Composed by Johannes Brahms (1833-1897). Edited by Clive Brown; Neal Peres Da Co...(+)
Composed by Johannes
Brahms (1833-1897).
Edited by Clive Brown;
Neal Peres Da Costa. For
clarinet and piano. Score
with parts. Opus 120.
Published by Baerenreiter
Verlag
Composed by Johannes Brahms (1833-1897). Edited by Clive Brown / Neal Peres Da C...(+)
Composed by Johannes
Brahms (1833-1897).
Edited by Clive Brown /
Neal Peres Da Costa. For
viola and piano. This
edition: urtext edition.
Paperback. Level 3. Score
with parts. Opus 120.
Published by Baerenreiter
Verlag
Duo A-dur Violoncelle, Piano [Conducteur] Noten Roehr
Cello and piano SKU: NR.93608 Für Violoncello und Klavier, opus 59 Sc...(+)
Cello and piano
SKU:
NR.93608
Für
Violoncello und Klavier,
opus 59 Schröder, Carl,
ed. Composed by
Joseph Joachim Raff.
Edited by Carl Schroeder.
String instruments.
Score. Noten Roehr
#93608. Published by
Noten Roehr (NR.93608).
Violin and Piano. By Johannes Brahms. Arranged by Joseph Joachim. (Violin). Boo...(+)
Violin and Piano. By
Johannes Brahms. Arranged
by Joseph Joachim.
(Violin). Boosey and
Hawkes Chamber Music.
Book only. Size 9x12
inches. 36 pages.
Published by Simrock.
Composed by Joseph
Joachim Benedikt Munster.
Edited by Konrad Ruhland.
This edition: Paperbound.
Music from East Bavaria.
German title: Te Deum
1660A01. Sacred vocal
music. Full score. 24
pages. Duration 8
minutes. Carus Verlag #CV
91.199/00. Published by
Carus Verlag
(CA.9119900).
ISBN
9790007121242. Key: C
major. Language:
Latin/German.
Violin and piano SKU: NR.83897 Für Violine und Klavier, opus 85 no. 3...(+)
Violin and piano
SKU:
NR.83897
Für
Violine und Klavier, opus
85 no. 3, 1882.
Composed by Joseph
Joachim Raff. Edited by
Johannes Palaschko.
String instruments.
Score. Noten Roehr
#83897. Published by
Noten Roehr (NR.83897).
(Trumpet/Trombone/Clarine t). By Joseph Joachim Raff (1822-1882). For Flexible S...(+)
(Trumpet/Trombone/Clarine
t). By Joseph Joachim
Raff (1822-1882). For
Flexible Solo (Euphonium
/
Trumpet/Cornet/Flugelhorn
/Baritone / Clarinet) and
Piano. Solo Pieces. Grade
3. Published by Molenaar
Edition
Cavatina Violon et Piano - Facile EMB (Editio Musica Budapest)
Violin and Piano - Grade 3 SKU: BT.EMBZ13745 By Vilmos Tatrai. By Joseph-...(+)
Violin and Piano - Grade
3
SKU:
BT.EMBZ13745
By
Vilmos Tatrai. By
Joseph-Joachim Raff. EMB
Moments Musicaux for
Violin. Book Only.
Composed 1991. 6 pages.
Editio Musica Budapest
#EMBZ13745. Published by
Editio Musica Budapest
(BT.EMBZ13745).
Composed by Wolfgang Amadeus Mozart (1756-1791). Edited by Aaron Rosand and Jo...(+)
Composed by Wolfgang
Amadeus
Mozart (1756-1791).
Edited by
Aaron Rosand and Joseph
Joachim.
For violin and piano.
Published by
International
Music Compan
SKU: BA.BVK01950 Composed by Andreas N. Tarkmann and Johannes Kohlmann. P...(+)
SKU: BA.BVK01950
Composed by Andreas N.
Tarkmann and Johannes
Kohlmann. Paperback.
Book. 240 pages.
Baerenreiter Verlag
#BVK01950_00. Published
by Baerenreiter Verlag
(BA.BVK01950).
ISBN
9783761819500. 19 x 12.5
cm inches. Language:
German. Preface:
Tarkmann, Andreas
N.
Mendelssohn's
Violin Concerto op. 64,
is a key work of the 19th
century, adhering to the
classical style of
Beethoven while pointing
the way to the romantic
ethos of Brahms. It has
long been known that
Mendelssohn performed the
work with three soloists
in succession: Ferdinand
David, who worked closely
with the composer during
its composition and
played it at the
premiere; the 'child
prodigy' Joseph Joachim;
and Hubert Leonard, a
young Belgian virtuoso
about whom little is
known.
As proof
sheets for the Violin
Concerto in E minor were
long considered lost, it
could be described as
somewhat of a sensation
when proofs for the solo
violin part resurfaced
together with a letter
from Mendelssohn to
Leonard.
The
letter informs us that
the composer invited
Leonard to his home in
Frankfurt in order to
make his acquaintance. It
was already known that
Mendelssohn had given
proof sheets to David;
now we know that he also
gave some to
Leonard.
