
Orchester-Bibliothek
(Orchestral Library). In
Cooperation with G. Henle
Verlag. Solo concerto;
Romantic; Late-romantic.
Part. 8 pages. Duration
25'. Breitkopf and
Haertel #OB 15132-27.
Published by Breitkopf
and Haertel
(BR.OB-15132-27).
ISBN
9790004341988. 10 x 12.5
inches.
Bruch's
evergreen for the first
time in UrtextThanks to
the premiere performance
by Joseph Joachim and to
the release of the
printed edition in 1868,
Max Bruch's Violin
Concerto no. 1 zipped
onto the road to success
and has never left it
since. Yet from the
preface of the
BreitkopfUrtext
edition,one can infer how
things looked like behind
the dazzling facade.
After the world premiere,
the composer struggled
for the definitive form.
He wrote 3, 4 development
sections in the finale,
and sought the advice of
celebrated virtuosi such
as Joseph Joachim and
Ferdinand David to revise
the solo part. And after
all this was done (see
above), Bruch suffered
under the work's
popularity: Have I
written nothing but this
one concerto?The new
Urtext edition is based
primarily on the first
edition. Next to the main
source and the autograph,
what is supremely
interesting is a solo
part with entries by
Joachim and Bruch. It
confirms how intensively
the two men collaborated
on honing the final form
of the work.
Violin, piano (solo: vl - 2.2.2.2 - 4.2.0.0 - timp - str) SKU: BR.EB-10708(+)
Violin, piano (solo: vl -
2.2.2.2 - 4.2.0.0 - timp
- str)
SKU:
BR.EB-10708
Urtext. Composed
by Max Bruch. Edited by
Michael Kube. Arranged by
Johannes Umbreit. Solo
instruments; stapled.
Edition Breitkopf.
In
Cooperation with
G. Henle Verlag
Solo
concerto; Romantic;
Late-romantic. Piano
reduction. 76 pages.
Duration 25'. Breitkopf
and Haertel #EB 10708.
Published by Breitkopf
and Haertel
(BR.EB-10708).
ISBN
9790201807089. 9.5 x 12
inches.
Bruch's
evergreen for the first
time in Urtext Thanks to
the premiere performance
by Joseph Joachim and to
the release of the
printed edition in 1868,
Max Bruch's Violin
Concerto no. 1 zipped
onto the road to success
and has never left it
since. Yet from the
preface of the
BreitkopfUrtext
edition,one can infer how
things looked like behind
the dazzling facade.
After the world premiere,
the composer struggled
for the definitive form.
He wrote 3, 4 development
sections in the finale,
and sought the advice of
celebrated virtuosi such
as Joseph Joachim and
Ferdinand David to revise
the solo part. And after
all this was done (see
above), Bruch suffered
under the work's
popularity: Have I
written nothing but this
one concerto? The new
Urtext edition is based
primarily on the first
edition. Next to the main
source and the autograph,
what is supremely
interesting is a solo
part with entries by
Joachim and Bruch. It
confirms how intensively
the two men collaborated
on honing the final form
of the work.
Urtext. Composed
by Max Bruch. Edited by
Michael Kube. Orchestra;
Folder.
Orchester-Bibliothek
(Orchestral Library). In
Cooperation with G. Henle
Verlag. Solo concerto;
Romantic; Late-romantic.
Set of parts. 68 pages.
Duration 25'. Breitkopf
and Haertel #OB 15132-30.
Published by Breitkopf
and Haertel
(BR.OB-15132-30).
ISBN
9790004341995. 10 x 12.5
inches.
Bruch's
evergreen for the first
time in UrtextThanks to
the premiere performance
by Joseph Joachim and to
the release of the
printed edition in 1868,
Max Bruch's Violin
Concerto no. 1 zipped
onto the road to success
and has never left it
since. Yet from the
preface of the
BreitkopfUrtext
edition,one can infer how
things looked like behind
the dazzling facade.
After the world premiere,
the composer struggled
for the definitive form.
