| 101 Movie Hits for Tenor Sax Saxophone Tenor Hal Leonard
101 Movie Hits for Tenor Sax. Composed by Various. Instrumental Folio. Softco...(+)
101 Movie Hits for Tenor
Sax.
Composed by Various.
Instrumental Folio.
Softcover. Published by
Hal
Leonard
$17.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| 101 Movie Hits for Viola Alto seul Hal Leonard
Composed by Various. Instrumental Folio. Softcover. 120 pages. Published by H...(+)
Composed by Various.
Instrumental Folio.
Softcover. 120 pages.
Published by Hal Leonard
$15.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| 101 Movie Hits for Horn Cor Hal Leonard
Composed by Various. Instrumental Folio. Softcover. 120 pages. Published by H...(+)
Composed by Various.
Instrumental Folio.
Softcover. 120 pages.
Published by Hal Leonard
$17.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| 101 Movie Hits for Clarinet Clarinette Hal Leonard
| | |
| 101 Movie Hits for Cello Violoncelle Hal Leonard
Composed by Various. Instrumental Folio. Softcover. 120 pages. Published by H...(+)
Composed by Various.
Instrumental Folio.
Softcover. 120 pages.
Published by Hal Leonard
$17.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| 101 Movie Hits for Trombone Trombone Hal Leonard
Composed by Various. Instrumental Folio. Softcover. 120 pages. Published by H...(+)
Composed by Various.
Instrumental Folio.
Softcover. 120 pages.
Published by Hal Leonard
$17.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| 101 Movie Hits for Flute Flûte traversière Hal Leonard
Composed by Various. Instrumental Folio. Softcover. 120 pages. Published by H...(+)
Composed by Various.
Instrumental Folio.
Softcover. 120 pages.
Published by Hal Leonard
$16.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Nashville Number System Fake Book Guitare [Fake Book] Hal Leonard
By Various. Edited by Trevor de Clercq. Fake Book. Softcover. 224 pages. P...(+)
By Various. Edited by
Trevor
de Clercq. Fake Book.
Softcover. 224 pages.
Published by Hal Leonard
$34.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Sonatina Orchestre à Cordes [Conducteur] - Facile Carl Fischer
Orchestra String Orchestra - Grade 2-2.5 SKU: CF.YAS13F Composed by Muzio...(+)
Orchestra String
Orchestra - Grade 2-2.5
SKU: CF.YAS13F
Composed by Muzio
Clementi. Arranged by
Douglas Townsend. Carl
Fischer Young String
Orchestra Series.
Classical. Full score.
With Standard notation.
12 pages. Carl Fischer
Music #YAS13F. Published
by Carl Fischer Music
(CF.YAS13F). ISBN
9780825848339. UPC:
798408048334. 8.5 X 11
inches. Key: G
major. IApart from
some of his Sonatinas,
Opus 36, Clementi's life
and music are hardly
known to the piano
teachers and students of
today. For example, in
addition to the above
mentioned Sonatinas,
Clementi wrote sixty
sonatas for the piano,
many of them unjustly
neglected, although his
friend Beethoven regarded
some of them very highly.
Clementi also wrote
symphonies (some of which
he arranged as piano
sonatas), a substantial
number of waltzes and
other dances for the
piano as well as sonatas
and sonatinas for piano
four-hands.In addition to
composing, Clementi was a
much sought after piano
teacher, and included
among his students John
Field (Father of the
'Nocturne'), and
Meyerbeer.In his later
years, Clementi became a
very successful music
publisher, publishing
among other works the
first English edition of
Beethoven's Violin
Concerto, in the great
composer's own
arrangement for the
piano, as well as some of
his string quartets.
