Choir & 3-5 octave handbells SKU: HP.C5156HB Composed by Franz Joseph Hay...(+)
Choir & 3-5 octave
handbells
SKU:
HP.C5156HB
Composed
by Franz Joseph Haydn.
Arranged by Barbara B.
Kinyon. Piano with
Optional 3-5 Oct.
Handbell. Sing & Ring
Series. Hymntune, General
Worship, God's
Attributes/Character,
Adoration & Praise,
Sacred. Handbell score
with accompaniment part.
Hope Publishing Company
#C5156HB. Published by
Hope Publishing Company
(HP.C5156HB).
UPC:
763628251567. By Joachim
Neander & Joseph Haydn.
Psalms 31:19, Psalms
33:1-5, Psalms
103:1-4.
Hymn of
praise by Joachim
Neander & Joseph
Haydn This grand hymn
of praise has been given
a glorious treatment for
SATB choir and organ with
optional 3-5 octave
handbells by Barbara
Kinyon. The choral parts
are very accessible and
well-crafted, and the
interplay between the
voices, handbells and
organ is full of interest
and creativity.
Violin and orchestra (Solo: vl - 2.2.2.2 - 4.2.0.0 - timp - str) SKU: BR.PB-1...(+)
Violin and orchestra
(Solo: vl - 2.2.2.2 -
4.2.0.0 - timp - str)
SKU: BR.PB-16110
Urtext from the new
Complete Edition (G.
Henle Verlag).
Composed by Johannes
Brahms. Edited by Linda
Correll Roesner and
Michael Struck.
Orchestra; Softbound.
Partitur-Bibliothek
(Score Library). Solo
concerto; Romantic;
Late-romantic. Full
score. 216 pages.
Duration 35'. Breitkopf
and Haertel #PB 16110.
Published by Breitkopf
and Haertel
(BR.PB-16110).
ISBN
9790004214374. 10 x 12.5
inches.
Johannes
Brahms's only violin
concerto, one of the most
important violin
concertos of the 19th
century, is now a central
repertoire piece. This
fact is all the more
notable, as, by his own
account, Brahms
understood all too little
about the instrument. The
concerto was composed at
Worthersee during the
summer of 1878 in
collaboration with Joseph
Joachim, a leading
contemporary violinist.
The solo part is
extremely demanding, with
really unusual
difficulties. This
circumstance did not go
unnoticed by the critics
of the first performance:
Even to Joachim, the
battled-seasoned
wrestler, the technically
difficult and tricky solo
part was to be mastered
only with obvious effort.
Evidencing this close
collaboration between
composer and performer is
not only the work's
genesis and publication
history, together with
its dedication to
Joachim, but also its
solo cadenza. Based on
the New Brahms Complete
Edition, this Urtext
edition includes both the
printed version of
Joachim's cadenza as well
as its shorter version
arranged in 1885 by the
violinist Marie
Soldat.
Urtext from the new
Complete Edition (G.
Henle Verlag).
Composed by Johannes
Brahms. Edited by Linda
Correll Roesner and
Michael Struck.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
Solo concerto; Romantic;
Late-romantic. Part. 12
pages. Duration 35'.
Breitkopf and Haertel #OB
16110-19. Published by
Breitkopf and Haertel
(BR.OB-16110-19).
ISBN
9790004348048. 10 x 12.5
inches.
Johannes
Brahms's only violin
concerto, one of the most
important violin
concertos of the 19th
century, is now a central
repertoire piece. This
fact is all the more
notable, as, by his own
account, Brahms
understood all too little
about the instrument. The
concerto was composed at
Worthersee during the
summer of 1878 in
collaboration with Joseph
Joachim, a leading
contemporary violinist.
The solo part is
extremely demanding, with
really unusual
difficulties. This
circumstance did not go
unnoticed by the critics
of the first performance:
Even to Joachim, the
battled-seasoned
wrestler, the technically
difficult and tricky solo
part was to be mastered
only with obvious effort.
