SA vocal soli, SATB choir, 2 violins, viola, cello/contrabass, organ SKU: CA....(+)
SA vocal soli, SATB
choir, 2 violins, viola,
cello/contrabass, organ
SKU: CA.3207619
Composed by Wilhelm
Friedemann Bach. Edited
by Peter Wollny. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
Wohl dem, der den Herren
furchtet. Sacred vocal
music. Set of Orchestra
Parts. Composed 1752.
BR-WFB F 19. Duration 15
minutes. Carus Verlag #CV
32.076/19. Published by
Carus Verlag
(CA.3207619).
ISBN
9790007138974. Language:
German.
The cantata
is one of the few
surviving vocal works
which Wilhelm Friedemann
Bach composed during the
eighteen years which he
spent as organist and
director of music at the
Marktkirche in Halle
(1746-1764). This
cantata, published here
for the first time in
more than 250 years, was
written to introduce the
autumn sermons in 1752. A
musically and technically
demanding composition, it
consists of two
substantial choral
movements, partly
concertante and partly
polyphonic, based on two
biblical utterances. They
surround a sensitive,
while at the same time
strictly contrapuntal,
duet for soprano and alto
with basso continuo in
which God's sweet
teaching for the soul is
described as the true
manna of the faithful,
forming a link with the
sermons which are to
follow. In the
compactness of the
musical construction and
its intensity of
expression W. F. Bach was
clearly following in the
footsteps of his father
in this work. Score and
parts available
separately - see item
CA.3207600.
Composed by Wilhelm Friedemann Bach (1710-1784). Edited by Peter Wollny. This ed...(+)
Composed by Wilhelm
Friedemann Bach
(1710-1784). Edited by
Peter Wollny. This
edition: Complete
edition, linen cover.
Wilhelm Friedemann Bach
Complete Edition; Edition
Bach-Archiv Leipzig -
Musical Monuments. German
title: German title:
Duette,Solo-Triosonaten.
Complete edition.
Published by Carus Verlag
Chorus (with soloists) and orchestra (solos: SAB - choir: SATB - 2.0.0.0 - 0.0.0...(+)
Chorus (with soloists)
and orchestra (solos: SAB
- choir: SATB - 2.0.0.0 -
0.0.0.0 - str - bc)
SKU: BR.BV-209
Composed by Johann
Sebastian Bach. Edited by
Hafner,Klaus and Oswald
Bill. Choir; Linen.
Buchverlag Breitkopf &
Hartel (Music Books).
Mass; Baroque. Book. 64
pages. Duration 38'.
Breitkopf and Haertel #BV
209. Published by
Breitkopf and Haertel
(BR.BV-209).
ISBN
9783765102097. 9 x 14.5
inches. German.
The
Publication in facsimile
of the auto graphic copy
of Johann Sebastian
Bach's Mass in A major
BWV 234 at the occasion
of the Bach Anniversary
Year 1985 has been made
possible thanks to the
generous support of the
publishing house which so
carefully preserved this
precious manuscript in
its archives for almost
200 years. The manuscript
was acquired long ago by
Johann Gottlob Immanuel
Breitkopf, the brilliant
and dynamic forefather of
the publishing house
Breitkopf & Hartel, who
conducted a prosperous
business selling music
transcriptions in
Leipzig. It is still
unclear as to how he
obtained the manuscript.
Perhaps it had belonged
to the estate of Wilhelm
Friedemann Bach, from
whom Breitkopf apparently
acquired a part of his
Bach collection. The
earliest reference to the
manuscript's change of
ownership is found in
Breitkopfs Verzeichniss
Musicalischer Werke of
1761, which includes
Bach's Missa, a 2 Flauti,
2 Violini, Viola 4 Voci,
Organo under the listing
of copies of unpublished
compositions. The copy
was available at the
price of 2 thl. (thalers)
12gl. (groschen). A few
years later, in 1769, the
same offer appeared again
together with other works
by Bach or ascribed to
him in the Verzeichniss
lateinischer und
italianischer
Kirchen-Musiken of
Bernhard Christoph
Breitkopf & Sohn. In more
recent times, the work
has been mentioned in
Wilhelm Hitzig's Katalog
des Archivs von Breitkopf
& Hartel, revised in
1925, together with the
continuo part, which was
included with the copy
and which was also
originally written in
Bach's own hand. The
economic reorganization
of the publishing house
Breitkopf & Hartel after
the Second World War made
it necessary to sell the
manuscript together with
other works from the
publisher's archives.
