(29 original pieces on hymns for Easter and Ascension). Edited by Rebecca Groom ...(+)
(29 original pieces on
hymns for Easter and
Ascension). Edited by
Rebecca Groom te Velde
and David Blackwell. For
organ solo. Oxford Hymn
Settings for Organists.
Level B-C (easy -
moderately difficult). 72
pages. Published by
Oxford University Press
Handbells (3-5 octaves) - Level 3 SKU: LO.20-1111L Composed by Dan Edward...(+)
Handbells (3-5 octaves) -
Level 3
SKU:
LO.20-1111L
Composed
by Dan Edwards.
Eastertide, Sacred.
Handbell score. Lorenz
Publishing Company
#20/1111L. Published by
Lorenz Publishing Company
(LO.20-1111L).
UPC:
000308038750.
3-5
octaves. Easter. Level
3For something different
this Eastertide, look no
further than this
wonderful collage of
seasonal melodies!
By Various. Arranged by Brent Jorgensen. Text: Various. For Hymnal Extender. Eas...(+)
By Various. Arranged by
Brent Jorgensen. Text:
Various. For Hymnal
Extender. Easter.
Published by Jackman
Music Corporation.
Level: Medium Easy /
Medium (accompaniment).
SKU: CA.2680100 Composed by Johann Kuhnau and Johann Sebastian Bach. Edit...(+)
SKU: CA.2680100
Composed by Johann Kuhnau
and Johann Sebastian
Bach. Edited by Gunter
Seidlitz. Arranged by
Seidiltz Gunter. This
edition: Paperbound.
German title: Chore Und
Chorale Aus Den Kantaten.
Instrumental arrangements
of works by bach:
Instrumental arrangements
of works by bach, Advent,
Ascension, New year,
Easter and Eastertide,
Whitsun, Christmas,
Wedding, Feasts of the
Blessed Virgin Mary,
Hymns in praise of the
Virgin Mary. Collection.
60 pages. Carus Verlag
#CV 26.801/00. Published
by Carus Verlag
(CA.2680100).
Arranged
by Stewart Harris.
Shawnee Sacred. Easter.
Octavo. Duration 170
seconds. Published by
Shawnee Press
(HL.1108718).
ISBN
9781705177976. UPC:
196288103448.
6.75x10.5x0.036 inches.
Acts 4:33, II Corinthians
5:17, John
11:25-26.
One of
our most celebrated
melodies takes on
resurrection clothing in
this Easter tour de
force! Sturdy harmonies
and powerful unison
singing dance with a
stellar handbell part,
which is playable by six
ringers.
SATB a cappella/opt.
Finger Cymbals Choral;
Finger Cymbals (SATB)
SKU: HL.365818
Arranged by Milburn
Price. Shawnee Sacred. A
Cappella, Epiphany,
General Worship. Octavo.
Duration 185 seconds.
Published by Shawnee
Press (HL.365818).
UPC: 840126962093.
6.75x10.5x0.019 inches. I
Timothy 2:5, Luke 2:8-10,
Matthew 2:9, Numbers
24:17.
This melodic
gem from the
early-American hymn
tradition is thoughtfully
presented by carefully
maintaining the spirit of
the source material. The
arrangement unfolds
naturally from a single
line and gradually moves
with care through the
various ranges of the
chorus. A spaciousness in
the harmonic treatment
adds an air of mystery
and sacred reverence to
the anthem's impact.
Cantata
for Easter Tuesday.
Composed by Johann
Sebastian Bach. Edited by
Tobias Rimek. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Violin 1.
Sacred vocal music,
Cantatas, Easter and
Eastertide. Single Part,
Violin 1. Composed 1731.
BWV 134. 12 pages.
Duration 30 minutes.
Carus Verlag #CV
31.134/11. Published by
Carus Verlag
(CA.3113411).
ISBN
9790007208004. Text
language:
German/English.
The
cantata Ein Herz, das
seinen Jesum lebend weiss
for the third day of
Easter 1724 is one of
those older cantatas
which Bach integrated
into his first Leipzig
annual cycle of cantatas;
it was originally
composed in Kothen as a
secular cantata for the
New Year celebration in
1719 (BWV 134a). Rousing
virtuoso arias and a
magnificent final chorus
containing dialog
sections not only
emphasize the festive
character of the cantata,
but also lend it a very
particular charm. Score
and part available
separately - see item
CA.3113400.
