Composed by Rico Stover. Flute, Fife and Oboe,Guitar: Classical and Lute,Styl...(+)
Composed by Rico Stover.
Flute, Fife and
Oboe,Guitar:
Classical and
Lute,Style,Classical,Duet
s
and Ensembles,Chamber
Music.
Book and Insert and
Online
Audio. 44 pages.
Published by
Mel Bay Publications, Inc
Backing Tracks and Improv Lessons. Composed by Jared Meeker. Book; DVD; Guit...(+)
Backing Tracks and Improv
Lessons. Composed by
Jared
Meeker. Book; DVD; Guitar
Method or Supplement;
Method/Instruction;
Play-
Along. Sitting In Series.
Rock. 80 pages. Published
by
Alfred Music
Guitar (classical) - Beginning SKU: MB.20133 Composed by Elias Barreiro. ...(+)
Guitar (classical) -
Beginning
SKU:
MB.20133
Composed by
Elias Barreiro. Style,
Classical and Lute,
Method, Perfect binding.
Classic. Book. 168 pages.
Mel Bay Publications, Inc
#20133. Published by Mel
Bay Publications, Inc
(MB.20133).
ISBN
9780786666805. UPC:
796279087247. 8.75 x
11.75 inches. By Elias
Barreiro.
The
result of decades of
experience in teaching
the classical guitar,
this method introduces
the student to
the earliest stages of
learning how to
play the classical
guitar, from learning
how to read music to
becoming
an accomplished
player. This
gradually progressing
approach covers
scales, including
scales in thirds, sixths
and octaves in all
major and minor
keys, arpeggios,
chords, slurs,
harmonics, and more.
The technical aspects in
this book are
supplemented with a vast
number of exercises
and solos, from easy
to more advanced,
including
repertoire music to
make the process of
learning to play the
guitar a most
enjoyable experience.
Written in
standard notation
only.
Backing Tracks and Improv Lessons. Composed by Jody Fisher. Book; DVD; Guita...(+)
Backing Tracks and Improv
Lessons. Composed by Jody
Fisher. Book; DVD; Guitar
Method or Supplement;
Method/Instruction;
Play-
Along. Sitting In Series.
Jazz. 80 pages. Published
by
Alfred Music
(A quick guide to jazz styles through the years). By Tom Dempsey. For Guitar. Gu...(+)
(A quick guide to jazz
styles through the
years). By Tom Dempsey.
For Guitar. Guitar Method
or Supplement;
Method/Instruction. Jazz.
Book and CD. 48 pages.
Published by Alfred Music
Publishing
Rockschool Classics. Exam
Material. Book with
Online Audio. Composed
2018. Rockschool
#RSK200071. Published by
Rockschool
(BT.RSK200071).
ISBN
9781789360073.
English.
Learn
to play rock and pop with
Rockschool. These
specially written
arrangements develop the
skills and techniques you
need to help you achieve
your musical goals.
Rockschool Classics
Guitar Grade 3 contains
eight of thebiggest rock
tracks from the past five
decades arranged for you
to play in your Grade 3
Exam. You can choose two
pieces from Rockschool
Classics to play in your
Grade Exam or three to
play in your Peformance
Certificate.
Featur
ing:
Jimi
Hendrix Experience - Hey
Joe
The
Raconteurs - Steady As
She Goes
Black
Sabbath - Paranoid
Kings Of Leon - Sex
On Fire
Razorlight - Golden
Touch
VanHalen-
Ain't Talkin' 'Bout
Love
Metallica -
Wherever I May Roam
Oasis - Cigarettes
And Alcohol
Plus:
Band and artist fact
files with recommended
listening
(Backing Tracks and Improv Lessons). Composed by Jared Meeker. For Guitar. Book;...(+)
(Backing Tracks and
Improv Lessons). Composed
by Jared Meeker. For
Guitar. Book; DVD; Guitar
Method or Supplement;
Method/Instruction;
Play-Along. Sitting In
Series. Blues. Beginner.
80 pages. Published by
Alfred Music
(Fender Special Edition G-DEC Guitar Play-Along Pack). By Eric Clapton. Fender G...(+)
(Fender Special Edition
G-DEC Guitar Play-Along
Pack). By Eric Clapton.
