By Jascha Heifetz. By Peter Ilyich Tchaikovsky (1840- 1893). Edited by Endre G...(+)
By Jascha Heifetz. By
Peter
Ilyich Tchaikovsky (1840-
1893). Edited by Endre
Granat. LKM Music.
Softcover.
Lauren Keiser Music
Publishing #S511034.
Published by Lauren
Keiser
Music Publishing
Lotus Land was undoubtedly the work for which Scott is best known. Written in 19...(+)
Lotus Land was
undoubtedly the work for
which Scott is best
known. Written in 1905,
Lotus Land achieved great
popularity and was
arranged for a vast array
of instruments. It is a
dreamy, impressionistic
piece and extremely
innovative for its era.
Cyril Scott was a British
composer active from the
very late 19th century
and through the 20th
whose work could be
termed late Romantic with
elements of impressionism
with free use of exotic
harmonies. Scott was an
extremely prolific
composer who left more
than four hundred works
ranging from symphonies,
operas and concertos to
many works for smaller
ensembles, solo
instruments and short
songs.Virtuoso Violinist
Fritz Kreislerwas the
premier Violinist of his
day and, some believe,
the greatest Violinist of
all time. In addition to
his original
compositions, Kreisler
often transcribed or
arranged the work of
other composers
("A Violin Method That's Fun for Both Children and Adults, Includes Classical an...(+)
("A Violin Method That's
Fun for Both Children and
Adults, Includes
Classical and Popular
Melodies You Know and
Love!"). By Janice Tucker
Rhoda. For violin. CD
contains piano
accompaniments as audio
and printable PDF; Also
includes complete
performances.
Instructional.
Instructional book and
CD. Published by Carl
Fischer
Jascha Heifetz Version. By Jascha Heifetz. By Niccolò Paganini. LKM Music. ...(+)
Jascha Heifetz Version.
By
Jascha Heifetz. By
Niccolò
Paganini. LKM Music.
Softcover. 52 pages.
Lauren
Keiser Music Publishing
#S510013. Published by
Lauren Keiser Music
Publishing
For Violin Solo. Composed by Pierre Rode (1773-1830). Edited by Friedemann Ei...(+)
For Violin Solo. Composed
by
Pierre Rode (1773-1830).
Edited by Friedemann
Eichhorn and Norbert
Gertsch. Henle Music
Folios.
Classical. Softcover. G.
Henle #HN1186. Published
by
G. Henle
Chamber Music String Quartet - Advanced SKU: PR.114414200 For String Q...(+)
Chamber Music String
Quartet - Advanced
SKU: PR.114414200
For String
Quartet. Composed by
James Matheson. Sws each.
Contemporary. Set of
Score and Parts. With
Standard notation.
Composed February 10
1998. 24+8+8+8+8 pages.
Duration 13 minutes.
Theodore Presser Company
#114-41420. Published by
Theodore Presser Company
(PR.114414200).
ISBN
9781491111284. UPC:
680160594719. 9x12
inches.
Composed
for violinist Baird
Dodge, James Matheson's
SPIN is a three-movement
study in various meanings
of the word spin. I. Gyre
has the character of a
whimsically spinning
object in a sort of
arena. II. Web is
essentially a slow
movement. It explores a
nearly static, sinewy
texture comprised of
slowly undulating chords
in which snippets of
melody emerge from the
notes held while the
chords disappear. Similar
to the first movement,
III. Spiral explores a
kinetic notion of
spinning, this time in
the form of rapidly
rising scales. SPIN
was composed in early
1998. Each of the
work’s three
movements assumes the
task of exploring a
different meaning of the
title.The first movement,
Gyre (as in gyroscope),
has the character of a
whimsically spinning
object in a sort of arena
– spinning and
bouncing off the walls
(like a spinning penny,
which bounces off of an
object unpredictably and
with somewhat explosive
force). The primary
musical idea consists of
high harmonics in the
violins set against a
rocking pulse in the
lower strings. This basic
texture is explored in
various guises as the
movement progresses.Web
is essentially a slow
movement. It explores a
nearly static, sinewy
texture comprised of
slowly undulating chords.