This manuscript was to
have been put up at
auction by the auction
house J. A. Stargardt.
The catalogue, containing
an informative commentary
by Wolfgang Schmieder,
was already printed, but
before the auction could
take place, the land of
Hesse decided to purchase
all the manuscripts, thus
preventing the dispersion
of this valuable
collection. The
manuscript was officially
handed over to the
Hessische Landes- und
Hochschulbibliothek in
Darmstadt on 29 October
1953. The A major Mass is
still preserved there
today, together with its
fellow piece, the Mass in
G major BWV 236.
Chorus (with soloists) and piano (solos: SAB - choir: SATB - 2.0.0.0 - 0.0.0.0 -...(+)
Chorus (with soloists)
and piano (solos: SAB -
choir: SATB - 2.0.0.0 -
0.0.0.0 - str - bc)
SKU: BR.EB-4063
Composed by Johann
Sebastian Bach. Edited by
Salomon Jadassohn.
Arranged by Salomon
Jadassohn. Choir;
Softcover. Edition
Breitkopf. Mass; Baroque.
Piano/Vocal Score. 48
pages. Duration 38'.
Breitkopf and Haertel #EB
4063. Published by
Breitkopf and Haertel
(BR.EB-4063).
ISBN
9790004162224. 7.5 x 10.5
inches.
The
Publication in facsimile
of the auto graphic copy
of Johann Sebastian
Bach's Mass in A major
BWV 234 at the occasion
of the Bach Anniversary
Year 1985 has been made
possible thanks to the
generous support of the
publishing house which so
carefully preserved this
precious manuscript in
its archives for almost
200 years. The manuscript
was acquired long ago by
Johann Gottlob Immanuel
Breitkopf, the brilliant
and dynamic forefather of
the publishing house
Breitkopf & Hartel, who
conducted a prosperous
business selling music
transcriptions in
Leipzig. It is still
unclear as to how he
obtained the manuscript.
Perhaps it had belonged
to the estate of Wilhelm
Friedemann Bach, from
whom Breitkopf apparently
acquired a part of his
Bach collection. The
earliest reference to the
manuscript's change of
ownership is found in
Breitkopfs Verzeichniss
Musicalischer Werke of
1761, which includes
Bach's Missa, a 2 Flauti,
2 Violini, Viola 4 Voci,
Organo under the listing
of copies of unpublished
compositions. The copy
was available at the
price of 2 thl. (thalers)
12gl. (groschen). A few
years later, in 1769, the
same offer appeared again
together with other works
by Bach or ascribed to
him in the Verzeichniss
lateinischer und
italianischer
Kirchen-Musiken of
Bernhard Christoph
Breitkopf & Sohn. In more
recent times, the work
has been mentioned in
Wilhelm Hitzig's Katalog
des Archivs von Breitkopf
& Hartel, revised in
1925, together with the
continuo part, which was
included with the copy
and which was also
originally written in
Bach's own hand. The
economic reorganization
of the publishing house
Breitkopf & Hartel after
the Second World War made
it necessary to sell the
manuscript together with
other works from the
publisher's archives.
This manuscript was to
have been put up at
auction by the auction
house J. A. Stargardt.
The catalogue, containing
an informative commentary
by Wolfgang Schmieder,
was already printed, but
before the auction could
take place, the land of
Hesse decided to purchase
all the manuscripts, thus
preventing the dispersion
of this valuable
collection. The
manuscript was officially
handed over to the
Hessische Landes- und
Hochschulbibliothek in
Darmstadt on 29 October
1953. The A major Mass is
still preserved there
today, together with its
fellow piece, the Mass in
G major BWV 236.
Chorus (with soloists) and orchestra (solos: SAB - choir: SATB - 2.0.0.0 - 0.0.0...(+)
Chorus (with soloists)
and orchestra (solos: SAB
- choir: SATB - 2.0.0.0 -
0.0.0.0 - str - bc)
SKU:
BR.CHB-3477-02
Composed by Johann
Sebastian Bach. Choir;
stapled. Chor-Bibliothek
(Choral Library). Mass;
Baroque. Choral score. 20
pages. Duration 38'.
Breitkopf and Haertel
#ChB 3477-02. Published
by Breitkopf and Haertel
(BR.CHB-3477-02).
ISBN
9790004404218. 6.5 x 9.5
inches.
