(For Orchestra). By Johann Pachelbel (1653-1706). Arranged by Philip Gordon. Orchestra. For Flute, Oboe, Clarinet I, Clarinet II, Alto Saxophone, Tenor Saxophone, Bassoon, Horn I, Horn II, Trumpet I, Trumpet II, Tenor, Tuba, Timpani, Piano and Conductor, Flute, Oboe, Clarinet I, Clarinet II, Alto Saxophone, Tenor Saxophone, Bassoon, Horn I, Horn I. Baroque. Score and parts. Standard notation. 12 pages. Duration 2:45

Orchestra

SKU: BA.BA10989

Laudon. Composed by Franz Joseph Haydn. Edited by Sonja Gerlach and Wolfgang Stockmeier. This edition: urtext edition. Stapled. Score. Baerenreiter Verlag #BA10989_00. Published by Baerenreiter Verlag (BA.BA10989).

ISBN 9790006575534. 31 x 24.3 cm inches. Key: C major.

Letters of the composer have come down to us only on a few of Haydn’s symphonies, amongst them the “Laudon” Symphony Hob. I:69. In one of these letters, Haydn agrees to the publisher’s suggestion to name the symphony after the widely known and favoured general Gideon Ernst von Laudon (1717-1790). By using this name, both composer and publisher hoped to increase the commercial success of the work which possibly deserved a military eponym considering its instrumentation with timpani and trumpets. Also, the symphony requires two bassoons, but no flutes, corresponding with the available musicians at the court of Esterházy between 1775 and 1776.

In continuation of the collaboration between Bärenreiter and G. Henle Verlag, this edition is based on the Urtext of the Complete Edition “Joseph Haydn Works” published by G. Henle Verlag.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Orchestra

SKU: BA.BA10986

Composed by Franz Joseph Haydn. Edited by Sonja Gerlach and Sterling E. Murray. This edition: urtext edition. Stapled. Score. Hob. I:77. Baerenreiter Verlag #BA10986_00. Published by Baerenreiter Verlag (BA.BA10986).

ISBN 9790006569106. 31 x 24.3 cm inches. Key: B-flat major. Preface: Andreas Friesenhagen.

Haydn composed his Symphony No. 77 along with his Symphonies Nos. 76 and 78 for a planned journey to England that never took place. Nonetheless, H.C. Robbins Landon calls these works the “English symphonies” as they are stylistically closely linked to the “London Bach”, Johann Christian Bach. Haydn himself, in a letter of 1783 to his Parisian publisher Charles-Georges Boyer, described the symphonies as ‘Leicht und nicht vil Concertirend”, meaning that they were light in spirit and did not contain extensive solo passages but rather a clear sense of classical form.

Continuing the cooperation between Bärenreiter and the G. Henle publisher regarding Haydn’s large-scale choral works, operas and symphonies, this edition is based on the G. Henle Complete Edition of the “Works of Joseph Haydn”. The Bärenreiter catalogue now includes the complete performance material for several “Sturm und Drang” symphonies as well as all the London and Paris symphonies.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Chamber orchestra (Orchestra)

SKU: BA.BA10974

Composed by Franz Joseph Haydn. Edited by Carl-Gabriel Stellan Mörner. This edition: urtext edition. Stapled. Score. Hob. I:46. Duration 19 minutes. Baerenreiter Verlag #BA10974_00. Published by Baerenreiter Verlag (BA.BA10974).

ISBN 9790006522767. 31 x 24.3 cm inches. Key: B-flat major. Language: German/English. Preface: Andreas Friesenhagen.

Haydn ’s “Sturm und Drang” symphonies along with the London and the Paris symphonies belong to his most popular works today. The “Sturm und Drang” works contain not only masterpieces such as the already published “Farewell-Symphony� �€ and the “Maria Theresia” symphony but also gems such as the recently published “La Passione” symphony (2013) and now the Symphony in B major No. 46.

The publication of this symphony represents a continuation of the collaboration between Bärenreiter and the Henle publishing company in the areas of large vocal compositions, operas and symphonic works. The Symphony in B major is based on the Henle Complete Edition of the “Works of Joseph Haydn” and is published with a full score and large format performing material on sale.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Orchestra (Fl, 2 Ob, 2 bassoon, 2 Hn, 2 Trp, timpani, 2 V, Va, double bass, Vc)

SKU: BA.BA10980

Composed by Franz Joseph Haydn. Edited by Andreas Friesenhagen. This edition: urtext edition. Stapled. Score. Hob. I:88. Duration 23 minutes. Baerenreiter Verlag #BA10980_00. Published by Baerenreiter Verlag (BA.BA10980).

ISBN 9790006562831. 31 x 24.3 cm inches. Key: G major. Text Language: German, English. Preface: Andreas Friesenhagen.