Fender G-Dec Guitar
Play-Along. Softcover
with DVD-ROM. Guitar
tablature. Published by
Hal Leonard
From Jewish Life Violoncelle, Piano Guitare classique Carl Fischer
Chamber Music Cello, Piano SKU: CF.BF141 Composed by Ernest Bloch. Edited...(+)
Chamber Music Cello,
Piano
SKU:
CF.BF141
Composed by
Ernest Bloch. Edited by
Julian Schwarz. 12+8
pages. Carl Fischer Music
#BF141. Published by Carl
Fischer Music (CF.BF141).
ISBN 9781491159989.
UPC:
680160918584.
The
three pieces From Jewish
Life were composed by
Swiss-American composer
Ernest Bloch in 1924, the
same year he took U.S.
citizenship. Though
clearly inspired and
influenced by Jewish
experience, they are
purely concert pieces,
and do not provide any
specific liturgical
significance.
The
first movement, Prayer,
is a deeply heartfelt
plea to the almighty. As
Neil W Levin writes, The
initial four-note motive
in the minor mode,
together with its
elaboration in the
ensuing phrases, sounds
as if it might have
served as the skeletal
model for Max Janowski's
(1912-1991) now
well-known setting of the
High Holyday prayer Avinu
Malkenu. This prayer has
special meaning in my own
spiritual life, as I have
been singing it since my
childhood. Both Prayer
and Janowski's Avinu
Malkenu are cantorial in
nature, to be sung with
heartfelt
pathos.
The second
movement, Supplication
(the act of begging
humbly), has more angst,
almost a sense of urgency
as a result of the
rhythmic motor in the
piano. The third
movement, Jewish Song,
evokes a quintessentially
Eastern-European
melancholy. Its falling
motives with bent
intonation might
represent the pain of the
Jewish
experience.
The
works were dedicated to
Dutch-American cellist
Hans Kindler, a highly
influential musician of
his time, and founder of
the National Symphony
Orchestra in Washington,
D.C. Mr. Kindler was the
soloist for the world
premiere of Bloch's most
celebrated work, Schelomo
in 1917.
Though
the popularity of Bloch's
oeuvre has been dominated
by works of Jewish
connection, we should not
forget that Bloch had
many other stylistic
periods, including
Franco-Belgian, modal,
serial, and even American
folk. In 1927, he was
awarded Musical America's
composition prize in a
unanimous vote, despite
being regarded as an
outsider by American
music writers at the
time. His winning work
America (1928) was
performed by every major
orchestra and conductor
in the following seasons.
May we be proud of his
contributions to American
music. The three
pieces From Jewish Life
were composed by
Swiss-American composer
Ernest Bloch in 1924, the
same year he took U.S.
citizenship. Though
clearly inspired and
influenced by Jewish
experience, they are
purely concert pieces,
and do not provide any
specific liturgical
significance. The first
movement, Prayer, is a
deeply heartfelt plea to
the almighty. As Neil W
Levin writes, The initial
four-note motive in the
minor mode, together with
its elaboration in the
ensuing phrases, sounds
as if it might have
served as the skeletal
model for Max Janowski's
(1912-1991) now
well-known setting of the
High Holyday prayer Avinu
Malkenu. This prayer has
special meaning in my own
spiritual life, as I have
been singing it since my
childhood. Both Prayer
and Janowski's Avinu
Malkenu are cantorial in
nature, to be sung with
heartfelt pathos. The
second movement,
Supplication (the act of
begging humbly), has more
angst, almost a sense of
urgency as a result of
the rhythmic motor in the
piano. The third
movement, Jewish Song,
evokes a quintessentially
Eastern-European
melancholy. Its falling
motives with bent
intonation might
represent the pain of the
Jewish experience. The
works were dedicated to
Dutch-American cellist
Hans Kindler, a highly
influential musician of
his time, and founder of
the National Symphony
Orchestra in Washington,
D.C. Mr. Kindler was the
soloist for the world
premiere of Bloch's most
celebrated work, Schelomo
in 1917. Though the
popularity of Bloch's
oeuvre has been dominated
by works of Jewish
connection, we should not
forget that Bloch had
many other stylistic
periods, including
Franco-Belgian, modal,
serial, and even American
folk. In 1927, he was
awarded Musical America's
composition prize in a
unanimous vote, despite
being regarded as an
outsider by American
music writers at the
time. His winning work
America (1928) was
performed by every major
orchestra and conductor
in the following seasons.