Clementi was also one of
the first English piano
manufacturers to make
pianos with a metal frame
and string them with
wire.The Sonatina in C,
Opus 36, No. 1 was one of
six such works Clementi
wrote in 1797. He must
have been partial to
these little pieces (for
which he also provided
the fingerings), since
they were reissued
(without the fingering)
by the composer shortly
after 1801. About 1820,
he issued ''the sixth
edition, with
considerable improvements
by the author;· with
fingerings added and
several minor changes,
among which were that
many of them were written
an octave higher.IIIt has
often been said,
generally by those
unhampered by the facts,
that composers of the
past (and, dare we add,
the present?), usually
handled their financial
affairs with their public
and publishers with a
poor sense of business
acumen or common sense.
As a result they
frequently found
themselves in financial
straits.Contrary to
popular opinion, this was
the exception rather than
the rule. With the
exception of Mozart and
perhaps a few other
composers, the majority
of composers then, as
now, were quite
successful in their
dealings with the public
and their publishers, as
the following examples
will show.It was not
unusual for 18th- and
19th-century composers to
arrange some of their
more popular compositions
for different
combinations of
instruments in order to
increase their
availability to a larger
music-playing public.
Telemann, in the
introduction to his
seventy-two cantatas for
solo voice and one melody
instrument (flute, oboe
or violin, with the usual
continua) Der Harmonische
Gottesdienst, tor
example, suggests that if
a singer is not available
to perform a cantata the
voice part could be
played by another
instrument. And in the
introduction to his Six
Concertos and Six Suites
for flute, violin and
continua, he named four
different instrumental
combinations that could
perform these pieces, and
actually wrote out the
notes for the different
possibilities. Bach
arranged his violin
concertos for keyboard,
and Beethoven not only
arranged his Piano Sonata
in E Major, Opus 14, No.
1 for string quartet, he
also transposed it to the
key of F. Brahm's
well-known Quintet in F
Minor for piano and
strings was his own
arrangement of his
earlier sonata for two
pianos, also in F
Minor.IIIWe come now to
Clementi. It is well
known that some of his
sixty piano sonatas were
his own arrangements of
some of his lost
symphonies, and that some
of his rondos for piano
four-hands were
originally the last
movements of his solo
sonatas or piano trios.In
order to make the first
movement of his
delightful Sonatina in C,
Opus 36, No. 1 accessible
to young string players,
I have followed the
example established by
the composer himself by
arranging and transposing
one of his piano
compositions from one
medium (the piano) to
another. (string
instruments). In order to
simplify the work for
young string players, in
the process of adapting
it to the new medium it
was necessary to
transpose it from the
original key of C to G,
thereby doing away with
some of the difficulties
they would have
encountered in the
original key. The first
violin and cello parts
are similar to the right-
and left-hand parts of
the original piano
version. The few changes
I have made in these
parts have been for the
convenience of the string
players, but in no way do
they change the nature of
the music.Since the
original implied a
harmonic framework in
many places, I have added
a second violin and viola
part in such a way that
they not only have
interesting music to
play, but also fill in
some of the implied
harmony without in any
way detracting from the
composition's musical
value. Occasionally, it
has been necessary to
raise or lower a few
passages an octave or to
modify others slightly to
make them more accessible
for young players.It is
hoped that the musical
value of the composition
has not been too
compromised, and that
students and teachers
will come to enjoy this
little piece in its new
setting as much as
pianists have in the
original one. This
arrangement may also be
performed by a solo
string quartet. When
performed by a string
orchestra, the double
bass part may be
omitted.- Douglas
TownsendString editing by
Amy Rosen.
About Carl
Fischer Young String
Orchestra
Series Thi
s series of Grade 2/Grade
2.5 pieces is designed
for second and third year
ensembles. The pieces in
this series are
characterized
by: --Occasionally
extending to third
position --Keys
carefully considered for
appropriate
difficulty --Addition
of separate 2nd violin
and viola
parts --Viola T.C.
part
included --Increase
in independence of parts
over beginning levels $8.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Big Book of Contemporary Christian Favorites - 3rd Edition Piano, Voix et Guitare [Partition] Hal Leonard
By Various. Piano/Vocal/Guitar Songbook. Softcover. 320 pages. Published by Hal ...(+)
By Various.