St. John Passion 1745 Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Clavier [Vocal Score] Barenreiter
(Ein Lammlein geht und tragt die Schuld). By Georg Philipp Telemann (1681-1767)....(+)
(Ein Lammlein geht und
tragt die Schuld). By
Georg Philipp Telemann
(1681-1767). Edited by
Wolfgang Hirschmann.
Arranged by Olga
Kroupova. For Soprano
Solo (2), Alto Solo,
Tenor Solo (3), Bass Solo
(3), Mixed Choir-SATB,
Piano Str, Basso
Continuo. Passionen
(Passion Music, Easter).
Piano Reduction/Vocal
Score; Urtext Edition
(paperbound). TWV 5:30
Score Only Concert Band (Score) - Grade 2-3 SKU: HL.4005170 Composed by A...(+)
Score Only Concert Band
(Score) - Grade 2-3
SKU: HL.4005170
Composed by Alan Menken
and Howard Ashman.
Arranged by Paul
Lavender. Flex-Band Grade
3. Disney, Movies.
Softcover. Published by
Hal Leonard (HL.4005170).
UPC: 888680697426.
9.0x12.0x0.038
inches.
Featuring
the familiar songs from
the original 1991
animated classic Beauty
and the Beast, and
revived for the 2017
live-action blockbuster
movie, this concise
medley with flexible
scoring includes the
title song Beauty and the
Beast along with Belle
and Be Our Guest.
By Gustav Adolf Merkel. Edited by Wagner, Gerhard D. Organ Music (hymns); Use du...(+)
By Gustav Adolf Merkel.
Edited by Wagner, Gerhard
D. Organ Music (hymns);
Use during church year:
End of the church year,
Easter and Eastertide,
Pentecost, Reformation
day. Collection. 64
pages. Published by Carus
Verlag (German import).
Cantata for the Sunday
Exaudi. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn.
German title: Sie werden
euch in den Bann tun.
Sacred vocal music,
Cantatas, Special days,
Easter and Eastertide.
Set of Orchestra Parts.
Composed 1725. BWV 183.
Duration 15 minutes.
Carus Verlag #CV
31.183/19. Published by
Carus Verlag
(CA.3118319).
ISBN
9790007136956. Key: A
minor. Language:
German/English. Text: von
Ziegler, Christiane
Mariane. Text: Christiane
Mariane von
Ziegler.
The
cantata Sie werden euch
in den Bann tun [They
will banish you] BWV 183
for Exaudi Sunday is one
of the cantatas composed
on texts by the Leipzig
poetess Christiane
Mariane von Ziegler with
which Bach concluded his
second annual cycle of
cantatas after he had
abandoned the annual
cycle of chorale cantatas
at Easter 1725. The
cantata opens with
Jesus's words from the
Sunday gospel reading in
an accompagnato
recitative for bass -
representing the vox
Christi - accompanied by
four oboes which,
together with the
strings, are also
deployed in the cantata's
second accompagnato
recitative. The first of
the virtuoso arias is
accompanied by
violoncello piccolo, the
second by two oboes da
caccia together with the
string ensemble. The
cantata concludes with an
unusually animated final
chorale. Score and parts
available separately -
see item CA.3118300.
Cantata for the Sunday
Cantata. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn.
German title: Es ist euch
gut. Sacred vocal music,
Cantatas, Special days,
Easter and Eastertide,
Whitsun. Single Part,
Violin 1. Composed 1725.
BWV 108. 8 pages.
Duration 20 minutes.
Carus Verlag #CV
31.108/11. Published by
Carus Verlag
(CA.3110811).
ISBN
9790007047955. Key: A
major / b minor.
Language: German/English.
Text: von Ziegler,
Christiane Mariane. Text:
Christiane Mariane von
Ziegler.
The
cantata Es ist euch gut,
dass ich hingehe [It is
well that I go forth] BWV
108 for Cantate Sunday is
one of the cantatas
composed on texts by the
Leipzig poetess
Christiane Mariane von
Ziegler with which Bach
concluded his second
annual cycle of cantatas
after he had abandoned
the annual cycle of
chorale cantatas at
Easter 1725. The text
contains two sayings by
Jesus which are taken
directly from the Sunday
gospel reading (John
16:5-15). The quotation
opening the cantata was
set by Bach as a bass
aria with solo oboe
d'amore; it breathes
tranquility and
assurance. The second
quotation, however, is
set as an extended choral
fugue in three sections;
it forms the center of
the cantata. The free
text surrounding the
biblical quotations is
divided into two arias in
which the emphasis is on
melodic lines; there is
only one single
recitative, the original
text of which was
substantially abridged by
Bach. A four-part chorale
concludes the cantata.