This edition clarifies a performance aspect of Haydn’s Symphony in G major that has long been misunderstood: in m. 1 of the second movement (Largo) the viola, violoncello and several wind instrument parts are marked “solo”, indicating that they play important motifs or themes and ought to stand out.
Contrary to other editions, the “solo” marking in the violoncello should not be construed as indicating a solo instrument with the remaining cellos doubling the basses. Rather, the cellos should play as a section so as to stand out all the more clearly.

Continuin g the collaboration between Bärenreiter and the Henle publishing company in large-scale choral works, operas and symphonies, this edition is based on the Henle Complete Edition of the “Works of Joseph Haydn”. The complete performance material for several “Sturm und Drang” symphonies and all of the London and Paris symphonies is now available from Bärenreiter.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Orchestra

SKU: BA.BA10985

Composed by Franz Joseph Haydn. Edited by Sonja Gerlach and Sterling E. Murray. This edition: urtext edition. Stapled. Score. Hob. I:78. Baerenreiter Verlag #BA10985_00. Published by Baerenreiter Verlag (BA.BA10985).

ISBN 9790006568123. 31 x 24.3 cm inches. Key: C minor. Preface: Andreas Friesenhagen.

Along with Symphonies Nos. 76 and 77 Haydn composed Symphony No. 78 for a journey to England that never took place. Nonetheless, H. C. Robbins Landon referred to these works as the “English Symphonies” as they are stylistically closely linked to “the London Bach”, Johann Christian Bach. In a letter Haydn wrote to his Paris publisher Charles-Georges Boyer in 1783, he described the works as “Leicht und nicht vil Concertirend”, meaning they were light in spirit and did not contain extensive solo passages but rather a clear sense of classical form.

Continuing the cooperation between Bärenreiter and the G. Henle publishing company regarding Haydn’s large-scale choral works, operas, and symphonies, this edition is based on the G. Henle Complete Edition of the “Works of Joseph Haydn”. To date, Bärenreiter has published the complete performance material for several of Haydn’s “Sturm und Drang” symphonies as well as the complete London and Paris symphonies.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

I Went This Morning Over the Field. Composed by Gustav Mahler (1860-1911). Full Orchestra; Masterworks; Performance Music Ensemble; Single Titles. Belwin Concert Full Orchestra. Form: Transcription. Masterwork Arrangement; Romantic. Part(s); Score. 206 pages. Belwin Music #00-38453. Published by Belwin Music (AP.38453).

Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra (Study Score)

SKU: HL.49018099

Boy Soprano, Soprano, Tenor, Flugelhorn, Mixed Chorus, and Chamber Orchestra Study Score. Composed by Harald Weiss. This edition: Paperback/Soft Cover. Sheet music. Study Score. Classical. Softcover. Composed 2008/2009. 188 pages. Duration 100'. Schott Music #ED20619. Published by Schott Music (HL.49018099).

ISBN 9790001158428. UPC: 884088567347. 8.25x11.75x0.457 inches. Latin - German.

On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of 'letting go'. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: 'I will return the key of my door'. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though 'in an ocean' of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: 'So teach us to number our days, that we may apply our hearts unto wisdom'. This cannot be expressed more plainly.I have begun the requiem with a solo boy's voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent 'lux aeterna'. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: 'Entreiss dich, Seele, nun der Zeit, entreiss dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen' ['Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morning'] and later: 'Und die Seele unbewacht will in freien Flugen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben' ['And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfold']. Or Joseph von Eichendorff whose text evokes a distant song in his lines: 'Und meine Seele spannte weit ihre Flugel aus. Flog durch die stillen Lande, als floge sie nach Haus' ['And my soul spread its wings wide. Flew through the still country as if homeward bound.']Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven's late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my 'renewed' occupation with the 'old' country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a 'homecomer'. Harald WeissColonia de San PedroMarch 2009.

Orchestra (Orchestra)

SKU: BA.BA06845

6 Tänze für Orchester. Composed by Leos Janacek. Edited by Jarmil Burghauser and Radomil Eliska. This edition: complete edition, urtext edition. Linen. Complete Critical Edition of the Works of Leos Janacek D/4. Lachische Tänze/Lachian Dances. Tanz (Dance). Complete edition, Score. Composed 1889/1927. Baerenreiter Verlag #BA06845_00. Published by Baerenreiter Verlag (BA.BA06845).

ISBN 9790006483273. 34.3 x 27 cm inches.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Double Bass; Orchestra (STUDY SCORE)

SKU: HL.51487451

Study Score. Composed by Serge Koussevitzky. Edited by Tobias Glö and ckler. Henle Study Scores. Classical. Softcover. 92 pages. G. Henle #HN7451. Published by G. Henle (HL.51487451).

