Choral SATB choir, piano SKU: PR.312418520 For SATB Chorus, a cappella...(+)
Choral SATB choir, piano
SKU: PR.312418520
For SATB Chorus, a
cappella. Composed by
Gary Schocker. Premiere:
Ithaca Choral Society;
Ithaca, NY. Octavo. With
Standard notation.
Composed 2007. 8 pages.
Duration 5 minutes.
Theodore Presser Company
#312-41852. Published by
Theodore Presser Company
(PR.312418520).
UPC:
680160570256. 6.875 x
10.5 inches. Key: A
minor.
Inspired by
the words of an unknown
Confederate soldier, this
is flute virtuoso and
composer Gary Schocker's
first choral piece,
though he has previously
established himself as a
gifted writer of musi
cals. Commissioned for
the prestigious Ithaca
College Choral Series,
Unknown Soldier's Prayer
premiered in November
2007. A hauntingly
beautiful a cappella
piece with the profoundly
moving lyrics, I asked
for all things, that I
might enjoy life; I was
given life, that I might
enjoy all things,
Schocker's ambitious
choral endeavor is sure
to make a lasting
impression. For college
or professional choirs.
Duration: 5'.
Toward the Unknown Region Chorale SATB SATB, Cuivre(s) [Score and Parts|Set of Parts|Reduction|Octavo] Thorpe
(Song for Mixed Voices and Orchestra). By Ralph Vaughan Williams (1872-1958). Fo...(+)
(Song for Mixed Voices
and Orchestra). By Ralph
Vaughan Williams
(1872-1958). For SATB,
Piano Reduction. This
edition: Orchestra score
and parts are available
for purchase. Orchestra
score and parts are
available for purchase.
Octavo. 28 pages.
Duration 12 minutes.
Published by Thorpe Music
(A Festival of Passion Readings and Hymns). By Michael Burkhardt. For SATB choir...(+)
(A Festival of Passion
Readings and Hymns). By
Michael Burkhardt. For
SATB choir, organ,
handbells, optional brass
quartet, cello/bass
instrument, Orff
instruments, violin. Holy
Week/Three Days, Lent.
Moderately easy. Choral
score. 72 pages. Duration
50 minutes. Published by
MorningStar Music
Publishers
By Alexander L'Estrange. Choir Sacred. SATB choir. Choral (Sacred); Choral O...(+)
By Alexander L'Estrange.
Choir
Sacred. SATB choir.
Choral
(Sacred); Choral Octavo;
Worship Resources. Faber
Edition: Choral Signature
Series. Sacred. Published
by
Faber Music
SATB choir, organ accompaniment - Early intermediate SKU: GI.G-10112 Comp...(+)
SATB choir, organ
accompaniment - Early
intermediate
SKU:
GI.G-10112
Composed
by John Ireland. Arranged
by Paul J. Monachino.
Choral. Tune Name: Love
Unknown. Sacred. Octavo.
8 pages. GIA Publications
#10112. Published by GIA
Publications
(GI.G-10112).
UPC:
785147011217. English.
Text Source: Samuel
Crossman, 1664, alt. Text
by Samuel
Crossman.
This
well-known text and tune
for Good Friday is
artfully arranged here by
Paul Monachino.
Alternating between
stanzas supported by
organ accompaniment and a
cappella passages, this
piece is at once
beautifully reflective
and powerfully
moving.
Composed by James Engel. Catholic Year A Passion/Palm Sunday; Catholic Year C Pa...(+)
Composed by James Engel.
Catholic Year A
Passion/Palm Sunday;
Catholic Year C
Passion/Palm Sunday; Year
C Lent5;;. Lent,
Passion/Palm Sunday.
Octavo. Published by
MorningStar Music
Publishers (MN.60-3000).
From Frozen II. By AURORA and Idina Menzel. By Robert Lopez and Kristen Anders...(+)
From Frozen II. By AURORA
and
Idina Menzel. By Robert
Lopez
and Kristen
Anderson-Lopez.
Arranged by Roger
Emerson.
Disney Choral. Choral,
Disney, Movies,
Norwegian,
Pop, Scandinavian, Show
Choir, TV and Movies,
Winter.
Octavo. 16 pages.
Published
by Hal Leonard
Motet. Composed by
Wolfgang Amadeus Mozart.
Edited by Armin Kircher.
This edition: urtext.
Stuttgart Urtext Edition:
Mozart. German title:
Quis Te Comprehendat.
Gran Partita. Sacred,
Motets. Single Part,
Violin 1. KV Anh. 110. 4
pages. Duration 4
minutes. Carus Verlag #CV
51.361/11. Published by
Carus Verlag
(CA.5136111).
ISBN
9790007224998. Key: E
flat major. Language:
Latin.
Motet of an
unknown arranger (ca.
