March Misterioso Orchestre d'harmonie [Conducteur et Parties séparées] - Facile C.L. Barnhouse
Grade 2 SKU: CL.011-4971-00 Composed by La Plante. Young Concert Band. Sc...(+)
Grade 2
SKU:
CL.011-4971-00
Composed by La Plante.
Young Concert Band. Score
and set of parts. C.L.
Barnhouse #011-4971-00.
Published by C.L.
Barnhouse
(CL.011-4971-00).
Partially
inspired by
Haydn’s Symphony
No. 94, better known as
the Surprise Symphony,
you’ll find a
surprise lurking in March
Misterioso. Designed to
stay in the technical
reach of very young
musicians, this clever
work will also engage and
entertain your students.
This also serves as an
excellent tool for
teaching dynamics,
phrasing articulation,
style, and many other
teachable elements.
Perfect for Halloween or
performances at any time
of year. Fun music!
March Misterioso Orchestre d'harmonie [Conducteur] - Facile C.L. Barnhouse
Grade 2 SKU: CL.011-4971-01 Composed by La Plante. Young Concert Band. Ex...(+)
Grade 2
SKU:
CL.011-4971-01
Composed by La Plante.
Young Concert Band. Extra
full score. C.L.
Barnhouse #011-4971-01.
Published by C.L.
Barnhouse
(CL.011-4971-01).
Partially
inspired by
Haydn’s Symphony
No. 94, better known as
the Surprise Symphony,
you’ll find a
surprise lurking in March
Misterioso. Designed to
stay in the technical
reach of very young
musicians, this clever
work will also engage and
entertain your students.
This also serves as an
excellent tool for
teaching dynamics,
phrasing articulation,
style, and many other
teachable elements.
Perfect for Halloween or
performances at any time
of year. Fun music!
(A Graded Collection of Piano Duets by Master Composers). Edited by Gayle ...(+)
(A Graded Collection of
Piano Duets by Master
Composers). Edited by
Gayle
Kowalchyk, E. L.
Lancaster,
and Jane Magrath. For
Piano.
Book; Duet or Duo; Graded
Standard Repertoire;
Masterworks; Piano Duet
(1
Piano, 4 Hands). Alfred
Masterwork Edition:
Masterwork Classics
Duets.
Masterwork; Recital.
Advanced; Early Advanced.
88
pages. Published by
Alfred
Music
(A Graded Collection of Piano Duets by Master Composers). Edited by Gayle ...(+)
(A Graded Collection of
Piano Duets by Master
Composers). Edited by
Gayle
Kowalchyk, E. L.
Lancaster,
and Jane Magrath. For
Piano.
Book; Duet or Duo; Graded
Standard Repertoire;
Masterworks; Piano Duet
(1
Piano, 4 Hands). Alfred
Masterwork Edition:
Masterwork Classics
Duets.
Masterwork. Early
Advanced;
Late Intermediate. 80
pages.
Published by Alfred Music
(A Graded Collection of Piano Duets by Master Composers). Edited by Gayle ...(+)
(A Graded Collection of
Piano Duets by Master
Composers). Edited by
Gayle
Kowalchyk, E. L.
Lancaster,
and Jane Magrath. For
Piano.
Book; Duet or Duo; Graded
Standard Repertoire;
Masterworks; Piano Duet
(1
Piano, 4 Hands). Alfred
Masterwork Edition:
Masterwork Classics
Duets.
Masterwork; Recital.
Early
Advanced. 88 pages.
Published by Alfred Music
(A Graded Collection of Piano Duets by Master Composers). Edited by Gayle ...(+)
(A Graded Collection of
Piano Duets by Master
Composers). Edited by
Gayle
Kowalchyk, E. L.
Lancaster,
and Jane Magrath. For
Piano.
Book; Duet or Duo; Graded
Standard Repertoire;
Masterworks; Piano Duet
(1
Piano, 4 Hands). Alfred
Masterwork Edition:
Masterwork Classics
Duets.
Masterwork. Late
Intermediate. 72 pages.
Published by Alfred Music
Edited by Jane Magrath. For Piano. Piano Collection. Masterwork. Level: Early In...(+)
Edited by Jane Magrath.
For Piano. Piano
Collection. Masterwork.
Level: Early Intermediate
/ Intermediate (grade
3/4/5). Book. 88 pages.
Published by Alfred
Publishing.