Evidencing this close
collaboration between
composer and performer is
not only the work's
genesis and publication
history, together with
its dedication to
Joachim, but also its
solo cadenza. Based on
the New Brahms Complete
Edition, this Urtext
edition includes both the
printed version of
Joachim's cadenza as well
as its shorter version
arranged in 1885 by the
violinist Marie
Soldat.
Urtext. Composed
by Joachim Raff. Edited
by Severin Kolb and
Stefan Konig. This
edition: Urtext. Chamber
music; Folder. Edition
Breitkopf.
Orchestrally-conceived,
full of energetic vigor,
and at times
uncompromisingly modern:
The two captivating
quartets are now
available as Urtext
editions. Romantic
period. Set of parts. 88
pages. Breitkopf and
Haertel #EB 8939.
Published by Breitkopf
and Haertel (BR.EB-8939).
ISBN
9790004186084.
With
his first String Quartet
in D minor, op. 77,
composed in 1855, the
native Swiss composer
Joachim Raff bid a
brilliant farewell to
Weimar. He had been there
as Franz Liszt's
assistant since 1850 and
had made a name for
himself in the city's art
scene - now he embarked
on new paths. He composed
his second Quartet in A
major, op. 90, already in
1857 in Wiesbaden, the
spa town that was to
become his home for 21
years. The two quartets
are unequivocal works:
orchestrally-conceived,
full of energetic vigor,
and at times
uncompromisingly modern.
They confidently continue
the Beethoven tradition
and attest at the same
time to Raff's intensive
confrontation with
Richard Wagner's music
during the Weimar years.
In his chamber music, the
composer wanted to
achieve progress in an
inherently historical way
and to ground the
individual substance in
existing forms, as he
told the Viennese
violinist Josef
Hellmesberger, who
launched opus 77. The
quartets, first published
in 1860/62, found
illustrious interpreters,
among them, the Muller
brothers' renowned
ensemble, to which opus
90 was also dedicated,
and Joseph Joachim.In
collaboration with the
Joachim-Raff-Archiv
Lachen (CH)
Some
eighteen years elapsed
between Raff's first
counted String Quartet
op. 77 and his Quartets
Nos. 6-8 op. 192,
combined as one work. As
such, Raff parted with
the weighty single opus
in quartet composition -
without, however,
sacrificing musical
quality.
Urtext from the new
Complete Edition (G.
Henle Verlag).
Composed by Johannes
Brahms. Edited by Linda
Correll Roesner and
Michael Struck.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
Solo concerto; Romantic;
Late-romantic. Part. 12
pages. Duration 35'.
Breitkopf and Haertel #OB
16110-16. Published by
Breitkopf and Haertel
(BR.OB-16110-16).
ISBN
9790004348031. 10 x 12.5
inches.
Johannes
Brahms's only violin
concerto, one of the most
important violin
concertos of the 19th
century, is now a central
repertoire piece. This
fact is all the more
notable, as, by his own
account, Brahms
understood all too little
about the instrument. The
concerto was composed at
Worthersee during the
summer of 1878 in
collaboration with Joseph
Joachim, a leading
contemporary violinist.
The solo part is
extremely demanding, with
really unusual
difficulties. This
circumstance did not go
unnoticed by the critics
of the first performance:
Even to Joachim, the
battled-seasoned
wrestler, the technically
difficult and tricky solo
part was to be mastered
only with obvious effort.
Evidencing this close
collaboration between
composer and performer is
not only the work's
genesis and publication
history, together with
its dedication to
Joachim, but also its
solo cadenza. Based on
the New Brahms Complete
Edition, this Urtext
edition includes both the
printed version of
Joachim's cadenza as well
as its shorter version
arranged in 1885 by the
violinist Marie
Soldat.
Urtext from the new
Complete Edition (G.
Henle Verlag).
Composed by Johannes
Brahms. Edited by Linda
Correll Roesner and
Michael Struck.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
Solo concerto; Romantic;
Late-romantic. Part. 12
pages. Duration 35'.
Breitkopf and Haertel #OB
16110-23. Published by
Breitkopf and Haertel
(BR.OB-16110-23).
