(From the Renaissance to the Romantic Periods). Arranged by William Ryden. For P...(+)
(From the Renaissance to
the Romantic Periods).
Arranged by William
Ryden. For
Piano/Conductor, Oboe.
Mixed Instruments -
Flexible Instrumentation.
Sacred Instrumental
Ensembles for All. 24
pages. Published by
Alfred Publishing.
Organ SKU: BR.EB-6612 Composed by Henry Purcell. Edited by Friedrich Hogn...(+)
Organ
SKU:
BR.EB-6612
Composed
by Henry Purcell. Edited
by Friedrich Hogner. Solo
instruments; Softcover.
Edition Breitkopf. Suite;
Renaissance/early
Baroque; Baroque. Score.
16 pages. Breitkopf and
Haertel #EB 6612.
Published by Breitkopf
and Haertel (BR.EB-6612).
ISBN 9790004168325. 12
x 9 inches.
Die
vorliegende Suite fur die
Orgel ist eine freie
Bearbeitung von
Kompositionen, die Henry
Purcell (1659-1695) -
1679 Organist an der
Westminster Abbey in
London, 1682 einer der
Organisten an der Chapel
Royal - fur das Cembalo
komponiert hat. Die hier
zusammengestellten Stucke
wurden den
Cembalokompositionen
entnommen, die William
Barclay Squire 1895 im
Rahmen der Gesamtausgabe
der Werke Purcells
(London 1878-1928)
herausgegeben hat.
Vorangestellt wurde der
Auswahl eine vom
Herausgeber nach Motiven
Purcells geschriebene
Introduktion. Von einigen
der in dieser Suite
enthaltenen Satze gibt es
bereits Bearbeitungen fur
die Orgel. Abgesehen von
der andersartigen
Zusammenstellung der
Satze und ihrer
Einleitung durch eine
Introduktion nach Motiven
Purcells unterscheidet
sich die vorliegende
Ausgabe durch eine
grossere Freiheit des
Tonsatzes gegenuber dem
Original. Diese hat der
Herausgeber ganz bewusst
gewahlt, weil er der
Meinung ist, dass in
diesem Fall eine enge
Anlehnung an das Original
dem Wesen und den
Eigenarten des
Instrumentes, fur das die
Bearbeitung erfolgt,
nicht gerecht zu werden
vermag. Da bei den
deutschen Orgeln die
Funktion der Manuale
unterschiedlich ist, moge
man die angegebene
Manualverteilung nicht
starr, sondern sinngemass
anwenden. Die
Pralltriller sollen in
der Regel mit der
diatonischen Obersekunde
beginnen; die Mordente
dagegen sind stets mit
der kleinen Untersekunde
auszufuhren. Friedrich
Hogner, Munchen, im
Fruhjahr 1970.
Hail! Bright
Cecilia. Composed by
Henry Purcell. Stapled.
Eulenburg Orchestral
Series. Renaissance/early
Baroque; Baroque. Part.
20 pages. Duration 60'.
Breitkopf and Haertel
#EOS 8063-26. Published
by Breitkopf and Haertel
(BR.EOS-8063-26).
ISBN
9790004789810. 8.5 x 11.5
inches.
The Ode was
admirably set by Mr.
Henry Purcell, and
performed twice with
universal applause.
(The Gentlemen's
Journal, 1692)
The
popularity of Purcell's
setting is apparent from
the many sources that
survive and from the
printed extracts which
appeared almost
immediately after its
first performance. The
primary source for this
edition is the largely
autograph manuscript in
the Bodleian Library.
Rather to reduce the
orthography to a norm,
the capitalization of the
vocal text favours
Purcell's
preferences. (Christop
her Hogwood)
Vokalensemble Stuttgart
und den Kammerchor des
Kopernikus-Gymnasiums
Wasseralfingen. Fur diese
beiden ganz
unterschiedlichen
Chorformationen hat
Martin Smolka 2012 auch
gezielt seine Partitur
angelegt. Biografisch ist
das Agnus Dei eine Art
kleines Requiem fur
seinen kurz zuvor
verstorbenen Vater. Das
liturgische Agnus Dei
rahmt den deutschen Text
Eh das Madchen entschlief
... der bei Auffuhrungen
in anderen Landern durch
eine Ubersetzung ersetzt
werden soll.
Der
SWR-Redakteur Hans-Peter
Jahn schreibt dazu im
Programmheft: Die fur
Smolka typischen
minimalistischen
Taktzellen schaffen eine
archaische Sinnlichkeit.
Eine einfache und
zugleich streng gebaute
Vokalmusik mit
Tiefenwirkung.