Composed by Heinrich Schenker. Edited by William Drabkin, translated by Ian Bent...(+)
Composed by Heinrich
Schenker. Edited by
William Drabkin,
translated by Ian Bent,
William Drabkin, Richard
Kramer, John Rothgeb, and
Hedi Siegel. Book;
Masterworks; Reference
Textbooks; Textbook -
General. Dover Edition.
20th Century; Masterwork.
Published by Dover
Publications
Composed by Heinrich Schenker. Edited by William Drabkin, translated by Ian Bent...(+)
Composed by Heinrich
Schenker. Edited by
William Drabkin,
translated by Ian Bent,
William Drabkin, Richard
Kramer, John Rothgeb, and
Hedi Siegel. Book;
Masterworks; Reference
Textbooks; Textbook -
General. Dover Edition.
20th Century; Masterwork.
Published by Dover
Publications
Edited by Jane Magrath. For Piano. Piano Collection. Masterwork. Level: Early El...(+)
Edited by Jane Magrath.
For Piano. Piano
Collection. Masterwork.
Level: Early Elementary /
Early Intermediate (grade
1A/1B/2/3). Book. 64
pages. Published by
Alfred Publishing.
Composed by Heinrich Schenker. Edited by William Drabkin, translated by Ian Bent...(+)
Composed by Heinrich
Schenker. Edited by
William Drabkin,
translated by Ian Bent,
William Drabkin, Richard
Kramer, John Rothgeb, and
Hedi Siegel. Book;
Masterworks; Reference
Textbooks; Textbook -
General. Dover Edition.
20th Century; Masterwork.
Published by Dover
Publications
Edited by Patrick M. Liebergen. For Voice. Vocal Collection. For Two Series. Mas...(+)
Edited by Patrick M.
Liebergen. For Voice.
Vocal Collection. For Two
Series. Masterwork;
Sacred; Secular. Book.
100 pages. Published by
Alfred Publishing.
Edited by Patrick M. Liebergen. For Voice. Vocal Collection. For Two Series. Mas...(+)
Edited by Patrick M.
Liebergen. For Voice.
Vocal Collection. For Two
Series. Masterwork;
Sacred; Secular. Book and
CD. 96 pages. Published
by Alfred Publishing.
(A Graded Collection of Piano Duets by Master Composers). Edited by Gayle Kowalc...(+)
(A Graded Collection of
Piano Duets by Master
Composers). Edited by
Gayle Kowalchyk, E. L.
Lancaster, and Jane
Magrath. For Piano. Book;
Duet or Duo; Graded
Standard Repertoire;
Masterworks; Piano Duet
(1 Piano, 4 Hands).
Alfred Masterwork
Edition: Master
(A Graded Collection of Piano Duets by Master Composers). Edited by Gayle Kowalc...(+)
(A Graded Collection of
Piano Duets by Master
Composers). Edited by
Gayle Kowalchyk, E. L.
Lancaster, and Jane
Magrath. For Piano. Book;
Duet or Duo; Graded
Standard Repertoire;
Masterworks; Piano Duet
(1 Piano, 4 Hands).
Alfred Masterwork
Edition: Master
Fantasy for Marimba Orchestre d'harmonie [Conducteur] - Intermédiaire De Haske Publications
Concert Band/Harmonie and Marimba Solo - Grade 4 SKU: BT.DHP-1104731-140 ...(+)
Concert Band/Harmonie and
Marimba Solo - Grade 4
SKU:
BT.DHP-1104731-140
Composed by Hayato
Hirose. Solo Spectrum.
Concert Piece. Score
Only. Composed 2010. 72
pages. De Haske
Publications #DHP
1104731-140. Published by
De Haske Publications
(BT.DHP-1104731-140).
9x12
inches.
Fantasy
for Marimba was
commissioned by the
outstanding Japanese
marimba player, Fumito
Nunoya. Although it is
written in concerto
style, the piano not only
accompanies the solo
marimba but also plays an
important part in the
development of the work.
The piece is written in
four movements, played
without a break: Allegro,
Andante misterioso, Tempo
rubato and Allegro
energico. Also available
for Marimbaphone and
Piano.
In
Fantasy for
Marimba neemt de
marimbafoon als
solo-instrument een
centrale plaats in, maar
ook de piano speelt een
belangrijke rol. Het werk
bestaat uit vier
samenhangende delen: een
Allegro, een Andante
misterioso, een Tempo
rubato en tot slot als
hartstochtelijke finale
een Allegro energico. Ook
verkrijgbaar voor marimba
en piano.
