Composed by Anthony Newley, Leslie Bricusse. For voice and piano. From the Broadway musical. Format: piano/vocal/chords songbook. With vocal melody, piano accompaniment, lyrics and chord names. Broadway and Vocal Standards. Series: Hal Leonard Richmond Music. 46 pages. 9x12 inches. Published by Hal Leonard.

For clarinet. Format: clarinet solo book (excerpts only). Baroque, Classical Period and Romantic Period. 64 pages. 9x12 inches. Published by Music Sales. (MS.AM84161) A selection of all the best known tunes and themes in the classical repertoire, carefully edited for clarinet solo. Includes works by Mozart, Bach, Beethoven, Chopin, and many more great composers.

For flute. Format: flute solo book (excerpts only). Baroque, Classical Period and Romantic Period. 64 pages. 9x12 inches. Published by Music Sales. (MS.AM84179) A selection of all the best-known tunes and themes in the classical repertoire, carefully edited for flute solo. Includes works by Mozart, Bach, Beethoven, Chopin, and many more great composers.

For violin. Format: violin solo book (excerpts only). Baroque, Classical Period and Romantic Period. 64 pages. 9x12 inches. Published by Music Sales. (MS.AM84153) A selection of all the best-known tunes and themes in the classical repertoire, carefully edited for violin solo. Includes works by Mozart, Bach, Beethoven, Chopin and many more great composers.

by Stacy Phillips. For fiddle. All styles, fiddle tunes. Level: Multiple Levels. Book. Solos. Size 8.75x11.75. 268 pages. Published by Mel Bay Pub., Inc.

Over 500 One-Liners, Quips, Jokes and Tall Tales. By Kevin Mitchell. Book (not sheet music). Softcover. 122 pages. Published by Symphony Publishing.

(Getting Started on the Piano). Arranged by Pam Wedgwood. For Piano. Book; Piano Collection; Piano Supplemental; Solo. Faber Edition: Classic FM. Masterwork Arrangement; Radio. Early Elementary; Elementary; Late Elementary. Published by Faber Music

250 Songs. By Various. Bass. Blues, Pop, Rock. Softcover. 500 pages. Published by Hal Leonard

Volume 1. Performed by Various. Bass Play-Along. Book & CD Package. With notes and tablature. Size 9x12 inches. 56 pages. Published by Hal Leonard. The Bass Play-Along Series will help you play your favorite songs quickly and easily! Just follow the tab, listen to the CD to hear how the bass should sound, and then play along using the separate backing tracks. The melody and lyrics are also included in the book in case you want to sing, or to simply help you follow along. The audio CD is playable on any CD player. For PC and Mac computer users, the CD is enhanced so you can adjust the recording to any tempo without changing pitch! Songs: Another One Bites the Dust * Badge * Brown Eyed Girl * Come Together * The Joker * Low Rider * Money * Sweet Emotion.

Arranged by Paul Sheftel. Collection for Piano. This comprehensive volume for beginning piano students offers the player 132 original masterpieces from Beethoven to Bartok and covers a wide range of styles. Selected by noted piano pedagogue Paul Sheftel, this collection will offer the beginning student challenging repertoire as well as hours of enjoyment. 157 pages. Published by Carl Fischer.

Concert band - Grade 3

SKU: MH.1-59913-054-8

Composed by Bob Margolis. Suitable for advanced middle school, high school, community and college bands. Conductor score and set of parts. Duration 4:45. Published by Manhattan Beach Music (MH.1-59913-054-8).

ISBN 9781599130545.