ISBN
9790004348055. 10 x 12.5
inches.
Johannes
Brahms's only violin
concerto, one of the most
important violin
concertos of the 19th
century, is now a central
repertoire piece. This
fact is all the more
notable, as, by his own
account, Brahms
understood all too little
about the instrument. The
concerto was composed at
Worthersee during the
summer of 1878 in
collaboration with Joseph
Joachim, a leading
contemporary violinist.
The solo part is
extremely demanding, with
really unusual
difficulties. This
circumstance did not go
unnoticed by the critics
of the first performance:
Even to Joachim, the
battled-seasoned
wrestler, the technically
difficult and tricky solo
part was to be mastered
only with obvious effort.
Evidencing this close
collaboration between
composer and performer is
not only the work's
genesis and publication
history, together with
its dedication to
Joachim, but also its
solo cadenza. Based on
the New Brahms Complete
Edition, this Urtext
edition includes both the
printed version of
Joachim's cadenza as well
as its shorter version
arranged in 1885 by the
violinist Marie
Soldat.
Urtext from the new
Complete Edition (G.
Henle Verlag).
Composed by Johannes
Brahms. Edited by Correll
Roesner Linda and Michael
Struck. Orchestra;
Folder.
Orchester-Bibliothek
(Orchestral Library).
Solo concerto; Romantic;
Late-romantic. Set of
parts. 112 pages.
Duration 35'. Breitkopf
and Haertel #OB 16110-30.
Published by Breitkopf
and Haertel
(BR.OB-16110-30).
ISBN
9790004348079. 10 x 12.5
inches.
Johannes
Brahms's only violin
concerto, one of the most
important violin
concertos of the 19th
century, is now a central
repertoire piece. This
fact is all the more
notable, as, by his own
account, Brahms
understood all too little
about the instrument. The
concerto was composed at
Worthersee during the
summer of 1878 in
collaboration with Joseph
Joachim, a leading
contemporary violinist.
The solo part is
extremely demanding, with
really unusual
difficulties. This
circumstance did not go
unnoticed by the critics
of the first performance:
Even to Joachim, the
battled-seasoned
wrestler, the technically
difficult and tricky solo
part was to be mastered
only with obvious effort.
Evidencing this close
collaboration between
composer and performer is
not only the work's
genesis and publication
history, together with
its dedication to
Joachim, but also its
solo cadenza. Based on
the New Brahms Complete
Edition, this Urtext
edition includes both the
printed version of
Joachim's cadenza as well
as its shorter version
arranged in 1885 by the
violinist Marie
Soldat.
Urtext from the new
Complete Edition (G.
Henle Verlag).
Composed by Johannes
Brahms. Edited by Linda
Correll Roesner and
Michael Struck.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
Solo concerto; Romantic;
Late-romantic. Part. 12
pages. Duration 35'.
Breitkopf and Haertel #OB
16110-15. Published by
Breitkopf and Haertel
(BR.OB-16110-15).
ISBN
9790004348024. 10 x 12.5
inches.
Johannes
Brahms's only violin
concerto, one of the most
important violin
concertos of the 19th
century, is now a central
repertoire piece. This
fact is all the more
notable, as, by his own
account, Brahms
understood all too little
about the instrument. The
concerto was composed at
Worthersee during the
summer of 1878 in
collaboration with Joseph
Joachim, a leading
contemporary violinist.
The solo part is
extremely demanding, with
really unusual
difficulties. This
circumstance did not go
unnoticed by the critics
of the first performance:
Even to Joachim, the
battled-seasoned
wrestler, the technically
difficult and tricky solo
part was to be mastered
only with obvious effort.
Evidencing this close
collaboration between
composer and performer is
not only the work's
genesis and publication
history, together with
its dedication to
Joachim, but also its
solo cadenza. Based on
the New Brahms Complete
Edition, this Urtext
edition includes both the
printed version of
Joachim's cadenza as well
as its shorter version
arranged in 1885 by the
violinist Marie
Soldat.