Piano/Vocal/Guitar
Songbook. Softcover. 320
pages. Published by Hal
Leonard
$21.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Tis well with him who on the Lord (Wohl dem, der sich auf seinen Gott) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Conducteur et Parties séparées] Carus Verlag
SATB vocal soli, SATB choir, 2 oboes d'amore, 2 violins, viola, [cello piccolo],...(+)
SATB vocal soli, SATB
choir, 2 oboes d'amore, 2
violins, viola, [cello
piccolo], basso continuo
SKU: CA.3113909
Cantata for the 23rd
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Klaus Hofmann. Arranged
by Sven Hiemke. This
edition: urtext. 1x
31.139/21 oboe d'amore 1,
1x 31.139/22 oboe d'amore
2. Stuttgart Urtext
Edition: Bach vocal.
Harmony parts. Sacred
vocal music, Cantatas,
End of the church year,
Trinity, Praise and
thanks. Set of Orchestra
Parts. Composed 1724. BWV
139. Duration 20 minutes.
Carus Verlag #CV
31.139/09. Published by
Carus Verlag
(CA.3113909). ISBN
9790007208233. Text
language: German/English.
Text: Rube, Johann
Chr. Bach's chorale
cantata with its opening
text Wohl dem, der sich
auf seinen Gott recht
kindlich kann verlassen
(Tis well with him who on
the Lord trusts just like
a child) BWV 139 was
performed for the first
time on 12 November 1724
in the main Leipzig
church service. The
cantata text, based on
the hymn of the same name
by Johann Christoph Rube
(1665-1746), is in praise
of trust in God. In the
opening chorus, full of
depth of feeling, the
hymn melody is heard
throughout; this is
followed by a lively
tenor aria Gott ist mein
Freund (God is my friend)
with a musical depiction
of the adversary raging
in vain, and in the bass
aria Das Ungluck schlagt
auf allen Seiten
(Misfortune assails me on
every side) Bach presents
both drama and Baroque
imagery. One of the two
solo violin parts for the
tenor aria is lost, so
our edition offers a
reconstruction. The
virtuoso violin part of
the bass aria was
evidently based on a part
for violoncello piccolo,
now lost. The edition
provides for performance
by violin or violoncello.
Score and parts available
separately - see item
CA.3113900. $13.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Star Quest - Choral Book Word Music
Easy SKU: WD.080689565175 Composed by Daniel Semsen. Choral, cantatas. Bo...(+)
Easy SKU:
WD.080689565175
Composed by Daniel
Semsen. Choral, cantatas.
Book. Word Music
#080689565175. Published
by Word Music
(WD.080689565175).
UPC:
080689565175. With
a script and songs
delivering a musical full
of
faster-than-the-speed-of-
light-fun and an
out-of-this-world,
Biblically-based message,
STAR QUEST...Search
for the Stolen
Scriptures is the
latest and greatest from
Kidz Choir pros
Christy and Daniel
Semsen.
Catapult your
next Kidz Choir program
into hyperspace with this
new, space-age, scripture
memory musical for
Kidz! In a galaxy far
away, and in a future not
too distant, the crew of
spaceship J-316 is on a
mission: trekking through
the galaxy, bringing the
Word of God to people
everywhere! In the
future, all written
communication is now sent
and stored
digitally–nothing
is written on paper. The
Bible is stored on the
Intergalactic Bible Data
Base, allowing all people
access to God’s
Word. But there is a
radical plot underway by
a misguided, power-hungry
ruler who is steadily
erasing scriptures from
the database. The crew of
J-316 has just landed on
a planet whose
inhabitants still employ
the age-old practice of
Bible memorization. With
the Word of God hidden in
their hearts, they offer
to go back to the ship
with the crew to help
restore the lost
scriptures. But will they
be able to stop the plot
to steal scriptures away?
Time is of the essence,
and nothing in this world
or beyond could be more
important than making
sure God’s Word
remains available to
people throughout the
galaxy!