1820), based on th Adagio
of the Serenade KV 361
(Gran Partita). The motet
Quis te comprehendat,
K-Anhang 110, is based on
the Adagio in Mozart's
Wind Serenade K. 361, the
Gran Partita. The
arrangement of this
instrumental movement
with the addition of a
four-part choir deserves
to be regarded as a
successful example of the
practice of parody, on a
higher level than many
less accomplished
arrangements of the
period. As in most of
those cases the identity
of the arranger is
unknown, but his
sensitive treatment of
the original points to a
gifted musician.
Characteristic
accompanying figures are
given to the strings,
while the solo violin and
the organ appear
melodically. The
homophonic choral
setting, whose Latin
words are a religious
song of praise with no
specific liturgical
connection, is based on
the works harmonic
substance. The vocal
parts follow the
framework and compactly
fill out the accompanying
instrumental writing.
Score and part available
separately - see item
CA.5136100.
Motet. Composed by
Wolfgang Amadeus Mozart.
Edited by Armin Kircher.
This edition: urtext.
Stuttgart Urtext Edition:
Mozart. Quis Te
Comprehendat. Gran
Partita. Sacred vocal
music, Motets. Set of
Orchestra Parts. KV Anh.
110. Duration 4 minutes.
Carus Verlag #CV
51.361/19. Published by
Carus Verlag
(CA.5136119).
ISBN
9790007145712. Key: E
flat major. Language:
Latin.
Motet of an
unknown arranger (ca.
1820), based on th Adagio
of the Serenade KV 361
(Gran Partita). The motet
Quis te comprehendat,
K-Anhang 110, is based on
the Adagio in Mozart's
Wind Serenade K. 361, the
Gran Partita. The
arrangement of this
instrumental movement
with the addition of a
four-part choir deserves
to be regarded as a
successful example of the
practice of parody, on a
higher level than many
less accomplished
arrangements of the
period. As in most of
those cases the identity
of the arranger is
unknown, but his
sensitive treatment of
the original points to a
gifted musician.
Characteristic
accompanying figures are
given to the strings,
while the solo violin and
the organ appear
melodically. The
homophonic choral
setting, whose Latin
words are a religious
song of praise with no
specific liturgical
connection, is based on
the works harmonic
substance. The vocal
parts follow the
framework and compactly
fill out the accompanying
instrumental writing.
Score and parts available
separately - see item
CA.5136100.
Motet. Composed by
Wolfgang Amadeus Mozart.
Edited by Armin Kircher.
This edition: urtext.
Stuttgart Urtext Edition:
Mozart. German title:
Quis Te Comprehendat.
Gran Partita. Sacred,
Motets. Choral Score. KV
Anh. 110. 4 pages.
Duration 4 minutes. Carus
Verlag #CV 51.361/05.
Published by Carus Verlag
(CA.5136105).
ISBN
9790007110918. Key: E
flat major. Language:
Latin.
Motet of an
unknown arranger (ca.
1820), based on th Adagio
of the Serenade KV 361
(Gran Partita). The motet
Quis te comprehendat,
K-Anhang 110, is based on
the Adagio in Mozart's
Wind Serenade K. 361, the
Gran Partita. The
arrangement of this
instrumental movement
with the addition of a
four-part choir deserves
to be regarded as a
successful example of the
practice of parody, on a
higher level than many
less accomplished
arrangements of the
period. As in most of
those cases the identity
of the arranger is
unknown, but his
sensitive treatment of
the original points to a
gifted musician.
Characteristic
accompanying figures are
given to the strings,
while the solo violin and
the organ appear
melodically. The
homophonic choral
setting, whose Latin
words are a religious
song of praise with no
specific liturgical
connection, is based on
the works harmonic
substance. The vocal
parts follow the
framework and compactly
fill out the accompanying
instrumental writing.
Score available
separately - see item
CA.5136100.
Motet. Composed by
Wolfgang Amadeus Mozart.
Edited by Armin Kircher.
This edition: urtext.
Stuttgart Urtext Edition:
Mozart. German title:
Quis Te Comprehendat.
Gran Partita. Sacred,
Motets. Single Part,
Cello/Double Bass. KV
Anh. 110. 2 pages.
Duration 4 minutes. Carus
Verlag #CV 51.361/14.
Published by Carus Verlag
(CA.5136114).
ISBN
9790007225025. Key: E
flat major. Language:
Latin.
Motet of an
unknown arranger (ca.
1820), based on th Adagio
of the Serenade KV 361
(Gran Partita). The motet
Quis te comprehendat,
K-Anhang 110, is based on
the Adagio in Mozart's
Wind Serenade K. 361, the
Gran Partita. The
arrangement of this
instrumental movement
with the addition of a
four-part choir deserves
to be regarded as a
successful example of the
practice of parody, on a
higher level than many
less accomplished
arrangements of the
period. As in most of
those cases the identity
of the arranger is
unknown, but his
sensitive treatment of
the original points to a
gifted musician.
