(Featuring: Paint It, Black / Ruby Tuesday / (I Can't Get No) Satisfaction). Orchestra. Score; SmartMusic; String Orchestra. Pop Concert String Orchestra. Form: Medley. Rock. Grade 3.5. 20 pages. Published by Alfred Music

(Featuring: Paint It, Black / Ruby Tuesday / (I Can't Get No) Satisfaction). Orchestra. Part(s); Score; String Orchestra. Pop Concert String Orchestra. Form: Medley. Rock. Grade 3.5. 136 pages. Published by Alfred Music Publishing

By Stan Getz and Beaux Arts String Ensemble. By Eddie Sauter. Edited by Rob Duboff, Jeffrey Sultanof, Alex Chilowicz, and Andrew Homzy. Arranged by Eddie Sauter. For string ensemble (score and parts) (Soloist (parts in concert, B-flat, and E-flat), Violin I (8 parts), Violin II (8 parts), Viola (5 Parts), Cello (5 Parts) , Double Bass (3 Parts), Harp, Piano/Celeste, Percussion (Snare Drum, Marimba, Tambourine)). Advanced. Score and parts. Published by Jazz Lines Publications

Orchestra string orchestra - Grade 3.5

SKU: KJ.SO326F

Composed by Janice Mcallister and Robert Frost. Score. Neil A. Kjos Music Company #SO326F. Published by Neil A. Kjos Music Company (KJ.SO326F).

UPC: 8402703955.

Take a trip to beautiful Canada with this sensational three-movement work. Each movement is richly scored and showcases each section with key thematic material. Specially selected movements are: Vive la Canadienne!, An Emigrant's Daughter, and Northland Frolic (I'se the Bye & The Mouth of the Tobique).

Orchestra strings - Grade 3.5

SKU: KJ.SO326C

Composed by Janice Mcallister and Robert Frost. Music book. Neil A. Kjos Music Company #SO326C. Published by Neil A. Kjos Music Company (KJ.SO326C).

UPC: 8402703953.

Take a trip to beautiful Canada with this sensational three-movement work. Each movement is richly scored and showcases each section with key thematic material. Specially selected movements are: Vive la Canadienne!, An Emigrant's Daughter, and Northland Frolic (I'se the Bye & The Mouth of the Tobique).

Arranged by Kevin Mixon. Orchestra. String Orchestra. Belwin Beginning String Orchestra. Grade 2.5. Conductor Score and Parts. 76 pages. Published by Belwin Publishing

By Jacques Offenbach (1819-1880). Arranged by Elliot Del Borgo. Beginning String Orchestra. FJH Beginning Strings. Full set (score and parts). Score only also available: ST6031S. Orchestra. Grade 1. Score and Set of Parts. Composed 2003

By Jacques Offenbach. Arranged by Elliot Del Borgo. Beginning String Orchestra. FJH Beginning Strings. Score only. Full set (score and parts) also available: ST6031. String Orchestra. Level: Grade 1. Score. Composed 2003. Published by The FJH Music Company Inc.

(Featuring: Gloria / From Heaven Above to Earth I Come / For Unto Us a Child Is Born / Hallelujah Chorus). Arranged by Douglas E. Wagner. Orchestra. Part(s); Score; String Orchestra. Belwin Intermediate String Orchestra. Christmas; Light Concert; Winter. Grade 3. 148 pages. Published by Belwin Publishing

By Alan Lee Silva. For Violin I, Violin II, Violin III (Viola T.C), Viola, Cello, Bass, Piano. Carl Fischer Concert String Orchestra Series. Grade 3 and up. Score and part(s). Published by Carl Fischer

By Joseph Compello. For Full Score, Violin I, Violin II, Violin III, Viola, Cello, Bass, Piano. Carl Fischer First Plus String Orchestra Series. Grade 1.5-2. Score and part(s). Published by Carl Fischer