With a
laser-focused script,
galactically-cool songs,
sonically-rad tracks, and
a droid-friendly DVD,
STAR QUEST...Search
for the Stolen
Scriptures, will take
your kids on the most
adventurous,
farthest-travelled,
fastest-paced missionary
trip in history as they
memorize God’s
Word through fun and
song. Set Backdrops, Fun
Kits, and T-shirts are
available to enhance your
presentation of STAR
QUEST! $12.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Tis well with him who on the Lord (Wohl dem, der sich auf seinen Gott) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, 2 oboes d'amore, 2 violins, viola, [cello piccolo],...(+)
SATB vocal soli, SATB
choir, 2 oboes d'amore, 2
violins, viola, [cello
piccolo], basso continuo
SKU: CA.3113949
Cantata for the 23rd
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Klaus Hofmann. Arranged
by Sven Hiemke. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Organ. Sacred
vocal music, Cantatas,
End of the church year,
Trinity, Praise and
thanks. Single Part,
Organ. Composed 1724. BWV
139. 16 pages. Duration
20 minutes. Carus Verlag
#CV 31.139/49. Published
by Carus Verlag
(CA.3113949). ISBN
9790007208295. Text
language: German/English.
Text: Rube, Johann
Chr. Bach's chorale
cantata with its opening
text Wohl dem, der sich
auf seinen Gott recht
kindlich kann verlassen
(Tis well with him who on
the Lord trusts just like
a child) BWV 139 was
performed for the first
time on 12 November 1724
in the main Leipzig
church service. The
cantata text, based on
the hymn of the same name
by Johann Christoph Rube
(1665-1746), is in praise
of trust in God. In the
opening chorus, full of
depth of feeling, the
hymn melody is heard
throughout; this is
followed by a lively
tenor aria Gott ist mein
Freund (God is my friend)
with a musical depiction
of the adversary raging
in vain, and in the bass
aria Das Ungluck schlagt
auf allen Seiten
(Misfortune assails me on
every side) Bach presents
both drama and Baroque
imagery. One of the two
solo violin parts for the
tenor aria is lost, so
our edition offers a
reconstruction. The
virtuoso violin part of
the bass aria was
evidently based on a part
for violoncello piccolo,
now lost. The edition
provides for performance
by violin or violoncello.
Score and part available
separately - see item
CA.3113900. $23.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Tis well with him who on the Lord (Wohl dem, der sich auf seinen Gott) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, 2 oboes d'amore, 2 violins, viola, [cello piccolo],...(+)
SATB vocal soli, SATB
choir, 2 oboes d'amore, 2
violins, viola, [cello
piccolo], basso continuo
SKU: CA.3113914
Cantata for the 23rd
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Klaus Hofmann. Arranged
by Sven Hiemke. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Violoncello
piccolo. Sacred vocal
music, Cantatas, End of
the church year, Trinity,
Praise and thanks. Single
Part, Cello piccol.
Composed 1724. BWV 139. 4
pages. Duration 20
minutes. Carus Verlag #CV
31.139/14. Published by
Carus Verlag
(CA.3113914). ISBN
9790007208271. Text
language: German/English.
Text: Rube, Johann
Chr. Bach's chorale
cantata with its opening
text Wohl dem, der sich
auf seinen Gott recht
kindlich kann verlassen
(Tis well with him who on
the Lord trusts just like
a child) BWV 139 was
performed for the first
time on 12 November 1724
in the main Leipzig
church service. The
cantata text, based on
the hymn of the same name
by Johann Christoph Rube
(1665-1746), is in praise
of trust in God. In the
opening chorus, full of
depth of feeling, the
hymn melody is heard
throughout; this is
followed by a lively
tenor aria Gott ist mein
Freund (God is my friend)
with a musical depiction
of the adversary raging
in vain, and in the bass
aria Das Ungluck schlagt
auf allen Seiten
(Misfortune assails me on
every side) Bach presents
both drama and Baroque
imagery. One of the two
solo violin parts for the
tenor aria is lost, so
our edition offers a
reconstruction. The
virtuoso violin part of
the bass aria was
evidently based on a part
for violoncello piccolo,
now lost. The edition
provides for performance
by violin or violoncello.
