Concert band with choir/voice - Grade 4

SKU: RM.AMIO03451-CO

Composed by Jean Claude Amiot. Music with chorus, voices. Orchestra. Conductor's score. Editions Robert Martin #AMIO03451-CO. Published by Editions Robert Martin (RM.AMIO03451-CO).

Concert Band/Harmonie - Grade 4

SKU: BT.DHP-1053880-140

Composed by Maxime Aulio. Inspiration Series. Concert Piece. Score Only. Composed 2005. 28 pages. De Haske Publications #DHP 1053880-140. Published by De Haske Publications (BT.DHP-1053880-140).

9x12 inches. English-German-French-Dut ch.

“Don†™t listen to anyone’s advice, but listen to the lessons of the wind passing and telling the history of the world.” Claude Debussy Since the dawn of time, the wind has played an important role in all civilisations. Worshipped as a deity, “mastermind” of poetry, driving force, or heaven’s messenger, the wind took on the most varied shapes according to the era and people. In Claude Debussy’s time, music listened to the voice of nature, and imagination found its primary rights again. This importance of wind was the inspiration for Maxime Aulio’s work Whispering Wind with its suspended atmospheres, vaporous lines and luminous colours. The wind caresses the canvas. A fascinatingnew work for concert band.

“Luister niet naar adviezen van wie dan ook, maar naar de lessen van de wind die voorbij waait en de geschiedenis van de wereld vertelt.” (Claude Debussy) Sinds het begin der tijden heeft de wind in alle beschavingen een belangrijkerol gespeeld. In de tijd van Claude Debussy gaf muziek het geluid van de natuur weer en stond verbeeldingskracht in hoog aanzien. Het is deze Franse sensibiliteit die Maxime Aulio’s werk Whispering Wind kenmerkt, met vluchtigelijnen en heldere kleuren. De wind raakt het doek, suggereert en roept slechts op, maar met een indrukwekkende precisie. Een mooie en bijzondere compositie!

Seit Menschengedenken hat der Wind immer eine wichtige Rolle in allen Zivilisationen gespielt. Vor allem auch zu Lebzeiten von Claude Debussy hörte die Musik auf die Stimme der Natur. Jedes Instrument schien Symbol eines Bildes oder einer Vorstellung zu sein. Genau diese typisch französische Empfindsamkeit zeichnet auch deutlich Maxime Aulios Whispering Wind mit seinen spannungsreichen Stimmungen, nebelhaften Linien und leuchtenden Farben aus. Ein sehr ausdruckvolles Werk!

L« N’écoutez les conseils de personne, sinon du vent qui passe et nous raconte l’histoire du monde. » Claude Debussy / Depuis la nuit des temps, le vent a toujours occupé une place importante dans les civilisations. Dieu vénéré ou égérie des poètes, force motrice ou messager aérien, il emprunte toutes les formes, selon les peuples ou les époques. Les chemins du vent sont ceux qui ne sont pas tracés d’avance ; ils nous racontent mille histoires venues d’ailleurs. Les murmures du vent sont les sentiers diaphanes de l’ me, les couleurs de l’éphémèr e, la poésie des sons. Avec Claude Debussy, la musique écoutait les voix de la nature et l'imagination retrouvait auprès d'elleses droits primitifs. Chaque instrument semblait fait d’impressions et de suggestions. La partition cessait d'être développement pour devenir enveloppement. C’est cette sensibilité toute française que Debussy contribua façonner, que nous retrouvons dans Whispering Wind (“Les Murmures du Vent”) de Maxime Aulio. Des climats en suspens, des traits vaporeux, des couleurs lumineuses. Le vent caresse la toile, suggère, évoque seulement, mais avec une éblouissante précision. Le vent est une parole nomade qui voyage dans notre intérieur très longtemps.

“Non ascoltate i suggerimenti degli altri, ma ascoltate le lezioni del vento che passa raccontando la storia del mondo.” Claude Debussy Le strade del vento sono quelle che non sono tracciate in precedenza, ci raccontato mille storie di altri luoghi. I mormorii del vento sono i sentieri diafani dell’anima, i colori dell’effimero, la poesia dei suoni. Con Claude Debussy, la musica ascoltava le voci della natura. Ritroviamo questa sensibilit tutta francese che Debussy contribuì a formare in Whispering Wind (Il mormorio del vento), brano del giovane compositore francese Maxime Aulio. Tratti vaporosi, colori luminosi, il vento che accarezza, suggerisce, evoca con sorprendenteprecisione. Il vento è una parola nomade che viaggia a lungo nel nostro interiore.