Nac
h der Urauffuhrung war
die Esslinger Zeitung
hellauf begeistert:
Smolka ist ein Meister
der Stimmbehandlung und
der chorischen
Klanggestaltung. Im
Zentrum des Stucks gerat
die Musik zum Stillstand:
im leisen gleichmassigen
Summen uber dem plotzlich
fortissimo ein
tschechisches Kinderlied
erklingt eines das der
Vater seinen Kindern
haufig vorgesungen hat.
Das alles war sehr
beruhrend. Und eigentlich
noch mehr als das. My
father PhDr. Jaroslav
Smolka (1933-2011) was a
leading Czech
musicologist author of
books Czech Cantata and
Oratorium Fuga in Czech
Music Smetana's Orchestra
Music Smetana's Vocal
Music monography of Jan
Dismas Zelenka and many
others. He was a
legendary teacher of
Music History at Prague
Music Academy critic
recording producer
composer; for almost 50
years he was an important
and highly respected
personality of Prague
musical life. My
father devoted a lot of
time and energy to
musical education and
activities of my sister
and me using often quite
original methods such as
teaching of intervals and
counterpoint through
Bartok's Microcosmos ear
training filling all
imaginable moments of
everyday life or lessons
of harmony analysis
starting with Overture to
Tristan and Musorgsky's
Catacombs. The Martinu
song Wondering Maiden was
his solo number in our
home vocal productions
which he used to sing
with amazing devotion
while his huge voice was
audible in several
neighboring
streets. My Agnus Dei
is closely bound to all
this history e.g. by
using canon and
preferring beauty of
dissonant seconds like
Bartok or quoting Martinu
and his refined
neoclassical harmony.
Father would be probably
a bit critical about the
minimalistic monotony of
the main body of the
piece. Nevertheless
firstly he would
improvise a short lecture
of history of Agnus Dei
in Requiem in Czech Music
naming by heart many
dates and all examples of
changes of order of the
traditional text by
composers. Examples would
be sung
probably. (Martin
Smolka).
Chorus (with soloists) and piano (solos: SAATBB - choir: SSAATB - 2rec.B-fl.2.0....(+)
Chorus (with soloists)
and piano (solos: SAATBB
- choir: SSAATB -
2rec.B-fl.2.0.0. -
0.2.0.0. - timp - str -
bc)
SKU:
BR.ED-10296
Hail!
Bright Cecilia.
Composed by Henry
Purcell. Edited by
Christopher Hogwood.
Choir; stapled.
Renaissance/early
Baroque; Baroque.
Piano/Vocal Score. 80
pages. Duration 60'.
Breitkopf and Haertel #ED
10296. Published by
Breitkopf and Haertel
(BR.ED-10296).
ISBN
9790220101977. 7.5 x 11
inches.
The Ode was
admirably set by Mr.
Henry Purcell, and
performed twice with
universal applause.
(The Gentlemen's
Journal, 1692)
The
popularity of Purcell's
setting is apparent from
the many sources that
survive and from the
printed extracts which
appeared almost
immediately after its
first performance. The
primary source for this
edition is the largely
autograph manuscript in
the Bodleian Library.
Rather to reduce the
orthography to a norm,
the capitalization of the
vocal text favours
Purcell's
preferences. (Christop
her Hogwood)
Vokalensemble Stuttgart
und den Kammerchor des
Kopernikus-Gymnasiums
Wasseralfingen. Fur diese
beiden ganz
unterschiedlichen
Chorformationen hat
Martin Smolka 2012 auch
gezielt seine Partitur
angelegt. Biografisch ist
das Agnus Dei eine Art
kleines Requiem fur
seinen kurz zuvor
verstorbenen Vater. Das
liturgische Agnus Dei
rahmt den deutschen Text
Eh das Madchen entschlief
... der bei Auffuhrungen
in anderen Landern durch
eine Ubersetzung ersetzt
werden soll.
Der
SWR-Redakteur Hans-Peter
Jahn schreibt dazu im
Programmheft: Die fur
Smolka typischen
minimalistischen
Taktzellen schaffen eine
archaische Sinnlichkeit.
Eine einfache und
zugleich streng gebaute
Vokalmusik mit
Tiefenwirkung.
Nac
h der Urauffuhrung war
die Esslinger Zeitung
hellauf begeistert:
Smolka ist ein Meister
der Stimmbehandlung und
der chorischen
Klanggestaltung. Im
Zentrum des Stucks gerat
die Musik zum Stillstand:
im leisen gleichmassigen
Summen uber dem plotzlich
fortissimo ein
tschechisches Kinderlied
erklingt eines das der
Vater seinen Kindern
haufig vorgesungen hat.
