SSAA and Piano

SKU: HL.14020090

Composed by Thomas Morley. Music Sales America. Classical. Choral Score. Music Sales #NOV510479. Published by Music Sales (HL.14020090).

SATB Choir

SKU: HL.14020089

Composed by Thomas Morley. Music Sales America. Classical. Choral Score. Music Sales #NOV281365. Published by Music Sales (HL.14020089).

6.75x9.75x0.045 inches.

By Thomas Morley; Linda Spevacek. For 3-part mixed choir (SATB), piano (a cappella). Concert. Octavo

Mixed choir (SAATB) - very easy

SKU: HL.49026617

Composed by Thomas Morley. Sheet music. Schott Chorblattreihe (Choral Music). Choral Score. 2 pages. Schott Music #CHBL 362. Published by Schott Music (HL.49026617).

ISBN 9790001019644.

By Morley/Leonard. For 2treble clef. Duration ___ minutes. Published by Frank E. Warren Music Service.

By Thomas Morley (1557-1602). Edited by and arr. Patrick M. Liebergen. Choir Secular. For Opt. Cello (Men's Choir). Choral Octavo; Masterworks. Choral Designs. Madrigal; Masterwork Arrangement; Renaissance. 12 pages. Published by Alfred Music Publishing

Voice & Piano

SKU: ST.LS19

Composed by Anonymous, Nicholas Lanier, Richard Alison, Thomas Campion, Thomas Giles, Thomas Lupo, Thomas Morley, Thomas Robinson, and Tobias Hume. Edited by David Greer. Vocal music. To the Lute, Bandora, Cittern and Lyra Viol. Edited by David Greer. No Lute Tablature is printed. Vocal score. Stainer & Bell Ltd. #LS19. Published by Stainer & Bell Ltd. (ST.LS19).

ISBN 9790220215209.

CONT ENTS

ALISON, Richard
O Lord, turn not away thy face (AATB or AAT)
When we sat in Babylon (AATB or AAT)

ANONYMOUS
But this, and then no more (C - C)
How can the tree but waste (B - B)
Sweet are the thoughts that savour of content (D - F)
Those eyes that set my fancy on a fire (A - B)

CAMPION, Thomas
More now with measur'd sound (Duet: D - E and G - A)
Now hath Flora robb'd her bow'rs (Duet: D - E and D - G)
Woo her and win her (F - E)

GILES, Thomas
Triumph now with joy and mirth (D - D)

HUME, Tobias
Cease, leaden slumber, dreaming (F sharp - F)
Fain would I change that note (D - G)
Soldier's Song: I sing the praise of honour'd wars (G - G)
Tobacco! Tobacco! Sing sweetly for tobacco! (D - F)
What greater grief (D - F)

LANIER, Nicholas
Bring away this sacred tree (D - F)

LUPO, Thomas
Shows and nightly revels (D - E flat)
Time that leads the fatal round (D - E)

MORLEY, Thomas
O grief! e'en on the bud (F - E flat)

ROBINSON, Thomas
Now, Cupid, look about thee (D - G).

SAM choir - Level 2

SKU: CA.316910

Composed by Thomas Morley. Secular choir music. Separate edition with choral collection. Full score. Duration 2 minutes. Carus Verlag #CV 03.169/10. Published by Carus Verlag (CA.316910).

ISBN 9790007154639. Key: G major. Language: English. Text: Morley, Thomas. Text: Thomas Morley.

Concert band - Grade 4

SKU: MH.1-59913-070-X

Composed by Timothy Broege. Suitable for high school, community, and college bands. Conductor score and set of parts. Duration 10:00. Published by Manhattan Beach Music (MH.1-59913-070-X).

ISBN 9781599130705.