Snippets of melody emerge
from the notes held while
the chords disappear. The
music intensifies,
leading to an expected
climax (or anti-climax)
of pizzicatos, before
returning to the opening
material and winding
gently to a close.Like
Gyre, the third movement,
Spiral, explores a
kinetic notion of
spinning, this time in
the form of rapidly
rising scales. The formal
idea of this movement,
however, has the
character of a spiral,
with its tendency toward
implosion.SPIN was
written for violinist
Baird Dodge.
Violin SKU: HL.48180644 For Violin and Piano. Composed by Rodolphe...(+)
Violin
SKU:
HL.48180644
For
Violin and Piano.
Composed by Rodolphe
Kreutzer. Leduc.
Classical. Softcover. 8
pages. Alphonse Leduc
#AL18431. Published by
Alphonse Leduc
(HL.48180644).
UPC:
888680828950. 9x12
inches.
Parisian
violinist, Georges
Catherine (1872-1958)
compiles an exciting
collection for the violin
repertoire. The first
solo from Kreutzer's
Concerto No. 1 is clearly
printed with a helpful
key of unusual
techniques. Kreutzer
(1766-1831) was a French
violinist, teacher,
conductor and composer.
He composed a significant
forty operas and nineteen
violin concertos. The
violin solo line of
Concerto No. 1 makes use
of extended techniques,
including harmonics, bow
techniques, aritculations
and double stops.
Catherine's series,
First Solos Extracted
from the Classic
Concertos provides
essential access to
significant repertoire of
the violin, preparing
advanced violinists for
the major concertos.
Selections from the Student Repertoire. By Barbara Barber and Trudi Post. String...(+)
Selections from the
Student Repertoire. By
Barbara Barber and Trudi
Post. String - Violin
Studies or Collection;
Suzuki. Solos for Young
Violinists. CD. Alfred
Music #00-8015. Published
by Alfred Music
Piano; Violin (violin/piano) SKU: HL.48180635 For Violin and Piano...(+)
Piano; Violin
(violin/piano)
SKU:
HL.48180635
For
Violin and Piano.
Composed by Georges
Catherine. Leduc.
Classical. CD. Alphonse
Leduc #AL18321. Published
by Alphonse Leduc
(HL.48180635).
Parisian
violinist, Georges
Catherine (1872-1958)
compiles an exciting
collection for the violin
repertoire. The first
solo from Viotti's
Concerto No. 23 is
clearly printed with a
helpful key of unusual
techniques. Viotti
(1755-1824) was an
Italian violin virtuoso.
He composed a significant
29 concertos for the
violin which remain
popular in the advanced
violinist's repertoire.
The violin solo line of
Concerto No. 23 makes use
of extended techniques
including harmonics, bow
techniques, aritculations
and hand positions.
Catherine's series, First
Solos Extracted from the
Classic Concertos
provides essential access
to significant repertoire
of the violin, preparing
advanced violinists for
the major concertos.
Piano, Violin (Violin) SKU: HL.48180637 For Violin and Piano. Comp...(+)
Piano, Violin (Violin)
SKU: HL.48180637
For Violin and
Piano. Composed by
Giovanni Battista Viotti.
Leduc. Classical.
Softcover. 4 pages.
Alphonse Leduc #AL18324.
Published by Alphonse
Leduc (HL.48180637).
UPC: 888680829049.
9x12
inches.
Parisian
violinist, Georges
Catherine (1872-1958)
compiles an exciting
collection for the violin
repertoire. The first
solo from Viotti's
Concerto No. 29 is
clearly printed with a
helpful key of unusual
techniques. Viotti
(1755-1824) was an
Italian violin virtuoso.
He composed a significant
29 concertos for the
violin which remain
popular in the advanced
violinist's repertoire.