In
Fantasy for
Marimba wird das
Marimbaphon als
Soloinstrument
gewürdigt, aber
auch das Blasorchester
spielt eine wichtige
Rolle. Das Werk besteht
aus vier
zusammenhängenden
Sätzen: Es beginnt mit
einem Allegro, in dem
Marimbaphon und Orchester
zwei Themen
präsentieren, die im
darauff olgenden Andante
misterioso
weiterentwickelt werden.
Im dritten Satz, der mit
Tempo rubato
überschrieben ist,
hat das Blasorchester
eine Atempause“,
während das
Marimbaphon ein
kadenzartiges Solo
vorträgt. Der letzte
Satz, ein Allegro
energico, führt das
Werk mit
leidenschaftlicher
Intensität zu einem
großen
Finale.
Fantasy for Marimba Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Concert Band/Harmonie and Marimba Solo - Grade 4 SKU: BT.DHP-1104731-010 ...(+)
Concert Band/Harmonie and
Marimba Solo - Grade 4
SKU:
BT.DHP-1104731-010
Composed by Hayato
Hirose. Solo Spectrum.
Concert Piece. Set (Score
& Parts). Composed 2010.
De Haske Publications
#DHP 1104731-010.
Published by De Haske
Publications
(BT.DHP-1104731-010).
9x12
inches.
Fantasy
for Marimba was
commissioned by the
outstanding Japanese
marimba player, Fumito
Nunoya. Although it is
written in concerto
style, the piano not only
accompanies the solo
marimba but also plays an
important part in the
development of the work.
The piece is written in
four movements, played
without a break: Allegro,
Andante misterioso, Tempo
rubato and Allegro
energico. Also available
for Marimbaphone and
Piano.
In
Fantasy for
Marimba neemt de
marimbafoon als
solo-instrument een
centrale plaats in, maar
ook de piano speelt een
belangrijke rol. Het werk
bestaat uit vier
samenhangende delen: een
Allegro, een Andante
misterioso, een Tempo
rubato en tot slot als
hartstochtelijke finale
een Allegro energico. Ook
verkrijgbaar voor marimba
en piano.
In
Fantasy for
Marimba wird das
Marimbaphon als
Soloinstrument
gewürdigt, aber
auch das Blasorchester
spielt eine wichtige
Rolle. Das Werk besteht
aus vier
zusammenhängenden
Sätzen: Es beginnt mit
einem Allegro, in dem
Marimbaphon und Orchester
zwei Themen
präsentieren, die im
darauff olgenden Andante
misterioso
weiterentwickelt werden.
Im dritten Satz, der mit
Tempo rubato
überschrieben ist,
hat das Blasorchester
eine Atempause“,
während das
Marimbaphon ein
kadenzartiges Solo
vorträgt. Der letzte
Satz, ein Allegro
energico, führt
das Werk mit
leidenschaftlicher
Intensität zu einem
großen
Finale.
Violin - Concerto Orchestre, Violon SATB, Orchestre Editorial de Musica Boileau
Violin and orchestra SKU: BO.B.3340 Composed by Jordi Cervello. Instrumen...(+)
Violin and orchestra
SKU: BO.B.3340
Composed by Jordi
Cervello. Instrumental
Sets. Duration 29:00.
Published by Editorial de
Musica Boileau
(BO.B.3340).
ISBN
9788480207591.
Engl
ish comments: My
dedication to the string
instruments has been a
constant throughout my
compositional career and
I knew that sooner or
later the time would come
to compose a concerto for
violin and orchestra.
That moment came in the
autumn of 2002 and after
ten months of
uninterrupted work I
finished it in August of
2003. It is a work
structured similarly to
the traditional
concertos. An important
impetus for the
elaboration of my
concerto was due to the
ill-fated violinist
Ginette Neveu. Her
version of Sibelius'
Concerto has always
stayed with me. For this
reason the first
movement,
Moderato-Allegro, begins
with a contemplative
atmosphere similar to
that of Sibelius'
Concerto in which the
principal thematic ideas
appear tentatively. These
ideas, two rhythmic and
two melodic, are
reaffirmed through a
broad development that
culminates in an
orchestral fullness. A
calm, mysterious passage
recalls the introduction
and after becoming
blurred, three bars burst
in leading to the rapid
section of the movement.