Favourite opera melodies. Composed by Various. Arranged by John Alley Elisabeth Parry. Collection - Score and Parts. Aurea Capra Editions #494- 03223. Published by Aurea Capra Editions

Concert band - Grade 4

SKU: RM.AMIO03077-CO

Composed by Jean Claude Amiot. Original music. Orchestra. Conductor's score. Editions Robert Martin #AMIO03077-CO. Published by Editions Robert Martin (RM.AMIO03077-CO).

Voice and Piano

SKU: BT.SLB-00045800

(Cht-Pno ). Composed by Andre-Charles Messager. Classical. Score Only. Composed 2002. Editions Salabert #SLB 00045800. Published by Editions Salabert (BT.SLB-00045800).

Piano (Piano)

SKU: HL.50582380

Composed by Andre-Charles Messager. Salabert. Score Only. Composed 2002. Editions Salabert #SLB452. Published by Editions Salabert (HL.50582380).

Composed by Howard Goodall (1958-). Multi-Movement/Large Choral Work. Holy Week, Lent, Triduum/Three Days, Tenebrae, 21st Century. Vocal/choral score. Published by MorningStar Music Publishers

Concert band with choir/voice - Grade 4

SKU: RM.AMIO03448-BA

Composed by Jean Claude Amiot. Music with chorus, voices. Orchestra. Full set. Editions Robert Martin #AMIO03448-BA. Published by Editions Robert Martin (RM.AMIO03448-BA).

ISBN 9790231034486.

Voice and Piano

SKU: BT.SLB-00043000

Composed by Andre-Charles Messager. Classical. Score Only. Composed 2002. Editions Salabert #SLB 00043000. Published by Editions Salabert (BT.SLB-00043000).

SKU: HL.398631

Line 6 Effects. Guitar Pedal. Line 6 #99-040-3705. Published by Line 6 (HL.398631).

UPC: 614252311656. 6.5x16.25x3.0 inches.

The DL4 Delay Modeler has remained one of the most widely used delay pedals in the world for more than two decades - embraced by everyone from casual players to superstars. The DL4 was the first pedal to offer a broad selection of delay models based on vintage tape echo devices such as the Maestro® EP-1 Echoplex and the Roland® RE-101 Space Echo, classic analog delay stompboxes such as the Electro-Harmonix® Deluxe Memory Man, and even the Binson Echorec and studio staple TC Electronic® 2290 Dynamic Digital Delay. These were complemented by several Line 6 originals, including the exceptional Reverse delay - and the DL4 also boasted a highly intuitive “14 Second Loop Sampler” that is still considered one of most engaging loopers ever made. The DL4 MkII honors that legacy by including every one of those original sounds and features, and retaining the same knob and footswitch layout, so there's no need for DL4 users to learn any new moves - but the DL4 MkII also introduces many new sounds and features that bring it fully into the 21st century. The 15 MkII delays were drawn from our HX family of amp and effects processors and include Line 6 originals such as Harmony Delay, Pitch Echo, Euclidian Delay, Glitch Delay and ADT tape delay, as well as 4-Switch and 1-Switch loopers with up to 240 seconds of record time, expandable to several hours using an optional microSD card. The DL4 MkII also features an XLR dynamic microphone input for vocal processing and looping; MIDI capabilities such as real time parameter control and preset selection (up to 128) via its MIDI In and Out/Thru DIN connectors; four heavy duty footswitches with colored halo rings; and switchable true, buffered, or DSP bypass. There's also a jack for connecting an optional expression pedal (automatically assigned to the Delay Time, Repeat, Tweak, Tweez, or Mix controls) or two assignable external footswitches. •Identical knob and footswitch layout as the original DL4 •30 Delay options: 15 new MkII plus 15 Legacy DL4 •2 Loopers - mono/stereo and pre/post signal path options •Up to 240 seconds of looping time, or several hours with optional microSD card •XLR dynamic microphone input for vocal processing and looping •MIDI In, Out/Thru DIN connectors-receives PC and CC messages •128 Presets via MIDI, with footswitch control of up to six •Switchable true, buffered, or DSP bypass •Input for optional expression pedal or two additional footswitches.