The
Publication in facsimile
of the auto graphic copy
of Johann Sebastian
Bach's Mass in A major
BWV 234 at the occasion
of the Bach Anniversary
Year 1985 has been made
possible thanks to the
generous support of the
publishing house which so
carefully preserved this
precious manuscript in
its archives for almost
200 years. The manuscript
was acquired long ago by
Johann Gottlob Immanuel
Breitkopf, the brilliant
and dynamic forefather of
the publishing house
Breitkopf & Hartel, who
conducted a prosperous
business selling music
transcriptions in
Leipzig. It is still
unclear as to how he
obtained the manuscript.
Perhaps it had belonged
to the estate of Wilhelm
Friedemann Bach, from
whom Breitkopf apparently
acquired a part of his
Bach collection. The
earliest reference to the
manuscript's change of
ownership is found in
Breitkopfs Verzeichniss
Musicalischer Werke of
1761, which includes
Bach's Missa, a 2 Flauti,
2 Violini, Viola 4 Voci,
Organo under the listing
of copies of unpublished
compositions. The copy
was available at the
price of 2 thl. (thalers)
12gl. (groschen). A few
years later, in 1769, the
same offer appeared again
together with other works
by Bach or ascribed to
him in the Verzeichniss
lateinischer und
italianischer
Kirchen-Musiken of
Bernhard Christoph
Breitkopf & Sohn. In more
recent times, the work
has been mentioned in
Wilhelm Hitzig's Katalog
des Archivs von Breitkopf
& Hartel, revised in
1925, together with the
continuo part, which was
included with the copy
and which was also
originally written in
Bach's own hand. The
economic reorganization
of the publishing house
Breitkopf & Hartel after
the Second World War made
it necessary to sell the
manuscript together with
other works from the
publisher's archives.
This manuscript was to
have been put up at
auction by the auction
house J. A. Stargardt.
The catalogue, containing
an informative commentary
by Wolfgang Schmieder,
was already printed, but
before the auction could
take place, the land of
Hesse decided to purchase
all the manuscripts, thus
preventing the dispersion
of this valuable
collection. The
manuscript was officially
handed over to the
Hessische Landes- und
Hochschulbibliothek in
Darmstadt on 29 October
1953. The A major Mass is
still preserved there
today, together with its
fellow piece, the Mass in
G major BWV 236.
Chorus (with soloists) and orchestra (solos: SAB - choir: SATB - 2.0.0.0 - 0.0.0...(+)
Chorus (with soloists)
and orchestra (solos: SAB
- choir: SATB - 2.0.0.0 -
0.0.0.0 - str - bc)
SKU: BR.BV-217
Composed by Johann
Sebastian Bach. Choir;
Linen. Buchverlag
Breitkopf & Hartel (Music
Books). Mass; Baroque.
Book. 64 pages. Duration
38'. Breitkopf and
Haertel #BV 217.
Published by Breitkopf
and Haertel (BR.BV-217).
ISBN 9783765102172. 9
x 14.5 inches.
English.
The
Publication in facsimile
of the auto graphic copy
of Johann Sebastian
Bach's Mass in A major
BWV 234 at the occasion
of the Bach Anniversary
Year 1985 has been made
possible thanks to the
generous support of the
publishing house which so
carefully preserved this
precious manuscript in
its archives for almost
200 years. The manuscript
was acquired long ago by
Johann Gottlob Immanuel
Breitkopf, the brilliant
and dynamic forefather of
the publishing house
Breitkopf & Hartel, who
conducted a prosperous
business selling music
transcriptions in
Leipzig. It is still
unclear as to how he
obtained the manuscript.
Perhaps it had belonged
to the estate of Wilhelm
Friedemann Bach, from
whom Breitkopf apparently
acquired a part of his
Bach collection. The
earliest reference to the
manuscript's change of
ownership is found in
Breitkopfs Verzeichniss
Musicalischer Werke of
1761, which includes
Bach's Missa, a 2 Flauti,
2 Violini, Viola 4 Voci,
Organo under the listing
of copies of unpublished
compositions. The copy
was available at the
price of 2 thl. (thalers)
12gl. (groschen). A few
years later, in 1769, the
same offer appeared again
together with other works
by Bach or ascribed to
him in the Verzeichniss
lateinischer und
italianischer
Kirchen-Musiken of
Bernhard Christoph
Breitkopf & Sohn. In more
recent times, the work
has been mentioned in
Wilhelm Hitzig's Katalog
des Archivs von Breitkopf
& Hartel, revised in
1925, together with the
continuo part, which was
included with the copy
and which was also
originally written in
Bach's own hand. The
economic reorganization
of the publishing house
Breitkopf & Hartel after
the Second World War made
it necessary to sell the
manuscript together with
other works from the
publisher's archives.