Score and part available
separately - see item
CA.3110800.
Cantata for the Sunday
of Jubilate. Composed
by Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn.
German title: Ihr werdet
weinen. Sacred vocal
music, Cantatas, Special
days, Easter and
Eastertide. Single Part,
Cello/Double Bass.
Composed 1725. BWV 103. 8
pages. Duration 18
minutes. Carus Verlag #CV
31.103/14. Published by
Carus Verlag
(CA.3110314).
ISBN
9790007047528. Key: B
minor. Language:
German/English. Text: von
Ziegler, Christiane
Mariane. Text: Christiane
Mariane von
Ziegler.
The
cantata Ihr werdet weinen
und heulen [You will weep
and wail] BWV 103 for
Jubilate Sunday is one of
the cantatas composed on
texts by the Leipzig
poetess Christiane
Mariane von Ziegler with
which Bach concluded his
second annual cycle of
cantatas after he had
abandoned the annual
cycle of chorale cantatas
at Easter 1725. A
large-scale choral
movement on Jesus's words
quoted from the Sunday
gospel reading opens the
cantata; the choir is
interrupted by a bass
arioso - the vox Christi.
Both arias are introduced
by a recitative with
arioso conclusion; in
each, exquisite solo
instruments are deployed:
flauto piccolo in the
contralto aria and
trumpet in the tenor
aria. Score and part
available separately -
see item CA.3110300.
By Allen Pote / Allen Pote. For SATB choir and Handbells. Scripture References: ...(+)
By Allen Pote / Allen
Pote. For SATB choir and
Handbells. Scripture
References: Matthew 28:6
-- Mark 16:6 -- Luke
24:6. Easter, Sacred.
Choral octavo. 16 pages
Composed by Wolfgang Amadeus Mozart (1756-1791). Arranged by Patrick M. Lieberge...(+)
Composed by Wolfgang
Amadeus Mozart
(1756-1791). Arranged by
Patrick M. Liebergen.
Harold Flammer. Octavo.
12 pages. Published by
Harold Flammer Music
(HL.35031210).
Score Only Concert Band (Score) - Grade 3 SKU: HL.4001024 Composed by Ala...(+)
Score Only Concert Band
(Score) - Grade 3
SKU:
HL.4001024
Composed
by Alan Menken and Howard
Ashman. Arranged by
Calvin Custer. Young
Concert Band. Children,
Disney, Movies, Pop. 24
pages. Published by Hal
Leonard (HL.4001024).
UPC: 884088602673.
9.0x12.0x0.061
inches.
Featuring
the beloved music by Alan
Menken and Howard Ashman
from the 1991 animated
classic Beauty and the
Beast and also the
stunning 2017 live-action
movie, here is a
beautifully arranged
medley for concert band.
Includes: Belle, Gaston,
Be Our Guest, Something
There, and Beauty and the
Beast.
Trumpet & Orchestra SKU: SU.32040170 For Trumpet & Orchestra. Comp...(+)
Trumpet & Orchestra
SKU: SU.32040170
For Trumpet &
Orchestra. Composed
by Amy Riebs Mills.
Brass, Trumpet. Concerto.
Full Score. Subito Music
Corporation #32040170.
Published by Subito Music
Corporation
(SU.32040170).
Virtuoso piece
for C or Bb Trumpet.
Trumpet opens the
Dramatic exposition,
sublime middle section
for Bb Cornet or
Flugelhorn, return to
Trumpet for triumphant
conclusion, appropriate
for professionals and top
level university trumpet
majors. Tonal, uses
modes, Arabic scales,
cadenzas, strong rhythms,
ends on concert high C,
players & audiences will
love it! Difficulty Level
Trumpet Solo: 4
(Advanced) Difficulty
Level Orchestra: 4
(Advanced) See composer
website for audio
recording.2222;4231;timp,
4perc; stgs Duration: 14'
Composed: 2018 Published
by: Amy Mills Music, LLC
Performance materials
available on rental only:
Also available: Version
for Trumpet & Piano
(Catalog No. 32040010)
Version for Trumpet &
Concert Band (Catalog No.
32040160) Version for
Trumpet & String
Orchestra (Catalog No.
32040120).
Ode.