He wrote 3, 4 development
sections in the finale,
and sought the advice of
celebrated virtuosi such
as Joseph Joachim and
Ferdinand David to revise
the solo part. And after
all this was done (see
above), Bruch suffered
under the work's
popularity: Have I
written nothing but this
one concerto?The new
Urtext edition is based
primarily on the first
edition. Next to the main
source and the autograph,
what is supremely
interesting is a solo
part with entries by
Joachim and Bruch. It
confirms how intensively
the two men collaborated
on honing the final form
of the work.
Urtext. Composed
by Max Bruch. Edited by
Michael Kube. Orchestra;
stapled.
Orchester-Bibliothek
(Orchestral Library). In
Cooperation with G. Henle
Verlag. Solo concerto;
Romantic; Late-romantic.
Part. 8 pages. Duration
25'. Breitkopf and
Haertel #OB 15132-16.
Published by Breitkopf
and Haertel
(BR.OB-15132-16).
ISBN
9790004341957. 10 x 12.5
inches.
Bruch's
evergreen for the first
time in UrtextThanks to
the premiere performance
by Joseph Joachim and to
the release of the
printed edition in 1868,
Max Bruch's Violin
Concerto no. 1 zipped
onto the road to success
and has never left it
since. Yet from the
preface of the
BreitkopfUrtext
edition,one can infer how
things looked like behind
the dazzling facade.
After the world premiere,
the composer struggled
for the definitive form.
He wrote 3, 4 development
sections in the finale,
and sought the advice of
celebrated virtuosi such
as Joseph Joachim and
Ferdinand David to revise
the solo part. And after
all this was done (see
above), Bruch suffered
under the work's
popularity: Have I
written nothing but this
one concerto?The new
Urtext edition is based
primarily on the first
edition. Next to the main
source and the autograph,
what is supremely
interesting is a solo
part with entries by
Joachim and Bruch. It
confirms how intensively
the two men collaborated
on honing the final form
of the work.
String Quartet (2vl,va,vc) SKU: BR.PB-5622-07 Urtext. Composed by ...(+)
String Quartet
(2vl,va,vc)
SKU:
BR.PB-5622-07
Urtext. Composed
by Joachim Raff. Edited
by Severin Kolb and
Stefan Konig. Chamber
music; Softbound.
Partitur-Bibliothek
(Score Library).
With
his first String Quartet
in D minor, op. 77,
composed in 1855, the
native Swiss composer
Joachim Raff (1822-1882)
bid a brilliant farewell
to Weimar.
Romantic
period. Study Score. 176
pages. Breitkopf and
Haertel #PB 5622-07.
Published by Breitkopf
and Haertel
(BR.PB-5622-07).
ISBN
9790004215197. 6.5 x 9
inches.
With his
first String Quartet in D
minor, op. 77, composed
in 1855, the native Swiss
composer Joachim Raff bid
a brilliant farewell to
Weimar. He had been there
as Franz Liszt's
assistant since 1850 and
had made a name for
himself in the city's art
scene - now he embarked
on new paths. He composed
his second Quartet in A
major, op. 90, already in
1857 in Wiesbaden, the
spa town that was to
become his home for 21
years. The two quartets
are unequivocal works:
orchestrally-conceived,
full of energetic vigor,
and at times
uncompromisingly modern.
They confidently continue
the Beethoven tradition
and attest at the same
time to Raff's intensive
confrontation with
Richard Wagner's music
during the Weimar years.
In his chamber music, the
composer wanted to
achieve progress in an
inherently historical way
and to ground the
individual substance in
existing forms, as he
told the Viennese
violinist Josef
Hellmesberger, who
launched opus 77. The
quartets, first published
in 1860/62, found
illustrious interpreters,
among them, the Muller
brothers' renowned
ensemble, to which opus
90 was also dedicated,
and Joseph Joachim.In
collaboration with the
Joachim-Raff-Archiv
Lachen (CH)
Some
eighteen years elapsed
between Raff's first
counted String Quartet
op. 77 and his Quartets
Nos. 6-8 op. 192,
combined as one work. As
such, Raff parted with
the weighty single opus
in quartet composition -
without, however,
sacrificing musical
quality.