Characteristic
accompanying figures are
given to the strings,
while the solo violin and
the organ appear
melodically. The
homophonic choral
setting, whose Latin
words are a religious
song of praise with no
specific liturgical
connection, is based on
the works harmonic
substance. The vocal
parts follow the
framework and compactly
fill out the accompanying
instrumental writing.
Score and part available
separately - see item
CA.5136100.
Motet. Composed by
Wolfgang Amadeus Mozart.
Edited by Armin Kircher.
This edition: urtext.
Stuttgart Urtext Edition:
Mozart. German title:
Quis Te Comprehendat.
Gran Partita. Sacred,
Motets. Single Part,
Violin 2. KV Anh. 110. 4
pages. Duration 4
minutes. Carus Verlag #CV
51.361/12. Published by
Carus Verlag
(CA.5136112).
ISBN
9790007225001. Key: E
flat major. Language:
Latin.
Motet of an
unknown arranger (ca.
1820), based on th Adagio
of the Serenade KV 361
(Gran Partita). The motet
Quis te comprehendat,
K-Anhang 110, is based on
the Adagio in Mozart's
Wind Serenade K. 361, the
Gran Partita. The
arrangement of this
instrumental movement
with the addition of a
four-part choir deserves
to be regarded as a
successful example of the
practice of parody, on a
higher level than many
less accomplished
arrangements of the
period. As in most of
those cases the identity
of the arranger is
unknown, but his
sensitive treatment of
the original points to a
gifted musician.
Characteristic
accompanying figures are
given to the strings,
while the solo violin and
the organ appear
melodically. The
homophonic choral
setting, whose Latin
words are a religious
song of praise with no
specific liturgical
connection, is based on
the works harmonic
substance. The vocal
parts follow the
framework and compactly
fill out the accompanying
instrumental writing.
Score and part available
separately - see item
CA.5136100.
Motet. Composed by
Wolfgang Amadeus Mozart.
Edited by Armin Kircher.
This edition: urtext. 2x
51.361/31 2 horns.
Stuttgart Urtext Edition:
Mozart. German title:
Quis Te Comprehendat.
Gran Partita. Sacred,
Motets. Set of Orchestra
Parts. KV Anh. 110. 4
pages. Duration 4
minutes. Carus Verlag #CV
51.361/09. Published by
Carus Verlag
(CA.5136109).
ISBN
9790007224981. Key: E
flat major. Language:
Latin.
Motet of an
unknown arranger (ca.
1820), based on th Adagio
of the Serenade KV 361
(Gran Partita). The motet
Quis te comprehendat,
K-Anhang 110, is based on
the Adagio in Mozart's
Wind Serenade K. 361, the
Gran Partita. The
arrangement of this
instrumental movement
with the addition of a
four-part choir deserves
to be regarded as a
successful example of the
practice of parody, on a
higher level than many
less accomplished
arrangements of the
period. As in most of
those cases the identity
of the arranger is
unknown, but his
sensitive treatment of
the original points to a
gifted musician.
Characteristic
accompanying figures are
given to the strings,
while the solo violin and
the organ appear
melodically. The
homophonic choral
setting, whose Latin
words are a religious
song of praise with no
specific liturgical
connection, is based on
the works harmonic
substance. The vocal
parts follow the
framework and compactly
fill out the accompanying
instrumental writing.
Score and parts available
separately - see item
CA.5136100.
Bethlehem Babe Chorale SATB [Octavo] - Intermédiaire Jackman Music Corporation
By Unknown. Arranged by Donald H. Ripplinger. Text: unknown. For SATB Choir. Chr...(+)
By Unknown. Arranged by
Donald H. Ripplinger.
Text: unknown. For SATB
Choir. Christmas. Level:
Medium. Duration 3:15.
Published by Jackman
Music Corporation.
Motet. Composed by
Wolfgang Amadeus Mozart.
Edited by Armin Kircher.
This edition: urtext.
Stuttgart Urtext Edition:
Mozart. German title:
Quis Te Comprehendat.
Gran Partita. Sacred,
Motets. Vocal score. KV
Anh. 110. 8 pages.
Duration 4 minutes. Carus
Verlag #CV 51.361/03.
Published by Carus Verlag
(CA.5136103).
ISBN
9790007110826. Key: E
flat major. Language:
Latin.
Motet of an
unknown arranger (ca.