String Quartet SKU: BR.PB-5622 Urtext. Composed by Joachim Raff. E...(+)
String Quartet
SKU:
BR.PB-5622
Urtext. Composed
by Joachim Raff. Edited
by Severin Kolb and
Stefan Konig. Chamber
music; Softbound.
Partitur-Bibliothek
(Score Library). Romantic
period. Study Score.
Breitkopf and Haertel #PB
5622. Published by
Breitkopf and Haertel
(BR.PB-5622).
ISBN
9790004215197. 6.5 x 9
inches.
With his
first String Quartet in D
minor, op. 77, composed
in 1855, the native Swiss
composer Joachim Raff bid
a brilliant farewell to
Weimar. He had been there
as Franz Liszt's
assistant since 1850 and
had made a name for
himself in the city's art
scene - now he embarked
on new paths. He composed
his second Quartet in A
major, op. 90, already in
1857 in Wiesbaden, the
spa town that was to
become his home for 21
years. The two quartets
are unequivocal works:
orchestrally-conceived,
full of energetic vigor,
and at times
uncompromisingly modern.
They confidently continue
the Beethoven tradition
and attest at the same
time to Raff's intensive
confrontation with
Richard Wagner's music
during the Weimar years.
In his chamber music, the
composer wanted to
achieve progress in an
inherently historical way
and to ground the
individual substance in
existing forms, as he
told the Viennese
violinist Josef
Hellmesberger, who
launched opus 77. The
quartets, first published
in 1860/62, found
illustrious interpreters,
among them, the Muller
brothers' renowned
ensemble, to which opus
90 was also dedicated,
and Joseph Joachim.In
collaboration with the
Joachim-Raff-Archiv
Lachen (CH)
Some
eighteen years elapsed
between Raff's first
counted String Quartet
op. 77 and his Quartets
Nos. 6-8 op. 192,
combined as one work. As
such, Raff parted with
the weighty single opus
in quartet composition -
without, however,
sacrificing musical
quality.
Urtext from the new
Complete Edition (G.
Henle Verlag).
Composed by Johannes
Brahms. Edited by Linda
Correll Roesner and
Michael Struck.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
Solo concerto; Romantic;
Late-romantic. Part. 12
pages. Duration 35'.
Breitkopf and Haertel #OB
16110-27. Published by
Breitkopf and Haertel
(BR.OB-16110-27).
ISBN
9790004348062. 10 x 12.5
inches.
Johannes
Brahms's only violin
concerto, one of the most
important violin
concertos of the 19th
century, is now a central
repertoire piece. This
fact is all the more
notable, as, by his own
account, Brahms
understood all too little
about the instrument. The
concerto was composed at
Worthersee during the
summer of 1878 in
collaboration with Joseph
Joachim, a leading
contemporary violinist.
The solo part is
extremely demanding, with
really unusual
difficulties. This
circumstance did not go
unnoticed by the critics
of the first performance:
Even to Joachim, the
battled-seasoned
wrestler, the technically
difficult and tricky solo
part was to be mastered
only with obvious effort.
Evidencing this close
collaboration between
composer and performer is
not only the work's
genesis and publication
history, together with
its dedication to
Joachim, but also its
solo cadenza. Based on
the New Brahms Complete
Edition, this Urtext
edition includes both the
printed version of
Joachim's cadenza as well
as its shorter version
arranged in 1885 by the
violinist Marie
Soldat.
Transcritption Pour Violin Et Piano Par Joseph Joachim Volume 2. By Johannes Bra...(+)
Transcritption Pour
Violin Et Piano Par
Joseph Joachim Volume 2.
By Johannes Brahms.
Arranged by Joseph
Joachim. For violin,
piano. Published by
Billaudot.
G minor. Composed by Johannes Brahms (1833-1897). Edited by Joseph Joachim. Arra...(+)
G minor. Composed by
Johannes Brahms
(1833-1897). Edited by
Joseph Joachim. Arranged
by Joseph Joachim. This
edition: Folding. Sheet
music. Einzelausgaben
(Single Sheets).
