Choral TTBB choir SKU: CF.CM9511 Composed by Traditional Spiritual. Arran...(+)
Choral TTBB choir
SKU:
CF.CM9511
Composed by
Traditional Spiritual.
Arranged by Stacey V.
Gibbs. Fold.
Contemporary.
Performance. With
Standard notation. 12
pages. Carl Fischer Music
#CM9511. Published by
Carl Fischer Music
(CF.CM9511).
ISBN
9781491146231. UPC:
680160903733. 6.875 x
10.5
inches.
Well-known
composer Stacey V. Gibbs'
arrangement of the
beloved spiritual I Want
Jesus to Walk With Me is
a superb arrangement for
TTBB choirs. Laden with
emotion and ranges to
suit advanced tenor-bass
choirs, Gibbs' signature
style shines through,
making it a programming
must. choirs, Gibbs'
signature style shines
through making this new
arrangement a programming
must.
By Stephen Sondheim, music by Jule Styne. Arranged by Larry Shackley. Choir Secu...(+)
By Stephen Sondheim,
music by Jule Styne.
Arranged by Larry
Shackley. Choir Secular.
Men's Choir. Choral
Octavo. Pop Choral.
Broadway. 12 pages.
Published by Alfred Music
Publishing
Composed by
Heather Sorenson.
MakeMusic Cloud;
Performance Music
Ensemble; Single Titles.
Alfred Choral Designs.
Peace/Brotherhood;
Secular. Choral Octavo.
12 pages. Alfred Music
#00-48975. Published by
Alfred Music (AP.48975).
UPC: 038081562995.
English.
Commission
ed by Texas AandM
University in remembrance
of a lost friend and
fellow Cadet, this
thought-provoking piece
is designed to be a
conversation starter
about mental illness,
depression, grief, and
suicide. Harmonically
rich, musically
expressive, and
emotionally stirring,
singers will be changed
and encouraged. What if I
could tell you no one has
to walk alone? This title
is available in MakeMusic
Cloud.
By Geoff Mack. Arranged by Jay Althouse. For Choir. (TTBB). Choral Octavo. Pop ...(+)
By Geoff Mack. Arranged
by Jay Althouse. For
Choir. (TTBB). Choral
Octavo. Pop Choral.
Novelty. Choral Octavo.
16 pages. Published by
Alfred Publishing.
Choral (TTBB Choir) SKU: HL.267896 Composed by Andrew Lloyd Webber. Arran...(+)
Choral (TTBB Choir)
SKU: HL.267896
Composed by Andrew Lloyd
Webber. Arranged by Mac
Huff. Voices Rising.
Broadway, Concert, Pop.
Octavo. 12 pages.
Published by Hal Leonard
(HL.267896).
UPC:
888680735395. 6.75x10.5
inches.
From the
musical Love Never
Dies, here is the
sort of power ballad we
have come to love from
the pen of Andrew Lloyd
Webber. Reviewed as a
worthy sequel to The
Music of the Night,
this is a beautiful
concert pop arrangement
full of power and
emotion.
Trinklied (I) Chorale TTBB [Conducteur] - Facile Carus Verlag
TTBB choir - Level 2 SKU: CA.4084020 Composed by Friedrich Theodor Frohli...(+)
TTBB choir - Level 2
SKU: CA.4084020
Composed by Friedrich
Theodor Frohlich. German
title: Trinklied I Der
Wein Zieht. Secular
choral music. Full score.
Composed 1827. 2 pages.
Duration 2 minutes. Carus
Verlag #CV 40.840/20.
Published by Carus Verlag
(CA.4084020).
ISBN
9790007162498. Key: E
flat major. Language:
German. Text: von
Fallersleben, Hoffmann.
Text: Hoffmann von
Fallersleben.
(from Tangled). Composed by Alan Menken and Glenn Slater. Arranged by Roger Emer...(+)
(from Tangled). Composed
by Alan Menken and Glenn
Slater. Arranged by Roger
Emerson. For Choral
(TTBB). Pop Choral
Series. Octavo. Published
by Hal Leonard
Choir Secular (Men's Choir) SKU: AP.46425 From Like Dust I Rise (A Cho...(+)
Choir Secular (Men's
Choir)
SKU:
AP.46425
From Like
Dust I Rise (A Choral
Song Cycle). Composed
by Mark Hayes.
Performance Music
Ensemble; Single Titles.
Alfred Choral Designs.
Peace/Brotherhood;
Secular. Choral Octavo.
16 pages. Alfred Music
#00-46425. Published by
Alfred Music (AP.46425).
UPC: 038081528045.
English.
Maya
Angelou's most popular
poem about triumph over
adversity comes
brilliantly to life in
this vivid setting by
Mark Hayes. The bright
shuffle tempo and bluesy
piano riffs perfectly
embody Angelou's
strength, courage, and
determination to rise
above. One of the most
uplifting choral
selections of our time!