Prog ram Notes: Stylistically diverse -- tranquil, spirited pastoral, sensitive, energetic -- exhibiting a remarkable palette, the five movements of SINFONIA IX form a unique symphonic statement. Movement I, Prelude, is about contrasts: A lazy, smooth, motive in brasses alternates with, and then joins, an active and detached motive in woodwinds. The spirited Movement II, Morley's Ghost, is an intricate canonic collage and homage to that venerable theoretician & composer, Thomas Morley. By contrast, movement III, Dialog, speaks in a relaxed, lyrical, and pastoral language as it develops its gently rising and falling motives. Movement IV, Waltz, innocently celebrates the joys of childhood with a lilting melody and rondo form. For the rousing Finale, Movement V begins with a martial call of repeated-notes, heralding a headstrong journey of power and excitement. Like a number of the composer's other works, SINFONIA IX is based on earlier material: A brass sextet, written in 1966 when the composer was nineteen years old, forms the raw material for the first, third and fifth movements, while a later work, Martin's Waltz (a children's piece for flutes and clarinets composed in 1975) is the basis of the fourth movement. The second movement, however, is a fanciful contrapuntal commentary on Thomas Morley's 16th-century canzonet, Fire and Lightning. SINFONIA IX is dedicated to John Raforth, a distinguished band director and music educator at West High School in Madison, Wisconsin. The work was commissioned by his friends and former students, and was completed in 1977. Its first publication some twenty years later is a result of the increasing attention paid by university band directors to the earlier Sinfonias, particularly Sinfonia III (Hymns and Dances); Sinfonia V (Sinfonia Sacra et Profana); and now, Sinfonia IX. Whereas the first two works are wind ensemble compositions that have been championed equally by the concert band, Sinfonia IX is the composer's first college-level Sinfonia written especially for concert band. Ensemble instrumentation: 1 Piccolo, 8 Flute 1-2, 2 Oboe, 1 Eb Clarinet, 4 Bb Clarinet 1, 4 Bb Clarinet 2, 4 Bb Clarinet 3, 3 Bb Bass Clarinet, 2 Bassoon, 4 Eb Alto Saxophone, 2 Bb Tenor Saxophone, 1 Eb Baritone Saxophone, 3 Bb Trumpet 1, 3 Bb Trumpet 2, 3 Bb Trumpet 3, 2 F Horn 1-2, 2 F Horn 3-4, 3 Trombone 1, 3 Trombone 2, 3 Baritone B.C., 2 Baritone T.C., 4 Tuba, 3 String Bass, 2 Timpani, 5 Percussion.

Concert band - Grade 4

SKU: MH.1-59913-071-8

Composed by Timothy Broege. Suitable for high school, community, and college bands. Conductor Full Score. Duration 10:00. Published by Manhattan Beach Music (MH.1-59913-071-8).

ISBN 9781599130712.

Prog ram Notes: Stylistically diverse -- tranquil, spirited pastoral, sensitive, energetic -- exhibiting a remarkable palette, the five movements of SINFONIA IX form a unique symphonic statement. Movement I, Prelude, is about contrasts: A lazy, smooth, motive in brasses alternates with, and then joins, an active and detached motive in woodwinds. The spirited Movement II, Morley's Ghost, is an intricate canonic collage and homage to that venerable theoretician & composer, Thomas Morley. By contrast, movement III, Dialog, speaks in a relaxed, lyrical, and pastoral language as it develops its gently rising and falling motives. Movement IV, Waltz, innocently celebrates the joys of childhood with a lilting melody and rondo form. For the rousing Finale, Movement V begins with a martial call of repeated-notes, heralding a headstrong journey of power and excitement. Like a number of the composer's other works, SINFONIA IX is based on earlier material: A brass sextet, written in 1966 when the composer was nineteen years old, forms the raw material for the first, third and fifth movements, while a later work, Martin's Waltz (a children's piece for flutes and clarinets composed in 1975) is the basis of the fourth movement. The second movement, however, is a fanciful contrapuntal commentary on Thomas Morley's 16th-century canzonet, Fire and Lightning. SINFONIA IX is dedicated to John Raforth, a distinguished band director and music educator at West High School in Madison, Wisconsin. The work was commissioned by his friends and former students, and was completed in 1977. Its first publication some twenty years later is a result of the increasing attention paid by university band directors to the earlier Sinfonias, particularly Sinfonia III (Hymns and Dances); Sinfonia V (Sinfonia Sacra et Profana); and now, Sinfonia IX. Whereas the first two works are wind ensemble compositions that have been championed equally by the concert band, Sinfonia IX is the composer's first college-level Sinfonia written especially for concert band. Ensemble instrumentation: 1 Piccolo, 8 Flute 1-2, 2 Oboe, 1 Eb Clarinet, 4 Bb Clarinet 1, 4 Bb Clarinet 2, 4 Bb Clarinet 3, 3 Bb Bass Clarinet, 2 Bassoon, 4 Eb Alto Saxophone, 2 Bb Tenor Saxophone, 1 Eb Baritone Saxophone, 3 Bb Trumpet 1, 3 Bb Trumpet 2, 3 Bb Trumpet 3, 2 F Horn 1-2, 2 F Horn 3-4, 3 Trombone 1, 3 Trombone 2, 3 Baritone B.C., 2 Baritone T.C., 4 Tuba, 3 String Bass, 2 Timpani, 5 Percussion.

Choral TBB chorus

SKU: CF.CM9638

Composed by John Bennet. Arranged by Russell L. Robinson. Fold. Performance Score. 4 pages. Duration 2 minutes. Carl Fischer Music #CM9638. Published by Carl Fischer Music (CF.CM9638).

ISBN 9781491157107. UPC: 680160915668. 6.875 x 10.5 inches. Key: A minor. English, English. Original.