By Soon Hee Newbold. Arranged by Soon Hee Newbold. Intermediate String Orchestra. FJH Developing Strings. Famous myths, legends, fairy tales, and stories from all over the world - including the ancient Greeks, the Brothers Grimm, and Hans Christian Andersen - shapes cultures, mold ethics, teach lessons, and entertain. Every popular tale has a beginning adventure, a fantasy, and the ultimate conflict between good and evil. I wrote Mythos to include these many themes, which are inspired by age-old fables, magical sagas, and the epic dramas of today. Score for this title: ST6114S. Extra part for this title: ST6114P. String Orchestra. Level: 2.5. Score and Set of Parts. Published by The FJH Music Company Inc

By The Rolling Stones. Arranged by Michael Story. For String Orchestra. String Orchestra. Orchestra Expressions Book 2. Rock. Level: 2 (Red) (grade 2 Red). Conductor Score & Parts. 40 pages. Published by Alfred Publishing.

Composed by Yukiko Nishimura. String orchestra. For Full Score, Violin I, Violin II, Violin III, Viola, Cello, Bass, Piano. Carl Fischer Concert String Orchestra Series. Grade 3 and up. Full score (large). Published by Carl Fischer

By The Rolling Stones. Arranged by Michael Story. For String Orchestra. String Orchestra. Orchestra Expressions Book 2. Rock. Level: 2 (Red) (grade 2 Red). Conductor Score. 8 pages. Published by Alfred Publishing.

Composed by Yukiko Nishimura. For string orchestra (violin I, violin II, violin III (viola T.C.), viola, cello, bass, piano). Score and parts. Duration 4 minutes, 22 seconds. Published by Carl Fischer

Full Score. By Johann Pachelbel. Edited by Amy Rosen. Arranged by Andrew Balent. String orchestra. For Violin I, Violin II, Viola (Treble Clef), Viola, Cello, Double Bass, Piano. Carl Fischer Beginning String Orchestra Performance Series: Beginning. Full Score - Large. 7 pages. Published by Carl Fischer.

By Anne Mcginty; John Edmondson. Orchestra. For violin 1. Queenwood Beginning String Orchestra. Queenwood Orchestra. Elementary. String orchestra method

By Alan Lee Silva. For string orchestra (violin I, violin II, violin III (viola T.C.), viola, cello, bass, piano). Score and parts. Duration 4 minutes, 23 seconds. Published by Carl Fischer

By Greg Bartholomew. For String Orchestra. Level 3/4. Score and parts. Duration 3 minutes. Published by Imagine Music

Score and Parts. Composed by Yukiko Nishimura. Southern Music. Classical. Softcover. Southern Music Company #SO121C. Published by Southern Music Company

Orchestra String Orchestra - Grade 3

SKU: CF.CAS18

Composed by Douglas Townsend. Carl Fischer Concert String Orchestra Series. Score and Parts. With Standard notation. 12 pages. Carl Fischer Music #CAS18. Published by Carl Fischer Music (CF.CAS18).

ISBN 9780825855016. UPC: 798408055011. 8.5 X 11 inches. Key: F major.

