Chamber Music Piano, Viola SKU: PR.114419750 Composed by Martin Amlin. Sw...(+)
Chamber Music Piano,
Viola
SKU:
PR.114419750
Composed
by Martin Amlin. Sws. Set
of Score and Parts. 12+4
pages. Duration 5
minutes. Theodore Presser
Company #114-41975.
Published by Theodore
Presser Company
(PR.114419750).
ISBN
9781491132296. UPC:
680160681655. 9 x 12
inches.
VERMONT
HARMONY is a 5-minute,
sonically sensual wild
ride (marked Vigorous and
driven in the score) with
unrelenting perpetual
motion through unstable
changing meters. Martin
Amlin continues to enrich
the viola repertory with
this new work for
Michelle LaCourse, who
has recorded many of
Amlin’s works for
MSR Classics.
Chamber Music Piano, Viola SKU: PR.114415430 For Viola and Piano. ...(+)
Chamber Music Piano,
Viola
SKU:
PR.114415430
For
Viola and Piano.
Composed by Martin Amlin.
Sws. Premiere: Tsai
Performance Center,
Boston University,
Michelle LaCourse, Viola;
Martin Amlin, Piano.
Contemporary. Set of
Score and Parts. With
Standard notation.
Composed 2011. 28+16
pages. Duration 13
minutes. Theodore Presser
Company #114-41543.
Published by Theodore
Presser Company
(PR.114415430).
ISBN
9781598064193. UPC:
680160606634. 9x12
inches.
Martin
Amlin’s KENNELÂ
is a suite of seven
movements, each inspired
by one of the seven
groups of dog breeds
defined by the American
Kennel Club.
Kennel’s music has
all the charm suggested
by its warm imagery, as
well as the excitement
and energy that drives
Amlin’s
rhythmically-infused
concert music. For
advanced players.
Duration: 13’.
(Viola and Piano). Composed by Gabriel Faure (1845-1924). Arranged by Wolfgang B...(+)
(Viola and Piano).
Composed by Gabriel Faure
(1845-1924). Arranged by
Wolfgang Birtel. For
Viola, Piano
Accompaniment. String.
Softcover. 10 pages.
Schott Music #ED09962.
Published by Schott Music
Piano Accompaniment; Viola SKU: HL.48024311 Viola and Piano. Compo...(+)
Piano Accompaniment;
Viola
SKU:
HL.48024311
Viola
and Piano. Composed
by Richard H. Walthew.
Boosey & Hawkes Chamber
Music. Classical.
Softcover. 40 pages.
Boosey & Hawkes
#M060128028. Published by
Boosey & Hawkes
(HL.48024311).
ISBN
9780851629582.
9.0x12.0x0.165
inches.
New edition
of this charming suite by
the British composer
Richard Walthew
(1872-1951), originally
published in 1900. The
work was frequently
performed by Lionel
Tertis over his long
career; his fingerings
and bowings are of great
interest to students and
scholars, so these are
included for reference in
the viola cue stave in
the piano score; the
viola part itself is left
'clean' for performers to
make their own decisions
In 1943 Tertis premiered
A Mosaic in Ten Pieces in
the version for viola and
orchestra in a concert
broadcast by the BBC. The
performance was reviewed
in the Musical Times:
“It is the work of
a happy craftsman,
genial, jesting (so few
composers joke now). In a
slow movement Walthew is
at his serene best.
Brahms would have enjoyed
the Valsette, and Elgar
beamed upon other parts.
Tertis's phrasing is the
best lesson I can imagine
for any young
musician...â€.
Viola, piano SKU: FG.55011-906-2 Composed by Harri Wessman. Classical, co...(+)
Viola, piano
SKU:
FG.55011-906-2
Composed by Harri
Wessman. Classical,
contemporary. Score and
part. Fennica Gehrman
#55011-906-2. Published
by Fennica Gehrman
(FG.55011-906-2).
ISBN
9790550119062.
Harr
i Wessman's Summer
Variations for viola and
piano (1998) exploites
the rich and romantic
sound of the viola and
enjoys the many shades of
summer days. It is
dedicated to violist Yuri
Gandelsman, who premiered
the suite with Risto
Lauriala 15th June
1998.
Duration: c.
11'
Movements:
1. Summer theme 2.
What is this? 3.
Pizzicato 4. Con
sordino 5. Stile
concitato ostinato 6.
Tango 7.
Finale
Harri
Wessman (b. 1949) is
interested in all aspects
of music that may be
expressive, without in
any way ignoring the
possibilities of melody.
He himself describes his
harmonic method as a kind
of contrapuntally treated
jazz harmony. Wessman is
particularly preoccupied
with the ability of music
to express emotions, an
interest which has led
him to study the
so-called doctrine of the
affections and the
musical rhetoric of the
baroque era. His Eine
kleine Figurenlehre for
wind quartet and piano is
a playful application of
a set of baroque musical
figures.
His
output is dominated by
chamber and vocal music
as well as a number of
concertos for various
instruments such as the
Concerto for Trumpet and
Orchestra and the
Serenade for Piano and
String Orchestra. During
recent years pedagogic
music has become a more
and more central area in
his output with an
emphasis on creating
repertoire for budding
musicians, from beginners
to young professionals.
He has even tailored some
solo and chamber works
for young musicians that
he personally knows: e.g.
