1. Entrée - 2. Fugue - 3. Menuet - 4. Passepied - 5. Air - 6. Final. Par RUEFF JANINE. Concert En Quatuor by Jeanine Rueff is a piece for four Saxophones (Bb Soprano, Eb Alto, Bb Tenor, Eb Baritone). This edition features all the scores, including the conductor's. Very difficult, it is dedicated to the ; Marcel Mule Quartet. Divided into six parts and lasting 17'30 minutes, this work is really melodious and contains a fugue, minuet and a passepied: 1. Entree & Largo (4/4) 2. Fugue & Allegretto (2/4) 3. Menuet - Andantino (5/4) 4. Passepied & Allegreto (3/8) 5. Air & Largo (4/4) 6. Final en forme de Rondo & Presto (2/4) Jeanine Rueff composed numerous pieces for Saxophones often used in contests, as well as many pieces for Saxhorn, Clarinet, Horn and Cornet./ Répertoire / 4 Saxophones

Six Pieces by Fritz Kreisler Transcribed for Alto Saxophone and Piano. Par KREISLER FRITZ. Fritz Kreisler (1875-1962) was celebrated as one of the greatest violinists of all time. His brilliant technique and rich tone produced a characteristic sound that was and remains immediately identifiable. This collection features six pieces that Kreisler composed or transcribed for violin and piano, here transcribed for alto saxophone and piano. Especially well known are the original pieces Liebesleid and Schon Rosmarin, both of which Kreisler attributed to the now-forgotten composer Joseph Lanner. Caprice Viennois and Rondino on a Theme of Beethoven are likewise original pieces from early in Kreisler's career, which he would regularly feature as concert encores. The Old Refrainand Midnight Bells are transcriptions, the former of a Viennese popular song and the latter of an excerpt from the operetta Der Opernball by Richard Heuberger. In these six transcriptions, the instrument changes, yet the value remains. Fritz Kreisler (1875-1962) was celebrated as one of the greatest violinists of all time. His brilliant technique and rich tone produced a characteristic sound that was and remains immediately identifiable. This collection features six pieces that Kreisler composed or transcribed for violin and piano, here transcribed for alto saxophone and piano. Especially well known are the original pieces Liebesleid and Schon Rosmarin, both of which Kreisler attributed to the now-forgotten composer Joseph Lanner. Caprice Viennois and Rondino on a Theme of Beethoven are likewise original pieces from early in Kreisler's career, which he would regularly feature as concert encores. The OldRefrainand Midnight Bells are transcriptions, the former of a Viennese popular song and the latter of an excerpt from the operetta Der Opernball by Richard Heuberger. In these six transcriptions, the instrument changes, yet the value remains./ Répertoire / Saxophone Alto et Piano