Score and part available
separately - see item
CA.3113900. $8.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Tis well with him who on the Lord (Wohl dem, der sich auf seinen Gott) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Conducteur] Carus Verlag
SATB vocal soli, SATB choir, 2 oboes d'amore, 2 violins, viola, [cello piccolo],...(+)
SATB vocal soli, SATB
choir, 2 oboes d'amore, 2
violins, viola, [cello
piccolo], basso continuo
SKU: CA.3113900
Cantata for the 23rd
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Klaus Hofmann. Arranged
by Sven Hiemke. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Sacred vocal
music, Cantatas, End of
the church year, Trinity,
Praise and thanks. Full
score. Composed 1724. BWV
139. 40 pages. Duration
20 minutes. Carus Verlag
#CV 31.139/00. Published
by Carus Verlag
(CA.3113900). ISBN
9790007170479. Text
language: German/English.
Text: Rube, Johann
Chr. Bach's chorale
cantata with its opening
text Wohl dem, der sich
auf seinen Gott recht
kindlich kann verlassen
(Tis well with him who on
the Lord trusts just like
a child) BWV 139 was
performed for the first
time on 12 November 1724
in the main Leipzig
church service. The
cantata text, based on
the hymn of the same name
by Johann Christoph Rube
(1665-1746), is in praise
of trust in God. In the
opening chorus, full of
depth of feeling, the
hymn melody is heard
throughout; this is
followed by a lively
tenor aria Gott ist mein
Freund (God is my friend)
with a musical depiction
of the adversary raging
in vain, and in the bass
aria Das Ungluck schlagt
auf allen Seiten
(Misfortune assails me on
every side) Bach presents
both drama and Baroque
imagery. One of the two
solo violin parts for the
tenor aria is lost, so
our edition offers a
reconstruction. The
virtuoso violin part of
the bass aria was
evidently based on a part
for violoncello piccolo,
now lost. The edition
provides for performance
by violin or
violoncello. $40.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Tis well with him who on the Lord (Wohl dem, der sich auf seinen Gott) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, 2 oboes d'amore, 2 violins, viola, [cello piccolo],...(+)
SATB vocal soli, SATB
choir, 2 oboes d'amore, 2
violins, viola, [cello
piccolo], basso continuo
SKU: CA.3113915
Cantata for the 23rd
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Klaus Hofmann. Arranged
by Sven Hiemke. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Basso
continuo. Sacred vocal
music, Cantatas, End of
the church year, Trinity,
Praise and thanks. Single
Part, basso continuo.
Composed 1724. BWV 139.
12 pages. Duration 20
minutes. Carus Verlag #CV
31.139/15. Published by
Carus Verlag
(CA.3113915). ISBN
9790007208288. Text
language: German/English.
Text: Rube, Johann
Chr. Bach's chorale
cantata with its opening
text Wohl dem, der sich
auf seinen Gott recht
kindlich kann verlassen
(Tis well with him who on
the Lord trusts just like
a child) BWV 139 was
performed for the first
time on 12 November 1724
in the main Leipzig
church service. The
cantata text, based on
the hymn of the same name
by Johann Christoph Rube
(1665-1746), is in praise
of trust in God. In the
opening chorus, full of
depth of feeling, the
hymn melody is heard
throughout; this is
followed by a lively
tenor aria Gott ist mein
Freund (God is my friend)
with a musical depiction
of the adversary raging
in vain, and in the bass
aria Das Ungluck schlagt
auf allen Seiten
(Misfortune assails me on
every side) Bach presents
both drama and Baroque
imagery. One of the two
solo violin parts for the
tenor aria is lost, so
our edition offers a
reconstruction. The
virtuoso violin part of
the bass aria was
evidently based on a part
for violoncello piccolo,
now lost. The edition
provides for performance
by violin or violoncello.
