Rhythm by the Numbers provides a fundamental and comprehensive way to learn and use rhythm in drumming. Born from the author's lifelong interest and involvement with rhythm and rhythmic exploration, this book will help students become more creative players by developing vocabulary that does not come from rote learning. The method presents notes within a given metric space that can be applied in various ways at the drumset in any style, in any tempo, and using any note value. / Batterie

Vous trouverez dans cette méthode une étude détaillée de rythmes traditionnels malinké (djembé et dunun) et une adaptation à la batterie. Cet ouvrage s'adresse aussi bien aux percussionnistes débutants, qui pourront acquérir les lignes de base des rythmes, qu'aux joueurs confirmés désirant approfondir leurs connaissances (variations, chauffes, solos).Chaque rythme est suivi d'une adaptation à la batterie, les lignes raditionnelles de dunun et de djembé étant progressivement superposées. Ce travail offrira aux batteurs l'occasion de développer particulièrement les polyrythmies, l'indépendance, l'ambidextrie et l'aspect mélodique de l'instrument. Cet ouvrage propose une étude détaillée de cinq rythmes traditionnels malinké, dont quatre guinéens (Dunungbé, Balakulandjan, Soli, Bundiani) et un malien (Djélidon). Après les lignes de base (appel, dununs et accompagnements djembé), de nombreuses variations, phrases de chauffe et solos seront présentés. Vous trouverez au-dessus de chaque partition une méthode d'écriture simplifiée largement utilisée en Occident sous diverses formes pour la notation des percussions africaines. Chacun de ces rythmes sera suivi d'une adaptation sur la batterie. Les lignes de dunun sont d'abord jouées séparément, le tom médium représentant le sangban, le tom alto le kenkeni et la grosse caisse le dunumba, les lignes de cloche correspondantes étant jouées sur la cymbale ride. Ces lignes de dunun sont ensuite progressivement superposées. Enfin, le kenkeni est remplacé par les différents accompagnements djembé, le tom alto représentant les toniques, la caisse claire les claqués, et le tom basse les basses. / Batterie Et Percussions / niveau : Débutant/Intermédiaire / Partition + Cd

Jouez vos chansons favorites facilement et rapidement grâce à ces volume de la collection Drum Along 10 songs. Chaque chanson est présentée sous forme de fiche détaillée sur laquelle tous les rythmes de celle-ci sont notés en transcriptions standards. Suivez la partition, écoutez le CD pour entendre comment la batterie doit sonner, et jouez par dessus. Le CD inclus est jouable sur tous les lecteurs de CD mais a été spécialement conçu pour les utilisateurs d'ordinateurs (PC ou Mac) avec lesquels vous pourrez ajuster le tempo de chaque chanson sans changer la tonalité - idéal pour les débutants. Titres : Would [Alice In Chains] - Points Of Authority [Linkin Park] - Take A Look Around [Limp Bizkit] - Alive [Pearl Jam] - Pain [Soulfly] - Enter Sandman [Metallica] - The Boys Are Back In Town [Thin Lizzy] - The Pretender [Foo Fighters] - Belly Of The Beast [Anthrax] - The Number Of The Beast [Iron Maiden] / Batterie

'Mongonucleosis' was recorded in 1974 by the popular rock band Chicago for the album Chicago VII. Though it was never one of their 'hits,' this driving Latin influenced jazz-rock jam tune became one of Chicago's most enduring instrumental numbers, performed many times by the band both live and on several recordings. This arrangement for steel band is an amalgam of several live versions. It features an open pan solo and finishes with a rousing percussion break that should have everyone dancing in the aisles. / Batterie

Alfred's Drumset Method, Book 2 is a continuation of Alfred's Beginning Drumset Method. The rock and jazz vocabularies previously learned in Book 1 have been expanded, and additional concepts and genres, such as blues, 3/4 time, brushes, and Latin are introduced. The book includes a professional-quality recording demonstrating a number of the beats, fills, and styles presented throughout the book. This will enable the student to hear the beats and fills played with dynamics, so the student feels as though they're actually sitting in with a band while reading the included charts. / Batterie

Media Type : DVD Chart Level : Beginning Musical Genre : Jazz Number of pages : 4 Jazz drumming great Danny Gottlieb provides an easy to follow, step by step starting point for the jazz drum student. Whether you are a beginner or a drummer looking to add additional skills and development, this DVD and exercise sheet will provide inspiration and information to cover the basics.

Par DAVIS STEVE. The goal of this play along series is to provide the jazz drummer with play along and practice material that will be challenging, informative, and musical. The series contains important jazz tunes based on the standard jazz repertoire. While there is no written melody, there are a number of melodies that one can sing over the existing chord changes. I have been giving similar recordings to students through the years and this is the result of the feedback about their wants and needs as players. It always seemed to make sense to me to practice in the context of a tune adhering to the form and melody. These play along tunes provide you with a musical backdropto hone your own skills. I certainly encourage you to explore your musical boundaries. These tunes give you a place to practice comping, soloing, trading fourths and eighths, working on your ride cymbal sound, etc. As you can see your development is limited only by your imagination! The tempos range from quarter note equals 100 to quarter note equals 320. You can work on these in any given order but we suggest the slower tempos first. I also give you a suggested listening list of essential jazz standards and drummers that exemplify this kind of musical drumming. Steve Davis. / Jazz / Recueil / Percussions

Cette méthode pour les batteurs a évolué de travail pratique et est destinée à la pop et batteurs de rock bientôt pour jouer avec une bande. Dès le début, les élèves sont invités à pratiquer les rythmes et remplit ainsi que de les appliquer dans des morceaux de style différents. Il ya aussi une section pour la théorie, les compétences en lecture et technique (rudiments). L'édition est livré avec un CD avec tous les rythmes et les remplissages (au format MP3) pour l'écoute et la lecture-long. / Batterie

Funk and Fusion Grooves for the Modern Styles. Par CHAFFEE GARY. Includes basic exercises for linear playing skills and the development of time feels in the linear style. This book is not about playing beats. It is about developing time feels. In the way that I think of these terms, a beat is a specific patten of events that is repeated more of less without variation. A time feel, on the other hand, is a more general statement of the time which is modified and developed as the tune progresses. In most playing situations, the arranged parts of the tune, (the head, background figures, etc. ), are fixed, and this is where playing a specific pattern is more of a necessity. However on the blowing sections, (which are by nature moreimprovisatory), you're going to want something that is flexible, and able to adapt to what's going on in the solo. The purpose of this book is to teach you how to develop such skills in the linear style. In a very real sense, the concept that's involved here is theme and variations. The theme is the basic pattern you use to establish the feel. The variations are those things you do to the pattern to enhance, color, and modify it. There are many such variations available in the linear style, and we will be working witha a number of thesse. The materials in the book have broken down into two sections: Basic exercises: The exercises in this section are designed to help in developing some of the basic technical skills necessary for linear playing, including such things as voice coordination, dynamic balance, accenting, and the like. Ideas: The second section of the book deals with the development of time feels in the linear style. A wide variety of examples will be shown, including regular 4/4 feels, feels on the set, shuffle feels, as well as feels in odd meters. It is important to understand that the purpose of these examples is to demonstrate some of the many ways in which linear feels can be developed. Although you should definitely try and master the materials in the book, the real reward will come when you can take the ideas that these materials are based upon, and make up grooves of your own. About the CD On the CD you will be hearing examples from each part of the book. / Méthode en anglais / Date parution : 1905-06-15/ Méthode / Batterie et Percussions