Robinson' s TBB arrangement of this beloved Bennett madrigal, originally published for four voices in 1599, has been changed from the original key of A minor to the key of D minor, making the ranges and texture more characteristic for TBB voices. A wonderful concert or festival staple piece!.
Weep, O Mine Eyes is a classic madrigal from the Renaissance period (circa 1400-1650). Although John Bennet's exact birth and death dates are unknown, we know that he was English and composed madrigals (non-sacred a cappella pieces) in the late 16th - early 17th centuries. Although, Bennet was not as prolific as other madrigal writers of the time, such as Thomas Morley, Weep, O Mine Eyes has certainly stood the test of time. Originally published in a book of 17 madrigals for four voices in 1599, this arrangement for TBB voices has been changed from the original key of A minor to the key of D minor, making the ranges and texture more characteristic for TBB voices. The original flavor of Bennet's four-part setting has been preserved, including the counterpoint (independent voices) where each voice is of equal importance. In Renaissance style no parts should over sing; the beauty of the melodic lines and text should come through and over singing will take away from the beauty. The EE vowel is sometimes problematic in the word weep. I suggest that you produce the EE vowel with OO on the lips and EE inside the mouth for better blend and to avoid a horizontal spreading of the vowel. Enjoy this wonderful madrigal!.
Weep, O Mine Eyes is a classic madrigal from the Renaissance period (circa 1400-1650). Although John Bennet's exact birth and death dates are unknown, we know that he was English and composed madrigals (non-sacred a cappella pieces) in the late 16th - early 17th centuries. Although, Bennet was not as prolific as other madrigal writers of the time, such as Thomas Morley, Weep, O Mine Eyes has certainly stood the test of time.Originally published in a book of 17 madrigals for four voices in 1599, this arrangement for TBB voices has been changed from the original key of A minor to the key of D minor, making the ranges and texture more characteristic for TBB voices.The original flavor of Bennet's four-part setting has been preserved, including the counterpoint (independent voices) where each voice is of equal importance. In Renaissance style no parts should over sing; the beauty of the melodic lines and text should come through and over singing will take away from the beauty.The EE vowel is sometimes problematic in the word weep. I suggest that you produce the EE vowel with OO on the lips and EE inside the mouth for better blend and to avoid a horizontal spreading of the vowel.Enjoy this wonderful madrigal!

Composed by Georges Brassens, Alain Langree. Collection. Secular. Choir part. 160 pages. Published by Editions a Coeur Joie (CJ.A135300725).

SSATB choir - Intermediate

SKU: GI.G-7026

Composed by Thomas Morley. Edited by Gerald Custer. Evoking Sound. Music Education. Octavo. 4 pages. GIA Publications #7026. Published by GIA Publications (GI.G-7026).

UPC: 785147702603. English. Text Source: No. IV from The First Booke of Balletts to Five Voyces, 1595. Text by Thomas Morley.

Text Source: No. IV from The First Booke of Balletts to Five Voyces, 1595.

By Thomas Morley (1557-1602). Arranged by Thomas Morley. For Clarinet Trio. Grade 2. Published by JPM Music Publications

Mixed Voices (SSTTB/SMTTB/SSATB)

SKU: HL.50511055

Composed by Thomas Morley. EMB. Choral Works. Part. 30 pages. Editio Musica Budapest #Z12985. Published by Editio Musica Budapest (HL.50511055).

ISBN 9790080129852. UPC: 073999088410. 6.75x9.5x0.09 inches. English. Thomas Morley; Janos Dobra.

Upper Voices (EQUAL VOICES) - Grade 2

SKU: HL.50487662

Composed by Thomas Morley. EMB. Choral Works. Book Only. Duration 2 min. Editio Musica Budapest #Z13570. Published by Editio Musica Budapest (HL.50487662).

ISBN 9790080135709. B/5 (17x24) inches. Hungarian, English. Thomas Morley; Laszlo Lukin; Miklos Forrai.

SATB choir

SKU: GH.GE-11340

Composed by Thomas Morley. Octavo. With Language: Latin. Gehrmans Musikforlag #GE 11340. Published by Gehrmans Musikforlag (GH.GE-11340).

185 x 262 mm inches. Text: from the Ordinary mass.

En enklare sats for SATB av den engelska kompositoren Thomas Morley (1557-1602). Pianostamma for instuderingshjalp finns i utgavan.

Choir

SKU: ST.EC38

Composed by Thomas Morley. Edited by John Morehen. Library Volumes. Edited by John Morehen. First published in 1991. Pages: 160. Format: Paperback. Dimensions (mm): 254 x 177 x 10. Choral Score. Stainer & Bell Ltd. #EC38. Published by Stainer & Bell Ltd. (ST.EC38).

ISBN 9790220211232.

Thom as Morley wrote verse and full anthems, preces and responses, a setting of the Burial Service (though of disputed authenticity), festal psalms and metrical psalm-tune harmonisations. This substantial and varied corpus of church music is a fascinating record of a most influential composer of the Elizabethan period.

