Composed by Anthony Osborne. Performance Music Ensemble; Single Titles; String Orchestra. Faber Edition: Stringsets. Score and Parts. Faber Music #12-0571512488. Published by Faber Music

Welcome Suite by Benjamin Britten (1913-1976). Orchestra. Masterworks; Part(s); Score; String Orchestra. Faber Edition: Stringsets. 20th Century; Masterwork Arrangement. Intermediate. Published by Faber Music

By Stan Getz and Beaux Arts String Ensemble. By Eddie Sauter. Edited by Rob Duboff, Jeffrey Sultanof, Alex Chilowicz, and Andrew Homzy. Arranged by Eddie Sauter. For string ensemble (score and parts) (Soloist (parts in concert, B-flat, and E-flat), Violin I (8 parts), Violin II (8 parts), Viola (5 Parts), Cello (5 Parts) , Double Bass (3 Parts), Harp, Piano/Celeste, Percussion (Snare Drum, Marimba, Tambourine)). Advanced. Score and parts. Published by Jazz Lines Publications

Music for String Ensemble. Composed by Georges Bizet (1838-1875). Arranged by Tony Osborne. Masterworks; Performance Music Ensemble; Single Titles; String Orchestra. Faber Edition: Stringsets. Masterwork Arrangement. Part(s); Score. Faber Music #12-0571514006. Published by Faber Music

Composed by Peter Ilyich Tchaikovsky (1840-1893). Masterworks; Performance Music Ensemble; Single Titles; String Orchestra. Faber Edition: Stringsets. Masterwork Arrangement; Romantic. Part(s); Score. Faber Music #12-0571516513. Published by Faber Music

Composed by Johann Sebastian Bach (1685-1750). Arranged by John Caponegro. For standard string orchestra (88555) with opt. 3rd Violin/Viola T.C. (3). Concert String Orchestra. Grade 3. Score and parts. Duration 1 minute, 50 seconds. Published by Kendor Music Inc

(Concerto for Flute and Strings). By Carl Vine (1954-). Orchestra. For Flute, String Orchestra. Masterworks; Score; String Orchestra. Faber Edition. 20th Century; Masterwork. Published by Faber Music

By Keith Sharp. Arranged by Keith Sharp. Beginning String Orchestra. FJH Beginning Strings. Flexible scoring provides separate melody and harmony parts for the celli and basses so you can challenge your stars while encouraging your less experienced students with parts that are easier to play. The arrangement also works with melody and piano accompaniment alone. Also included are optional lyrics for you to get the school choir involved! Score for this title: ST6056S. Extra part for this title: ST6056P. String Orchestra. Level: 1. Score and Set of Parts. Published by The FJH Music Company Inc.

By Johann Stamitz (1717-1757). Arranged by Bob Phillips. Orchestra. Masterworks; String Orchestra. String Orchestra. Baroque; Classical; Masterwork Arrangement. Grade 2. Conductor Score and Parts. 124 pages. Published by Alfred Music Publishing

By Franz Joseph Haydn. Arranged by Robert D. Mccashin. String Orchestra. FJH String Orchestra. Late in life, Franz Joseph Haydn wrote twelve symphonies known as the "London" or "Salomon" Symphonies. They were composed for and during his two visits to London between 1791 and 1795. It was during his first visit that he was awarded the honorary degree of Doctor of Music from Oxford University (1791). Haydn had been invited to come to London by Johann Peter Salomon, London violinist and concert impresario. The invitation included the writing and conducting of some twenty new works as part of a dedicated concert series. Symphony No. 104 in D Major is the last of the 12 London Symphonies from which this arrangement is drawn. Despite the dramatic slow introduction of the first movement, the entire symphony reflects the great satisfaction and joyful energy of Haydn's existence during these visits to England. Score for this title: ST6097S. Extra part for this title: ST6097P. Level: 4.5. Published by The FJH Music Company Inc.