Classical. 8 pages.
Schott Music #ED07595.
Published by Schott Music
Transcription Pour Violin Et Piano Par Joseph Joachim Volume 1. By Johannes Brah...(+)
Transcription Pour Violin
Et Piano Par Joseph
Joachim Volume 1. By
Johannes Brahms. Arranged
by Joseph Joachim. For
violin, piano. Published
by Billaudot.
B-flat major.
Composed by Johannes
Brahms. Edited by Joseph
Joachim. Arranged by
Joseph Joachim. This
edition: Saddle
stitching. Sheet music.
Einzelausgaben (Single
Sheets). Classical. 4
pages. Schott Music
#ED07596. Published by
Schott Music
(HL.49008995).
ISBN
9790001090230. UPC:
884088020743.
9.0x12.0x0.024
inches.
By Felix Mendelssohn. Edited by Heinrich Dessauer, Joseph Joachim. Arranged by J...(+)
By Felix Mendelssohn.
Edited by Heinrich
Dessauer, Joseph Joachim.
Arranged by Joseph
Joachim Heinrich
Dessauer. For Violin,
Piano. Classical. Solo
part with piano
reduction. Opus 64. 32
pages. Published by Carl
Fischer.
(with Analytical Studies and Exercises by Otakar Sevcik, Op. 18 and 25). By Joha...(+)
(with Analytical Studies
and Exercises by Otakar
Sevcik, Op. 18 and 25).
By Johannes Brahms
(1833-1897). Edited by
Endre Granat. For Violin,
Piano Accompaniment. LKM
Music. 161 pages. Hal
Leonard #S511017.
Published by Hal Leonard
Concert Band; Orchestra 2.2.2.2: 4.2.0.0: Timp: Str (9-8-7-6-5 in set): Solo Vio...(+)
Concert Band; Orchestra
2.2.2.2: 4.2.0.0: Timp:
Str (9-8-7-6-5 in set):
Solo Violin in set
SKU: AP.36-A134702
Composed by Johannes
Brahms. Full Orchestra,
Solo Strings with
Ensemble, Conductor Score
& Parts. Kalmus Orchestra
Library. Score and
Part(s). LudwigMasters
Publications #36-A134702.
Published by
LudwigMasters
Publications
(AP.36-A134702).
UPC:
659359985690.
English.
Johannes
Brahms (1833-1897) wrote
his Violin Concerto in D
major, Op. 77, in 1878.
He composed the work for
his longtime friend,
famed violinist Joseph
Joachim, who premiered it
in Leipzig with the
Gewandhaussaal on January
1, 1879, Brahms himself
conducting. The program
also included, at
Joachim's insistence,
Beethoven's Violin
Concerto in D major, Op.
61, on which Brahms
modeled his own concerto.
While the critical
reception of the time was
mixed, the audiences at
the various early
performances received the
work well. Most
complaints directed at
the concerto addressed
the role of the solo
violin, noting that the
soloist does not offer
much of the melodic
material or include much
in the way virtuosic
passages, a consequence
of looking more towards
Beethoven's serious
aesthetic rather than
Paganini's flashy one.
Joachim himself, before a
falling out with the
composer over personal
reasons, included Brahms'
concerto among the best
German offered, saying:
The Germans have four
violin concertos. The
greatest, most
uncompromising is
Beethoven's. The one by
Brahms vies with it in
seriousness. The richest,
the most seductive, was
written by Max Bruch. But
the most inward, the
heart's jewel, is
Mendelssohn's.
Instrumentation: 2.2.2.2:
4.2.0.0: Timp: Str
(9-8-7-6-5 in set): Solo
Violin in set.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Concert Band; Orchestra 2.2.2.2: 4.2.0.0: Timp: Str (9-8-7-6-5 in set): Solo Vio...(+)
Concert Band; Orchestra
2.2.2.2: 4.2.0.0: Timp:
Str (9-8-7-6-5 in set):
Solo Violin in set
SKU: AP.36-A134748
Composed by Johannes
Brahms. Full Orchestra,
Solo Strings with
Ensemble, Solo Violin
Part. Kalmus Orchestra
Library. Part(s).
