A Proven Method to Increase Technique and Become a Complete Saxophonist. Par MAINELLA NICK. Your warm-up time is a precious thing. It can get you off to a great day of practicing or it can set you back every time you pick up your instrument. Learning the correct way to warm up will benefit every part of your playing and send you on your way to mastering the saxophone! This book is the product of the last 10 years of building my warm-up routine and will teach you my proven method guaranteed to improve your playing by leaps and bounds. The exercises in this book are designed specifically for the range of the saxophone and address some of the most common problems that people who play this instrument run into. The main areas of study in this method are: 1. Sound Concepts 2. Scales and Arpeggios 3. Working with a Metronome 4. How to Structure Your Time A good day starts off on the right foot and a good practice session starts off with a quality warm-up. Treat your warm-up time with the care and precision that a brass player or drummer does, and turn a repetitive routine into a new one which challenges you every day. / Niveau : 3 / Formation musicale / Date parution : 2018-05-04/ Etude / Saxophone

The Grade By Grade series draws on the rich and varied Boosey and Hawkes catalogue of classical, contemporary and educational repertoire, highlighting composers including Serge Prokofieff, Dmitri Shostakovich, Karl Jenkins, Carol Barratt and Christopher Norton, alongside arrangements of traditional music from around the world by Peter Wastall, Vera Gray and others. Carefully selected by Janet Way, this practical anthology provides the complete repertoire resource for the aspiring Grade 3 saxophonist and creates the perfect package for teaching, exam preparation and performance. Each volume contains:19 pieces and short studies, each complemented by a useful practice and performance tipgrade-appropriate scales and arpeggios linked to the repertoire through bespoke text and exercisesbrand new sight-reading activitiesnewly-commissioned aural awareness tasksa piano accompaniment bookletPackaged with a CD of full performance demonstrations, piano backing tracks, and grade-appropriate aural awareness resources. Janet Way is an experienced performer and teacher. She is a tutor for the LRAM woodwind teaching course at the Royal Academy of Music, and has worked as a mentor and diploma examiner for the Associated Board of the Royal Schools of Music. She is founder and director of the internationally-acclaimed Oxford Flute Summer School. / Saxophone Alto Et Piano

für 1 - 2 Saxophone. Par RAE JAMES. A collection of twenty-one easy progressive studies for the beginner and suitable for all saxophones. An optional teacher's part is included designed to give support and encouragement in the lesson. Each study has, on its facing page, clearly defined objectives with tips for successfully acquiring specific skills and space is provided for the teacher's comments for the pupil's easy reference when practising at home. Pupil/teacher warm-up exercises precede each piece. • 21 studies for the beginner establishing good habits in the early stages • Each piece has clearly defined objectives with tips provided for successfully acquiring specific skills • Pupil and teacher warm-up exercises are provided with each piece • A second part for the teacher is included to give support and encouragement to the pupil in the lesson • Space is provided for teacher's notes alongside each piece for the pupil's easy reference when practising at home • The pieces, when played on Eb saxophones, are compatible with those in Step by Step Clarinet (UE 21 615) providing opportunities for duet playing./ Etude / Saxophone

One of the most often performed works in the repertoire for oboists. In this edition for saxophone the arranger has included a decorated melodic line for the second movement and provides a good study of Baroque ornamentation. / Saxophone (S/T) Et Piano

The complete resource for the Grade 4 saxophonist. Par . La série Grade By Grade (De degré par degré) explore le catalogue riche et diversifié des répertoires classique, contemporain et pédagogique dont dispose Boosey and Hawkes et met l?accent sur des compositeurs tels que Serge Prokofiev, Dimitri Chostakovitch, Karl Jenkins, Carol Barratt et Christopher Norton, à côté d?arrangements de musiques traditionnelles du monde entier réalisé, entre autres, par Peter Wastall et Vera Gray. Compilée minutieusement par Janet Way, cette anthologie pratique fournit un répertoire complet à l?apprenti saxophoniste de niveau 4 et constitue un ensemble idéal regroupant démarche pédagogique, préparation aux examens et pièces de concert. Chaque volume contient : un choix de morceaux, et d?études brèves, complété de conseils pour la pratique et l?interprétation les gammes et arpèges correspondent au répertoire de chaque niveau détaillés dans des exercices spécifiques de tous nouveaux exercices de déchiffrage e d?improvisation des pratiques inédites de formation auditive un cahier d?accompagnements de piano Des démonstrations interprétatives complètes, des pistes d?accompagnement de piano et des ressources de sensibilisation auditive pour différents niveaux sont disponibles en streaming ou téléchargement. nterprète réputée et pédagogue émérite, Janet Way est professeur à la section LRAM (Licenciate of the Royal Academy of Music) du département des bois de la Royal Academy of Music. Elle a exercé les fonctions de conseillère et d?examinatrice de l?Associated Board of the Royal Schools of Music. Elle dirige l?Oxford Flute Summer School (Académie d?été de flûte d?Oxford) de renommée mondiale, dont elle est la fondatrice. / Niveau : Facile / Date parution : 2024-01-06/ Recueil / Saxophone Alto et Piano

The mastery of scales and scale patterns has long been established as the best way to improve technical abilities on all instruments. The Complete Scale Compendium focuses on what is most common in the study of classical music: core major and minor scales, as well as chromatic, pentatonic, whole-tone, and blues scales. Students will learn the construction of these scales while practicing unique patterns, enriching their technique. Specific slurs and articulations have been left off of the exercises so that a multitude of different articulation and slur patterns can be used. The exercises are presented in two ways: by scale pattern and by key. / Saxophone Et Alto