Composed by Gustav Holst (1874-1934). Edited by J. Cameron Law. Arranged by Bob Lipton. For string orchestra. Grade 3. Score and parts. Duration 5 minutes. Published by Grand Mesa Music

(I. The Adventure Begins / II. A Very Respectable Hobbit / III. Erebor). By Howard Shore. Arranged by Michael Story and Michael Story. Orchestra. Score; String Orchestra. Pop Intermediate String Orchestra. Light Concert; Movie. Grade 2.5. 20 pages. Published by Alfred Music Publishing

(I. The Adventure Begins / II. A Very Respectable Hobbit / III. Erebor). By Howard Shore. Arranged by Michael Story and Michael Story. Orchestra. Part(s); Score; String Orchestra. Pop Intermediate String Orchestra. Light Concert; Movie. Grade 2.5. 160 pag

As Recorded by Portugal. The Man. Composed by John Gourley, Zach Carothers, Jason Sechrist, Eric Howk, Kyle O'Quin, John Hill, Asa Taccone, Robert Bateman, Georgia Dobbins, William Garrett, Freddie Gorman, and Brian Holland. Arranged by Douglas E. Wagner. Performance Music Ensemble; Single Titles; String Orchestra. Pop Intermediate String Orchestra. Light Concert; Pop/Rock. Score and Parts. 80 pages. Alfred Music #00-47443. Published by Alfred Music

(Featuring: We're Off to See the Wizard / If I Only Had a Brain (A Heart, the Nerve) / Ding Dong! The Witch Is Dead / Over the Rainbow). Composed by Harold Arlen, lyrics by E. Y. Harburg. Arranged by Ralph Ford. Orchestra. Part(s); Score; SmartMusic; String Orchestra. Pop Beginning String Orchestra. Form: Suite. Movie. Grade 2. 152 pages. Published by Alfred Music

(A Complete Concert Including: Max and Moritz, In Church, Minuet, Fughetta, and March) Composed by Anna Magdalena Bach, arranged by Bob Cerulli, composed by Jean-francois Dandrieu (1682-1738), Johann Pachelbel (1653-1706), Peter Ilyich Tchaikovsky (1840-1893), Vladimir Rebikov (1866-1920). Conductor's score and set of performance parts for string orchestra (8 - 1st violin, 8 - 2nd violin, 5 - 3rd violin/viola (treb

Doppelkonzert. Composed by Arvo Part (1935-). World Premiere: in Tallinn / Estonia; by the Estonian Chamber Orchestra; conducted by Eri Klas. Study score. With Standard notation. Composed 1977. Duration 27 minutes. Universal Edition #UE31937. Published by Universal Edition

Orchestra String Orchestra - Grade 2-2.5

SKU: CF.YAS13F

Composed by Muzio Clementi. Arranged by Douglas Townsend. Carl Fischer Young String Orchestra Series. Classical. Full score. With Standard notation. 12 pages. Carl Fischer Music #YAS13F. Published by Carl Fischer Music (CF.YAS13F).

ISBN 9780825848339. UPC: 798408048334. 8.5 X 11 inches. Key: G major.