This is the final
movement from the song
cycle Like Dust I
Rise.
About Alfred
Choral
Designs
Th
e Alfred Choral Designs
Series provides student
and adult choirs with a
variety of secular choral
music that is useful,
practical, educationally
appropriate, and a
pleasure to sing. To that
end, the Choral Designs
series features original
works, folk song
settings, spiritual
arrangements, choral
masterworks, and holiday
selections suitable for
use in concerts,
festivals, and
contests.
Composed by Mary McDonald. Daybreak Choral Series. Hymn, Male Voices, Revival,...(+)
Composed by Mary
McDonald. Daybreak Choral
Series. Hymn, Male
Voices, Revival,
Anthem, Sacred, All
Saints Day, Gospel,
General Worship. Octavo.
20 pages. Published by
Daybreak Music
(HL.200577).
(with Give Me Jesus). By George Beverly Shea. By George Beverly Shea. Arr...(+)
(with Give Me
Jesus). By George
Beverly Shea. By George
Beverly Shea. Arranged by
Joseph M. Martin. Shawnee
Press. Octavo. 12 pages.
Published by Shawnee
Press (HL.35031690).
By Elizabeth Alexander. For Men's Chorus (TTBB choir a cappella). Collegiate Rep...(+)
By Elizabeth Alexander.
For Men's Chorus (TTBB
choir a cappella).
Collegiate Repertoire,
Community Chorus, Concert
Music. Courage, Hardship,
Sacred (Worship and
Praise), Choral.
Moderately Advanced.
Octavo. Text language:
English. Duration 6
minutes. Published by
Seafarer Press
Railways 1846 Chorale TTBB TTBB, Piano Theodore Presser Co.
Choral TTBB choir, piano SKU: PR.312419270 From Terra Nostra. Comp...(+)
Choral TTBB choir, piano
SKU: PR.312419270
From Terra Nostra.
Composed by Stacy Garrop.
Performance Score. 8
pages. Duration 2
minutes. Theodore Presser
Company #312-41927.
Published by Theodore
Presser Company
(PR.312419270).
ISBN
9781491137918. UPC:
680160692606. English.
Charles
Mackay.
Terra
Nostra focuses on the
relationship between our
planet and mankind, how
this relationship has
shifted over time, and
how we can re-establish a
harmonious balance. The
oratorio is divided into
three parts:Part I:
Creation of the World
celebrates the birth and
beauty of our planet. The
oratorio begins with
creation myths from
India, North America, and
Egypt that are integrated
into the opening lines of
Genesis from the Old
Testament. The music
surges forth from these
creation stories into
“God’s World” by
Edna St. Vincent Millay,
which describes the world
in exuberant and vivid
detail. Percy Bysshe
Shelley’s “On thine
own child” praises
Mother Earth for her role
bringing forth all life,
while Walt Whitman sings
a love song to the planet
in “Smile O voluptuous
cool-breathed earth!”
Part I ends with “A
Blade of Grass” in
which Whitman muses how
our planet has been
spinning in the heavens
for a very long time.Part
II: The Rise of Humanity
examines the achievements
of mankind, particularly
since the dawn of the
Industrial Age. Lord
Alfred Tennyson’s
“Locksley Hall” sets
an auspicious tone that
mankind is on the verge
of great discoveries.
This is followed in short
order by Charles
Mackay’s “Railways
1846,” William Ernest
Henley’s “A Song of
Speed,” and John
Gillespie Magee, Jr.’s
“High Flight,” each
of which celebrates a new
milestone in
technological
achievement. In “Binsey
Poplars,” Gerard Manley
Hopkins takes note of the
effect that these
advances are having on
the planet, with trees
being brought down and
landscapes forever
changed. Percy Bysshe
Shelley’s “A Dirge”
concludes Part II with a
warning that the planet
is beginning to sound a
grave alarm.Part III:
Searching for Balance
questions how we can
create more awareness for
our planet’s plight,
re-establish a deeper
connection to it, and
find a balance for living
within our planet’s
resources. Three texts
continue the earth’s
plea that ended the
previous section: Lord
Byron’s “Darkness”
speaks of a natural
disaster (a volcano) that
has blotted out the sun
from humanity and the
panic that ensues;
contemporary poet Esther
Iverem’s “Earth
Screaming” gives voice
to the modern issues of
our changing climate; and
William Wordsworth’s
“The World Is Too Much
With Us” warns us that
we are almost out of time
to change our course.