1820), based on th Adagio
of the Serenade KV 361
(Gran Partita). The motet
Quis te comprehendat,
K-Anhang 110, is based on
the Adagio in Mozart's
Wind Serenade K. 361, the
Gran Partita. The
arrangement of this
instrumental movement
with the addition of a
four-part choir deserves
to be regarded as a
successful example of the
practice of parody, on a
higher level than many
less accomplished
arrangements of the
period. As in most of
those cases the identity
of the arranger is
unknown, but his
sensitive treatment of
the original points to a
gifted musician.
Characteristic
accompanying figures are
given to the strings,
while the solo violin and
the organ appear
melodically. The
homophonic choral
setting, whose Latin
words are a religious
song of praise with no
specific liturgical
connection, is based on
the works harmonic
substance. The vocal
parts follow the
framework and compactly
fill out the accompanying
instrumental writing.
Score available
separately - see item
CA.5136100.
Mixed choir SKU: CA.210300 Composed by Various. Edited by Stefan Schuck. ...(+)
Mixed choir
SKU:
CA.210300
Composed by
Various. Edited by Stefan
Schuck. Sacred vocal
music, Psalms, German,
Psalms, Latin. Choral
collections. Conductor's
score, with CD. Sacred
vocal music, Psalms,
German, Psalms, Latin.
Choir Book. Carus Verlag
#CV 02.103/00. Published
by Carus Verlag
(CA.210300).
ISBN
9790007244668.
The
Choral Collection Psalms
contains over 50 settings
for mixed unaccompanied
choir from six centuries.
It is a true
treasure-trove of
compositions in various
styles and levels of
difficulty: with some
unknown new discoveries
and some classics of the
choral literature, the
selection will enrich
both worship and
concerts. The 150 psalms
of the Old Testament
express rejoicing, joy,
confidence, but also
lament, grief, anger, and
even doubt. The psalms
are present throughout
Christianity and Judaism
to this day, and are sung
worldwide in countless
settings. The Choral
Collection Psalms
displays the whole
stylistic and linguistic
variety ranging from
contemplative, simple
Anglican chant through
Russian Orthodox
homophony to virtuoso
motets with jazzy echoes.
The linguistic spectrum
is equally broad:
English, French, German
(some with added singable
English translation),
Estonian, Icelandic and,
of course, Latin psalm
settings are represented,
as well as works in
Church Slavonic and
Hebrew (both accompanied
by transliterations and a
singable German text).
The foreword (German /
English) offers many
hints regarding the
performance of the psalm
settings, and a detailed
index will help with
choosing appropriate
pieces for the liturgical
occasion according to the
Anglican, Protestant, or
Catholic calendar. Over
the last ten years editor
Stefan Schuck has
performed two psalm
compositions every week
in his NoonSong series in
Berlin. From the
resulting 800 works, he
has selected the most
interesting compositions
arranged according to
level of difficulty. The
choral director's volume
includes a CD with
recordings of selected
works, sung by sirventes
and conducted by the
editor, which will help
with learning and
rehearsing the
repertoire. over 50 psalm
settings from six
centuries for worship and
concert use stylistic
variety and mixed levels
of difficulty: from
Anglican Chant to
virtuoso motets for
four-part mixed choir,
some with organ/piano
accompaniment
transliterations and
German singing texts help
with practising
cross-cultural repertoire
liturgical classification
of all settings for
Catholic, Protestant, and
Anglican lectionary
includes many unknown
jewels such as Boze, Boze
moj (Cesar Cui), Jauschew
be seser eljaun (David
Rubin), and Schubert's
setting of Psalm 23 in
the first Hebrew version
CD recording (sirventes
berlin, cond. Stefan
Schuck) with a selection
of settings helps with
getting to know the
pieces economical choral
edition (editionchor)
available.
SATB Choir, Piano SKU: CA.338850 Der Herr regieret mich. Composed ...(+)
SATB Choir, Piano
SKU:
CA.338850
Der Herr
regieret mich.
Composed by Anton
Bruckner. Carus digital:
Extra digital products.
Full Score. Composed ca.
1852. WAB 34. Carus
Verlag #338850. Published
by Carus Verlag
(CA.338850).
ISBN
9790007303709. Key: E
flat major.
German.
Bruckner's
setting of the 23rd Psalm
(22 in the Vulgate count)
is still quite unknown.
Bruckner uses the German
text version by Joseph
Franz Allioli instead of
the well-known Luther
version. Accompanied by
the piano, the piece for
choir and solo (choir
solos possible) begins
with a pastoral section
in 12/8, changes into a
fugue, and ends with an a
cappella chorale.
Soli SATB, SATB Choir, Ob (auch Obdc), 2 Vl, Va, Bc - Level 3 SKU: CA.3108063...(+)
Soli SATB, SATB Choir, Ob
(auch Obdc), 2 Vl, Va, Bc
- Level 3
SKU:
CA.3108063
Cantata
for Reformation Day.
