By Felix Mendelssohn. Edited by E. Herttrich. STUDY EDITION. Pages: VI and 178. Study score-no details. Published by G. Henle.

Piano - Grade 6

SKU: BT.WMP2113

12 Grade 6. Arranged by Josephine Koh. Teachers' Choice. Exam Material. Book Only. 41 pages. Wells Music Publishers #WMP2113. Published by Wells Music Publishers (BT.WMP2113).

ISBN 9789810884819.

T eachers' Choice, Selected Piano Repertory & Studies for Grades 6 & 7 is compiled to provide teachers and students with good options for the 2011-2012 ABRSM Piano examinations.

• A variety of interesting andappealing Piano pieces with up-to-date editorial suggestions are presented to assist students achieve high standards of musical performance.
• Effective teaching points are suggested with recommended technical studies.Teachers will find this approach very helpful and effective, thus enriching their teaching process, leading to a very successful experience.
• Examination requirements aside, finer details in interpretation andstylisticperformance are strongly encouraged. Beyond the printed page, the editorial suggestions are directed to provide the impetus to strive towards greater musical creativity and perfection.
• Most important of all,enjoy the high standard of music typography; with clear, professionally laid scores that combine musical semiotics with modern publishing technology. Digital print on quality cream-coloured paper ensures comfort in reading andlearning for all students.

By Ludwig van Beethoven. Edited by G. Raphael. STUDY EDITION. Pages: 153. Study score-no details. Published by G. Henle.

Organ and orchestra (solo: org - 0.2.0.1 - 0.0.0.0 - str - bc)

SKU: BR.PB-5215

Urtext. Composed by George Frideric Handel. Edited by Ton Koopman. Orchestra; Softcover. Partitur-Bibliothek (Score Library).

,I want to make an edition that is not a Koopman interpretation, but contains only that which Handel really wrote.' (Ton Koopman)

Solo concerto; Baroque. Full score. 24 pages. Duration 15'. Breitkopf and Haertel #PB 5215. Published by Breitkopf and Haertel (BR.PB-5215).

ISBN 9790004209462. 9 x 12 inches.

Ton Koopman's new edition of all 16 organ concertos by Handel has drawn to a close. The quality of this edition has been highly praised from all quarters. Source-critical responsibility goes hand in hand with a high level of performance practice when Koopman provides interpretative tips for the ad libitum passages in the organ part without restricting the creativity of the interpreter who is interested in stylistic matters and prefers to work out his own solutions. I want to make an edition that is not a Koopman interpretation, but contains only that which Handel really wrote. Nevertheless, there are occasional performance suggestions in small print which are elucidated in the Critical Commentary. (Ton Koopman in Concerto) Koopman offers a basically unmarked text, thus leaving the performance details up to the performer. Especially note-worthy is the clear printing, extensive preface and detailed Critical Notes. (Katholische Kirchenmusik) Whoever wishes to hear the entire Koopman edition on CD can look forward to the new recording by Christian Schmitt and the Stuttgarter Kammerorchester (Brilliant Classics). This is the first recording for which all 16 new Koopman editions were used as the basis for the performance.

,I want to make an edition that is not a Koopman interpretation, but contains only that which Handel really wrote.' (Ton Koopman).

Double bass (solo: org - 0.2.0.1 - 0.0.0.0 - str - bc)

SKU: BR.OB-5383-26

Urtext. Composed by George Frideric Handel. Edited by Ton Koopman. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library). I want to make an edition that is not a Koopman interpretation, but contains only that which Handel really wrote.' (Ton Koopman). Solo concerto; Baroque. Part. 4 pages. Duration 12'. Breitkopf and Haertel #OB 5383-26. Published by Breitkopf and Haertel (BR.OB-5383-26).

ISBN 9790004335390. 9 x 12 inches.