UPC: 196288158110. 6.75x9.5x0.294 inches.

Thanks to its skilful combination of Romantic melody and sparkling virtuosity, Koussevitzky’s Double Bass Concerto op. 3 has been one of the most popular works of its genre since its Moscow premiere in 1905. No wonder, for the virtuoso double bass player Koussevitzky had composed it for his very own instrument. As early as 1906/07 a first piano reduction was published in Moscow, followed by a second in 1910 in Leipzig. However, both contain so many mistakes in the solo part that there is still uncertainty about the correct musical text in many passages to this day. The double bass player Tobias Glöckler has therefore prepared his Urtext edition using several sources: as well as the manuscript performance material and the piano reductions published during the composer's lifetime, he has also studied recordings with Koussevitzky as soloist - thereby finally producing a thoroughly-researchedUrte xt edition of the orchestral score and piano reduction of this classic of the double bass literature. As with all double bass concertos published by Henle Publishers, this edition also contains the piano reduction by Christoph Sobanski in two keys (E minor and F sharp minor) for performance with solo or orchestral tuning.

About Henle Urtext

What I can expect from Henle Urtext editions:

• error-free, reliable musical texts based on meticulous musicological research - fingerings and bowings by famous artists and pedagogues
• preface in 3 languages with information on the genesis and history of the work 
• Critical Commentary in 1 – 3 languages with a description and evaluation of the sources and explaining all source discrepancies and editorial decisions 
• most beautiful music engraving 
• page-turns, fold-out pages, and cues where you need them 
• excellent print quality and binding 
• largest Urtext catalogue world-wide 
• longest Urtext experience (founded 1948 exclusively for Urtext editions)

By Mark Hayes, Bart Millard. For full orchestra (conductor's score). Sacred Anthem. Published by Monarch Music. (30/2274M)

Orchestra Study Score. Composed by Franz Joseph Haydn (1732-1809). Edited by Andreas Friesenhagen. Henle Study Scores. Classical. Softcover. 45 pages. G. Henle #HN9057. Published by G. Henle

Orchestra (Study Score)

SKU: HL.51489064

Study Score. Composed by Franz Joseph Haydn. Edited by Gernot Gruber. Henle Music Folios. Classical. Softcover. G. Henle #HN9064. Published by G. Henle (HL.51489064).

UPC: 840126937640. 6.75x9.5x0.214 inches.

The twelve “London Symphonies” comprise the sublime final statement of Haydn's symphonic oeuvre. They were written for the London impresario Johann Peter Salomon, and Haydn himself conducted their premieres during his lengthy stays in the English metropolis in 1791/92 and 1794/95. Hailing from 1791, the Symphony in D major no. 96 numbers among the first symphonies written in and for London. The epithet given to it by posterity, “The Miracle”, was bestowed erroneously, for the miracle - that no one was injured when a chandelier fell during a concert - took place during a performance of a different Haydn symphony. And yet it is a miracle of musical esprit nonetheless; from the subtle relations between the motives consisting of broken triads that open all four movements, to the virtuosic shifts in mood owing to surprising harmonies, Haydn here submits a prime example of how he develops musical ideas. This study edition adopts the musical text of the Haydn Complete Edition, thereby guaranteeing the highest scholarly quality. An informative preface and a brief Critical Report make the handy score an ideal companion for all current and soon-to-be Haydn fans.

About Henle Urtext

What I can expect from Henle Urtext editions:

• error-free, reliable musical texts based on meticulous musicological research - fingerings and bowings by famous artists and pedagogues
• preface in 3 languages with information on the genesis and history of the work 
• Critical Commentary in 1 – 3 languages with a description and evaluation of the sources and explaining all source discrepancies and editorial decisions 
• most beautiful music engraving 
• page-turns, fold-out pages, and cues where you need them 
• excellent print quality and binding 
• largest Urtext catalogue world-wide 
• longest Urtext experience (founded 1948 exclusively for Urtext editions)

Orchestra (Study Score)

SKU: HL.51489817

Orchestra Study Score. Composed by Ludwig van Beethoven. Edited by Ernst Herttrich. Henle Study Scores. Classical. Softcover. 120 pages. G. Henle #HN9817. Published by G. Henle (HL.51489817).

UPC: 840126932782. 6.75x9.5x0.341 inches.

The premiere of this work in December 1813 ranks among the greatest successes Beethoven ever celebrated in public as a composer. One reviewer wrote at the time that in its themes the new symphony was “so favourable and easily comprehensible that every music lover falls for the powerful allure of its beauty.” The incisiveness of the themes is fundamentally related to the basic ostinato rhythms, which help shape each movement’s distinctive character. Richard Wagner even called the composition, with its ecstatic finale, an “apotheosis of the dance.” Based on the musical text of the Beethoven Complete Edition and furnished with a new preface, this recently prepared edition reflects the latest in Beethoven scholarship. Now, in this study edition, it is available to everyone at a reasonable price and in a handy format.