First Leipzig
version. Composed by
Johann Sebastian Bach.
Edited by Klaus Hofmann.
Stuttgart Urtext Edition:
Bach vocal; Hymns by
Martin Luther: Ein feste
Burg ist unser Gott. Ein
Feste Burg (Erste Leipz.
Fassung). Sacred vocal
music, Cantatas,
Reformation day. Single
Part, Viola. Composed
1728/31. BWV 80b. 12
pages. Duration 30
minutes. Carus Verlag #CV
31.080/63. Published by
Carus Verlag
(CA.3108063).
ISBN
9790007206819. Key: D
major. Language:
German/English. Text:
Luther, Martin / Franck,
Salomo.
The
Reformation cantata Ein
feste Burg ist unser Gott
BWV 80b, published by
Carus-Verlag for the
first time in a practical
performing edition,
remained unknown to Bach
scholars until well into
the 20th century. The
evidence of its existence
is three fragments of the
first folio of Bach's
score, which can be dated
to the years 1728-1731.
By contrast, the
long-familiar expanded
new version of the
cantata with its powerful
opening chorus (BWV 80)
dates from the 1730s or
1740s. It only survives
in a copy of Bach's
score, but this allows
conclusions to be drawn
about the history of the
versions; thus, by using
the fragments mentioned
above, it has been
possible to reconstruct
the first version. This
result is a Bach cantata
which is less extensive
and in a more concise
normal format, with
reduced wind instruments.
A relaxed, contrapuntal
four-part chorale
movement with the first
and last verses of the
Lutheran hymn forms the
framework, and the other
movements are the same as
in the later new version.
This simpler cantata is
also entirely suitable
for celebrating
Reformation Day, as Bach
did around 1730. Score
and part available
separately - see item
CA.3108000.
Soli SATB, SATB Choir, Ob (auch Obdc), 2 Vl, Va, Bc - Level 3 SKU: CA.3108069...(+)
Soli SATB, SATB Choir, Ob
(auch Obdc), 2 Vl, Va, Bc
- Level 3
SKU:
CA.3108069
Cantata
for Reformation Day.
First Leipzig
version. Composed by
Johann Sebastian Bach.
Edited by Klaus Hofmann.
Stuttgart Urtext Edition:
Bach vocal; Hymns by
Martin Luther: Ein feste
Burg ist unser Gott. Ein
Feste Burg (Erste Leipz.
Fassung). Sacred vocal
music, Cantatas,
Reformation day. Set of
Orchestra Parts. Composed
1728/31. BWV 80b.
Duration 30 minutes.
Carus Verlag #CV
31.080/69. Published by
Carus Verlag
(CA.3108069).
ISBN
9790007134129. Key: D
major. Language:
German/English. Text:
Luther, Martin / Franck,
Salomo.
The
Reformation cantata Ein
feste Burg ist unser Gott
BWV 80b, published by
Carus-Verlag for the
first time in a practical
performing edition,
remained unknown to Bach
scholars until well into
the 20th century. The
evidence of its existence
is three fragments of the
first folio of Bach's
score, which can be dated
to the years 1728-1731.
By contrast, the
long-familiar expanded
new version of the
cantata with its powerful
opening chorus (BWV 80)
dates from the 1730s or
1740s. It only survives
in a copy of Bach's
score, but this allows
conclusions to be drawn
about the history of the
versions; thus, by using
the fragments mentioned
above, it has been
possible to reconstruct
the first version. This
result is a Bach cantata
which is less extensive
and in a more concise
normal format, with
reduced wind instruments.
A relaxed, contrapuntal
four-part chorale
movement with the first
and last verses of the
Lutheran hymn forms the
framework, and the other
movements are the same as
in the later new version.
This simpler cantata is
also entirely suitable
for celebrating
Reformation Day, as Bach
did around 1730. Score
and parts available
separately - see item
CA.3108000.
Soli SATB, SATB Choir, Ob (auch Obdc), 2 Vl, Va, Bc - Level 3 SKU: CA.3108061...(+)
Soli SATB, SATB Choir, Ob
(auch Obdc), 2 Vl, Va, Bc
- Level 3
SKU:
CA.3108061
Cantata
for Reformation Day.
First Leipzig
version. Composed by
Johann Sebastian Bach.
Edited by Klaus Hofmann.
Stuttgart Urtext Edition:
Bach vocal; Hymns by
Martin Luther: Ein feste
Burg ist unser Gott. Ein
Feste Burg (Erste Leipz.
Fassung). Sacred vocal
music, Cantatas,
Reformation day. Single
Part, Violin 1. Composed
1728/31. BWV 80b. 12
pages. Duration 30
minutes. Carus Verlag #CV
31.080/61. Published by
Carus Verlag
(CA.3108061).