The violin solo line of
Concerto No. 29 makes use
of extended techniques,
including harmonics, bow
techniques,
aritculations, fast
semiquavers, and double
stops. Catherine's
series, First Solos
Extracted from the
Classic Concertos
provides essential access
to significant repertoire
of the violin, preparing
advanced violinists for
the major concertos.
Violin and piano SKU: HL.49045822 For violin and piano. Composed b...(+)
Violin and piano
SKU:
HL.49045822
For
violin and piano.
Composed by Vijay Iyer.
This edition: Saddle
stitching. Sheet music.
String Solo. Softcover.
Composed 2015. 72 pages.
Duration 15'. Schott
Music #ED30264. Published
by Schott Music
(HL.49045822).
ISBN
9781540024749. UPC:
888680737764.
9.25x12.0x0.29
inches.
The
Kreutzer Sonata was
originally dedicated not
to Rudolphe Kreutzer (who
never performed it) but
to George Bridgetower, a
famed 18th-century
Afro-European concert
violinist. In an early
draft, Beethoven jokingly
labeled the piece in
starkly racialized terms:
Sonata Mulattica composed
for the mulatto
Brischdauer, big wild
mulatto
composer.Beethoven and
Bridgetower performed the
premiere, which was by
all accounts a success,
and even featuring some
improvised embellishment
by the violinist. While
celebrating afterwards,
the two quarreled about
what Beethoven construed
as Bridgetower's insult
of a female acquaintance;
the composer then revoked
the original dedication,
adding Kreutzer's name
instead. The work gained
acclaim, while
Bridgetower's career
languished; he eventually
died in
poverty.Bridgetower has
been the subject of
considerable research and
speculation, most notably
in poet Rita Dove's book,
Sonata Mulattica. From
our 21st-century vantage,
considering Bridgetower's
unique circumstance, we
can only see him as an
ambiguous figure who, in
embodying difference,
provoked inspiration,
fantasy, desire, anger
and, finally, erasure.My
piece is a collection of
imaginings about George
Bridgetower. It is not
programmatic, but it
takes on an episodic
character, assembled from
contrasting fragments.
The dance rhythms,
recurring figures and
gestural contours are
intended to feature the
embodied expertise and
expressivity of the
performers, who at times
must access liminal
sounds and execute
complex synchronies. I am
grateful to Jenny Koh and
Shai Wosner for involving
me in their beautiful,
virtuosic
music-making.
Composed by Wolfgang
Amadeus Mozart. Stapled.
Orchester-Bibliothek
(Orchestral Library).
From a letter sent by
Leopold Mozart to his
son, it would appear that
Wolfgang Amadeus
delivered this Adagio as
a single movement to the
Salzburg violinist
Antonio Brunetti in 1776
after Brunetti found the
original middle movement
too scholarly. . Solo
concerto; Classical.
Part. 4 pages. Duration
8'. Breitkopf and Haertel
#OB 4854-19. Published by
Breitkopf and Haertel
(BR.OB-4854-19).
ISBN
9790004323052. 10 x 12.5
inches.
There is
considerable evidence to
support the claim that
the present Adagio in E
major is an alternative
middle movement intended
for the well-known
A-major Violin Concerto
K. 219. Ultimately,
Mozart decided to leave
the work (written in
1775) as it was, without
change.The violin part of
the present edition
contains - also in the
tutti sections - the
upper part of the
orchestra, thus leaving
it up to the soloist to
decide whether he should
pause here or join
in.
From a letter
sent by Leopold Mozart to
his son, it would appear
that Wolfgang Amadeus
delivered this Adagio as
a single movement to the
Salzburg violinist
Antonio Brunetti in 1776
after Brunetti found the
original middle movement
too scholarly..
Violin and orchestra (Solo: vl - 2.2.2.2 - 4.2.0.0 - timp - str) SKU: BR.PB-1...(+)
Violin and orchestra
(Solo: vl - 2.2.2.2 -
4.2.0.0 - timp - str)
SKU: BR.PB-16110
Urtext from the new
Complete Edition (G.
Henle Verlag).