Five Trombone Pieces for
Minna Kajander (1992),
Five Horn Pieces for
Jenni Kuronen (1993),
Five Piano Etudes for
Tiina Karakorpi, Five
Trumpet Pieces for
Alevtina Parland and Five
Double Bass Pieces for
Amanda Thieme. Other
chamber and solo pieces
include Pan and the Nymph
Pitys (1979) for flute
and guitar, Three
Caprices for Konstantin
Weitz (1994) for solo
violin and Capriccio for
wind ensemble (1989).
Viola and piano SKU: IM.3777 Arranged for Viola. Composed by Rober...(+)
Viola and piano
SKU:
IM.3777
Arranged
for Viola. Composed
by Robert Schumann.
Arranged by Paul
Neubauer. Score and part.
International Music Co.
#3777. Published by
International Music Co.
(IM.3777).
These
delightful, charming
pieces, originally for
cello, are now available
for viola.
Viola and Piano SKU: IS.VAP4359EM Composed by August Baeyens. Strings - V...(+)
Viola and Piano
SKU:
IS.VAP4359EM
Composed
by August Baeyens.
Strings - Viola.
Metropolis Music
Publishers #VAP4359EM.
Published by Metropolis
Music Publishers
(IS.VAP4359EM).
ISBN
9790365043590.
Augu
st Louis Baeyens received
his musical training at
the Royal Flemish Music
Conservatory in Antwerp,
studying solfège,
viola, and harmony. As a
composer, Baeyens
developed chiefly through
the study of composers
such as Debussy, Wagner
and Strauss; this
interest gave him the
reputation of a
revolutionary within the
confines of the very
traditionalist
conservatory. It makes
sense that the first
concerto he wrote for a
solo instrument was his
Concerto for Viola
(Concerto voor altviool)
in 1956. A recipient of
the first prize award for
viola while in
conservatory, he
performed as a violist in
orchestras throughout
Flanders. The concerto is
in three movements:
Moderato, Larghetto
espressivo, and
Allegro.
Viola and piano SKU: M7.BP-2817 First Edition. Composed by Ernst L...(+)
Viola and piano
SKU:
M7.BP-2817
First
Edition. Composed by
Ernst Levy. Edited by
Timon Altwegg. Sheet
music. Score and part.
Amadeus Verlag #BP 2817.
Published by Amadeus
Verlag (M7.BP-2817).
ISBN
9790015281709.
Levy
s glaubte fest an die
Tonalität und war
ständig auf der Suche
nach neuen
Ausdrucksmöglichkeiten
. Er hatte eine Vorliebe
für leicht variierte
Motivwiederholungen, die
häufige Verwendung
modaler Harmonien und
für eine gewisse
Archaik. Mit vier
Sätzen und rund 20
Minuten Spieldauer ist es
ein großes Werk, und
durch den musikalischen
Gehalt sicher eines der
bedeutenden Werke des 20.
Jahrhunderts für diese
Besetzung.
Viola & Piano or CD Play Back / Play Along - Grade 1, Grade 2 SKU: MA.EMR-543...(+)
Viola & Piano or CD Play
Back / Play Along - Grade
1, Grade 2
SKU:
MA.EMR-54360
Melodies pour
Debutants / Melodien fur
Anfanger. Composed by
Jirka Kadlec. Score and
parts. Duration 14'11.
Editions Marc Reift #EMR
54360. Published by
Editions Marc Reift
(MA.EMR-54360).
Entry March /
Charmaine / Little Mouse
Polka / Crazy Journey On
Tricycle / Boogie Rock
Woogie / Fairy Tale
Romance / Bella Ciao.
Viola and Piano SKU: BT.YE0009 For Violone. Composed by Giovannino...(+)
Viola and Piano
SKU:
BT.YE0009
For
Violone. Composed by
Giovannino. Classical.
Book Only. Yorke Edition
#YE0009. Published by
Yorke Edition
(BT.YE0009).
Very little is
known about the two
sonatas which appear here
in their original keys.
They were placed in the
library of the Music
School in Oxford at the
end of the seventeenth
century in a form
convenient for playing
(i.e.unbound). The
library was catalogued by
Hake between 1850 and
1855 and the sonatas were
eventually bound in 1855
with other instrumental
and vocal manuscripts of
the same period, some of
which are dated
1698.
The
sonatasare both inscribed
on the title page Sonata
Violone Solo. Col Basso
per l'Organo, o Cembalo.
A third sonata bears the
words Sonata Violino e
Violoncino â?¦ di
Giovannino del Violone.
Giovannino (=Little, or
Young John)musthave been
a performer, and although
the third sonata has been
copied by a different
hand, it is conceivable
that Giovannino is a
connecting link between
the three. He cannot,
however, be assumed to be
theirauthor.
The
Violone was a
six-stringed instrument
with frets, and there is
evidence to suggest that
the Contrabasso of the
same period was similar
but probably a little
larger; the Violoncino
(=Little Violone,
orVioloncello) must have
been smaller. The word
'Violone' was also used
as a collective term
embracing all members of
the Viol family, which
means that the sonatas
might well have been
written for a tenor or a
bass Viol, and
notnecessarily a Violone
as such. Indeed, when
they are played on a
Violone, or Double Bass
the continuo bass line
must be played at a lower
pitch than the solo
instrument, to prevent
inversion of the intended
harmony. (The use ofa
Violone/Double Bass
continuo or 16' organ
tone would overcome this
problem.)
The
editor has added no
ornaments or
embellishments to the
solo part as it appears
in the original
manuscript. It is open to
debate whether aViolone
player, owing to the very
nature of his instrument,
would have used any but
the simplest melodic
decorations.
Nevertheless, the
performer should acquaint
himself thoroughly with
those seventeenth century
traditions thatare known
today (see Dart.