Soloist and orchestra
engage in a dialectic
struggle of a dramatic
nature. The agitation
subsides leaving only a
tranquil and suggestive
clarinet phrase. This
will be taken up by the
soloist who leads up to
the movement's most
dramatic moment playing
an accelerating triplet
figure supported by an
orchestral pedal in
crescendo. From here the
soloist's cadenza emerges
beginning with soft
double notes. It finishes
with an ascending
progression and the
soloist settles into the
high register to elicit
the orchestra's
intervention in a soft
and transfigured
atmosphere. Once
internalised the second
movement, Adagio poco
sostenuto e leggero
begins. It has a solemn
character and opens with
two trumpet calls
answered by the
violoncellos and the
contrabasses. The violin
soloist introduces and
plays two nostalgic
themes, the first in the
low register and the
second, more extensive,
in the middle register.
The soft and delicate
Misterioso e leggero
begins with the violin
singing on high. The
rhythm of the constant
quaver figures gradually
accelerates until the
soloist provokes a
dramatic full orchestra
as in a cadenza. Once
again, the Calmo, in
which the soloist with
less and less orchestral
attire serenely bids
farewell. A rising series
of double stops by the
soloist serves to
initiate the
Finale-Scherzo. In 6/8
rhythm and with the
character of a rondo it
carries us along in a
carefree, virtuosic
ambiance. The principal
motives, brief and
concise, emerge from the
happy, playful theme
presented by the soloist.
With an intricate
progression of rapid
sixths in double stops it
reaches a tense and
somewhat combative
moment. However this
resolves itself in a
diminuendo that the
soloist peacefully takes
up with the notes re-la
to commence the cadenza.
This culminates in a
series of tied notes to
reintroduce the principal
theme. A moment of
melodic suspension serves
as a farewell before the
brief and jovial final
coda. --The
author
Comentari
os del Espanol: A lo
largo de mi carrera
compositiva mi dedicacion
a los instrumentos de
cuerda ha sido constante
y sabia que, tarde o
temprano, llegaria el
momento de componer un
concierto para violin y
orquesta. Este llego en
otono de 2002 y, tras
diez meses de trabajo
ininterrumpido, lo
termine en agosto de
2003. Se trata de una
obra estructurada de
manera similar a los
conciertos tradicionales.
Un importante impulso a
la elaboracion de mi
concierto lo debo al
recuerdo de la malograda
violinista Ginette Neveu.
Su version del concierto
de Sibelius ha
permanecido siempre
dentro de mi. Por ese
motivo, el primer
movimiento
Moderato-Allegro se
inicia con una atmosfera
contemplativa cercana a
la del mencionado
Concierto, en la que
aparecen cautamente las
principales ideas
tematicas. Con un amplio
desarrollo se llega a un
lleno orquestal en el que
estas ideas -dos ritmicas
y dos melodicas- quedan
reafirmadas. Un pasaje
calmo y misterioso
rememora la introduccion.
Tras desdibujarse,
irrumpen tres compases
que nos llevan a la parte
rapida del movimiento.
Solista y orquesta
establecen un combate
dialectico de caracter
dramatico. La inquietud
desaparece hasta una
tranquila e insinuante
frase del clarinete. Esta
sera recogida por el
solista, quien, a base de
una figuracion de
tresillos cada vez mas
rapidos apoyada por un
pedal de la orquesta in
crescendo, conduce hacia
el momento mas dramatico
del movimiento. De aqui
nace la cadenza del
solista, que se incia con
suaves notas dobles.
Finaliza con una
progresion ascendente y
el solista se coloca en
el registro agudo para
llamar la intervencion de
la orquesta dentro de una
atmosfera suave y
transfigurada.
Interiorizado es el
segundo movimiento Adagio
poco sostenuto e leggero.
Con dos llamadas de las
trompas respondidas por
los violonchelos y
contrabajos inicia el
Adagio de caracter grave.
El violin solista
introduce y canta dos
temas nostalgicos. El
primero en el registro
grave y el segundo, mas
amplio, en el medio.
Inicia el Misterioso e
leggero, de caracter
suave y delicado. Con el
violin cantando en agudo.