(2.1.2.2/2.2.0.0,timp,per c,str)

SKU: TM.11219SET

Composed by Andre-Charles Messager. Set Type: D. Set of parts. Lucks Music Library #A5249. Published by Lucks Music Library (TM.11219SET).

Arrival Platform Humlet, Gay But Wistful, Pastoral, Gum-Suckers March.

Fanfare Band - Grade 3

SKU: BT.AMP-247-020

Composed by Philip Sparke. Anglo Music Midway Series. Christmas. Set (Score & Parts). Composed 2008. Anglo Music Press #AMP 247-020. Published by Anglo Music Press (BT.AMP-247-020).

9x12 inches. English-German-French-Dut ch.

Designed to open a Christmas concert, A Christmas Herald starts with a fanfare that introduces a lyrical theme, which eventually turns out to be a descant to Hark, the Herald Angels Sing, which is subsequently introduced by trombones and euphoniums. The famous carol then gradually transforms back into the fanfare, which closes the work as it began.

A Christmas Herald, een openingswerk voor een kerstconcert, begint met een proclamerende fanfare. Deze fanfare introduceert een lyrisch thema, dat uiteindelijk uitmondt in een discant over Hark, the Herald Angels Sing,een melodie die achtereenvolgens wordt gepresenteerd door de trombones en euphoniums. De beroemde carol gaat vervolgens langzaam weer over in de fanfare, waarmee het werk eindigt zoals het begon.

A Christmas Herald beginnt mit einer Signalfanfare; diese stellt ein lyrisches Thema vor, das sich bald als Diskant zu Hark, the Herald Angels Sing herausstellt, welches anschließend von Posaunen und Euphonien präsentiert wird. Dann verwandelt sich das berühmte Weihnachtslied schrittweise zurück in die Fanfare, die das Werk so beendet, wie es begann. Eine wunderbare Eröffnung für ein Weihnachtskonzert!

Cette composition est idéale pour débuter ou clore un concert de Noël. A Christmas Herald (“Le Messager de Noël”) débute avec une fanfare majestueuse qui cède sa place l’exposition d’un thème lyrique qui forme un contrechant au noël Hark, the Herald Angels Sing (Écoutez le chant des Anges) introduit par les trombones et l’euphonium. La mélodie de ce célèbre chant de noël revient progressivement vers la fanfare initiale qui clôt l’œuvre sur un ton toujours aussi solennel.

By Andre-Charles Messager (1853-1929). Edited by Christopher Hogwood. For Cello (violins), string orchestra and harp (piano). Score and solo parts. 21 pages

(Celebration of Advent). By Don Besig and Nancy Price. For SATB choir. Choral book. Text language: English. 56 pages

Concert band - Grade 4

SKU: RM.AMIO03453-BA

Composed by Jean Claude Amiot. Classical music. Orchestra. Full set. Editions Robert Martin #AMIO03453-BA. Published by Editions Robert Martin (RM.AMIO03453-BA).

ISBN 9790231034530.

Edited by Carl Strommen. Arranged by Carl Strommen. For Brass Duet (Trumpet/Trombone). Level 2-3. Duet book. Published by Kendor Music Inc

Concert band with choir/voice - Grade 4

SKU: RM.AMIO03451-CH

Composed by Jean Claude Amiot. Music with chorus, voices. Orchestra. Choral score. Editions Robert Martin #AMIO03451-CH. Published by Editions Robert Martin (RM.AMIO03451-CH).

Concert band - Grade 4

SKU: RM.AMIO03453-CO

Composed by Jean Claude Amiot. Classical music. Orchestra. Conductor's score. Editions Robert Martin #AMIO03453-CO. Published by Editions Robert Martin (RM.AMIO03453-CO).

Composed by Raymond H Haan. Advent, Christmas, Epiphany. Published by MorningStar Music Publishers (MN.10-176).

Concert band - Grade 5

SKU: RM.MESS00362-CO

Composed by Andre-Charles Messager. Arranged by Georges Corroyez. Operas, operas comiques, operettes. Orchestra. Conductor's score. Editions Robert Martin #MESS00362-CO. Published by Editions Robert Martin (RM.MESS00362-CO).