Das alles war sehr
beruhrend. Und eigentlich
noch mehr als das. My
father PhDr. Jaroslav
Smolka (1933-2011) was a
leading Czech
musicologist author of
books Czech Cantata and
Oratorium Fuga in Czech
Music Smetana's Orchestra
Music Smetana's Vocal
Music monography of Jan
Dismas Zelenka and many
others. He was a
legendary teacher of
Music History at Prague
Music Academy critic
recording producer
composer; for almost 50
years he was an important
and highly respected
personality of Prague
musical life. My
father devoted a lot of
time and energy to
musical education and
activities of my sister
and me using often quite
original methods such as
teaching of intervals and
counterpoint through
Bartok's Microcosmos ear
training filling all
imaginable moments of
everyday life or lessons
of harmony analysis
starting with Overture to
Tristan and Musorgsky's
Catacombs. The Martinu
song Wondering Maiden was
his solo number in our
home vocal productions
which he used to sing
with amazing devotion
while his huge voice was
audible in several
neighboring
streets. My Agnus Dei
is closely bound to all
this history e.g. by
using canon and
preferring beauty of
dissonant seconds like
Bartok or quoting Martinu
and his refined
neoclassical harmony.
Father would be probably
a bit critical about the
minimalistic monotony of
the main body of the
piece. Nevertheless
firstly he would
improvise a short lecture
of history of Agnus Dei
in Requiem in Czech Music
naming by heart many
dates and all examples of
changes of order of the
traditional text by
composers. Examples would
be sung
probably. (Martin
Smolka).
Welcome to All the
Pleasures. Composed
by Henry Purcell. Edited
by Walter Bergmann.
Choir; stapled. Eulenburg
Orchestral Series.
Renaissance/early
Baroque; Baroque. Part.
20 pages. Duration 20'.
Breitkopf and Haertel
#EOS 1062-12. Published
by Breitkopf and Haertel
(BR.EOS-1062-12).
ISBN
9790004785621. 8.5 x 11.5
inches.
The present
ode was the first of many
commissioned ,The Musical
Society' for the annual
celebration of St.
Cecilia's Day (November
22nd). It was obviously a
great success, for the
ode was printed in score
in 1684 and the Society
had to move for the 1684
celebrations to a later
hall, the Stationer's
Hall. The ode of 1683
shows Purcell's ingenuity
in every aspect and set a
high standard for all the
other composers who
followed him among them
Blow and Handel. The
present edition has the
above mentioned print of
1684 as source. Title
page dedication and the
first and last pages are
here reprinted in
facsimile. The few
obvious misprints in the
original have been
corrected. Editiorial
additions are in
brackets. (Walter
Bergmann) Die einzige
bekannte Quelle befindet
sich in Heft 66 von Band
25 der
Meslanges-Autographen die
an die Bibliotheque
Royale (heute
Bibliotheque Nationale)
Paris verkauft wurde. Das
Manuskript ist sehr
sorgfaltig geschrieben.
Alle Zusatze des
Herausgebers stehen in
eckigen
Klammern. (Jean-Paul
Montagnier)
(Jean-Paul
Montagnier) The
present edition is based
on the manuscript from
the Bibliotheque
Nationale de France
(Paris). It it the oldest
known source of the work.
The very few errors have
been corrected.
(Jean-Paul
Montagnier).
For
St. Cecilia's Day
1694. Composed by
Henry Purcell. Edited by
Denis Arnold. Choir;
stapled. Eulenburg
Orchestral Series.
Cantata;
Renaissance/early
Baroque; Baroque. Part. 8
pages. Duration 20'.
Breitkopf and Haertel
#EOS 1064-19. Published
by Breitkopf and Haertel
(BR.EOS-1064-19).
ISBN
9790004785706. 8.5 x 11.5
inches.
St.
Cecilia's Day was
celebrated in England
during Restoration times
with a great festival of
music. The soloists were
among the best singers of
the day, and their music
was deliberately florid
to show their virtuosity.
It is in this tradition
that Purcell wrote his
festal ,Te Deum and
Jubilate'. It was
composed for St.
Cecilia's Day, 1694, and
shows the same ornate
style as he odes composed
in previous years. It was
the grand manner which
assured the popularity of
the work. After the
initial performance, it
was given annually on St.
Cecilia's day for many
years. This fame ensured
that the work was printed
in score. The present
edition has been prepared
from the second edition,
a copy of which is now in
the possession of Glasgow
University. (Denis
Arnold) Die einzige
bekannte Quelle befindet
sich in Heft 66 von Band
25 der
Meslanges-Autographen die
an die Bibliotheque
Royale (heute
Bibliotheque Nationale)
Paris verkauft wurde. Das
Manuskript ist sehr
sorgfaltig geschrieben.