Score and part available
separately - see item
CA.3113900. $8.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Tis well with him who on the Lord (Wohl dem, der sich auf seinen Gott) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, 2 oboes d'amore, 2 violins, viola, [cello piccolo],...(+)
SATB vocal soli, SATB
choir, 2 oboes d'amore, 2
violins, viola, [cello
piccolo], basso continuo
SKU: CA.3113911
Cantata for the 23rd
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Klaus Hofmann. Arranged
by Sven Hiemke. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Violin 1.
Sacred vocal music,
Cantatas, End of the
church year, Trinity,
Praise and thanks. Single
Part, Violin 1. Composed
1724. BWV 139. 12 pages.
Duration 20 minutes.
Carus Verlag #CV
31.139/11. Published by
Carus Verlag
(CA.3113911). ISBN
9790007208240. Text
language: German/English.
Text: Rube, Johann
Chr. Bach's chorale
cantata with its opening
text Wohl dem, der sich
auf seinen Gott recht
kindlich kann verlassen
(Tis well with him who on
the Lord trusts just like
a child) BWV 139 was
performed for the first
time on 12 November 1724
in the main Leipzig
church service. The
cantata text, based on
the hymn of the same name
by Johann Christoph Rube
(1665-1746), is in praise
of trust in God. In the
opening chorus, full of
depth of feeling, the
hymn melody is heard
throughout; this is
followed by a lively
tenor aria Gott ist mein
Freund (God is my friend)
with a musical depiction
of the adversary raging
in vain, and in the bass
aria Das Ungluck schlagt
auf allen Seiten
(Misfortune assails me on
every side) Bach presents
both drama and Baroque
imagery. One of the two
solo violin parts for the
tenor aria is lost, so
our edition offers a
reconstruction. The
virtuoso violin part of
the bass aria was
evidently based on a part
for violoncello piccolo,
now lost. The edition
provides for performance
by violin or violoncello.
Score and part available
separately - see item
CA.3113900. $8.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Tis well with him who on the Lord (Wohl dem, der sich auf seinen Gott) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, 2 oboes d'amore, 2 violins, viola, [cello piccolo],...(+)
SATB vocal soli, SATB
choir, 2 oboes d'amore, 2
violins, viola, [cello
piccolo], basso continuo
SKU: CA.3113912
Cantata for the 23rd
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Klaus Hofmann. Arranged
by Sven Hiemke. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Violin 2.
Sacred vocal music,
Cantatas, End of the
church year, Trinity,
Praise and thanks. Single
Part, Violin 2. Composed
1724. BWV 139. 8 pages.
Duration 20 minutes.
Carus Verlag #CV
31.139/12. Published by
Carus Verlag
(CA.3113912). ISBN
9790007208257. Text
language: German/English.
Text: Rube, Johann
Chr. Bach's chorale
cantata with its opening
text Wohl dem, der sich
auf seinen Gott recht
kindlich kann verlassen
(Tis well with him who on
the Lord trusts just like
a child) BWV 139 was
performed for the first
time on 12 November 1724
in the main Leipzig
church service. The
cantata text, based on
the hymn of the same name
by Johann Christoph Rube
(1665-1746), is in praise
of trust in God. In the
opening chorus, full of
depth of feeling, the
hymn melody is heard
throughout; this is
followed by a lively
tenor aria Gott ist mein
Freund (God is my friend)
with a musical depiction
of the adversary raging
in vain, and in the bass
aria Das Ungluck schlagt
auf allen Seiten
(Misfortune assails me on
every side) Bach presents
both drama and Baroque
imagery. One of the two
solo violin parts for the
tenor aria is lost, so
our edition offers a
reconstruction. The
virtuoso violin part of
the bass aria was
evidently based on a part
for violoncello piccolo,
now lost. The edition
provides for performance
by violin or violoncello.
Score and part available
separately - see item
CA.3113900. $8.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Tis well with him who on the Lord (Wohl dem, der sich auf seinen Gott) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, 2 oboes d'amore, 2 violins, viola, [cello piccolo],...(+)
SATB vocal soli, SATB
choir, 2 oboes d'amore, 2
violins, viola, [cello
piccolo], basso continuo
SKU: CA.3113905
Cantata for the 23rd
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Klaus Hofmann. Arranged
by Sven Hiemke. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Sacred vocal
music, Cantatas, End of
the church year, Trinity,
Praise and thanks. Choral
Score. Composed 1724. BWV
139. 8 pages. Duration 20
minutes. Carus Verlag #CV
31.139/05. Published by
Carus Verlag
(CA.3113905). ISBN
9790007181093. Text
language: German/English.