The
recently discovered
proofs reveal how Leonard
played the concerto with
Mendelssohn on that
memorable evening in
February 1845. Besides
containing bowing marks
and fingering, they also
show how Leonard executed
shifts of position and
where he employed open
strings. Furthermore
modifications made to
dynamic markings and
additional legato bowing
are shown.
It is
safe to assume that all
of this was done with
Mendelssohn's approval.
That the young violinist
made a positive
impression on the
composer is confirmed in
the latter's
correspondence following
their joint performance.
Mendelssohn is full of
praise for Leonard's
playing and offers to
lend his support in
finding employment in
Germany.
This
revised edition of the
Mendelssohn Violin
Concerto (only the
orchestral parts remain
unchanged) includes a
separate booklet on
performance practice.
The editor, Clive
Brown, is an acknowledged
expert on Romantic
performance
practice.
- New
source situation owing to
recently rediscovered
proofs - Revised
Urtext edition - With
a separate booklet on
performance practice
(Eng/Ger).
Piano/harpsichord and orchestra (solo: pno - 1.2.0.2 - 2.2.0.0 - timp - str) ...(+)
Piano/harpsichord and
orchestra (solo: pno -
1.2.0.2 - 2.2.0.0 - timp
- str)
SKU:
BR.PB-15106
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Norbert
Gertsch. Orchestra;
Softbound.
Partitur-Bibliothek
(Score Library).
In
Cooperation with G. Henle
VerlagEB
10766 is printed in score
form; two copies are
needed for
performance.Our edition
EB
8578 contains
Ferrucci Busoni's
cadenzas for the Piano
Concerto in C m. Solo
concerto; Classical. Full
score. 72 pages. Duration
30'. Breitkopf and
Haertel #PB 15106.
Published by Breitkopf
and Haertel
(BR.PB-15106).
ISBN
9790004211892. 10 x 12.5
inches.
The
editorial quality of the
new edition is guaranteed
not only by Schiff's
sensitive fingerings and
stylistically
well-grounded cadenzas,
but also by the Mozart
scholar Norbert Gertsch
to whom Henle has
entrusted its urtext
editions.Breitkopf/Henle
cooperation means: Each
work is edited according
to predetermined
standardized editorial
guidelines. First and
foremost among the
sources consulted were
Mozart's handwritten
scores, being the most
important sources. In
some cases they had not
been available when the
previous editions were
being prepared. Moreover,
we know today that in
addition to Mozart's own
manuscripts, early copies
in parts and prints also
contain important
information regarding the
musical text.Die
Editionen werden den
Intentionen des
Komponisten so weit wie
moglich gerecht. Gemass
Mozarts Anweisungen in
den Autographen ist
beispielsweise im unteren
Klaviersolosystem sowohl
der Partituren als auch
der Klavierauszuge
durchgangig die
Bassstimme des Orchesters
wiedergegeben. (Andreas
Friesenhagen,
FonoForum)L'interet
particulier de cette
nouvelle edition reside
dans les notations
complementaires des
parties de violon ayant
pour source la premiere
execution de l'oeuvre par
Joseph Joachim et Robert
Hausmann avec, tres
probablement,
l'autorisation du
compositeur, ces notes de
jeu refletant les
pratiques de l'epoque.
(Crescendo).
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Norbert
Gertsch. Softbound.
Partitur-Bibliothek
(Score Library).
In
Cooperation with G. Henle
VerlagEB
10766 is printed in score
form; two copies are
needed for
performance.Our edition
EB
8578 contains
Ferrucci Busoni's
cadenzas for the Piano
Concerto in C m. Solo
concerto; Classical.
Study Score. 72 pages.
Duration 30'. Breitkopf
and Haertel #PB 15110-07.
Published by Breitkopf
and Haertel
(BR.PB-15110-07).
ISBN
9790004212677. 6.5 x 9
inches.
The
editorial quality of the
new edition is guaranteed
not only by Schiff's
sensitive fingerings and
stylistically
well-grounded cadenzas,
but also by the Mozart
scholar Norbert Gertsch
to whom Henle has
entrusted its urtext
editions.Breitkopf/Henle
cooperation means: Each
work is edited according
to predetermined
standardized editorial
guidelines. First and
foremost among the
sources consulted were
Mozart's handwritten
scores, being the most
important sources. In
some cases they had not
been available when the
previous editions were
being prepared. Moreover,
we know today that in
addition to Mozart's own
manuscripts, early copies
in parts and prints also
contain important
information regarding the
musical text.Die
Editionen werden den
Intentionen des
Komponisten so weit wie
moglich gerecht. Gemass
Mozarts Anweisungen in
den Autographen ist
beispielsweise im unteren
Klaviersolosystem sowohl
der Partituren als auch
der Klavierauszuge
durchgangig die
Bassstimme des Orchesters
wiedergegeben. (Andreas
Friesenhagen,
FonoForum)L'interet
particulier de cette
nouvelle edition reside
dans les notations
complementaires des
parties de violon ayant
pour source la premiere
execution de l'oeuvre par
Joseph Joachim et Robert
Hausmann avec, tres
probablement,
l'autorisation du
compositeur, ces notes de
jeu refletant les
pratiques de l'epoque.