Alle Zusatze des
Herausgebers stehen in
eckigen
Klammern. (Jean-Paul
Montagnier)
(Jean-Paul
Montagnier) The
present edition is based
on the manuscript from
the Bibliotheque
Nationale de France
(Paris). It it the oldest
known source of the work.
The very few errors have
been corrected.
(Jean-Paul
Montagnier) Vokalensemble
Stuttgart und den
Kammerchor des
Kopernikus-Gymnasiums
Wasseralfingen. Fur.
For
St. Cecilia's Day
1694. Composed by
Henry Purcell. Edited by
Denis Arnold. Choir;
stapled. Eulenburg
Orchestral Series.
Cantata;
Renaissance/early
Baroque; Baroque. Set of
parts. 16 pages. Duration
20'. Breitkopf and
Haertel #EOS 1064-30.
Published by Breitkopf
and Haertel
(BR.EOS-1064-30).
ISBN
9790004785720. 8.5 x 11.5
inches.
St.
Cecilia's Day was
celebrated in England
during Restoration times
with a great festival of
music. The soloists were
among the best singers of
the day, and their music
was deliberately florid
to show their virtuosity.
It is in this tradition
that Purcell wrote his
festal ,Te Deum and
Jubilate'. It was
composed for St.
Cecilia's Day, 1694, and
shows the same ornate
style as he odes composed
in previous years. It was
the grand manner which
assured the popularity of
the work. After the
initial performance, it
was given annually on St.
Cecilia's day for many
years. This fame ensured
that the work was printed
in score. The present
edition has been prepared
from the second edition,
a copy of which is now in
the possession of Glasgow
University. (Denis
Arnold) Die einzige
bekannte Quelle befindet
sich in Heft 66 von Band
25 der
Meslanges-Autographen die
an die Bibliotheque
Royale (heute
Bibliotheque Nationale)
Paris verkauft wurde. Das
Manuskript ist sehr
sorgfaltig geschrieben.
Alle Zusatze des
Herausgebers stehen in
eckigen
Klammern. (Jean-Paul
Montagnier)
(Jean-Paul
Montagnier) The
present edition is based
on the manuscript from
the Bibliotheque
Nationale de France
(Paris). It it the oldest
known source of the work.
The very few errors have
been corrected.
(Jean-Paul
Montagnier) Vokalensemble
Stuttgart und den
Kammerchor des
Kopernikus-Gymnasiums
Wasseralfingen. Fur.
Chorus (with soloists) and piano (solos: SSATB - choir: SATB - str - bc(hps)) (+)
Chorus (with soloists)
and piano (solos: SSATB -
choir: SATB - str -
bc(hps))
SKU:
BR.ED-22869
Welcome to All the
Pleasures. Composed
by Henry Purcell. Edited
by Jorg Abbing. Choir;
stapled.
Renaissance/early
Baroque; Baroque.
Piano/Vocal Score. 20
pages. Duration 20'.
Breitkopf and Haertel #ED
22869. Published by
Breitkopf and Haertel
(BR.ED-22869).
ISBN
9790001167376. 9 x 12
inches.
The present
ode was the first of many
commissioned ,The Musical
Society' for the annual
celebration of St.
Cecilia's Day (November
22nd). It was obviously a
great success, for the
ode was printed in score
in 1684 and the Society
had to move for the 1684
celebrations to a later
hall, the Stationer's
Hall. The ode of 1683
shows Purcell's ingenuity
in every aspect and set a
high standard for all the
other composers who
followed him among them
Blow and Handel. The
present edition has the
above mentioned print of
1684 as source. Title
page dedication and the
first and last pages are
here reprinted in
facsimile. The few
obvious misprints in the
original have been
corrected. Editiorial
additions are in
brackets. (Walter
Bergmann) Die einzige
bekannte Quelle befindet
sich in Heft 66 von Band
25 der
Meslanges-Autographen die
an die Bibliotheque
Royale (heute
Bibliotheque Nationale)
Paris verkauft wurde. Das
Manuskript ist sehr
sorgfaltig geschrieben.
Alle Zusatze des
Herausgebers stehen in
eckigen
Klammern. (Jean-Paul
Montagnier)
(Jean-Paul
Montagnier) The
present edition is based
on the manuscript from
the Bibliotheque
Nationale de France
(Paris). It it the oldest
known source of the work.
The very few errors have
been corrected.
(Jean-Paul
Montagnier).
For
St. Cecilia's Day
1694. Composed by
Henry Purcell. Edited by
Denis Arnold. Choir;
stapled. Eulenburg
Orchestral Series.
Cantata;
Renaissance/early
Baroque; Baroque. Part.
12 pages. Duration 20'.