Choir Secular (Men's Choir)

SKU: AP.43293

Composed by Thomas Morley. Arranged by Russell L. Robinson. Masterworks; Performance Music Ensemble; Single Titles. Alfred Choral Designs. Madrigal; Masterwork Arrangement; Secular. Choral Octavo. 8 pages. Alfred Music #00-43293. Published by Alfred Music (AP.43293).

UPC: 038081488356. English. Michael Grayton.

Introduce madrigal singing with this wonderful edition of the Thomas Morley classic. This new men's choir arrangement sounds full and effectively captures the character and spirit of early music. Suitable for large groups or small ensembles, this excellent teaching piece will be a staple of your choral library.

About Alfred Choral Designs

Th e Alfred Choral Designs Series provides student and adult choirs with a variety of secular choral music that is useful, practical, educationally appropriate, and a pleasure to sing. To that end, the Choral Designs series features original works, folk song settings, spiritual arrangements, choral masterworks, and holiday selections suitable for use in concerts, festivals, and contests.

Choir Secular (SATB choir)

SKU: AP.47596

Composed by Michael Larkin. Performance Music Ensemble; Single Titles. Alfred Choral Designs. Madrigal; Secular. Choral Octavo. 12 pages. Alfred Music #00-47596. Published by Alfred Music (AP.47596).

UPC: 038081542898. English. Words by William Shakespeare; Thomas Morley.

Featuring text by William Shakespeare and references to Thomas Morley's madrigal Now Is the Month of Maying, this playful contemporary choral celebrates young love with sparkling vocal counterpoint. A satisfying yet supportive piano part and some delightful vocal interplay provide many moments of challenge and interest. Fitting for concert or contest.

About Alfred Choral Designs

Th e Alfred Choral Designs Series provides student and adult choirs with a variety of secular choral music that is useful, practical, educationally appropriate, and a pleasure to sing. To that end, the Choral Designs series features original works, folk song settings, spiritual arrangements, choral masterworks, and holiday selections suitable for use in concerts, festivals, and contests.

Guitar

SKU: HL.48182387

Composed by Thomas Morley. Leduc. Classical. Softcover. 4 pages. Alphonse Leduc #AL23573. Published by Alphonse Leduc (HL.48182387).

UPC: 888680830137. 9.5x12.25 inches.

Thomas Morley: Nancie (coll. Guitare No.9) (Guitar solo).

SATB choir

SKU: ST.EM41

Composed by Giovanni Croce. Edited by John Morehen. Library Volumes. Edited by John Morehen. Paperback. Madrigals. Choral Score. Stainer & Bell Ltd. #EM41. Published by Stainer & Bell Ltd. (ST.EM41).

ISBN 9790220220456.

Croc e's madrigal style may be compared to that of Thomas Morley, and the Musica Sacra settings of the seven penitential psalms, set for six voices and published by Thomas East, were hugely popular in England. They were spoken of admiringly not only by Morley himself, but also by John Dowland and Henry Peacham.

CONTENTS
Blessed are they whose faults so oft forbidden (Psalm 32) (SATTTB)
From profound centre of my heart (Psalm 130) (SSATTB)
Lord, in thine anger do no more reprove me (Psalm 38) (SSATTB)
Lord, in thy wrath reprove me not severely (Psalm 6) (SATTTB)
Hearken, Lord, unto mine humble plainings (Psalm 102) (SATTTB)
Listen, O Lord, unto my prostrate prayer (Psalm 143) (SSATTB)
Shew mercy, Lord, on me (Psalm 51) (SSATTB).

Orchestra - Grade 3

SKU: AP.41238

Composed by John Farmer and Thomas Morley. Arranged by Bud Caputo. MakeMusic Cloud; Masterworks; Performance Music Ensemble; Single Titles; String Orchestra. Highland/Etling String Orchestra. Form: Suite; Transcription. Masterwork Arrangement; Renaissance. Score and Part(s). 148 pages. Highland/Etling #00-41238. Published by Highland/Etling (AP.41238).

UPC: 038081483689. English.

In keeping with the efforts of developing a curriculum that fosters Comprehensive Musicianship, this string orchestra arrangement of three of the most popular Renaissance madrigals, will provide your students with a peak into this period of music history that is frequently overlooked. Now Is the Month of Maying, Sing We and Chant It, both by Thomas Morley, and Fair Phyllis, by John Farmer, are basic choral repertoire found in most high school and college full SATB and madrigal ensembles. The string ensemble may perform the arrangement alone with the added Renaissance style percussion. Or, better yet, why not enhance the performance by adding an SATB chorus thereby sharing the stage with your school's most advanced choral ensemble? (5:00) This title is available in MakeMusic Cloud.