This manuscript was to
have been put up at
auction by the auction
house J. A. Stargardt.
The catalogue, containing
an informative commentary
by Wolfgang Schmieder,
was already printed, but
before the auction could
take place, the land of
Hesse decided to purchase
all the manuscripts, thus
preventing the dispersion
of this valuable
collection. The
manuscript was officially
handed over to the
Hessische Landes- und
Hochschulbibliothek in
Darmstadt on 29 October
1953. The A major Mass is
still preserved there
today, together with its
fellow piece, the Mass in
G major BWV 236.
Viola SKU: BR.OB-5293-19 Book 1. Composed by Wolfgang Amadeus Moza...(+)
Viola
SKU:
BR.OB-5293-19
Book
1. Composed by
Wolfgang Amadeus Mozart.
Edited by Johann Nepomuk
David. Stapled.
Orchester-Bibliothek
(Orchestral Library).
The Six Three-Part
Preludes and Fugues are
regarded as a unique
testimony to Mozart's
profound interest in the
works of Bach.
Classical period. Part.
KV 404a, Nos. 1-3. 12
pages. Breitkopf and
Haertel #OB 5293-19.
Published by Breitkopf
and Haertel
(BR.OB-5293-19).
ISBN
9790004337998. 9 x 12
inches.
I am
presently collecting the
fugues of Bach - not only
of sebastian, but also of
Emanuel and friedeman,
wrote Mozart to his
father in April 1782.
This could be a hint that
the Six Three-Part
Preludes and Fugues were
derived from this
collection: Mozart wrote
string-trio arrangements
of two preludes and five
fugues by Johann
Sebastian Bach, and of
one fugue by Wilhelm
Friedemann Bach. This
apparently plunged him
into such a creative mood
that he simply wrote the
missing preludes himself.
It is to Johann Nepomuk
David that we owe the
first edition of this
work, which introduced
this unique document to a
broad public for the
first time. The present
edition has retained
David's basic editorial
decision to adapt the
divergent passages of
Mozart's arrangement to
Bach's original music
text.Contents:No. 1 -
Adagio by Wolfgang
Amadeus Mozart Fuga
Mozart's arrangement of
Johann Sebastian Bach,
Das Wohltemperirte
Clavier I, Fuga 8 in D#
minor BWV 853No. 2 -
Adagio by Wolfgang
Amadeus Mozart Fuga
Mozart's arrangement of
Johann Sebastian Bach,
Das Wohltemperirte
Clavier II, Fuga 14 in F#
minor BWV 883No. 3 -
Adagio by Wolfgang
Amadeus Mozart Fuga
Mozart's arrangement of
Johann Sebastian Bach,
Das Wohltemperirte
Clavier II, Fuga 13 in F#
major BWV 882.
By Wilhelm Friedemann Bach. Edited by Andreas Bohnert. Piano (Harpsichord), 2-ha...(+)
By Wilhelm Friedemann
Bach. Edited by Andreas
Bohnert. Piano
(Harpsichord), 2-hands.
Pages: IX and 31. Urtext
edition-paper bound.
Published by G. Henle.
SKU: CA.3200500 Composed by Wilhelm Friedemann Bach. Edited by Peter Woll...(+)
SKU: CA.3200500
Composed by Wilhelm
Friedemann Bach. Edited
by Peter Wollny. This
edition: Complete
edition, linen cover.
Wilhelm Friedemann Bach.
Complete Edition. German
title: Konzerte Fur 2
Cembali, Flotenkonzer.
Full score (complete
edition / selected
edition). 120 pages.
Carus Verlag #CV
32.005/00. Published by
Carus Verlag
(CA.3200500).
By Wilhelm Friedemann Bach. Edited by Andreas Bohnert. Piano (Harpsichord), 2-ha...(+)
By Wilhelm Friedemann
Bach. Edited by Andreas
Bohnert. Piano
(Harpsichord), 2-hands.
Pages: XIV and 69. Urtext
edition-paper bound.
Published by G. Henle.
Piano seul [Partition + Accès audio] - Intermédiaire Faber Piano Adventures
Developing Artist Original Keyboard Classics. Edited by Nancy Faber and Randall ...(+)
Developing Artist
Original Keyboard
Classics. Edited by Nancy
Faber and Randall Faber.