Breitkopf and Haertel
#EOS 1064-26. Published
by Breitkopf and Haertel
(BR.EOS-1064-26).
ISBN
9790004785713. 8.5 x 11.5
inches.
St.
Cecilia's Day was
celebrated in England
during Restoration times
with a great festival of
music. The soloists were
among the best singers of
the day, and their music
was deliberately florid
to show their virtuosity.
It is in this tradition
that Purcell wrote his
festal ,Te Deum and
Jubilate'. It was
composed for St.
Cecilia's Day, 1694, and
shows the same ornate
style as he odes composed
in previous years. It was
the grand manner which
assured the popularity of
the work. After the
initial performance, it
was given annually on St.
Cecilia's day for many
years. This fame ensured
that the work was printed
in score. The present
edition has been prepared
from the second edition,
a copy of which is now in
the possession of Glasgow
University. (Denis
Arnold) Die einzige
bekannte Quelle befindet
sich in Heft 66 von Band
25 der
Meslanges-Autographen die
an die Bibliotheque
Royale (heute
Bibliotheque Nationale)
Paris verkauft wurde. Das
Manuskript ist sehr
sorgfaltig geschrieben.
Alle Zusatze des
Herausgebers stehen in
eckigen
Klammern. (Jean-Paul
Montagnier)
(Jean-Paul
Montagnier) The
present edition is based
on the manuscript from
the Bibliotheque
Nationale de France
(Paris). It it the oldest
known source of the work.
The very few errors have
been corrected.
(Jean-Paul
Montagnier) Vokalensemble
Stuttgart und den
Kammerchor des
Kopernikus-Gymnasiums
Wasseralfingen. Fur.
For
St. Cecilia's Day
1694. Composed by
Henry Purcell. Edited by
Denis Arnold. Choir;
stapled. Eulenburg
Orchestral Series.
Cantata;
Renaissance/early
Baroque; Baroque. Part.
16 pages. Duration 20'.
Breitkopf and Haertel
#EOS 1064-12. Published
by Breitkopf and Haertel
(BR.EOS-1064-12).
ISBN
9790004785676. 8.5 x 11.5
inches.
St.
Cecilia's Day was
celebrated in England
during Restoration times
with a great festival of
music. The soloists were
among the best singers of
the day, and their music
was deliberately florid
to show their virtuosity.
It is in this tradition
that Purcell wrote his
festal ,Te Deum and
Jubilate'. It was
composed for St.
Cecilia's Day, 1694, and
shows the same ornate
style as he odes composed
in previous years. It was
the grand manner which
assured the popularity of
the work. After the
initial performance, it
was given annually on St.
Cecilia's day for many
years. This fame ensured
that the work was printed
in score. The present
edition has been prepared
from the second edition,
a copy of which is now in
the possession of Glasgow
University. (Denis
Arnold) Die einzige
bekannte Quelle befindet
sich in Heft 66 von Band
25 der
Meslanges-Autographen die
an die Bibliotheque
Royale (heute
Bibliotheque Nationale)
Paris verkauft wurde. Das
Manuskript ist sehr
sorgfaltig geschrieben.
Alle Zusatze des
Herausgebers stehen in
eckigen
Klammern. (Jean-Paul
Montagnier)
(Jean-Paul
Montagnier) The
present edition is based
on the manuscript from
the Bibliotheque
Nationale de France
(Paris). It it the oldest
known source of the work.
The very few errors have
been corrected.
(Jean-Paul
Montagnier) Vokalensemble
Stuttgart und den
Kammerchor des
Kopernikus-Gymnasiums
Wasseralfingen. Fur.
Chorus (with soloists) and piano (solos: SSAATB - choir: SSATB - 0.0.0.0. - 0.2....(+)
Chorus (with soloists)
and piano (solos: SSAATB
- choir: SSATB - 0.0.0.0.
- 0.2.0.0. - str -
bc(hps))
SKU:
BR.ED-12749
For
St. Cecilia's Day
1694. Composed by
Henry Purcell. Edited by
Denis Arnold. Choir;
Softcover. Cantata;
Renaissance/early
Baroque; Baroque.
Piano/Vocal Score. Z 232.
56 pages. Duration 20'.
Breitkopf and Haertel #ED
12749. Published by
Breitkopf and Haertel
(BR.ED-12749).
ISBN
9790220122354. 7.5 x 11
inches.
St.
Cecilias Day was
celebrated in England
during Restoration times
with a great festival of
music. The soloists were
among the best singers of
the day, and their music
was deliberately florid
to show their virtuosity.
It is in this tradition
that Purcell wrote his
festal ,Te Deum and
Jubilate. It was composed
for St. Cecilias Day,
1694, and shows the same
ornate style as he odes
composed in previous
years. It was the grand
manner which assured the
popularity of the work.