La constante figuracion
de corcheas acelerara
poco a poco el ritmo
hasta que el solista a
modo de cadenza provocara
un dramatico lleno
orquestal. De nuevo el
Calmo, donde el solista,
cada vez con menos ropaje
orquestal, se despide
serenamente. Una subida
de dobles cuerdas a cargo
del solista sirve para
iniciar el
Finale-Scherzo. Este, en
ritmo de 6/8 y con
caracter de rondo, nos
transporta en un clima
virtuosistico y
despreocupado. Del tema
alegre y jugueton
presentado por el solista
nacen los principales
motivos, breves y
concisos. Con una
intrincada sucesion de
rapidas sextas en doble
cuerda se llega a un
momento crispado y algo
combativo que, sin
embargo, se resolvera en
un diminuendo que el
solista recoge
apaciblemente con las
notas re-la para inciar
la cadenza. Esta culmina
con un suave rosario de
notas en ligado para
introducir de nuevo el
tema principal. Un
momento de suspension
melodica sirve como
despido antes de la breve
y jovial coda final. La
obra fue estrenada el 23
de septiembre de 2005 en
el Teatre Monumental de
Madrid por la Orquesta
Sinfonica de RTVE con
Markus Placci de solista
y Uwe Mund de director.
Gravacion: RNE y Canal
Clasico de TVE. --El
Autor.
Composed
by Hayato Hirose. De
Haske Concert Band.
Concert Piece. Score
Only. Composed 2009. De
Haske Publications
#1094723. Published by De
Haske Publications
(HL.44010557).
UPC:
884088481674. 9x12
inches.
Glory of
David is een werk
over het Bijbelverhaal
van David en Goliath. Een
Allegro animato,
een Allegro
misterioso en een
Allegro energico
verbeelden drie
belangrijke fasen uit het
leven van de
herdersjongenDavid. Na
zijn triomf op de reus
Goliath wordt hij koning
van Israel. Met zijn
sterke en dramatische
orkestratie is Glory
of David het ideale
concert- en concourswerk.
Enthousiasme verzekerd
bij zowel muzikanten
alstoeschouwers!
G
lory of David ist ein
Blasorchesterwerk
über die biblische
Geschichte von David und
Goliath. Ein Allegro
animato, ein Allegro
misterioso und ein
Allegro energico stehen
für drei wichtige
Stationen im Leben des
Hirtenjungen David, der
nach dem Sieg über
den Riesen Goliath Konig
von Israel wird. Mit
seiner starken und
dramatischen
Orchestrierung ist Glory
of David ein ideales
Konzert- und
Wettbewerbstück,
das Musiker und Zuhorer
gleichermassen
berührt.
Glory of David Fanfare [Conducteur] - Intermédiaire De Haske Publications
Fanfare Band - Grade 5 SKU: BT.DHP-1094723-120 Composed by Hayato Hirose....(+)
Fanfare Band - Grade 5
SKU:
BT.DHP-1094723-120
Composed by Hayato
Hirose. Concert and
Contest Collection CBHA.
Concert Piece. Score
Only. Composed 2009. 36
pages. De Haske
Publications #DHP
1094723-120. Published by
De Haske Publications
(BT.DHP-1094723-120).
9x12
inches.
Glory of
David is een werk
over het Bijbelverhaal
van David en Goliath. Een
Allegro animato,
een Allegro
misterioso en een
Allegro energico
verbeelden drie
belangrijke fasen uit het
leven van de
herdersjongenDavid. Na
zijn triomf op de reus
Goliath wordt hij koning
van Israël. Met zijn
sterke en dramatische
orkestratie is Glory
of David het ideale
concert- en concourswerk.
Enthousiasme verzekerd
bij zowel muzikanten
alstoeschouwers!
G
lory of David ist ein
Blasorchesterwerk über
die biblische Geschichte
von David und Goliath.
Ein Allegro animato, ein
Allegro misterioso und
ein Allegro energico
stehen für drei
wichtige Stationen im
Leben des Hirtenjungen
David, der nach dem Sieg
über den Riesen
Goliath König von
Israel wird. Mit seiner
starken und dramatischen
Orchestrierung ist Glory
of David ein ideales
Konzert- und
Wettbewerbstück, das
Musiker und Zuhörer
gleichermaßen
berührt.
Glory of David Fanfare [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Fanfare Band - Grade 5 SKU: BT.DHP-1094723-020 Composed by Hayato Hirose....(+)
Fanfare Band - Grade 5
SKU:
BT.DHP-1094723-020
Composed by Hayato
Hirose. Concert and
Contest Collection CBHA.