A truly masterful fantasy on an English folk song, this piece shows the exceptional musical development found in many of the greatest classical symphonies. The fantasy is roughly in the style of the classical rondo (ABACA) and features fine counterpoint and engaging melodies. This piece can be played in an orchestral and quartet setting and is both challenging and fun to play.
My Fantasy on The Wee Cooper of Fife was one of four such fantasies I wrote for my daughter April when she was studying the violin, and I had hopes that when she reached the age of wisdom and proficiency she would play them with her friends. Life being what is it, she eventually gave up the violin and chose a completely different career for herself-though we are still the best of friends! I found the song in a collection of folk songs for children where it is called Rissoldy Rossoldy. Except for a few notes, the song was almost identical to the English folksong The Wee Cooper of Fife, which begins: There was a Wee Cooper named Fife / nickity nackety roo noo roo / He took him to wed a gentle wife / nickity nackety roo noo roo / She would na card she would na spin / for fear 't would harm her gentle skin.... The tune is rollicking and words are amusing, and yes, eventually they worked out their problems! The Fantasy is roughly in the style of the classical rondo, which is ABACA coda, such as one finds in the last movements of some of Haydn's later symphonies. This composition may be performed by a string orchestra or solo string quartet. - Douglas Townsend.
MyA Fantasy on The Wee Cooper of FifeA was one of four such fantasies I wrote for my daughter April when she was studying the violin, and I had hopes that when she reached the age of wisdom and proficiency she would play them with her friends. Life being what is it, she eventually gave up the violin and chose a completely different career for herself-though we are still the best of friends! I found the song in a collection of folk songs for children where it is calledA Rissoldy Rossoldy.A Except for a few notes, the song was almost identical to the English folksongA The Wee Cooper of Fife, which begins: There was a Wee Cooper named Fife / nickity nackety roo noo roo / He took him to wed a gentle wife / nickity nackety roo noo roo / She would na card she would na spin / for fear 't would harm her gentle skin.... The tune is rollicking and words are amusing, and yes, eventually they worked out their problems! The Fantasy is roughly in the style of the classical rondo, which is ABACA coda, such as one finds in the last movements of some of Haydn's later symphonies. This composition may be performed by a string orchestra or solo string quartet. - Douglas Townsend.
MyA Fantasy on The Wee Cooper of FifeA was one of four such fantasies I wrote for my daughter April when she was studying the violin, and I had hopes that when she reached the age of wisdom and proficiency she would play them with her friends. Life being what is it, she eventually gave up the violin and chose a completely different career for herself-though we are still the best of friends! I found the song in a collection of folk songs for children where it is calledA Rissoldy Rossoldy.A Except for a few notes, the song was almost identical to the English folksongA The Wee Cooper of Fife, which begins: There was a Wee Cooper named Fife / nickity nackety roo noo roo / He took him to wed a gentle wife / nickity nackety roo noo roo / She would na card she would na spin / for fear 't would harm her gentle skin.... The tune is rollicking and words are amusing, and yes, eventually they worked out their problems! The Fantasy is roughly in the style of the classical rondo, which is ABACA coda, such as one finds in the last movements of some of Haydn's later symphonies. This composition may be performed by a string orchestra or solo string quartet. - Douglas Townsend.
My Fantasy on The Wee Cooper of Fife was one of four such fantasies I wrote for my daughter April when she was studying the violin, and I had hopes that when she reached the age of wisdom and proficiency she would play them with her friends. Life being what is it, she eventually gave up the violin and chose a completely different career for herself-though we are still the best of friends! I found the song in a collection of folk songs for children where it is called Rissoldy Rossoldy. Except for a few notes, the song was almost identical to the English folksong The Wee Cooper of Fife, which begins: There was a Wee Cooper named Fife / nickity nackety roo noo roo / He took him to wed a gentle wife / nickity nackety roo noo roo / She would na card she would na spin / for fear 't would harm her gentle skin.... The tune is rollicking and words are amusing, and yes, eventually they worked out their problems! The Fantasy is roughly in the style of the classical rondo, which is ABACA coda, such as one finds in the last movements of some of Haydn's later symphonies. This composition may be performed by a string orchestra or solo string quartet. - Douglas Townsend.
My Fantasy on The Wee Cooper of Fife was one of four such fantasies I wrote for my daughter April when she was studying the violin, and I had hopes that when she reached the age of wisdom and proficiency she would play them with her friends. Life being what is it, she eventually gave up the violin and chose a completely different career for herself-though we are still the best of friends! I found the song in a collection of folk songs for children where it is called Rissoldy Rossoldy. Except for a few notes, the song was almost identical to the English folksong The Wee Cooper of Fife, which begins: There was a Wee Cooper named Fife / nickity nackety roo noo roo / He took him to wed a gentle wife / nickity nackety roo noo roo / She would na card she would na spin / for fear 't would harm her gentle skin.... The tune is rollicking and words are amusing, and yes, eventually they worked out their problems! The Fantasy is roughly in the style of the classical rondo, which is ABACA coda, such as one finds in the last movements of some of Haydn's later symphonies. This composition may be performed by a string orchestra or solo string quartet. - Douglas Townsend.
My Fantas y on The Wee Cooper of Fife was one of four such fantasies I wrote for my daughter April when she was studying the violin, and I had hopes that when she reached the age of wisdom and proficiency she would play them with her friends. Life being what is it, she eventually gave up the violin and chose a completely different career for herself-though we are still the best of friends!I found the song in a collection of folk songs for children where it is called Rissoldy Rossoldy. Except for a few notes, the song was almost identical to the English folksong The Wee Cooper of Fife, which begins:There was a Wee Cooper named Fife / nickity nackety roo noo roo / He took him to wed a gentle wife / nickity nackety roo noo roo / She would na card she would na spin / for fear 't would harm her gentle skin....The tune is rollicking and words are amusing, and yes, eventually they worked out their problems!The Fantasy is roughly in the style of the classical rondo, which is ABACA coda, such as one finds in the last movements of some of Haydn's later symphonies.This composition may be performed by a string orchestra or solo string quartet.- Douglas Townsend.