About Henle Urtext

What I can expect from Henle Urtext editions:

• error-free, reliable musical texts based on meticulous musicological research - fingerings and bowings by famous artists and pedagogues
• preface in 3 languages with information on the genesis and history of the work 
• Critical Commentary in 1 – 3 languages with a description and evaluation of the sources and explaining all source discrepancies and editorial decisions 
• most beautiful music engraving 
• page-turns, fold-out pages, and cues where you need them 
• excellent print quality and binding 
• largest Urtext catalogue world-wide 
• longest Urtext experience (founded 1948 exclusively for Urtext editions)

(To Act I of La Traviata) Composed by Giuseppe Verdi (1813-1901), arranged by Jack Bullock. Conductor's score and set of performance parts for orchestra (2 - flute, 2 - oboe, 1 - 1st clarinet, 1 - 2nd clarinet, 2 - bassoon, 4 - horn in F, 1 - 1st trumpet, 1 - 2nd trumpet, 3 - trombone, 1 - tuba, 1 - timpani, 8 - 1st violin, 8 - 2nd violin, 5 - 3rd violin/viola (treble clef), 5 - viola, 5 - cellow, 5 - string bass). With performance notes and program

Orchestra (Study Score)

SKU: HL.51489818

Orchestra Study Score. Composed by Ludwig van Beethoven. Edited by Ernst Herttrich. Henle Study Scores. Classical. Softcover. 86 pages. G. Henle #HN9818. Published by G. Henle (HL.51489818).

UPC: 840126932744. 6.75x9.5x0.25 inches.

Sandwiched between the popular Symphonies Nos. 7 and 9, the relatively short Eighth Symphony finds itself in a difficult position even now. Right after the premiere in February 1814, one critic opined that it had made “no splash.” At first glance it makes recourse to already outmoded forms and genres, even reviving a minuet for the third movement (in lieu of a slow movement) after an Allegretto scherzoso. But Beethoven engages intensively with music history, breaking apart traditional procedures and patterns and finding new, surprising solutions that make his Eighth a milestone in symphonic history. Based on the musical text of the Beethoven Complete Edition and furnished with a new preface, this recently prepared edition reflects the latest in Beethoven scholarship. Now,in this study edition, it is available to everyone at a reasonable price and in a handy format.

About Henle Urtext

What I can expect from Henle Urtext editions:

• error-free, reliable musical texts based on meticulous musicological research - fingerings and bowings by famous artists and pedagogues
• preface in 3 languages with information on the genesis and history of the work 
• Critical Commentary in 1 – 3 languages with a description and evaluation of the sources and explaining all source discrepancies and editorial decisions 
• most beautiful music engraving 
• page-turns, fold-out pages, and cues where you need them 
• excellent print quality and binding 
• largest Urtext catalogue world-wide 
• longest Urtext experience (founded 1948 exclusively for Urtext editions)

Edited by Thom Proctor, written by Samuel Applebaum. Instrumental solo book for bass. 36 pages. Published by Belwin.

By African-American Spiritual. Arranged by Carrie Lane Gruselle. For orchestra. FJH Developing Strings. Grade 2. Orchestra. Composed 2010. Published by The FJH Music Company Inc

By African-American Spiritual. Arranged by Carrie Lane Gruselle. For orchestra. FJH Developing Strings. Grade 2. Score. Composed 2010. Published by The FJH Music Company Inc

(A Christmas Worship Experience of the Christ-Light). By Mary Mcdonald. Arranged by Laura Kathryn Rosser. For full orchestra. Cantatas. Christmas. Orchestral score and parts. Published by Monarch Music

Full orchestra

SKU: LO.30-3209L

Composed by Thomas Fettke. Choral. Sacred Anthem, Holy Week, Lent. Orchestral score and CD with printable parts. Lorenz Publishing Company #30/3209L. Published by Lorenz Publishing Company (LO.30-3209L).

UPC: 000308141030.

This stunning and tender pairing of the beloved folk melody with Isaac Watts's immortal text starts quietly and, with transparent vocal lines, gradually builds through a reflective chorale-like statement of the stanza to a soaring finish. (From the cantata The Easter Story, SATB--55/1172L) The instrumental ensemble includes a score and CD with printable parts for 2 Flutes, Oboe, 2 Clarinets, Bassoon (sub Bass Clarinet), 2 Horns (sub 2 Alto Saxes), 3 Trumpets, 2 Trombones (sub 2 Tenor Saxes), Tuba, 2 Percussion, Timpani, Harp, Piano, 2 Violins, Viola, Cello, Bass, and Keyboard String Reduction.