Roya l Coronation Dances is the first sequel to the Fanfare Ode & Festival, both being settings of dance music originally arranged by Gervaise in the mid 16th-century (the next sequel is The Renaissance Fair, which uses music of Susato and Praetorius). Fanfare Ode & Festival has been performed by many tens of thousands of students, both in high school and junior high school. I have heard that some of them are amazed that the music they are playing was first played and danced to over 400 years ago. Some students tend to think that music started with Handel and his Messiah to be followed by Beethoven and his Fifth Symphony, with naught in between or before of consequence. Although Royal Coronation Dances is derived from the same source as Fanfare Ode & Festival, they are treated in different ways. I envisioned this new suite programmatically -- hence the descriptive movement titles, which I imagined to be various dances actually used at some long-ago coronation. The first movement depicts the guests, both noble and common, flanked by flag and banner bearers, arriving at the palace to view the majestic event. They are festive, their flags swirling the air, their cloaks brightly colored. In the second movement, the queen in stately measure moves to take her place on the throne as leader and protector of the realm. In the third movement, the jesters of the court entertain the guests with wild games of sport. Musically, there are interesting sonorities to recreate. Very special attention should be given to the tambourine/tenor drum part in the first movement. Their lively rhythms give the movement its power. Therefore they should be played as distinctly and brilliantly as possible. The xylophone and glockenspiel add clarity, but must not be allowed to dominate. Observe especially the differing dynamics; the intent is to allow much buzzing bass to penetrate. The small drum (starting at meas. 29) should be played expressively, with attention to the notated articulations, with the brass light and detached, especially in a lively auditorium. It is of some further interest that the first dance is extremely modal. The original is clearly in G mixolydian mode (scale: G-A-B-C-D-E-F-G). However, other editors might put in F-sharps in many places (changing the piece almost to G major), in the belief that such ficta would have been automatically put in by the 16th-century performers as they played. I doubt it. I have not only eschewed these within the work, but even at the cadences. So this arrangement is most distinctly modal (listen to the F-naturals in meas. 22 and 23, for instance), with all the part-writing as Gervaise wrote it. In the second movement, be careful that things do not become too glued together. In the 16th century this music might have been played by a consort of recorders, instruments very light of touch and sensitive to articulation. Concert band can easily sound heavy, and although this movement has been scored for tutti band, it must not sound it. It is essential, therefore, that you hear all the instruments, with none predominating. Only when each timbre can be heard separately and simultaneously will the best blend occur, and consequently the greatest transparency. So aim for a transparent, spacious tutti sound in this movement. Especially have the flutes, who do this so well, articulate rather sharply, so as to produce a chiffing sound, and do not allow the quarter-notes to become too tied together in the entire band. The entrance of the drums (first tenor, then bass) are events and as such should be audible. Incidentally, this movement begins in F Major and ends in D Minor: They really didn't care so much about those things then. The third movement (one friend has remarked that it is the most Margolisian of the bunch, but actually I am just getting subtler, I hope) again relies upon the percussion (and the scoring) to make its points. Xylophone in this movement is meant to be distinctly audible. Therefore, be especially sure that the xylophone player is secure in the part, and also that the tambourine and toms sound good. This movement must fly or it will sink, so rev up the band and conduct it in 1 for this mixolydian jesting. I suppose the wildly unrelated keys (clarinets and then brass at the end) would be a good 16th-century joke, but to us, our put-up-the-chorus-a-half- step ears readily accept such shenanigans. Ensemble instrumentation: 1 Full Score, 1 Piccolo, 4 Flute 1, 4 Flute 2 & 3, 2 Oboe 1 & 2, 2 Bassoon 1 & 2, 1 Eb Clarinet, 4 Bb Clarinet 1, 4 Bb Clarinet 2, 4 Bb Clarinet 3, 2 Eb Alto Clarinet, 1 Eb Contra Alto Clarinet, 3 Bb Bass & Bb Contrabass Clarinet, 2 Eb Alto Saxophone 1, 2 Eb Alto Saxophone 2, 2 Bb Tenor Saxophone, 2 Eb Baritone Saxophone, 3 Bb Trumpet 1, 3 Bb Trumpet 2, 3 Bb Trumpet 3, 4 Horn in F 1 & 2, 2 Trombone 1, 4 Trombone 2 & 3, 3 Euphonium (B.C.), 2 Euphonium (T.C.), 4 Tuba, 1 String Bass, 1 Timpani (optional), 2 Xylophone & Glockenspiel, 5 Percussion.