Ton Koopman's new edition of all 16 organ concertos by Handel has drawn to a close. The quality of this edition has been highly praised from all quarters. Source-critical responsibility goes hand in hand with a high level of performance practice when Koopman provides interpretative tips for the ad libitum passages in the organ part without restricting the creativity of the interpreter who is interested in stylistic matters and prefers to work out his own solutions. I want to make an edition that is not a Koopman interpretation, but contains only that which Handel really wrote. Nevertheless, there are occasional performance suggestions in small print which are elucidated in the Critical Commentary. (Ton Koopman in Concerto) Koopman offers a basically unmarked text, thus leaving the performance details up to the performer. Especially note-worthy is the clear printing, extensive preface and detailed Critical Notes. (Katholische Kirchenmusik) Whoever wishes to hear the entire Koopman edition on CD can look forward to the new recording by Christian Schmitt and the Stuttgarter Kammerorchester (Brilliant Classics). This is the first recording for which all 16 new Koopman editions were used as the basis for the performance.

,I want to make an edition that is not a Koopman interpretation, but contains only that which Handel really wrote.' (Ton Koopman).

& String Quartet Version of the Piano Sonata, Op. 14, No. 1. By Ludwig van Beethoven. Edited by E. Herttrich. STUDY EDITION. Pages: VI and 161. Study score-no details. Published by G. Henle.

Organ and orchestra (solo: org - 0.2.0.1 - 0.0.0.0 - str - bc)

SKU: BR.PB-5383

Urtext. Composed by George Frideric Handel. Edited by Ton Koopman. Orchestra; stapled. Partitur-Bibliothek (Score Library). I want to make an edition that is not a Koopman interpretation, but contains only that which Handel really wrote.' (Ton Koopman). Solo concerto; Baroque. Full score. 24 pages. Duration 12'. Breitkopf and Haertel #PB 5383. Published by Breitkopf and Haertel (BR.PB-5383).

ISBN 9790004209998. 9 x 12 inches.

Ton Koopman's new edition of all 16 organ concertos by Handel has drawn to a close. The quality of this edition has been highly praised from all quarters. Source-critical responsibility goes hand in hand with a high level of performance practice when Koopman provides interpretative tips for the ad libitum passages in the organ part without restricting the creativity of the interpreter who is interested in stylistic matters and prefers to work out his own solutions. I want to make an edition that is not a Koopman interpretation, but contains only that which Handel really wrote. Nevertheless, there are occasional performance suggestions in small print which are elucidated in the Critical Commentary. (Ton Koopman in Concerto) Koopman offers a basically unmarked text, thus leaving the performance details up to the performer. Especially note-worthy is the clear printing, extensive preface and detailed Critical Notes. (Katholische Kirchenmusik) Whoever wishes to hear the entire Koopman edition on CD can look forward to the new recording by Christian Schmitt and the Stuttgarter Kammerorchester (Brilliant Classics). This is the first recording for which all 16 new Koopman editions were used as the basis for the performance.

,I want to make an edition that is not a Koopman interpretation, but contains only that which Handel really wrote.' (Ton Koopman).

By Johannes Brahms. Edited by E. Herttrich. STUDY EDITION. Pages: VI and 216. Study score-no details. Published by G. Henle.

Organ and orchestra (solo: org - str - bc)

SKU: BR.PB-5252

Urtext. Composed by George Frideric Handel. Edited by Ton Koopman. Orchestra; Softcover. Partitur-Bibliothek (Score Library). I want to make an edition that is not a Koopman interpretation, but contains only that which Handel really wrote.' (Ton Koopman). Solo concerto; Baroque. Full score. 20 pages. Duration 12'. Breitkopf and Haertel #PB 5252. Published by Breitkopf and Haertel (BR.PB-5252).

ISBN 9790004210659. 9 x 12 inches.

Ton Koopman's new edition of all 16 organ concertos by Handel has drawn to a close. The quality of this edition has been highly praised from all quarters. Source-critical responsibility goes hand in hand with a high level of performance practice when Koopman provides interpretative tips for the ad libitum passages in the organ part without restricting the creativity of the interpreter who is interested in stylistic matters and prefers to work out his own solutions. I want to make an edition that is not a Koopman interpretation, but contains only that which Handel really wrote. Nevertheless, there are occasional performance suggestions in small print which are elucidated in the Critical Commentary. (Ton Koopman in Concerto) Koopman offers a basically unmarked text, thus leaving the performance details up to the performer. Especially note-worthy is the clear printing, extensive preface and detailed Critical Notes. (Katholische Kirchenmusik) Whoever wishes to hear the entire Koopman edition on CD can look forward to the new recording by Christian Schmitt and the Stuttgarter Kammerorchester (Brilliant Classics). This is the first recording for which all 16 new Koopman editions were used as the basis for the performance.