Composed by Johannes
Brahms. Edited by Linda
Correll Roesner and
Michael Struck.
Orchestra; Softbound.
Partitur-Bibliothek
(Score Library). Solo
concerto; Romantic;
Late-romantic. Full
score. 216 pages.
Duration 35'. Breitkopf
and Haertel #PB 16110.
Published by Breitkopf
and Haertel
(BR.PB-16110).
ISBN
9790004214374. 10 x 12.5
inches.
Johannes
Brahms's only violin
concerto, one of the most
important violin
concertos of the 19th
century, is now a central
repertoire piece. This
fact is all the more
notable, as, by his own
account, Brahms
understood all too little
about the instrument. The
concerto was composed at
Worthersee during the
summer of 1878 in
collaboration with Joseph
Joachim, a leading
contemporary violinist.
The solo part is
extremely demanding, with
really unusual
difficulties. This
circumstance did not go
unnoticed by the critics
of the first performance:
Even to Joachim, the
battled-seasoned
wrestler, the technically
difficult and tricky solo
part was to be mastered
only with obvious effort.
Evidencing this close
collaboration between
composer and performer is
not only the work's
genesis and publication
history, together with
its dedication to
Joachim, but also its
solo cadenza. Based on
the New Brahms Complete
Edition, this Urtext
edition includes both the
printed version of
Joachim's cadenza as well
as its shorter version
arranged in 1885 by the
violinist Marie
Soldat.
Composed
by Jonathan Leshnoff.
Sws. Full score. Duration
11 minutes. Leshnoff
Publishing #496-00097.
Published by Leshnoff
Publishing
(PR.496000970).
ISBN
9781491121412. UPC:
680160627684.
Leshn
off has worked closely
with violinist Charles
Wetherbee (1st violinist
with the Carpe Diem
String Quartet) on
several projects.
Wetherbee was soloist for
the premiere of
Leshnoff's Violin
Concerto No. 1 and the
Double Concerto for
Violin and Viola, as well
as in Distant
Reflections. In this
brief work, solo violin,
piano (with percussive
chords), and string
ensemble are enhanced by
an off-stage string
quartet. Tension builds
slowly to a memorable
climactic moment, before
subsiding again to
stillness. Distant
Reflections was recorded
by Wetherbee and the
Baltimore Chamber
Orchestra (Markand
Thakar, conducting) on
the Naxos American
Classics label.
Composed
by Wolfgang Amadeus
Mozart. Orchestra;
Softcover.
Partitur-Bibliothek
(Score Library).
From
a letter sent by Leopold
Mozart to his son, it
would appear that
Wolfgang Amadeus
delivered this Adagio
as a single movement
to the Salzburg violinist
Antonio Brunetti in 1776
after Brunetti found the
original middle movement
too scholarl. Solo
concerto; Classical. Full
score. 8 pages. Duration
8'. Breitkopf and Haertel
#PB 4854. Published by
Breitkopf and Haertel
(BR.PB-4854).
ISBN
9790004206522. 9 x 12
inches.
There is
considerable evidence to
support the claim that
the present Adagio in E
major is an alternative
middle movement intended
for the well-known
A-major Violin Concerto
K. 219. Ultimately,
Mozart decided to leave
the work (written in
1775) as it was, without
change.The violin part of
the present edition
contains - also in the
tutti sections - the
upper part of the
orchestra, thus leaving
it up to the soloist to
decide whether he should
pause here or join
in.
From a letter
sent by Leopold Mozart to
his son, it would appear
that Wolfgang Amadeus
delivered this Adagio as
a single movement to the
Salzburg violinist
Antonio Brunetti in 1776
after Brunetti found the
original middle movement
too scholarly..
(from the orchestral suite BWV 1068). Composed by Johann Sebastian Bach (1685-17...(+)
(from the orchestral
suite BWV 1068). Composed
by Johann Sebastian Bach
(1685-1750). Arranged by
Roman Kim. For violin
solo. Stapled. From the
orchestral suite BWV
1068. Level 4.
Performance score. Text
Language: German/English.