Bb Edition. By Various. Fake Book. Pop. Softcover. 456 pages. Published by Hal Leonard

C Instruments. Composed by Various. Fake Book. Softcover. 456 pages. Published by Hal Leonard

By Brandi Carlile. Guitar Chord Songbook. Softcover. 64 pages. Published by Hal Leonard

125 Popular Songs. Composed by Various. Ukulele. Pop, Standards. Softcover. 400 pages. Published by Hal Leonard

For Guitar. This edition: Easy Guitar Tab. Guitar Mixed Folio. The Boomer's Book. Rock. Book. 264 pages. Published by Alfred Music Publishing

SKU: CL.WFR306

Walking Frog Records CD. Walking Frog Records. Play Along. CD. Composed 1999. Walking Frog Records #WFR306. Published by Walking Frog Records (CL.WFR306).

An incredible set utilizing recordings from the 19 volume Gems Of The Concert Band LP record series. These famous recordings were remarkable for the superlative interpretations and masterful performances of Leonard B. Smith and the Detroit Concert Band. Digitally remastered with the clarity of the original performances restored. A top notch band which produced great music... these are fabulous recordings. - Robert Peckham, Windjammers Unlimited Volume 1 - Great Performances Introduction to Act III of Lohengrin; Marche Militaire Francaise; Espana Rhapsody; Shepherd's Hey; Excerpts from Andrea Chenier; Dance of the Tumblers from Snegourotchka; Flight of the Bumblebee; Theme and Variations from Suite No. III; Marche Hongroise Rakoczy; Rhapsodic Dance; Bamboula; Clear Track Polka; Polka and Fugue from Schwanda the Bagpipe Player; Excerpts from Manzoni Requiem Volume 2 - Magnificent Marches Americans We; Chicago Tribune; Mainliner; Music Festival; Official West Point March; Spirit of Independence; The Chimes of Liberty; Valdres; World Events; Barnum and Bailey's Favorite; American Patrol; Jurisprudence; Bombasto; Boston Commandery; March of the Toys; On Jersey Shore; Second Regiment - Connecticut National Guard; The Joker; The March King; Under the Double Eagle; Gate City; Lights Out; American Red Cross March; Entry of the Gladiators; National Emblem March; Volume 3 - Music of the Masters March and Procession of Bacchus fromSylvia; Bacchanale from Samson and Delilah; Italian Polka; Slavonic Dance No. 3; Farandole from L'Arlesienne Suite; Finlandia; Golliwog's Cake Walk; The Kaffir on the Karoo; Fugue a la Gigue; Symphony No. 4 (Finale); Two Norwegian Dances; Hungarian Dance No. 5; Ecossaises; Second Hungarian Rhapsody Volume 4 - Virtuoso Soloists Carnival of Venice; Fantastic Polka; Believe Me; If All Those Endearing Young Charms; Rigoletto: Bella figlia del amore; The Bugler; Through the Air; Bugler's Holiday; Blue Bells of Scotland; Columbian Fantasy; The Bride Elect: An Awkward Complication This; Wood Up Quickstep; The Three Solitaires; The Southern Cross; Bravura Variations; My Heaven of Love; Atlantic Zephyrs; Land of the Free; Sextet: Chi mi frena... Volume 5 - Legendary Overtures Zampa Overture; La Forza del Destino Overture; Light Cavalry Overture; Oberon Overture; Raymond Overture; Ruy Blas Overture; Egmont Overture; Roman Carnival Overture; William Tell Overture.

For Brass Quintet. By Peter Schickele. Brass quintet. For Trumpet I, Trumpet II, Horn, Tenor, Tuba. First performance: Lincoln Center's Avery Fisher Hall on August 12, 1984. Score and parts. 12 pages. Published by Theodore Presser Company.

(For the Later Beginner) Written by Amanda Vick Lethco, Morton Manus, Willard A. Palmer. For piano. Format: piano solo songbook. With introductory text, big note notation, easy piano notation, fingerings, lyrics (on most songs) and illustrations. Solos. Series: Alfred's Basic Piano Library. 48 pages. 9x12 inches. Published by Alfred Publishing.

CD-ROM (Windows and Mac) for clarinet. Series: The Orchestra Musician's CD-ROM Library. 8 pages. Published by CD Sheet Music, LLC.