IApart from some of his Sonatinas, Opus 36, Clementi's life and music are hardly known to the piano teachers and students of today. For example, in addition to the above mentioned Sonatinas, Clementi wrote sixty sonatas for the piano, many of them unjustly neglected, although his friend Beethoven regarded some of them very highly. Clementi also wrote symphonies (some of which he arranged as piano sonatas), a substantial number of waltzes and other dances for the piano as well as sonatas and sonatinas for piano four-hands.In addition to composing, Clementi was a much sought after piano teacher, and included among his students John Field (Father of the 'Nocturne'), and Meyerbeer.In his later years, Clementi became a very successful music publisher, publishing among other works the first English edition of Beethoven's Violin Concerto, in the great composer's own arrangement for the piano, as well as some of his string quartets. Clementi was also one of the first English piano manufacturers to make pianos with a metal frame and string them with wire.The Sonatina in C, Opus 36, No. 1 was one of six such works Clementi wrote in 1797. He must have been partial to these little pieces (for which he also provided the fingerings), since they were reissued (without the fingering) by the composer shortly after 1801. About 1820, he issued ''the sixth edition, with considerable improvements by the author;· with fingerings added and several minor changes, among which were that many of them were written an octave higher.IIIt has often been said, generally by those unhampered by the facts, that composers of the past (and, dare we add, the present?), usually handled their financial affairs with their public and publishers with a poor sense of business acumen or common sense. As a result they frequently found themselves in financial straits.Contrary to popular opinion, this was the exception rather than the rule. With the exception of Mozart and perhaps a few other composers, the majority of composers then, as now, were quite successful in their dealings with the public and their publishers, as the following examples will show.It was not unusual for 18th- and 19th-century composers to arrange some of their more popular compositions for different combinations of instruments in order to increase their availability to a larger music-playing public. Telemann, in the introduction to his seventy-two cantatas for solo voice and one melody instrument (flute, oboe or violin, with the usual continua) Der Harmonische Gottesdienst, tor example, suggests that if a singer is not available to perform a cantata the voice part could be played by another instrument. And in the introduction to his Six Concertos and Six Suites for flute, violin and continua, he named four different instrumental combinations that could perform these pieces, and actually wrote out the notes for the different possibilities. Bach arranged his violin concertos for keyboard, and Beethoven not only arranged his Piano Sonata in E Major, Opus 14, No. 1 for string quartet, he also transposed it to the key of F. Brahm's well-known Quintet in F Minor for piano and strings was his own arrangement of his earlier sonata for two pianos, also in F Minor.IIIWe come now to Clementi. It is well known that some of his sixty piano sonatas were his own arrangements of some of his lost symphonies, and that some of his rondos for piano four-hands were originally the last movements of his solo sonatas or piano trios.In order to make the first movement of his delightful Sonatina in C, Opus 36, No. 1 accessible to young string players, I have followed the example established by the composer himself by arranging and transposing one of his piano compositions from one medium (the piano) to another. (string instruments). In order to simplify the work for young string players, in the process of adapting it to the new medium it was necessary to transpose it from the original key of C to G, thereby doing away with some of the difficulties they would have encountered in the original key. The first violin and cello parts are similar to the right- and left-hand parts of the original piano version. The few changes I have made in these parts have been for the convenience of the string players, but in no way do they change the nature of the music.Since the original implied a harmonic framework in many places, I have added a second violin and viola part in such a way that they not only have interesting music to play, but also fill in some of the implied harmony without in any way detracting from the composition's musical value. Occasionally, it has been necessary to raise or lower a few passages an octave or to modify others slightly to make them more accessible for young players.It is hoped that the musical value of the composition has not been too compromised, and that students and teachers will come to enjoy this little piece in its new setting as much as pianists have in the original one. This arrangement may also be performed by a solo string quartet. When performed by a string orchestra, the double bass part may be omitted.- Douglas TownsendString editing by Amy Rosen.

About Carl Fischer Young String Orchestra Series

Thi s series of Grade 2/Grade 2.5 pieces is designed for second and third year ensembles. The pieces in this series are characterized by:
--Occasionally extending to third position
--Keys carefully considered for appropriate difficulty
--Addition of separate 2nd violin and viola parts
--Viola T.C. part included
--Increase in independence of parts over beginning levels

(Featuring: Chitty Chitty Bang Bang / Chu-Chu Face / You Two / Me Ol' Bam-Boo). By Richard M. Sherman and Robert B. Sherman. Arranged by Victor Lopez. Orchestra. String Orchestra. Pop Intermediate String Orchestra. Broadway; Movie. Grade 2.5. Conductor Score. 12 pages. Published by Alfred Music Publishing

By Kathleen Brungard and Gerald E. Anderson. Orchestra. This edition: Texas Edition. Method/Instruction; String Orchestra Method/Supplement. Expressions Music Curriculumâ?¢. Curriculum Package

Composed by Wolfgang Amadeus Mozart (1756-1791). Set (Score & Parts). Composed 2009. Editio Musica Budapest #EMBZ14657. Published by Editio Musica Budapest

(based on Ternovka Sher). By Traditional. Arranged by Lieberman. For string orchestra (88555) with optional 3rd violin/viola TC (3 copies). Concert String Orchestra Series. Grade 4. Score and set of parts. Duration ca. 2 minutes, 35 seconds. Published by

Arranged by Elliot Del Borgo. Orchestra. String Orchestra. String Orchestra. Form: Suite. Christmas; Contemporary; Winter. Grade 2. Conductor Score and Parts. 144 pages. Published by Alfred Music Publishing

String Orchestra - Grade 4

SKU: HL.14017067

Composed by Jorgen Jersild. Music Sales America. 20th Century. Set. Composed 2002. Edition Wilhelm Hansen #WH26809. Published by Edition Wilhelm Hansen (HL.14017067).

ISBN 9788759853085.

The score and parts for Jorgen Jersild's Little Suite for String Orchestra. One copy per part, and includes Double Bass.

Study Score. This edition: ETP1331. Eulenburg Taschenpartituren (Pocket Scores). Study Score. 60 pages

Composed by Doug Spata. Performance Music Ensemble; Single Titles; String Orchestra. Highland/Etling String Orchestra. Light Concert. Part(s); Score. Alfred Music #00-49057. Published by Alfred Music