(Crescendo).
Urtext. Composed
by Robert Schumann.
Edited by Christian
Rudolf Riedel. Stapled.
Orchester-Bibliothek
(Orchestral Library).
Schumann's last work for
solo instrument and
orchestra was not given
its premiere until 1937.
This new edition is the
first meticulously
prepared Urtext edition
of the score and the
composer's own piano
reduction - from which
Clara played the piece!
Solo concerto; Romantic.
Part. 8 pages. Duration
32'. Breitkopf and
Haertel #OB 5302-27.
Published by Breitkopf
and Haertel
(BR.OB-5302-27).
ISBN
9790004340059. 10 x 12.5
inches.
Between
Beethoven and Brahms, a
long neglected
workSchumann's last work
for solo instrument and
orchestra was not given
its premiere until 1937,
at which time it was also
released in an
editorially inadequate
version. A re-evaluation
of Schumann's late oeuvre
began in the 1980s, in
the wake of which the
missing link between the
concertos of Beethoven
and Brahms (Yehudi
Menuhin) also drew
increasing attention.
Since then, those in the
know have come to
appreciate the work,
whose unique musical and
technical demands
challenge for both
interpreter and
listener.This new edition
of what is perhaps the
most underestimated
masterpiece of the
Romantic era is the first
meticulously prepared
Urtext edition of the
score. Nothing short of
incredible is the fact
that the composer's own
piano reduction from
which Clara Schumann and
Joseph Joachim played the
piece is being published
here for the first time!
Thomas Zehetmair, who has
significantly contributed
to the re-assessment of
the concerto, assumed the
task of providing a sound
technical basis to his
revision of the solo
part.Perhaps this edition
will help stimulate
awareness and
appreciation of this
unjustly forgotten
romantic violin concerto
described by Menuhin as
the missing link between
the concertos by
Beethoven to Brahms.
(John Thomson,
Stringendo)
Schuma
nn's last work for solo
instrument and orchestra
was not given its
premiere until 1937. This
new edition is the first
meticulously prepared
Urtext edition of the
score and the composer's
own piano reduction -
from which Clara played
the piece!
Cello and piano SKU: NR.93538 Für Violoncello und Klavier, opus 86(+)
Cello and piano
SKU:
NR.93538
Für
Violoncello und Klavier,
opus 86. Composed by
Joseph Joachim Raff.
String instruments.
Score. Noten Roehr
#93538. Published by
Noten Roehr (NR.93538).
By Johannes Brahms (1833-1897). Edited by Christopher Hogwood. For Clarinet/Viol...(+)
By Johannes Brahms
(1833-1897). Edited by
Christopher Hogwood. For
Clarinet/Viola/Violoncell
o/Piano
(Clarinet/(Viola)/Violonc
ello/Piano). This
edition: Stapled, Urtext
edition. Performance
score, Set of parts. Text
Language: English/German.
Opus 114. 41/8/8/11
pages. Published by
Baerenreiter Verlag
Chorus and piano SKU: BR.CHB-5357-00 Lass dich nur nichts nicht dauren...(+)
Chorus and piano
SKU:
BR.CHB-5357-00
Lass dich nur nichts
nicht dauren.
Composed by Johannes
Brahms. Choir; stapled.
Chor-Bibliothek (Choral
Library). Song; Romantic.
Choral score. Composed
1864. 4 pages. Breitkopf
and Haertel #ChB 5357-00.
Published by Breitkopf
and Haertel
(BR.CHB-5357-00).
ISBN
9790004412879. 9 x 12
inches. German.
In
the Geistliches Lied op.
30 for four-part mixed
choir and organ (or piano
for three to four hands),
Johannes Brahms sets a
text by the Baroque poet
Paul Fleming (1609-1640)
to music. Although the
piece was composed in
April 1856, it only
premiered as late as July
1865 in the church of St.
Jakobi in Chemnitz. This
is probably due to
changes that were
proposed by Joseph
Joachim. In February
1864, Brahms sent it
together with Op. 29 to
Breitkopf & Hartel where
it was published in July
1864. The subtitle in
brackets in the autograph
,,Doppel-Canon in der
None (,,Double canon in
the ninth) was not
printed on it, although
it closely captures the
essence of this
composition of about
three minutes.
Bass instrument SKU: CA.9115413 Composed by Joseph Joachim Benedikt Munst...(+)
Bass instrument
SKU:
CA.9115413
Composed
by Joseph Joachim
Benedikt Munster.
Coppenrath Series. German
title: Concertatio
Pastoritia. 2 Weihn
1601501. Christmas.
Single Part, Bass
instrument. 4 pages.
Carus Verlag #CV
91.154/13. Published by
Carus Verlag
(CA.9115413).
ISBN
9790007232658.
Scor
e available separately -
see item CA.9115400.