,I want to make an edition that is not a Koopman interpretation, but contains only that which Handel really wrote.' (Ton Koopman).

Violin 2 (solo: org - 0.2.0.2. - 0.0.0.0. - str - bc)

SKU: BR.OB-5214-16

Urtext. Composed by George Frideric Handel. Edited by Ton Koopman. Stapled. Orchester-Bibliothek (Orchestral Library).

,I want to make an edition that is not a Koopman interpretation, but contains only that which Handel really wrote.' (Ton Koopman)

Solo concerto; Baroque. Part. 4 pages. Duration 20'. Breitkopf and Haertel #OB 5214-16. Published by Breitkopf and Haertel (BR.OB-5214-16).

ISBN 9790004331071. 9 x 12 inches.

Ton Koopman's new edition of all 16 organ concertos by Handel has drawn to a close. The quality of this edition has been highly praised from all quarters. Source-critical responsibility goes hand in hand with a high level of performance practice when Koopman provides interpretative tips for the ad libitum passages in the organ part without restricting the creativity of the interpreter who is interested in stylistic matters and prefers to work out his own solutions. I want to make an edition that is not a Koopman interpretation, but contains only that which Handel really wrote. Nevertheless, there are occasional performance suggestions in small print which are elucidated in the Critical Commentary. (Ton Koopman in Concerto) Koopman offers a basically unmarked text, thus leaving the performance details up to the performer. Especially note-worthy is the clear printing, extensive preface and detailed Critical Notes. (Katholische Kirchenmusik) Whoever wishes to hear the entire Koopman edition on CD can look forward to the new recording by Christian Schmitt and the Stuttgarter Kammerorchester (Brilliant Classics). This is the first recording for which all 16 new Koopman editions were used as the basis for the performance.

Violin 3 (solo: org - str - bc)

SKU: BR.OB-5252-17

Urtext. Composed by George Frideric Handel. Edited by Ton Koopman. Stapled. Orchester-Bibliothek (Orchestral Library). I want to make an edition that is not a Koopman interpretation, but contains only that which Handel really wrote.' (Ton Koopman). Solo concerto; Baroque. Part. 4 pages. Duration 12'. Breitkopf and Haertel #OB 5252-17. Published by Breitkopf and Haertel (BR.OB-5252-17).

ISBN 9790004334034. 9 x 12 inches.

Ton Koopman's new edition of all 16 organ concertos by Handel has drawn to a close. The quality of this edition has been highly praised from all quarters. Source-critical responsibility goes hand in hand with a high level of performance practice when Koopman provides interpretative tips for the ad libitum passages in the organ part without restricting the creativity of the interpreter who is interested in stylistic matters and prefers to work out his own solutions. I want to make an edition that is not a Koopman interpretation, but contains only that which Handel really wrote. Nevertheless, there are occasional performance suggestions in small print which are elucidated in the Critical Commentary. (Ton Koopman in Concerto) Koopman offers a basically unmarked text, thus leaving the performance details up to the performer. Especially note-worthy is the clear printing, extensive preface and detailed Critical Notes. (Katholische Kirchenmusik) Whoever wishes to hear the entire Koopman edition on CD can look forward to the new recording by Christian Schmitt and the Stuttgarter Kammerorchester (Brilliant Classics). This is the first recording for which all 16 new Koopman editions were used as the basis for the performance.

,I want to make an edition that is not a Koopman interpretation, but contains only that which Handel really wrote.' (Ton Koopman).