5 pages. Published by
Baerenreiter Verlag
Violin - intermediate SKU: BT.EMBZ8068 Composed by Endre Szervansky, Endr...(+)
Violin - intermediate
SKU: BT.EMBZ8068
Composed by Endre
Szervansky, Endre
Szervánszky, Frigyes
Sandor, Jardanyi, and
Sandor. Method. Book
Only. Composed 1977. 64
pages. Editio Musica
Budapest #EMBZ8068.
Published by Editio
Musica Budapest
(BT.EMBZ8068).
Hungarian-English-Germ
an-French.
Frigyes
Sándor (1905-1979),
violinist, teacher and
conductor. His six-volume
Violin tutor was
published between 1949
and 1959, and has
remained popular ever
since. One reason for its
popularity - in addition
to its methodological
concept may be the fact
that from the very
beginning learners are
given high quality
musical material on which
to master the basic
elements of violin
playing. The musical
material in the volumes
was written specifically
for this tutor by Pál
Járdányi and Endre
Szervánszky apart from
pieces designed for
pedagogical purposes it
includes a wealth of folk
tunes (Hungarian and
other European folk
melodies) graded to suit
each level of difficulty,
andexcerpts representing
different periods in the
history of music.
Die Beliebtheit
der von Frigyes Sándor
(1905-1979), Violinist,
Lehrer und Dirigent
zwischen 1949 und 1959
veröffentlichten
Violinschule in sechs
Bänden ist
ungebrochen. Das
bewährte methodische
Konzept und das von
Anfang an hochwertige
musikalische
Ãœbungsmaterial (von
Pál Járdányi und
Endre Szervánszky)
überzeugen noch heute.
Neben den reinen
Übungsstücken
enthalten die Bände
eine Fülle an
volkstümlichen
Melodien aus ganz Europa
und Stücke aus
verschiedenen Epochen,
jeweils dem
Schwierigkeitsgrad
angepasst.
As performed by Barbara Barber, Trudi Post. By Barbara Barber. Edited by Judi Go...(+)
As performed by Barbara
Barber, Trudi Post. By
Barbara Barber. Edited by
Judi Gowe. Suzuki Violin:
Compact Disc. 4 pages.
Published by Warner
Brothers.
Il Diavolo Violon et Piano SATB, Orchestre Editorial de Musica Boileau
Violin and piano SKU: BO.B.3673 Composed by Jordi Cervello. Published by ...(+)
Violin and piano
SKU:
BO.B.3673
Composed by
Jordi Cervello. Published
by Editorial de Musica
Boileau (BO.B.3673).
It is a work
for violin and piano
inspired directly by
Paganini's Capriccio No.
13, known as La risata
del diavolo and one of
the most renowned
capriccios from the
series of twenty-four
composed by the
celebrated Genovese
violinist and composer.
In my version for violin
and piano, I have singled
out the two essential
features of the work: the
third notes on a double
string that emulate the
devil's laughter, and the
quick eighth notes that
follow, all of it within
a light and humorous
chromaticism.
Il
diavolo begins with a
slow and fragmented but
suggestive violin
cadenza. It then follows
the Allegro deciso, built
on the two features
mentioned above. In the
central part, yet another
violin cadenza of a
similar character but
which recalls the devil's
laughter more evidently.
The Allegro deciso goes
on up to a carefree and
virtuosic
finale.
Violin and piano (reduction) SKU: BO.B.3414 Composed by Jordi Cervello. I...(+)
Violin and piano
(reduction)
SKU:
BO.B.3414
Composed by
Jordi Cervello.
Instrumental Sets.
Duration 12:00. Published
by Editorial de Musica
Boileau (BO.B.3414).
English
comments: Concertino
for violin and string
orchestra was composed in
1993. It is a pleasant
score with a slightly
virtuosic touch written
with the idea of creating
a relaxed atmosphere in
which the soloist and the
orchestra can display
their technique and
expressive capabilities.