About Carl Fischer Concert String Orchestra Series

Thi s series of pieces (Grade 3 and higher) is designed for advancing ensembles. The pieces in this series are characterized by:

• Expanded use of rhythms, ranges and keys but technical demands are still carefully considered
• More comprehensive bowing techniques
• Viola T.C. included
• Careful selection of keys and degree of difficulty for advancing musicians

Orchestra String Orchestra - Grade 1.5-2

SKU: CF.FAS43

Composed by Larry Clark. Carl Fischer First Plus String Orchestra Series. Classical. Score and Parts. With Standard notation. 8 pages. Carl Fischer Music #FAS43. Published by Carl Fischer Music (CF.FAS43).

ISBN 9780825863387. UPC: 798408063382. 8.5 X 11 inches. Key: E minor.

Titled by the students of J. T. Lambert Middle School in East Stroudsburg, PA, which commissioned the original version for band, this brilliant, heavily accented piece emphasizes rhythmic alertness and attention to dynamic contrasts. Bold fanfare writing alternates with lyrical writing of considerable warmth and the spiccato style of playing is introduced.
The title for Dance of the Thunderbolts was suggested by students at J. T. Lambert Middle School in East Stroudsburg, Pennsylvania. This piece was originally commissioned for the sixth-grade band at the school in 2003 and has now been transcribed for string orchestra. The students specifically asked for the piece to be “a strong powerful piece with lots of accents and a strong abrupt ending.” As you can see and hear, the piece contains many of these aspects. After the title was suggested I came up with the thunderbolt dance section of the piece first stated at m. 24. Later during the compositional process I decided to frame this theme with a more lyrical theme, but one that still contains the sparkle of the staccato ostinato that is layered together with the elongated theme. Following the thunderbolt dance at m.24 is a short interlude to soften the sound before a return of the theme in fragments traded between different sections and in different tessituras. The lyrical theme returns and is followed by “a strong abrupt ending” as suggested by the students. As with all of my pieces at this level, the tempo is merely a suggestion and should be adjusted slower or faster to fit the needs of your students and the performance situation.It has been my pleasure to have the opportunity to write this piece. I hope you and your students enjoy it and find it useful for your program.—Larry ClarkLakeland, FL 2007.

High School Musical 3 arranged by Robert Longfield. Score and Parts. Pop Specials for Strings. Grade 3-4. Published by Hal Leonard

Arranged by Ted Ricketts. (Score & Parts). Pop Special String. Published by Hal Leonard.