ISBN
9790007206796. Key: D
major. Language:
German/English. Text:
Luther, Martin / Franck,
Salomo.
The
Reformation cantata Ein
feste Burg ist unser Gott
BWV 80b, published by
Carus-Verlag for the
first time in a practical
performing edition,
remained unknown to Bach
scholars until well into
the 20th century. The
evidence of its existence
is three fragments of the
first folio of Bach's
score, which can be dated
to the years 1728-1731.
By contrast, the
long-familiar expanded
new version of the
cantata with its powerful
opening chorus (BWV 80)
dates from the 1730s or
1740s. It only survives
in a copy of Bach's
score, but this allows
conclusions to be drawn
about the history of the
versions; thus, by using
the fragments mentioned
above, it has been
possible to reconstruct
the first version. This
result is a Bach cantata
which is less extensive
and in a more concise
normal format, with
reduced wind instruments.
A relaxed, contrapuntal
four-part chorale
movement with the first
and last verses of the
Lutheran hymn forms the
framework, and the other
movements are the same as
in the later new version.
This simpler cantata is
also entirely suitable
for celebrating
Reformation Day, as Bach
did around 1730. Score
and part available
separately - see item
CA.3108000.
Soli SATB, SATB Choir, Ob (auch Obdc), 2 Vl, Va, Bc - Level 3 SKU: CA.3108053...(+)
Soli SATB, SATB Choir, Ob
(auch Obdc), 2 Vl, Va, Bc
- Level 3
SKU:
CA.3108053
Cantata
for Reformation Day.
First Leipzig
version. Composed by
Johann Sebastian Bach.
Edited by Klaus Hofmann.
Stuttgart Urtext Edition:
Bach vocal; Hymns by
Martin Luther: Ein feste
Burg ist unser Gott. Ein
Feste Burg (Erste Leipz.
Fassung). Sacred vocal
music, Cantatas,
Reformation day. Vocal
score. Composed 1728/31.
BWV 80b. 32 pages.
Duration 30 minutes.
Carus Verlag #CV
31.080/53. Published by
Carus Verlag
(CA.3108053).
ISBN
9790007183370. Key: D
major. Language:
German/English. Text:
Luther, Martin / Franck,
Salomo.
The
Reformation cantata Ein
feste Burg ist unser Gott
BWV 80b, published by
Carus-Verlag for the
first time in a practical
performing edition,
remained unknown to Bach
scholars until well into
the 20th century. The
evidence of its existence
is three fragments of the
first folio of Bach's
score, which can be dated
to the years 1728-1731.
By contrast, the
long-familiar expanded
new version of the
cantata with its powerful
opening chorus (BWV 80)
dates from the 1730s or
1740s. It only survives
in a copy of Bach's
score, but this allows
conclusions to be drawn
about the history of the
versions; thus, by using
the fragments mentioned
above, it has been
possible to reconstruct
the first version. This
result is a Bach cantata
which is less extensive
and in a more concise
normal format, with
reduced wind instruments.
A relaxed, contrapuntal
four-part chorale
movement with the first
and last verses of the
Lutheran hymn forms the
framework, and the other
movements are the same as
in the later new version.
This simpler cantata is
also entirely suitable
for celebrating
Reformation Day, as Bach
did around 1730. Score
available separately -
see item CA.3108000.
Soli SATB, SATB Choir, Ob (auch Obdc), 2 Vl, Va, Bc - Level 3 SKU: CA.3108055...(+)
Soli SATB, SATB Choir, Ob
(auch Obdc), 2 Vl, Va, Bc
- Level 3
SKU:
CA.3108055
Cantata
for Reformation Day.
First Leipzig
version. Composed by
Johann Sebastian Bach.
Edited by Klaus Hofmann.
Stuttgart Urtext Edition:
Bach vocal; Hymns by
Martin Luther: Ein feste
Burg ist unser Gott. Ein
Feste Burg (Erste Leipz.
Fassung). Sacred vocal
music, Cantatas,
Reformation day. Choral
Score. Composed 1728/31.
BWV 80b. 8 pages.
Duration 30 minutes.
Carus Verlag #CV
31.080/55. Published by
Carus Verlag
(CA.3108055).
ISBN
9790007183387. Key: D
major. Language:
German/English. Text:
Luther, Martin / Franck,
Salomo.
The
Reformation cantata Ein
feste Burg ist unser Gott
BWV 80b, published by
Carus-Verlag for the
first time in a practical
performing edition,
remained unknown to Bach
scholars until well into
the 20th century. The
evidence of its existence
is three fragments of the
first folio of Bach's
score, which can be dated
to the years 1728-1731.