Violoncello (solo: pno - choir: SATB - 2.2.2.2. - 2.2.0.0. - timp - str)

SKU: BR.OB-5230-23

Urtext. Composed by Ludwig van Beethoven. Edited by Clive Brown. Stapled. Orchester-Bibliothek (Orchestral Library). Ludwig van Beethoven composed the Choral Fantasy op. 80 for the gigantic concert event that took place at the Theater an der Wien on 22 December 1808. Solo concerto; Classical. Part. 4 pages. Breitkopf and Haertel #OB 5230-23. Published by Breitkopf and Haertel (BR.OB-5230-23).

ISBN 9790004331545. 10 x 12.5 inches.

The history of the origins and sources of Beethovens Choral Phantasy is complex and poses considerable difficulties to todays researchers. A definitive final version is not extant. Instead, there are contemporary printed editions which diverge from each other in many details. The English musicologist Clive Brown thus also based part of his text-critical work on his comprehensive knowledge of the performance and notation practice of Beethovens time.Fur Orchester, die gelegentlich mit einem Chor zusammenarbeiten, auf jeden Fall zu empfehlen. Ein gerade in seiner Einmaligkeit interessantes Stuck - und auch nicht besonders schwer. Verwiesen sei noch auf das vorzugliche Vorwort des Herausgebers. (Plischke, Das Liebhaberorchester).

Violoncello (solo: org - 0.2.0.1 - 0.0.0.0 - str - bc)

SKU: BR.OB-5383-23

Urtext. Composed by George Frideric Handel. Edited by Ton Koopman. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library). I want to make an edition that is not a Koopman interpretation, but contains only that which Handel really wrote.' (Ton Koopman). Solo concerto; Baroque. Part. 4 pages. Duration 12'. Breitkopf and Haertel #OB 5383-23. Published by Breitkopf and Haertel (BR.OB-5383-23).

ISBN 9790004335383. 9 x 12 inches.

Ton Koopman's new edition of all 16 organ concertos by Handel has drawn to a close. The quality of this edition has been highly praised from all quarters. Source-critical responsibility goes hand in hand with a high level of performance practice when Koopman provides interpretative tips for the ad libitum passages in the organ part without restricting the creativity of the interpreter who is interested in stylistic matters and prefers to work out his own solutions. I want to make an edition that is not a Koopman interpretation, but contains only that which Handel really wrote. Nevertheless, there are occasional performance suggestions in small print which are elucidated in the Critical Commentary. (Ton Koopman in Concerto) Koopman offers a basically unmarked text, thus leaving the performance details up to the performer. Especially note-worthy is the clear printing, extensive preface and detailed Critical Notes. (Katholische Kirchenmusik) Whoever wishes to hear the entire Koopman edition on CD can look forward to the new recording by Christian Schmitt and the Stuttgarter Kammerorchester (Brilliant Classics). This is the first recording for which all 16 new Koopman editions were used as the basis for the performance.

,I want to make an edition that is not a Koopman interpretation, but contains only that which Handel really wrote.' (Ton Koopman).

Piano - Grade 3

SKU: BT.WMP2215

2015-2016 Grades 1-3. Composed by Josephine Koh. Teachers' Choice. Method. Book Only. 38 pages. Wells Music Publishers #WMP2215. Published by Wells Music Publishers (BT.WMP2215).

ISBN 9789810924089. English.

Teachers’ Choice, Selected Piano Repertory & Studies for grades 1, 2 and 3 is compiled to provide teachers and students with good options for the 2015 & 2016 ABRSM Piano examinations.

- This collection ofinteresting and appealing Piano pieces contains editorial suggestions for pedagogical purposes. Most teachers will find the performance points helpful in developing stylistic awareness in the students.

-Examinat ionrequirements aside, details on articulation, dynamics, fingering, pedal marks and tempo serve to provide a directed approach for students to strive towards achieving musical excellence and perfection.

-Effect ivetechnicalstudies suited to each level have been carefully selected, forming in themselves, supplementary materials to enhance technical competence.

-Most important of all, enjoy the high standards of music typography suchclear, professionally laid scores supported by modern publishing technology and musical semiotics. The digital print on quality cream-coloured paper ensures comfort in the reading of musical scores.

