| Ob-La-Di, Ob-La-Da Orchestre d'harmonie - Intermédiaire/avancé De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1175837-010 Composed by John ...(+)
Concert Band/Harmonie -
Grade 4 SKU:
BT.DHP-1175837-010
Composed by John Lennon
and Paul McCartney.
Arranged by Toshio
Mashima. New Sounds for
Concert Band. Pop & Rock.
Set (Score & Parts).
Composed 2017. De Haske
Publications #DHP
1175837-010. Published by
De Haske Publications
(BT.DHP-1175837-010).
Ob-La-Di,
Ob-La-Da is a song by
The Beatles from their
1968 album The Beatles
(often called the
‘White
Album’). Although
credited to Lennon
McCartney, the song was
written solely by Paul
McCartney. The tag line
“ob-la-di,
ob-la-da, life goeson,
brah†was an
expression used by
Nigerian conga player
Jimmy Scott-Emuakpor, an
acquaintance of
McCartney. This high
profi le ‘New
Sounds’
arrangement by Toshio
Mashima is perfect to use
as an encore for your
next
concert!
Ob-La-
Di, Ob-La-Da is een
nummer van The Beatles
uit het album The Beatles
(ook weleens het
‘White
Album’ genoemd).
Het nummer staat op naam
van Lennon- McCartney,
maar is eigenlijk enkel
geschreven door Paul
McCartney. De zin
“ob-la-di,ob-la-da,
life goes on, brahâ€
was een uitdrukking van
de Nigeriaanse conga
speler Jimmy
Scott-Emuakpor, een
kennis van McCartney. Dit
uitdagende New Sounds
arrangement van Toshio
Mashima is uitermate
geschikt als bis op jouw
volgende
concert!
Absolut
unwiderstehlich ist
dieser Beatles-Hit, der
1968 auf dem White
Album“ erschien und
seither aus der Musikwelt
nicht mehr wegzudenken
ist. Den
energiegeladenen,
fröhlichen Song gibt
es jetzt in dieser
wunderbaren Bearbeitung
für Blasorchestervon
Toshio
Mashima.
Ob-La-
Di, Ob-La-Da est un
titre des Beatles
présent dans leur
albume de 1968 souvent
surnommé Album blanc.
Bien que crédité
Lennon et McCartney,
cette chanson a été
écrite uniquement par
Paul McCartney.
L’expression
“ob-la-di,
ob-la-da, lifegoes on,
brah†était
utilisée par le joueur
de conga nigérian
Jimmy Scott-Emuakpor, une
connaissance de
McCartney. Ce nouvel
arrangement de la
série ‘New
Sounds’ par Toshio
Mashima est un bis
parfait pour votre
prochain
concert.
Ob-La-
Di, Ob-La-Da è una
canzone dei The Beatles
dal loro album “The
Beatles†del 1968
(spesso chiamato
“White
Albumâ€). Anche se
accreditata a Lennon-
McCartney, la canzone
è stata scritta
esclusivamente da Paul
McCartney. La linea
melodica“ob-la-di,
ob-la-da, life goes on,
brah†era
un’espressione
usata dal giocatore di
conga nigeriano Jimmy
Scott-Emuakpor, amico di
McCartney. Questo nuovo
arrangiamento “New
Sounds†di Toshio
Mashima, di alto profi
lo, è perfetto da
utilizzare come unencore
per il tuo prossimo
concerto! $137.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Ob-La-Di, Ob-La-Da Orchestre d'harmonie - Intermédiaire/avancé De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1175837-140 Composed by John ...(+)
Concert Band/Harmonie -
Grade 4 SKU:
BT.DHP-1175837-140
Composed by John Lennon
and Paul McCartney.
Arranged by Toshio
Mashima. New Sounds for
Concert Band. Pop & Rock.
Score Only. Composed
2017. 20 pages. De Haske
Publications #DHP
1175837-140. Published by
De Haske Publications
(BT.DHP-1175837-140).
Ob-La-Di,
Ob-La-Da is a song by
The Beatles from their
1968 album The Beatles
(often called the
‘White
Album’). Although
credited to Lennon
McCartney, the song was
written solely by Paul
McCartney. The tag line
“ob-la-di,
ob-la-da, life goeson,
brah†was an
expression used by
Nigerian conga player
Jimmy Scott-Emuakpor, an
acquaintance of
McCartney. This high
profi le ‘New
Sounds’
arrangement by Toshio
Mashima is perfect to use
as an encore for your
next
concert!
Ob-La-
Di, Ob-La-Da is een
nummer van The Beatles
uit het album The Beatles
(ook weleens het
‘White
Album’ genoemd).
Het nummer staat op naam
van Lennon- McCartney,
maar is eigenlijk enkel
geschreven door Paul
McCartney. De zin
“ob-la-di,ob-la-da,
life goes on, brahâ€
was een uitdrukking van
de Nigeriaanse conga
speler Jimmy
Scott-Emuakpor, een
kennis van McCartney. Dit
uitdagende New Sounds
arrangement van Toshio
Mashima is uitermate
geschikt als bis op jouw
volgende
concert!
Absolut
unwiderstehlich ist
dieser Beatles-Hit, der
1968 auf dem White
Album“ erschien und
seither aus der Musikwelt
nicht mehr wegzudenken
ist. Den
energiegeladenen,
fröhlichen Song gibt
es jetzt in dieser
wunderbaren Bearbeitung
für Blasorchestervon
Toshio
Mashima.
Ob-La-
Di, Ob-La-Da est un
titre des Beatles
présent dans leur
albume de 1968 souvent
surnommé Album blanc.