Version of the first
performance and version
of 1751. Composed by
George Frideric Handel.
Edited by Felix Loy. This
edition: urtext.
Stuttgart Urtext Edition:
Handel. Organ. Innovative
practice aids, Sacred
vocal music, Oratorios.
Single Part, Organ.
Composed 1736/1751. HWV
75. 60 pages. Duration 85
minutes. Carus Verlag #CV
55.075/49. Published by
Carus Verlag
(CA.5507549).
ISBN
9790007171315. Text
language:
German/English.
For
the magnificent opening
of the oratorio season at
the beginning of 1736
Handel presented a
composition which, like
hardly any of his other
oratorios, gave him the
opportunity to display
his musical artistry:
John Dryden's ode
Alexander's Feast or the
Power of Music, published
in 1696, demonstrates the
power of music by the
example of the ancient
hero, Alexander the
Great. From the
impressive lament on the
death of Darius, the King
of Persia, to the
boisterous Praise of
Bacchus Handel avails
himself of the entire
breadth of the musical
representation of the
emotions and the
possibilities for
expression. In the text
by Newburg Hamilton added
at the end of work St.
Cecilia elevates the
events of the ancient
heathen story, which
Handel expressed in
plastic, skillful
polyphony. Later, this
homage to the patron
saint of church music,
Handel also present the
opportunity to perform
the work on St. Cecilia's
Day (22 November). For
the first time the
present new edition is
based consistently on
Handel's conducting
score, which he used for
his own performances of
the oratorio, thus not
only eliminating timeworn
errors, but also offering
clarity concerning the
choruses, the arias and
recitatives, actually
performed in Handel's
concerts, as well as
their sequence of
performance. The new
Carus edition offers two
performance versions: the
version of the premiere
in 1736, as well as a
revised version from
1751. Furthermore, the
inclusion of the Concerto
for Harp HWV 294 (CV
55.294) is also possible;
Handel composed this work
especially for
Alexander's Feast (as an
illustration of
Timotheus, the ancient
poet who played the
lyre). For this purpose
the edition contains the
appropriate alternatives
for the sequence of the
movements. Score and part
available separately -
see item CA.5507500.
Orchestra Violine 2 SKU: CA.5507512 Ode. Version of the first performa...(+)
Orchestra Violine 2
SKU: CA.5507512
Ode. Version of the
first performance and
version of 1751.
Composed by George
Frideric Handel. Edited
by Felix Loy. This
edition: urtext.
Stuttgart Urtext Edition:
Handel. Violin 2.
Innovative practice aids,
Sacred vocal music,
Oratorios. Individual
part. Composed 1736/1751.
HWV 75. 32 pages.
Duration 85 minutes.
Carus Verlag #CV
55.075/12. Published by
Carus Verlag
(CA.5507512).
ISBN
9790007226817. Text
language:
German/English.
For
the magnificent opening
of the oratorio season at
the beginning of 1736
Handel presented a
composition which, like
hardly any of his other
oratorios, gave him the
opportunity to display
his musical artistry:
John Dryden's ode
Alexander's Feast or the
Power of Music, published
in 1696, demonstrates the
power of music by the
example of the ancient
hero, Alexander the
Great. From the
impressive lament on the
death of Darius, the King
of Persia, to the
boisterous Praise of
Bacchus Handel avails
himself of the entire
breadth of the musical
representation of the
emotions and the
possibilities for
expression. In the text
by Newburg Hamilton added
at the end of work St.
Cecilia elevates the
events of the ancient
heathen story, which
Handel expressed in
plastic, skillful
polyphony. Later, this
homage to the patron
saint of church music,
Handel also present the
opportunity to perform
the work on St. Cecilia's
Day (22 November). For
the first time the
present new edition is
based consistently on
Handel's conducting
score, which he used for
his own performances of
the oratorio, thus not
only eliminating timeworn
errors, but also offering
clarity concerning the
choruses, the arias and
recitatives, actually
performed in Handel's
concerts, as well as
their sequence of
performance. The new
Carus edition offers two
performance versions: the
version of the premiere
in 1736, as well as a
revised version from
1751. Furthermore, the
inclusion of the Concerto
for Harp HWV 294 (CV
55.294) is also possible;
Handel composed this work
especially for
Alexander's Feast (as an
illustration of
Timotheus, the ancient
poet who played the
lyre). For this purpose
the edition contains the
appropriate alternatives
for the sequence of the
movements. Score and part
available separately -
see item CA.5507500.