Text: Rube, Johann
Chr. Bach's chorale
cantata with its opening
text Wohl dem, der sich
auf seinen Gott recht
kindlich kann verlassen
(Tis well with him who on
the Lord trusts just like
a child) BWV 139 was
performed for the first
time on 12 November 1724
in the main Leipzig
church service. The
cantata text, based on
the hymn of the same name
by Johann Christoph Rube
(1665-1746), is in praise
of trust in God. In the
opening chorus, full of
depth of feeling, the
hymn melody is heard
throughout; this is
followed by a lively
tenor aria Gott ist mein
Freund (God is my friend)
with a musical depiction
of the adversary raging
in vain, and in the bass
aria Das Ungluck schlagt
auf allen Seiten
(Misfortune assails me on
every side) Bach presents
both drama and Baroque
imagery. One of the two
solo violin parts for the
tenor aria is lost, so
our edition offers a
reconstruction. The
virtuoso violin part of
the bass aria was
evidently based on a part
for violoncello piccolo,
now lost. The edition
provides for performance
by violin or violoncello.
Score available
separately - see item
CA.3113900. $4.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Tis well with him who on the Lord (Wohl dem, der sich auf seinen Gott) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, 2 oboes d'amore, 2 violins, viola, [cello piccolo],...(+)
SATB vocal soli, SATB
choir, 2 oboes d'amore, 2
violins, viola, [cello
piccolo], basso continuo
SKU: CA.3113913
Cantata for the 23rd
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Klaus Hofmann. Arranged
by Sven Hiemke. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Viola. Sacred
vocal music, Cantatas,
End of the church year,
Trinity, Praise and
thanks. Single Part,
Viola. Composed 1724. BWV
139. 4 pages. Duration 20
minutes. Carus Verlag #CV
31.139/13. Published by
Carus Verlag
(CA.3113913). ISBN
9790007208264. Text
language: German/English.
Text: Rube, Johann
Chr. Bach's chorale
cantata with its opening
text Wohl dem, der sich
auf seinen Gott recht
kindlich kann verlassen
(Tis well with him who on
the Lord trusts just like
a child) BWV 139 was
performed for the first
time on 12 November 1724
in the main Leipzig
church service. The
cantata text, based on
the hymn of the same name
by Johann Christoph Rube
(1665-1746), is in praise
of trust in God. In the
opening chorus, full of
depth of feeling, the
hymn melody is heard
throughout; this is
followed by a lively
tenor aria Gott ist mein
Freund (God is my friend)
with a musical depiction
of the adversary raging
in vain, and in the bass
aria Das Ungluck schlagt
auf allen Seiten
(Misfortune assails me on
every side) Bach presents
both drama and Baroque
imagery. One of the two
solo violin parts for the
tenor aria is lost, so
our edition offers a
reconstruction. The
virtuoso violin part of
the bass aria was
evidently based on a part
for violoncello piccolo,
now lost. The edition
provides for performance
by violin or violoncello.
Score and part available
separately - see item
CA.3113900. $8.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Tis well with him who on the Lord (Wohl dem, der sich auf seinen Gott) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Conducteur et Parties séparées] Carus Verlag
SATB vocal soli, SATB choir, 2 oboes d'amore, 2 violins, viola, [cello piccolo],...(+)
SATB vocal soli, SATB
choir, 2 oboes d'amore, 2
violins, viola, [cello
piccolo], basso continuo
SKU: CA.3113919
Cantata for the 23rd
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Klaus Hofmann. Arranged
by Sven Hiemke. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Complete
orchestral parts. Sacred
vocal music, Cantatas,
End of the church year,
Trinity, Praise and
thanks. Set of Orchestra
Parts. Composed 1724. BWV
139. Duration 20 minutes.
Carus Verlag #CV
31.139/19. Published by
Carus Verlag
(CA.3113919). ISBN
9790007181277. Text
language: German/English.