May we be proud of his
contributions to American
music. The three
pieces From Jewish Life
were composed by
Swiss-American composer
Ernest Bloch in 1924, the
same year he took U.S.
citizenship. Though
clearly inspired and
influenced by Jewish
experience, they are
purely concert pieces,
and do not provide any
specific liturgical
significance.The first
movement,
“Prayerâ€, is
a deeply heartfelt plea
to the almighty. As Neil
W Levin writes,
“The initial
four-note motive in the
minor mode, together with
its elaboration in the
ensuing phrases, sounds
as if it might have
served as the skeletal
model for Max
Janowski’s
(1912–1991) now
well-known setting of the
High Holyday prayer Avinu
Malkenu.†This
prayer has special
meaning in my own
spiritual life, as I have
been singing it since my
childhood. Both
“Prayer†and
Janowski’s Avinu
Malkenu are cantorial in
nature, to be sung with
heartfelt pathos.The
second movement,
“Supplicationâ€
(the act of begging
humbly), has more angst,
almost a sense of urgency
as a result of the
rhythmic motor in the
piano. The third
movement, “Jewish
Songâ€, evokes a
quintessentially
Eastern-European
melancholy. Its falling
motives with bent
intonation might
represent the pain of the
Jewish experience.The
works were dedicated to
Dutch-American cellist
Hans Kindler, a highly
influential musician of
his time, and founder of
the National Symphony
Orchestra in Washington,
D.C. Mr. Kindler was the
soloist for the world
premiere of
Bloch’s most
celebrated work, Schelomo
in 1917.Though the
popularity of
Bloch’s oeuvre has
been dominated by works
of Jewish connection, we
should not forget that
Bloch had many other
stylistic periods,
including Franco-Belgian,
modal, serial, and even
American folk. In 1927,
he was awarded Musical
America’s
composition prize in a
unanimous vote, despite
being regarded as an
outsider by American
music writers at the
time. His winning work
America (1928) was
performed by every major
orchestra and conductor
in the following seasons.
May we be proud of his
contributions to American
music.
Guitar, Vocal SKU: HU.F0571524923 Songbooks, Artist Folios. James Blunt - Back ...(+)
Guitar, Vocal
SKU: HU.F0571524923
Songbooks, Artist Folios.
James Blunt - Back to
Bedlam. Softcover Book.
76 pages. Faber Music
#F0571524923. Published
by Faber Music
Guitar; Methods and Music for Children SKU: UT.CH-106 Composed by Carlo d...(+)
Guitar; Methods and Music
for Children
SKU:
UT.CH-106
Composed by
Carlo de Nonno. Saddle
stitching. Classical. Ut
Orpheus #CH 106.
Published by Ut Orpheus
(UT.CH-106).
ISBN
9790215315921. 9 x 12
inches.
The first
impulse to compose these
3 Little Suites
for Guitar came from the
desire to offer very
young students
compositions not framed
by the usual features of
â??music for
childrenâ?? but, rather,
meant to introduce into
their musical horizon
sonorities, rhythms, and
expressive modalities not
generally experienced in
the more
â??traditionalâ??
courses of study. As
the compositions
developed, the project
underwent some slight
modifications, so that in
the end one could say
that the three suites
became progressively more
difficult, though
remaining, in their deep
essence, quite
â??simpleâ??. I
would recommend paying
careful attention to the
titles of the pieces and
to the expressive
markings. Although it was
not my intention to write
â??descriptiveâ??
music, I have tried to
handle these pieces like
stage scripts, giving
each a specific
â??characterâ??. For
this purpose my long
experience as a composer
of theatre music has been
very helpful. It would
give me great
satisfaction if
guitarists of every age
would enjoy performing
these suites. I would
like teachers to find in
them cues for proposing
to their pupils further
refinements concerning
both technique and
expression, never
forgetting how
inexpressible music truly
is. (Carlo de
Nonno).