Concert Piece. Set (Score
& Parts). Composed 2009.
De Haske Publications
#DHP 1094723-020.
Published by De Haske
Publications
(BT.DHP-1094723-020).
9x12
inches.
Glory of
David is een werk
over het Bijbelverhaal
van David en Goliath. Een
Allegro animato,
een Allegro
misterioso en een
Allegro energico
verbeelden drie
belangrijke fasen uit het
leven van de
herdersjongenDavid. Na
zijn triomf op de reus
Goliath wordt hij koning
van Israël. Met zijn
sterke en dramatische
orkestratie is Glory
of David het ideale
concert- en concourswerk.
Enthousiasme verzekerd
bij zowel muzikanten
alstoeschouwers!
G
lory of David ist ein
Blasorchesterwerk über
die biblische Geschichte
von David und Goliath.
Ein Allegro animato, ein
Allegro misterioso und
ein Allegro energico
stehen für drei
wichtige Stationen im
Leben des Hirtenjungen
David, der nach dem Sieg
über den Riesen
Goliath König von
Israel wird. Mit seiner
starken und dramatischen
Orchestrierung ist Glory
of David ein ideales
Konzert- und
Wettbewerbstück, das
Musiker und Zuhörer
gleichermaßen
berührt.
Violin, Horn and Piano (Score & Parts) - Grade 4 SKU: HL.14042920 Compose...(+)
Violin, Horn and Piano
(Score & Parts) - Grade 4
SKU: HL.14042920
Composed by Hans
Abrahamsen. Music Sales
America. Softcover.
Composed 2012. Edition
Wilhelm Hansen #WH30687.
Published by Edition
Wilhelm Hansen
(HL.14042920).
ISBN
9788759814185.
9.5x14.25x0.107 inches.
International (more than
one
language).
Programm
e Note My &rsquo,6 Pieces
for horn, violin and
piano&rsquo, was written
in 1984 as a commission
from the Danish Radio for
a concert where
Ligeti&rsquo,s Horn Trio
should receive its Danish
premiere played by Danish
musicians. My trio is
based on my work
&rsquo,Studies for
Piano&rsquo,. While I
wrote these studies I
tried to &rsquo,conjure
up&rsquo, instrumental
parts inside the piano
movement. When I received
the commission for a horn
trio I turned to six of
the studies and deepened
them by &rsquo,screening
them&rsquo, so that their
parts and moods appeared
in a clearer way.
Furthermore I changed the
order of the movements so
a new unity appeared,
beginning with asteadyly
hesitating
&rsquo,Serenade&rsquo, in
slow-motion followed by
the
&rsquo,Arabesque&rsquo,
which hardly gets started
before it stops. Then
&rsquo,Blues&rsquo,, a
melancholy melody and
&rsquo,Marcia
Funebre&rsquo,, like a
fossilized picture with a
dramatic threatening
outburst ending with a
quiet but majestic melody
in violin and horn, a
melody that disappears in
the chords of the piano.
Before the last movement
&rsquo,For the
Children&rsquo, is a
large &rsquo,Scherzo
misterioso&rsquo,. Hans
Abrahamsen
Six
Pieces for Horn,
Violin and Piano by
Hans
Abrahamsen.
Programme
Note
My ’6 Pieces
for horn, violin and
piano’ was written
in 1984 as a commission
from the Danish Radio for
a concert where
Ligeti’s Horn Trio
should receive its Danish
premiere played by Danish
musicians. My trio is
based on my work
’Studies for
Piano’. While I
wrote these studies I
tried to ’conjure
up’ instrumental
parts inside the piano
movement. When I received
the commission for a horn
trio I turned to six of
the studies and deepened
them by ’screening
them’ so that their
partsand moods appeared
in a clearer way.
Furthermore I changed the
order of the movements so
a new unity appeared,
beginning with a steadyly
hesitating
’Serenade’ in
slow-motion followed by
the
’Arabesque’
which hardly gets started
before it stops. Then
’Blues’, a
melancholy melody and
’Marcia
Funebre’, like a
fossilized picture with a
dramatic threatening
outburst ending with a
quiet but majestic melody
in violin and horn, a
melody that disappears in
the chords of the piano.
Before the last movement
’For the
Children’ is a
large ’Scherzo
misterioso’.