By contrast, the
long-familiar expanded
new version of the
cantata with its powerful
opening chorus (BWV 80)
dates from the 1730s or
1740s. It only survives
in a copy of Bach's
score, but this allows
conclusions to be drawn
about the history of the
versions; thus, by using
the fragments mentioned
above, it has been
possible to reconstruct
the first version. This
result is a Bach cantata
which is less extensive
and in a more concise
normal format, with
reduced wind instruments.
A relaxed, contrapuntal
four-part chorale
movement with the first
and last verses of the
Lutheran hymn forms the
framework, and the other
movements are the same as
in the later new version.
This simpler cantata is
also entirely suitable
for celebrating
Reformation Day, as Bach
did around 1730. Score
available separately -
see item CA.3108000.
Soli SATB, SATB Choir, Ob (auch Obdc), 2 Vl, Va, Bc - Level 3 SKU: CA.3108071...(+)
Soli SATB, SATB Choir, Ob
(auch Obdc), 2 Vl, Va, Bc
- Level 3
SKU:
CA.3108071
Cantata
for Reformation Day.
First Leipzig
version. Composed by
Johann Sebastian Bach.
Edited by Klaus Hofmann.
Stuttgart Urtext Edition:
Bach vocal; Hymns by
Martin Luther: Ein feste
Burg ist unser Gott. Ein
Feste Burg (Erste Leipz.
Fassung). Sacred vocal
music, Cantatas,
Reformation day. Single
Part, Oboe. Composed
1728/31. BWV 80b. 8
pages. Duration 30
minutes. Carus Verlag #CV
31.080/71. Published by
Carus Verlag
(CA.3108071).
ISBN
9790007206833. Key: D
major. Language:
German/English. Text:
Luther, Martin / Franck,
Salomo.
The
Reformation cantata Ein
feste Burg ist unser Gott
BWV 80b, published by
Carus-Verlag for the
first time in a practical
performing edition,
remained unknown to Bach
scholars until well into
the 20th century. The
evidence of its existence
is three fragments of the
first folio of Bach's
score, which can be dated
to the years 1728-1731.
By contrast, the
long-familiar expanded
new version of the
cantata with its powerful
opening chorus (BWV 80)
dates from the 1730s or
1740s. It only survives
in a copy of Bach's
score, but this allows
conclusions to be drawn
about the history of the
versions; thus, by using
the fragments mentioned
above, it has been
possible to reconstruct
the first version. This
result is a Bach cantata
which is less extensive
and in a more concise
normal format, with
reduced wind instruments.
A relaxed, contrapuntal
four-part chorale
movement with the first
and last verses of the
Lutheran hymn forms the
framework, and the other
movements are the same as
in the later new version.
This simpler cantata is
also entirely suitable
for celebrating
Reformation Day, as Bach
did around 1730. Score
and part available
separately - see item
CA.3108000.
Soli SATB, SATB Choir, Ob (auch Obdc), 2 Vl, Va, Bc - Level 3 SKU: CA.3108062...(+)
Soli SATB, SATB Choir, Ob
(auch Obdc), 2 Vl, Va, Bc
- Level 3
SKU:
CA.3108062
Cantata
for Reformation Day.
First Leipzig
version. Composed by
Johann Sebastian Bach.
Edited by Klaus Hofmann.
Stuttgart Urtext Edition:
Bach vocal; Hymns by
Martin Luther: Ein feste
Burg ist unser Gott. Ein
Feste Burg (Erste Leipz.
Fassung). Sacred vocal
music, Cantatas,
Reformation day. Single
Part, Violin 2. Composed
1728/31. BWV 80b. 12
pages. Duration 30
minutes. Carus Verlag #CV
31.080/62. Published by
Carus Verlag
(CA.3108062).
ISBN
9790007206802. Key: D
major. Language:
German/English. Text:
Luther, Martin / Franck,
Salomo.
The
Reformation cantata Ein
feste Burg ist unser Gott
BWV 80b, published by
Carus-Verlag for the
first time in a practical
performing edition,
remained unknown to Bach
scholars until well into
the 20th century. The
evidence of its existence
is three fragments of the
first folio of Bach's
score, which can be dated
to the years 1728-1731.
By contrast, the
long-familiar expanded
new version of the
cantata with its powerful
opening chorus (BWV 80)
dates from the 1730s or
1740s. It only survives
in a copy of Bach's
score, but this allows
conclusions to be drawn
about the history of the
versions; thus, by using
the fragments mentioned
above, it has been
possible to reconstruct
the first version. This
result is a Bach cantata
which is less extensive
and in a more concise
normal format, with
reduced wind instruments.
A relaxed, contrapuntal
four-part chorale
movement with the first
and last verses of the
Lutheran hymn forms the
framework, and the other
movements are the same as
in the later new version.
This simpler cantata is
also entirely suitable
for celebrating
Reformation Day, as Bach
did around 1730. Score
and part available
separately - see item
CA.3108000.