Faber Piano Adventures.
Classical, Supplementary.
Softcover Audio Online.
128 pages. Faber Piano
Adventures #FF1282.
Published by Faber Piano
Adventure
Cantata for
Reformation Day.
Composed by Johann
Sebastian Bach. Edited by
Klaus Hofmann. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal; Hymns by
Martin Luther: Ein feste
Burg ist unser Gott.
Harmony parts. Innovative
practice aids, Sacred
vocal music, Cantatas,
Reformation day. Set of
Orchestra Parts. BWV 80.
12 pages. Duration 30
minutes. Carus Verlag #CV
31.080/89. Published by
Carus Verlag
(CA.3108089).
ISBN
9790007206840. Key: D
major. Text language:
German/English. Text:
Luther,
Martin.
Bach's
Reformation cantata,
based on what is probably
Martin Luther's most
famous hymn, evolved over
a period of several
years. At the beginning
was a Weimar cantata for
Oculi Sunday 1716, now
missing, which was based
on the hymn with an
instrumental quotation in
the opening aria and with
the final chorale. In the
Leipzig years around
1730, Bach wrote a
cantata for Reformation
Day using this material.
It began with the first
verses of Luther's hymn
in a simple four-part
setting and also included
the other verses. Later
on, in the 1730s or
1740s, Bach replaced the
introductory chorale
movement with a chorale
setting which was unique,
spacious and motet-like
in its style; this -
uniquely in this respect
- incorporated the choral
writing in an
instrumental canon for
oboes and organ continuo.
The powerful opening
chorus is followed by
recitatives and arias
which reflect the full
breadth of Bach's art of
word painting and
emotion. One of Bach's
most magnificent
cantatas, one of the
greatest works in the
history of music. In
addition to the complete
performance material the
arrangements of movements
1 and 5 (with 3 trumpets,
timpani as playing score)
by Wilhelm Friedemann
Bach are available (Carus
3108089). Score and parts
available separately -
see item CA.3108000.
Cantata for
Reformation Day.
Composed by Johann
Sebastian Bach. Edited by
Klaus Hofmann. Arranged
by Paul Horn. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal; Hymns by
Martin Luther: Ein feste
Burg ist unser Gott.
German title: Ein feste
Burg. Innovative practice
aids, Sacred vocal music,
Cantatas, Reformation
day. Single Part, Viola.
BWV 80. 12 pages.
Duration 30 minutes.
Carus Verlag #CV
31.080/13. Published by
Carus Verlag
(CA.3108013).
ISBN
9790007045371. Key: D
major. Language:
German/English. Text:
Luther, Martin. Text:
Martin Luther, Salomo
Franck.
Bach's
Reformation cantata,
based on what is probably
Martin Luther's most
famous hymn, evolved over
a period of several
years. At the beginning
was a Weimar cantata for
Oculi Sunday 1716, now
missing, which was based
on the hymn with an
instrumental quotation in
the opening aria and with
the final chorale. In the
Leipzig years around
1730, Bach wrote a
cantata for Reformation
Day using this material.
It began with the first
verses of Luther's hymn
in a simple four-part
setting and also included
the other verses. Later
on, in the 1730s or
1740s, Bach replaced the
introductory chorale
movement with a chorale
setting which was unique,
spacious and motet-like
in its style; this -
uniquely in this respect
- incorporated the choral
writing in an
instrumental canon for
oboes and organ continuo.
The powerful opening
chorus is followed by
recitatives and arias
which reflect the full
breadth of Bach's art of
word painting and
emotion. One of Bach's
most magnificent
cantatas, one of the
greatest works in the
history of music. In
addition to the complete
performance material the
arrangements of movements
1 and 5 (with 3 trumpets,
timpani as playing score)
by Wilhelm Friedemann
Bach are available (Carus
3108089). Score and part
available separately -
see item CA.3108000.
(Klavierwerke, Band 5. Urtext der Neuen Bach-Ausgabe). By Johann Sebastian Bach ...(+)
(Klavierwerke, Band 5.
Urtext der Neuen
Bach-Ausgabe). By Johann
Sebastian Bach
(1685-1750). Edited by
Wolfgang Plath. For
Piano/Harpsichord. Neue
Bach-Ausgabe. Serie V,
Band 5. Collection;
Playing Score; Urtext
Edition; Complete Edition
(cloth bound). Published
by Baerenreiter Verlag