Text: Rube, Johann
Chr. Bach's chorale
cantata with its opening
text Wohl dem, der sich
auf seinen Gott recht
kindlich kann verlassen
(Tis well with him who on
the Lord trusts just like
a child) BWV 139 was
performed for the first
time on 12 November 1724
in the main Leipzig
church service. The
cantata text, based on
the hymn of the same name
by Johann Christoph Rube
(1665-1746), is in praise
of trust in God. In the
opening chorus, full of
depth of feeling, the
hymn melody is heard
throughout; this is
followed by a lively
tenor aria Gott ist mein
Freund (God is my friend)
with a musical depiction
of the adversary raging
in vain, and in the bass
aria Das Ungluck schlagt
auf allen Seiten
(Misfortune assails me on
every side) Bach presents
both drama and Baroque
imagery. One of the two
solo violin parts for the
tenor aria is lost, so
our edition offers a
reconstruction. The
virtuoso violin part of
the bass aria was
evidently based on a part
for violoncello piccolo,
now lost. The edition
provides for performance
by violin or violoncello.
Score and parts available
separately - see item
CA.3113900. $137.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Pedalboard Buffer Interface Vertex Effects
SKU: HL.1158247 Vertex Effects. Guitar Pedal. Duration 162 seconds. Verte...(+)
SKU: HL.1158247
Vertex Effects. Guitar
Pedal. Duration 162
seconds. Vertex Effects
#BI. Published by Vertex
Effects (HL.1158247).
UPC: 749350578400.
6.25x4.0x3.0
inches. VERTEX
BUFFERS NOW AVAILABLE TO
THE MASSES! For over a
decade, every buffer
that's come out of Vertex
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designed for or the
customer that ordered it.
Needless to say, our
buffers were very
limited, with only a few
hundred made over the
last ten years. Over that
time, and through
hundreds of custom buffer
interfaces being made,
several common
applications for buffer
combinations and routing
emerged as the most
common uses as it comes
to placing buffers on a
pedalboard for the most
optimal results. Routing
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(inserts), four-cable
method, five-cable
method, and wet/dry/wet
were all common requests
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there was never an
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| Flutes In The Groove [Conducteur et Parties séparées] Forton Music
2 fl. 3fl/afl. Bfl. (2 flutes, 3 flutes/alto flute, bass flute) - Intermediate-A...(+)
2 fl. 3fl/afl. Bfl. (2
flutes, 3 flutes/alto
flute, bass flute) -
Intermediate-Advanced
SKU: FT.FM613
Composed by Stuart
Spiers. Pieces for flute
ensemble with optional
rhythm section. Score and
parts. Forton Music
#FM613. Published by
Forton Music (FT.FM613).
ISBN
9790570485123. Thes
e pieces started life as
an excuse to get together
with some flute playing
friends. It's now become
something of a project.
The pieces work
with/without rhythm
section, or alternatively
you can just add one or
two rhythm section
players e.g use piano and
bass or bass and drums
etc. The pieces will work
with a flute choir or
quartet, but try and make
sure that the top part
has more weight of
numbers than the other
parts. When rehearsing,
try to obey all
articulation markings. In
jazz we like to develop a
sense of 'groove'. Always
bear that in mind. The
parts themselves are very
playable (I think), but
fitting some sections
together may be tricky,
so they may need to be
played very slowly at
first. My concept of the
pieces is that all the
parts should be played as
accurately and together
as possible. Much of
getting a good groove is
about
togetherness. . $32.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| The 2000s Lyrics Paroles Seulement [Partition] Hal Leonard
Paperback Lyrics. By Various. Paperback Lyrics. Softcover. 256 pages. Published ...(+)
Paperback Lyrics. By
Various. Paperback
Lyrics. Softcover. 256
pages. Published by Hal
Leonard.
$7.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
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