After the initial
performance, it was given
annually on St. Cecilias
day for many years. This
fame ensured that the
work was printed in
score. The present
edition has been prepared
from the second edition,
a copy of which is now in
the possession of Glasgow
University. (Denis
Arnold).
Welcome to All the
Pleasures. Composed
by Henry Purcell. Edited
by Walter Bergmann.
Choir; folded. Eulenburg
Orchestral Series.
Renaissance/early
Baroque; Baroque. Part. 4
pages. Duration 20'.
Breitkopf and Haertel
#EOS 1062-15. Published
by Breitkopf and Haertel
(BR.EOS-1062-15).
ISBN
9790004785638. 8.5 x 11.5
inches.
The present
ode was the first of many
commissioned ,The Musical
Society' for the annual
celebration of St.
Cecilia's Day (November
22nd). It was obviously a
great success, for the
ode was printed in score
in 1684 and the Society
had to move for the 1684
celebrations to a later
hall, the Stationer's
Hall. The ode of 1683
shows Purcell's ingenuity
in every aspect and set a
high standard for all the
other composers who
followed him among them
Blow and Handel. The
present edition has the
above mentioned print of
1684 as source. Title
page dedication and the
first and last pages are
here reprinted in
facsimile. The few
obvious misprints in the
original have been
corrected. Editiorial
additions are in
brackets. (Walter
Bergmann) Die einzige
bekannte Quelle befindet
sich in Heft 66 von Band
25 der
Meslanges-Autographen die
an die Bibliotheque
Royale (heute
Bibliotheque Nationale)
Paris verkauft wurde. Das
Manuskript ist sehr
sorgfaltig geschrieben.
Alle Zusatze des
Herausgebers stehen in
eckigen
Klammern. (Jean-Paul
Montagnier)
(Jean-Paul
Montagnier) The
present edition is based
on the manuscript from
the Bibliotheque
Nationale de France
(Paris). It it the oldest
known source of the work.
The very few errors have
been corrected.
(Jean-Paul
Montagnier).
For
St. Cecilia's Day
1694. Composed by
Henry Purcell. Edited by
Denis Arnold. Choir;
stapled. Eulenburg
Orchestral Series.
Cantata;
Renaissance/early
Baroque; Baroque. Part. 8
pages. Duration 20'.
Breitkopf and Haertel
#EOS 1064-15. Published
by Breitkopf and Haertel
(BR.EOS-1064-15).
ISBN
9790004785683. 8.5 x 11.5
inches.
St.
Cecilia's Day was
celebrated in England
during Restoration times
with a great festival of
music. The soloists were
among the best singers of
the day, and their music
was deliberately florid
to show their virtuosity.
It is in this tradition
that Purcell wrote his
festal ,Te Deum and
Jubilate'. It was
composed for St.
Cecilia's Day, 1694, and
shows the same ornate
style as he odes composed
in previous years. It was
the grand manner which
assured the popularity of
the work. After the
initial performance, it
was given annually on St.
Cecilia's day for many
years. This fame ensured
that the work was printed
in score. The present
edition has been prepared
from the second edition,
a copy of which is now in
the possession of Glasgow
University. (Denis
Arnold) Die einzige
bekannte Quelle befindet
sich in Heft 66 von Band
25 der
Meslanges-Autographen die
an die Bibliotheque
Royale (heute
Bibliotheque Nationale)
Paris verkauft wurde. Das
Manuskript ist sehr
sorgfaltig geschrieben.
Alle Zusatze des
Herausgebers stehen in
eckigen
Klammern. (Jean-Paul
Montagnier)
(Jean-Paul
Montagnier) The
present edition is based
on the manuscript from
the Bibliotheque
Nationale de France
(Paris). It it the oldest
known source of the work.
The very few errors have
been corrected.
(Jean-Paul
Montagnier) Vokalensemble
Stuttgart und den
Kammerchor des
Kopernikus-Gymnasiums
Wasseralfingen. Fur.
Welcome to All the
Pleasures. Composed
by Henry Purcell. Edited
by Walter Bergmann.
Choir; folded. Eulenburg
Orchestral Series.
Renaissance/early
Baroque; Baroque. Part. 4
pages. Duration 20'.
Breitkopf and Haertel
#EOS 1062-16. Published
by Breitkopf and Haertel
(BR.EOS-1062-16).
ISBN
9790004785645. 8.5 x 11.5
inches.
The present
ode was the first of many
commissioned ,The Musical
Society' for the annual
celebration of St.