Contemporary/agrarian
poet Wendell Berry’s
“The Want of Peace”
speaks to us at the
climax of the oratorio,
reminding us that we can
find harmony with the
planet if we choose to
live more simply, and to
recall that we ourselves
came from the earth. Two
Walt Whitman texts (“A
Child said, What is the
grass?” and “There
was a child went forth
every day”) echo
Berry’s thoughts,
reminding us that we are
of the earth, as is
everything that we see on
our planet. The oratorio
concludes with a reprise
of Whitman’s “A Blade
of Grass” from Part I,
this time interspersed
with an additional
Whitman text that
sublimely states, “I
bequeath myself to the
dirt to grow from the
grass I love…”My hope
in writing this oratorio
is to invite audience
members to consider how
we interact with our
planet, and what we can
each personally do to
keep the planet going for
future generations. We
are the only stewards
Earth has; what can we
each do to leave her in
better shape than we
found her?
Men's
Chorus (10 Copies).
Composed by Chen Yi.
Choral part(s). With
Standard notation. 480
pages. Duration 17
minutes. Theodore Presser
Company #312-41682.
Published by Theodore
Presser Company
(PR.312416820).
UPC:
680160050376. 8.5 x 11
inches.
Chen
Yi’s most
performed and most
beloved choral music is a
series of 10 Chinese folk
songs adapted for
S.A.T.B. Chorus
(published in 3 volumes:
312-41731, 312-41732,
312-41733). This special
version is a setting of
the familiar collection,
adapted for
children’s chorus
and
strings. Remembering
when I studied
composition in the
Central Conservatory of
Music in Beijing, I
learned to sing hundreds
of Chinese folk songs
collected from more than
twenty provinces and
fifty ethnic groups, and
went to countryside to
collect original folk
music every year. I
got to know that the folk
songs are a mirror of
people’s daily
lives, their thoughts and
sentiments, local customs
and manners. They are
sung in regional dialects
and use the idioms of
everyday speech with
their particular
intonations, accents and
cadences. This
correlation between
speech and music
distinguishes folk songs
of one region from
another. I learned
all songs by heart and
sang them back in the
exams every week.Â
They melted in my blood
and became my natural
music language. The
more I walk into the
music life,the more I
treasure the rich culture
I have learned from my
homeland. When I
became the
Composer-in-Residence of
Chanticleer and was
invited to write the
first work for its
concert program, as well
as another version for
its
Singing-In-The-Schools
program, I decided to
introduce A Set of
Chinese Folk Songs to my
American audiences, and
add a new flavor to
Chanticleer’srich
repertoire. The work
includes ten folk songs,
taken from eight
provinces (Anhui,
Shaanxi, Yunnan, Shanxi,
Taiwan, Sinkiang, Jiangsu
and Guizhou) and five
ethnic groups (Han,
Hasake, Uighur, Miao and
Yi). I arranged them
for choirs (men’s
or children’s
chorus) with various
combinations in voices,
to be sung mostly in
Chinese, some in
English.  From the
mysterious mountain songs
originally sung in the
open air with high and
long notes that can carry
over great distances, the
sweet and delicate
melodies of young love
compared with nature, the
humorous antiphony by
little children, and the
lively dancing tune by
villagers, you may get an
idea of various music
styles in Chinese folk
songs according to
geographic, ethnic and
linguistic differences,
and appreciate the beauty
of the Chinese folk
music. The pure choir
sound and the
sophisticated singing by
Chanticleer, in terms of
pitches, language and
musical expressions,
really attract and
inspire me to create some
more new works in the
years to come. In
thisedition of A Set of
Chinese Folk Songs for
standard SATB mixed choir
(with piano rehearsal
score), I divided these
ten songs into three
volumes. They are
Fengyang Song, The
Flowing Stream, Guessing,
Thinking of My Darling,
Mayila, Jasmine Flower,
Riding on a Mule,
Awariguli, Diu Diu Deng,
andMountain Song and
Dancing Tune.—Chen
Yi.
TTBB chorus and Organ SKU: JK.00352 Composed by Various. Arranged by Ryan...(+)
TTBB chorus and Organ
SKU: JK.00352
Composed by Various.
Arranged by Ryan K.
Eggett and T. Chemain
Evans. Choral General
Conference, Choral TB,
Difficulty Medium, Organ
Choir, Special Events
Conference (Ward,
Missionary Work.
Christian, Inspirational.
Jackman Music Corporation
#00352. Published by
Jackman Music Corporation
(JK.00352).
Doctrine
and Covenants 4:2-3,
Doctrine and Covenants
20:17-19.
Powerful
choral medley (TTBB)
combining music and
lyrics from four beloved
children's songs--I Hope
They Call Me On a
Mission, I Will Be
Valiant, We'll Bring the
World His Truth, and
Called to
Serve. Performed in
the October 2014
Priesthood Session of LDS
General Conference. Also
available as SATB
arrangement
#01754. Composer:
Various Arranger: T.
Chemain Evans and Ryan K.
Eggett Lyricist:
Various Performance
Time: 4:45 Reference:
Doctrine and Covenants
4:2-3, Doctrine and
Covenants
20:17-19