Violin 1 and 2 (solo: org - str - bc)

SKU: BR.OB-5252-16

Urtext. Composed by George Frideric Handel. Edited by Ton Koopman. Solo concerto. Orchester-Bibliothek (Orchestral Library). I want to make an edition that is not a Koopman interpretation, but contains only that which Handel really wrote.' (Ton Koopman). Solo concerto; Baroque. Part. 4 pages. Duration 12'. Breitkopf and Haertel #OB 5252-16. Published by Breitkopf and Haertel (BR.OB-5252-16).

ISBN 9790004334027. 0 x 0 inches.

Ton Koopman's new edition of all 16 organ concertos by Handel has drawn to a close. The quality of this edition has been highly praised from all quarters. Source-critical responsibility goes hand in hand with a high level of performance practice when Koopman provides interpretative tips for the ad libitum passages in the organ part without restricting the creativity of the interpreter who is interested in stylistic matters and prefers to work out his own solutions. I want to make an edition that is not a Koopman interpretation, but contains only that which Handel really wrote. Nevertheless, there are occasional performance suggestions in small print which are elucidated in the Critical Commentary. (Ton Koopman in Concerto) Koopman offers a basically unmarked text, thus leaving the performance details up to the performer. Especially note-worthy is the clear printing, extensive preface and detailed Critical Notes. (Katholische Kirchenmusik) Whoever wishes to hear the entire Koopman edition on CD can look forward to the new recording by Christian Schmitt and the Stuttgarter Kammerorchester (Brilliant Classics). This is the first recording for which all 16 new Koopman editions were used as the basis for the performance.

,I want to make an edition that is not a Koopman interpretation, but contains only that which Handel really wrote.' (Ton Koopman).

By Felix Mendelssohn. Edited by E. Herttrich. STUDY EDITION. Pages: VIII and 84. Study score-no details. Published by G. Henle.

Woodwinds (solo: org - 0.2.0.1 - 0.0.0.0 - str - bc)

SKU: BR.OB-5215-30

Urtext. Composed by George Frideric Handel. Edited by Ton Koopman. Folder. Orchester-Bibliothek (Orchestral Library).

,I want to make an edition that is not a Koopman interpretation, but contains only that which Handel really wrote.' (Ton Koopman)

Solo concerto; Baroque. Set of parts. 8 pages. Duration 15'. Breitkopf and Haertel #OB 5215-30. Published by Breitkopf and Haertel (BR.OB-5215-30).

ISBN 9790004331217. 9 x 12 inches.

Ton Koopman's new edition of all 16 organ concertos by Handel has drawn to a close. The quality of this edition has been highly praised from all quarters. Source-critical responsibility goes hand in hand with a high level of performance practice when Koopman provides interpretative tips for the ad libitum passages in the organ part without restricting the creativity of the interpreter who is interested in stylistic matters and prefers to work out his own solutions. I want to make an edition that is not a Koopman interpretation, but contains only that which Handel really wrote. Nevertheless, there are occasional performance suggestions in small print which are elucidated in the Critical Commentary. (Ton Koopman in Concerto) Koopman offers a basically unmarked text, thus leaving the performance details up to the performer. Especially note-worthy is the clear printing, extensive preface and detailed Critical Notes. (Katholische Kirchenmusik) Whoever wishes to hear the entire Koopman edition on CD can look forward to the new recording by Christian Schmitt and the Stuttgarter Kammerorchester (Brilliant Classics). This is the first recording for which all 16 new Koopman editions were used as the basis for the performance.

,I want to make an edition that is not a Koopman interpretation, but contains only that which Handel really wrote.' (Ton Koopman).

Violin 2 (solo: pno - choir: SATB - 2.2.2.2. - 2.2.0.0. - timp - str)

SKU: BR.OB-5230-16

Urtext. Composed by Ludwig van Beethoven. Edited by Clive Brown. Stapled. Orchester-Bibliothek (Orchestral Library). Ludwig van Beethoven composed the Choral Fantasy op. 80 for the gigantic concert event that took place at the Theater an der Wien on 22 December 1808. Solo concerto; Classical. Part. 4 pages. Breitkopf and Haertel #OB 5230-16. Published by Breitkopf and Haertel (BR.OB-5230-16).