LudwigMasters
Publications #36-A134748.
Published by
LudwigMasters
Publications
(AP.36-A134748).
ISBN
9798888529850. UPC:
659359935244.
English.
Johannes
Brahms (1833-1897) wrote
his Violin Concerto in D
major, Op. 77, in 1878.
He composed the work for
his longtime friend,
famed violinist Joseph
Joachim, who premiered it
in Leipzig with the
Gewandhaussaal on January
1, 1879, Brahms himself
conducting. The program
also included, at
Joachim's insistence,
Beethoven's Violin
Concerto in D major, Op.
61, on which Brahms
modeled his own concerto.
While the critical
reception of the time was
mixed, the audiences at
the various early
performances received the
work well. Most
complaints directed at
the concerto addressed
the role of the solo
violin, noting that the
soloist does not offer
much of the melodic
material or include much
in the way virtuosic
passages, a consequence
of looking more towards
Beethoven's serious
aesthetic rather than
Paganini's flashy one.
Joachim himself, before a
falling out with the
composer over personal
reasons, included Brahms'
concerto among the best
German offered, saying:
The Germans have four
violin concertos. The
greatest, most
uncompromising is
Beethoven's. The one by
Brahms vies with it in
seriousness. The richest,
the most seductive, was
written by Max Bruch. But
the most inward, the
heart's jewel, is
Mendelssohn's.
Instrumentation: 2.2.2.2:
4.2.0.0: Timp: Str
(9-8-7-6-5 in set): Solo
Violin in set.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Concert Band; Orchestra 2.2.2.2: 4.2.0.0: Timp: Str (9-8-7-6-5 in set): Solo Vio...(+)
Concert Band; Orchestra
2.2.2.2: 4.2.0.0: Timp:
Str (9-8-7-6-5 in set):
Solo Violin in set
SKU: AP.36-A134701
Composed by Johannes
Brahms. Full Orchestra,
Solo Strings with
Ensemble, Conductor
Score. Kalmus Orchestra
Library. Score.
LudwigMasters
Publications #36-A134701.
Published by
LudwigMasters
Publications
(AP.36-A134701).
ISBN
9798888529843. UPC:
659359537080.
English.
Johannes
Brahms (1833-1897) wrote
his Violin Concerto in D
major, Op. 77, in 1878.
He composed the work for
his longtime friend,
famed violinist Joseph
Joachim, who premiered it
in Leipzig with the
Gewandhaussaal on January
1, 1879, Brahms himself
conducting. The program
also included, at
Joachim's insistence,
Beethoven's Violin
Concerto in D major, Op.
61, on which Brahms
modeled his own concerto.
While the critical
reception of the time was
mixed, the audiences at
the various early
performances received the
work well. Most
complaints directed at
the concerto addressed
the role of the solo
violin, noting that the
soloist does not offer
much of the melodic
material or include much
in the way virtuosic
passages, a consequence
of looking more towards
Beethoven's serious
aesthetic rather than
Paganini's flashy one.
Joachim himself, before a
falling out with the
composer over personal
reasons, included Brahms'
concerto among the best
German offered, saying:
The Germans have four
violin concertos. The
greatest, most
uncompromising is
Beethoven's. The one by
Brahms vies with it in
seriousness. The richest,
the most seductive, was
written by Max Bruch. But
the most inward, the
heart's jewel, is
Mendelssohn's.
Instrumentation: 2.2.2.2:
4.2.0.0: Timp: Str
(9-8-7-6-5 in set): Solo
Violin in set.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Cavatina Violon et Piano EMB (Editio Musica Budapest)
Violin and Piano. By Joachim Raff, Joseph Joachim Raff. Arranged by Vilmos Tatra...(+)
Violin and Piano. By
Joachim Raff, Joseph
Joachim Raff. Arranged by
Vilmos Tatrai. EMB. Size
9x12 inches. 4 pages.
Published by Editio
Musica Budapest.