Soli SATB, SATB Choir, Ob (auch Obdc), 2 Vl, Va, Bc - Level 3 SKU: CA.3108099...(+)
Soli SATB, SATB Choir, Ob
(auch Obdc), 2 Vl, Va, Bc
- Level 3
SKU:
CA.3108099
Cantata
for Reformation Day.
First Leipzig
version. Composed by
Johann Sebastian Bach.
Edited by Klaus Hofmann.
Stuttgart Urtext Edition:
Bach vocal; Hymns by
Martin Luther: Ein feste
Burg ist unser Gott. Ein
Feste Burg (Erste Leipz.
Fassung). Sacred vocal
music, Cantatas,
Reformation day. Single
Part, Organ. Composed
1728/31. BWV 80b. 16
pages. Duration 30
minutes. Carus Verlag #CV
31.080/99. Published by
Carus Verlag
(CA.3108099).
ISBN
9790007206857. Key: D
major. Language:
German/English. Text:
Luther, Martin / Franck,
Salomo.
The
Reformation cantata Ein
feste Burg ist unser Gott
BWV 80b, published by
Carus-Verlag for the
first time in a practical
performing edition,
remained unknown to Bach
scholars until well into
the 20th century. The
evidence of its existence
is three fragments of the
first folio of Bach's
score, which can be dated
to the years 1728-1731.
By contrast, the
long-familiar expanded
new version of the
cantata with its powerful
opening chorus (BWV 80)
dates from the 1730s or
1740s. It only survives
in a copy of Bach's
score, but this allows
conclusions to be drawn
about the history of the
versions; thus, by using
the fragments mentioned
above, it has been
possible to reconstruct
the first version. This
result is a Bach cantata
which is less extensive
and in a more concise
normal format, with
reduced wind instruments.
A relaxed, contrapuntal
four-part chorale
movement with the first
and last verses of the
Lutheran hymn forms the
framework, and the other
movements are the same as
in the later new version.
This simpler cantata is
also entirely suitable
for celebrating
Reformation Day, as Bach
did around 1730. Score
and part available
separately - see item
CA.3108000.
Soli SATB, SATB Choir, Ob (auch Obdc), 2 Vl, Va, Bc - Level 3 SKU: CA.3108064...(+)
Soli SATB, SATB Choir, Ob
(auch Obdc), 2 Vl, Va, Bc
- Level 3
SKU:
CA.3108064
Cantata
for Reformation Day.
First Leipzig
version. Composed by
Johann Sebastian Bach.
Edited by Klaus Hofmann.
Stuttgart Urtext Edition:
Bach vocal; Hymns by
Martin Luther: Ein feste
Burg ist unser Gott. Ein
Feste Burg (Erste Leipz.
Fassung). Sacred vocal
music, Cantatas,
Reformation day. Single
Part, basso continuo.
Composed 1728/31. BWV
80b. 16 pages. Duration
30 minutes. Carus Verlag
#CV 31.080/64. Published
by Carus Verlag
(CA.3108064).
ISBN
9790007206826. Key: D
major. Language:
German/English. Text:
Luther, Martin / Franck,
Salomo.
The
Reformation cantata Ein
feste Burg ist unser Gott
BWV 80b, published by
Carus-Verlag for the
first time in a practical
performing edition,
remained unknown to Bach
scholars until well into
the 20th century. The
evidence of its existence
is three fragments of the
first folio of Bach's
score, which can be dated
to the years 1728-1731.
By contrast, the
long-familiar expanded
new version of the
cantata with its powerful
opening chorus (BWV 80)
dates from the 1730s or
1740s. It only survives
in a copy of Bach's
score, but this allows
conclusions to be drawn
about the history of the
versions; thus, by using
the fragments mentioned
above, it has been
possible to reconstruct
the first version. This
result is a Bach cantata
which is less extensive
and in a more concise
normal format, with
reduced wind instruments.
A relaxed, contrapuntal
four-part chorale
movement with the first
and last verses of the
Lutheran hymn forms the
framework, and the other
movements are the same as
in the later new version.
This simpler cantata is
also entirely suitable
for celebrating
Reformation Day, as Bach
did around 1730. Score
and part available
separately - see item
CA.3108000.
Choir Sacred SATB vocal soli, SATB/SATB choir and organ SKU: PE.EP72624 <...(+)
Choir Sacred SATB vocal
soli, SATB/SATB choir and
organ
SKU:
PE.EP72624
Anthem
for SATB Soli, SATB Choir
and Organ. Composed
by Francis Pott. Choral
Works (inc. Oratorios).
Edition Peters. Choral
Octavo. 68 pages. Edition
Peters #98-EP72624.
Published by Edition
Peters (PE.EP72624).