ISBN 9790004331521. 10 x 12.5 inches.

The history of the origins and sources of Beethovens Choral Phantasy is complex and poses considerable difficulties to todays researchers. A definitive final version is not extant. Instead, there are contemporary printed editions which diverge from each other in many details. The English musicologist Clive Brown thus also based part of his text-critical work on his comprehensive knowledge of the performance and notation practice of Beethovens time.Fur Orchester, die gelegentlich mit einem Chor zusammenarbeiten, auf jeden Fall zu empfehlen. Ein gerade in seiner Einmaligkeit interessantes Stuck - und auch nicht besonders schwer. Verwiesen sei noch auf das vorzugliche Vorwort des Herausgebers. (Plischke, Das Liebhaberorchester).

Organ and orchestra (solo: org - 0.2.0.2. - 0.0.0.0. - str - bc)

SKU: BR.PB-5214

Urtext. Composed by George Frideric Handel. Edited by Ton Koopman. Orchestra; stapled. Partitur-Bibliothek (Score Library).

,I want to make an edition that is not a Koopman interpretation, but contains only that which Handel really wrote.' (Ton Koopman)

Solo concerto; Baroque. Full score. 28 pages. Duration 20'. Breitkopf and Haertel #PB 5214. Published by Breitkopf and Haertel (BR.PB-5214).

ISBN 9790004209455. 9 x 12 inches.

Ton Koopman's new edition of all 16 organ concertos by Handel has drawn to a close. The quality of this edition has been highly praised from all quarters. Source-critical responsibility goes hand in hand with a high level of performance practice when Koopman provides interpretative tips for the ad libitum passages in the organ part without restricting the creativity of the interpreter who is interested in stylistic matters and prefers to work out his own solutions. I want to make an edition that is not a Koopman interpretation, but contains only that which Handel really wrote. Nevertheless, there are occasional performance suggestions in small print which are elucidated in the Critical Commentary. (Ton Koopman in Concerto) Koopman offers a basically unmarked text, thus leaving the performance details up to the performer. Especially note-worthy is the clear printing, extensive preface and detailed Critical Notes. (Katholische Kirchenmusik) Whoever wishes to hear the entire Koopman edition on CD can look forward to the new recording by Christian Schmitt and the Stuttgarter Kammerorchester (Brilliant Classics). This is the first recording for which all 16 new Koopman editions were used as the basis for the performance.

Woodwinds (solo: org - 0.2.0.2. - 0.0.0.0. - str - bc)

SKU: BR.OB-5214-30

Urtext. Composed by George Frideric Handel. Edited by Ton Koopman. Folder. Orchester-Bibliothek (Orchestral Library).

,I want to make an edition that is not a Koopman interpretation, but contains only that which Handel really wrote.' (Ton Koopman)

Solo concerto; Baroque. Set of parts. 16 pages. Duration 20'. Breitkopf and Haertel #OB 5214-30. Published by Breitkopf and Haertel (BR.OB-5214-30).

ISBN 9790004331132. 9 x 12 inches.

Ton Koopman's new edition of all 16 organ concertos by Handel has drawn to a close. The quality of this edition has been highly praised from all quarters. Source-critical responsibility goes hand in hand with a high level of performance practice when Koopman provides interpretative tips for the ad libitum passages in the organ part without restricting the creativity of the interpreter who is interested in stylistic matters and prefers to work out his own solutions. I want to make an edition that is not a Koopman interpretation, but contains only that which Handel really wrote. Nevertheless, there are occasional performance suggestions in small print which are elucidated in the Critical Commentary. (Ton Koopman in Concerto) Koopman offers a basically unmarked text, thus leaving the performance details up to the performer. Especially note-worthy is the clear printing, extensive preface and detailed Critical Notes. (Katholische Kirchenmusik) Whoever wishes to hear the entire Koopman edition on CD can look forward to the new recording by Christian Schmitt and the Stuttgarter Kammerorchester (Brilliant Classics). This is the first recording for which all 16 new Koopman editions were used as the basis for the performance.