Cecilia's Day (November
22nd). It was obviously a
great success, for the
ode was printed in score
in 1684 and the Society
had to move for the 1684
celebrations to a later
hall, the Stationer's
Hall. The ode of 1683
shows Purcell's ingenuity
in every aspect and set a
high standard for all the
other composers who
followed him among them
Blow and Handel. The
present edition has the
above mentioned print of
1684 as source. Title
page dedication and the
first and last pages are
here reprinted in
facsimile. The few
obvious misprints in the
original have been
corrected. Editiorial
additions are in
brackets. (Walter
Bergmann) Die einzige
bekannte Quelle befindet
sich in Heft 66 von Band
25 der
Meslanges-Autographen die
an die Bibliotheque
Royale (heute
Bibliotheque Nationale)
Paris verkauft wurde. Das
Manuskript ist sehr
sorgfaltig geschrieben.
Alle Zusatze des
Herausgebers stehen in
eckigen
Klammern. (Jean-Paul
Montagnier)
(Jean-Paul
Montagnier) The
present edition is based
on the manuscript from
the Bibliotheque
Nationale de France
(Paris). It it the oldest
known source of the work.
The very few errors have
been corrected.
(Jean-Paul
Montagnier).
For
St. Cecilia's Day
1694. Composed by
Henry Purcell. Edited by
Denis Arnold. Choir;
stapled. Eulenburg
Orchestral Series.
Cantata;
Renaissance/early
Baroque; Baroque. Part. 8
pages. Duration 20'.
Breitkopf and Haertel
#EOS 1064-16. Published
by Breitkopf and Haertel
(BR.EOS-1064-16).
ISBN
9790004785690. 8.5 x 11.5
inches.
St.
Cecilia's Day was
celebrated in England
during Restoration times
with a great festival of
music. The soloists were
among the best singers of
the day, and their music
was deliberately florid
to show their virtuosity.
It is in this tradition
that Purcell wrote his
festal ,Te Deum and
Jubilate'. It was
composed for St.
Cecilia's Day, 1694, and
shows the same ornate
style as he odes composed
in previous years. It was
the grand manner which
assured the popularity of
the work. After the
initial performance, it
was given annually on St.
Cecilia's day for many
years. This fame ensured
that the work was printed
in score. The present
edition has been prepared
from the second edition,
a copy of which is now in
the possession of Glasgow
University. (Denis
Arnold) Die einzige
bekannte Quelle befindet
sich in Heft 66 von Band
25 der
Meslanges-Autographen die
an die Bibliotheque
Royale (heute
Bibliotheque Nationale)
Paris verkauft wurde. Das
Manuskript ist sehr
sorgfaltig geschrieben.
Alle Zusatze des
Herausgebers stehen in
eckigen
Klammern. (Jean-Paul
Montagnier)
(Jean-Paul
Montagnier) The
present edition is based
on the manuscript from
the Bibliotheque
Nationale de France
(Paris). It it the oldest
known source of the work.
The very few errors have
been corrected.
(Jean-Paul
Montagnier) Vokalensemble
Stuttgart und den
Kammerchor des
Kopernikus-Gymnasiums
Wasseralfingen. Fur.
Welcome to All the
Pleasures. Composed
by Henry Purcell. Edited
by Walter Bergmann.
Choir; stapled. Eulenburg
Orchestral Series.
Renaissance/early
Baroque; Baroque. Part. 4
pages. Duration 20'.
Breitkopf and Haertel
#EOS 1062-19. Published
by Breitkopf and Haertel
(BR.EOS-1062-19).
ISBN
9790004785652. 8.5 x 11.5
inches.
The present
ode was the first of many
commissioned ,The Musical
Society' for the annual
celebration of St.
Cecilia's Day (November
22nd). It was obviously a
great success, for the
ode was printed in score
in 1684 and the Society
had to move for the 1684
celebrations to a later
hall, the Stationer's
Hall. The ode of 1683
shows Purcell's ingenuity
in every aspect and set a
high standard for all the
other composers who
followed him among them
Blow and Handel. The
present edition has the
above mentioned print of
1684 as source. Title
page dedication and the
first and last pages are
here reprinted in
facsimile. The few
obvious misprints in the
original have been
corrected. Editiorial
additions are in
brackets. (Walter
Bergmann) Die einzige
bekannte Quelle befindet
sich in Heft 66 von Band
25 der
Meslanges-Autographen die
an die Bibliotheque
Royale (heute
Bibliotheque Nationale)
Paris verkauft wurde. Das
Manuskript ist sehr
sorgfaltig geschrieben.
Alle Zusatze des
Herausgebers stehen in
eckigen
Klammern. (Jean-Paul
Montagnier)
(Jean-Paul
Montagnier) The
present edition is based
on the manuscript from
the Bibliotheque
Nationale de France
(Paris). It it the oldest
known source of the work.