It is a work, similar in
lenght to baroque
concertos, and is divided
into three movements,
folowing the conventional
form.: two fast movements
around a slow one. Te
first two movements
-Allegro burlesco and
Adagio cantabile- follow
the ABA pattern. The
third starts with a
-cadenza- by the soloist
which includes thematic
material from the
previous slow movement
linking straight up to
the -Presto- which uses
as its main idea a more
forceful version of the
opening melodic sketch of
the -Allegro burlesco-
converted into three
time. The work was
specially creatied for
the violinist Gerard
Claret and the Orquestra
de Cambra Nacional
d'Andorra. Recordings:
Hermitage
Orchestra-Camerata St.
Petersburg, violin:
Sergey Malov, conductor:
Alexis Soriano. Ensayo
(ENY-2003). Jordi
Cervello
Comenta
rios del
Espanol: Concertino
para violin y orquesta de
cuerda es una obra
compuesta en 1993. Se
trata de una partitura
amable y de cierto toque
virtuosistico cuya
principal preocupacion ha
sido crear una atmosfera
distendida en la que el
solista y la orquesta
puedan desplegar con
espontaneidad sus
capacidades tecnicas y
expresivas. Es una obra
de duracion similar a la
de los conciertos del
barroco y dividida en sus
tres tipicos movimientos.
Dos rapidos enmarcando
uno lento. Los dos
primeros -Allegro
burlesco y Adagio
cantabile- se desarrollan
bajo el esquema ABA. El
tercero inicia con una
-cadenza- del solista que
recoge material tematico
del movimiento lento
precedente para enlazar
sin interrupcion con el
-Presto- que utiliza como
idea principal el dibujo
melodico que abre el
-Allegro burlesco-, pero
mas decidido y a compas
ternario. La obra fue
compuesta expresamente
para el violinista Gerard
Claret y la Orquestra
Nacional de Cambra
d'Andorra. Grabaciones:
Hermitage
Orchestra-Camerata St.
Petersburg, violin
solista: Sergey Malov,
direccion: Alexis
Soriano. Ensayo
(ENY-2003) Jordi
Cervello.
Violin - easy SKU: BT.EMBZ8065 Composed by Endre Szervansky, Endre Szerv...(+)
Violin - easy
SKU:
BT.EMBZ8065
Composed
by Endre Szervansky,
Endre Szervánszky,
Frigyes Sandor, Jardanyi,
and Sandor. Method. Book
Only. Composed 1977. 100
pages. Editio Musica
Budapest #EMBZ8065.
Published by Editio
Musica Budapest
(BT.EMBZ8065).
Hungarian-English-Germ
an-French.
Frigyes
Sándor (1905-1979),
violinist, teacher and
conductor. His six-volume
Violin tutor was
published between 1949
and 1959, and has
remained popular ever
since. One reason for its
popularity - in addition
to its methodological
concept may be the fact
that from the very
beginning learners are
given high quality
musical material on which
to master the basic
elements of violin
playing. The musical
material in the volumes
was written specifically
for this tutor by Pál
Járdányi and Endre
Szervánszky apart from
pieces designed for
pedagogical purposes it
includes a wealth of folk
tunes (Hungarian and
other European folk
melodies) graded to suit
each level of difficulty,
andexcerpts representing
different periods in the
history of music.
Die Beliebtheit
der von Frigyes Sándor
(1905-1979), Violinist,
Lehrer und Dirigent
zwischen 1949 und 1959
veröffentlichten
Violinschule in sechs
Bänden ist
ungebrochen. Das
bewährte methodische
Konzept und das von
Anfang an hochwertige
musikalische
Ãœbungsmaterial (von
Pál Járdányi und
Endre Szervánszky)
überzeugen noch heute.
Neben den reinen
Übungsstücken
enthalten die Bände
eine Fülle an
volkstümlichen
Melodien aus ganz Europa
und Stücke aus
verschiedenen Epochen,
jeweils dem
Schwierigkeitsgrad
angepasst.