The very few errors have
been corrected.
(Jean-Paul
Montagnier).
Alto Saxophone; Piano Accompaniment (Alto Sax) - easy to intermediate SKU: HL...(+)
Alto Saxophone; Piano
Accompaniment (Alto Sax)
- easy to intermediate
SKU: HL.49045907
23 Pieces from 6
Centuries Alto Saxophone
and Piano. Composed
by Various. Edited by
Ulrich Junk. This
edition: Saddle
stitching. Sheet music
with CD. Woodwind Solo.
23 Stucke aus 6
Jahrhunderten. Baroque,
Classical, Modern,
Renaissance, Romantic.
Softcover with CD. 48
pages. Schott Music
#ED22554. Published by
Schott Music
(HL.49045907).
ISBN
9783795710507. UPC:
888680792671.
9.0x12.0x0.239
inches.
The Easy
Concert Pieces series for
alto saxophone and piano
provide easy to
intermediate pieces from
the Renaissance to the
modern era for music
lessons, concert
performances or private
music-making. The volumes
with accompanying CD add
to the not very extensive
repertoire of performance
pieces for saxophone.
They were carefully
selected according to
technical and musical
requirements and
arearranged in three
volumes according to
their level of
difficulty. All pieces
are included on the
accompanying CD as demo
and play-along versions
(piano accompaniment).
The piano part contained
in the volume is very
easy so that it can even
be played by a pupil,
e.g. at a music school
concert. Volume 1 (ED
22553) contains easy
pieces which mainly range
from d' to c'',
occasionally even to
d'''. The keys range from
C to D major or the
respective minor keys.
This volume contains
works by Charpentier,
Vivaldi, Handel, Bach,
Haydn, Mozart, Beethoven,
Smetana, Putz, Moser, and
others. Volume 2 (ED
22554) contains
intermediate pieces
ranging from c' to e''',
with unusual metres and
demisemiquavers appearing
occasionally. Including
works by Wolkenstein,
Peuerl, Schein, Purcell,
Telemann, Handel, Mozart,
Beethoven, Gounod,
Humperdinck, Elgar, and
others. Volume 3 (ED
22942) - in preparation:
Will contain pieces at
even higher levels of
difficulty and add
further works to the
repertoire.
Trumpet and orchestra SKU: BR.MR-1192 Composed by Henry Purcell. Edited b...(+)
Trumpet and orchestra
SKU: BR.MR-1192
Composed by Henry
Purcell. Edited by Edward
H. Tarr. Orchestra;
Softcover. Musica Rara.
Sonata; Renaissance/early
Baroque; Baroque. Score
and parts. 22 pages.
Duration 7'. Breitkopf
and Haertel #MR 1192.
Published by Breitkopf
and Haertel (BR.MR-1192).
Violin, piano SKU: BR.KM-2102 Composed by Henry Purcell. Edited by Felix ...(+)
Violin, piano
SKU:
BR.KM-2102
Composed
by Henry Purcell. Edited
by Felix Schroeder. Solo
instruments; Softcover.
Kammermusik-Bibliothek
(Chamber Music Library).
Sonata; Renaissance/early
Baroque; Baroque. Score.
12 pages. Breitkopf and
Haertel #KM 2102.
Published by Breitkopf
and Haertel (BR.KM-2102).
23 Pieces from 5 Centuries. Composed by Various. Edited by Ulrich Junk. This e...(+)
23 Pieces from 5
Centuries.
Composed by Various.
Edited
by Ulrich Junk. This
edition:
Saddle stitching. Sheet
music
with CD. Woodwind Solo.
Baroque, Modern,
Romantic,
Classical. Edition with
CD.
52 pages. Schott Music
#ED22553. Published by
Schott
Music
Edited by Hans Magolt and Rainer Butz. This edition: Saddle stitching. Sheet...(+)
Edited by Hans Magolt and
Rainer Butz. This
edition:
Saddle stitching. Sheet
music
with CD. Woodwind. Mit
den
wichtigsten Tanztypen der
beruhmtesten Komponisten
und
Tanzmeister der
Renaissance-
und Barockzeit - von
Praetorius, Handel und
Lully
bis zu Purcell, Bach und
Rameau. Softcover with
CD. 32
pages. Schott Music
#ED20652-
02. Published by Schott
Music
Edited by Keith Snell. For Saxophone. Woodwind - Saxophone Method or Collection....(+)
Edited by Keith Snell.
For Saxophone. Woodwind -
Saxophone Method or
Collection. Belwin Master
Solos. Level: Easy. Book.
16 pages. Published by
Alfred Publishing.