Bien que crédité
Lennon et McCartney,
cette chanson a été
écrite uniquement par
Paul McCartney.
L’expression
“ob-la-di,
ob-la-da, lifegoes on,
brah†était
utilisée par le joueur
de conga nigérian
Jimmy Scott-Emuakpor, une
connaissance de
McCartney. Ce nouvel
arrangement de la
série ‘New
Sounds’ par Toshio
Mashima est un bis
parfait pour votre
prochain
concert.
Ob-La-
Di, Ob-La-Da è una
canzone dei The Beatles
dal loro album “The
Beatles†del 1968
(spesso chiamato
“White
Albumâ€). Anche se
accreditata a Lennon-
McCartney, la canzone
è stata scritta
esclusivamente da Paul
McCartney. La linea
melodica“ob-la-di,
ob-la-da, life goes on,
brah†era
un’espressione
usata dal giocatore di
conga nigeriano Jimmy
Scott-Emuakpor, amico di
McCartney. Questo nuovo
arrangiamento “New
Sounds†di Toshio
Mashima, di alto profi
lo, è perfetto da
utilizzare come unencore
per il tuo prossimo
concerto! $26.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Fiesta de San Pedro Orchestre d'harmonie - Facile Curnow Music
Concert Band/Harmonie - Grade 2 SKU: BT.CMP-0892-05-140 Composed by Paul ...(+)
Concert Band/Harmonie -
Grade 2 SKU:
BT.CMP-0892-05-140
Composed by Paul Curnow.
Young Band. Concert
Piece. Score Only.
Composed 2005. 19 pages.
Curnow Music #CMP
0892-05-140. Published by
Curnow Music
(BT.CMP-0892-05-140).
English. Have
your Drummers been
patiently (or
impatiently) standing at
the back of the band
while you rehearsed that
expressive piece? Reward
their equanimity with
this fiery and percussive
addition to Paul
Curnow’s
impressive and growing
catalogue of works for
Concert Band. This
enticing new composition
lies well within the
command of a solid Grade
2 band while bringing the
smoldering energy of
Latin music to your
concert stage. Written as
a celebration of cultural
diversity and infused
with easy syncopation and
lots of interweaving
rhythm, there is certain
to be a special place for
Fiesta de San Pedro in
your next concert, and in
cross-cultural
teaching.
Uw
slagwerkers zullen met
deze compositie helemaal
in hun nopjes zijn, want
zij spelen hierin een
belangrijke rol. San
Pedro, een havenstad in
het zuiden van de zonnige
Amerikaanse staat
Californië, herbergt
vele culturen, die
inFiesta de San
Pedro worden
weerspiegeld in diverse -
met name
Latijns-Amerikaanse -
ritmes. Dit is een
boeiend en temperamentvol
werk voor jonge
muzikanten, die zo op een
motiverende manier in
aanraking komen met
verschillendemuziekstijle
n.
Stehen Ihre
Schlagzeuger auch oft
ungeduldig im
Hintergrund, während
die übrigen Register
die ausdrucksvollen
Stücke des Programms
absolvieren? Belohnen Sie
ihre Geduld und lassen
Sie ihnen mit dieser
Komposition von Paul
Curnow alle
Aufmerksamkeit zukommen.
Mit leichter Synkopierung
und vielen ineinander
verwobenen Rhythmen
gebührt der Fiesta
de San Pedro ein ganz
besonderer Platz in Ihrem
nächsten
Konzertprogramm! $14.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The Future of the Wind Band Orchestre d'harmonie GIA Publications
SKU: GI.G-10580 Philosopher and Practitioner in Dialogue. Composed...(+)
SKU: GI.G-10580
Philosopher and
Practitioner in
Dialogue. Composed by
William Perrine. Music
Education. 430 pages. GIA
Publications #10580.
Published by GIA
Publications
(GI.G-10580). ISBN
9781622776375. Cont
ributors: Travis J. Cross
(University of
California–Los
Angeles) • David J.
Elliott (New York
University) •
Marissa Silverman
(Montclair State
University) • Jacob
Wallace (South Dakota
State University) •
Randall Everett Allsup
(Teachers College,
Columbia University)
• Cynthia Johnston
Turner (Wilfrid Laurier
University) •
Carolyn Barber
(University of
Nebraska-Lincoln) •
John Kratus (Independent
Scholar) • Vincent
C. Bates (Weber State
University) •
Thomas G. Warner, Jr.
(North Carolina
Agricultural and
Technical State
University) • Ben
Hawkins (Transylvania
University) •
Thomas A. Regelski (SUNY
Fredonia School of Music,
Helsinki University of
Finland) • Paul
Woodford (Western
University) •
Charles Peltz (New
England Conservatory of
Music) In the wind band
profession—as in
every great
discipline—it is
critical to take stock in
the big questions about
where we are heading, and
why, as we move through
the twenty-first century.
This thought-provoking
book contains seven
high-level exchanges
between a leading wind
band practitioner and a
music education
philosopher. Each section
of The Future of the Wind
Band grapples with the
most profound issues
facing the music
education profession and
the path of instrumental
music education in our
schools: Relevance: What
relevance, if any, does
the wind band have both
to today’s
students and to culture
more broadly in the
twenty-first century?
What relevance does the
band experience hold for
students’ everyday
life? Repertoire: What is
the relationship between
the repertoire performed
by wind ensembles and the
larger musical world?
Pedagogy: What
constitutes best practice
in terms of musical
pedagogy and rehearsal
technique within the
large-ensemble
experience? Creativity:
Can the wind band
function as a vehicle for
enhancing the individual
creativity of its
members? Economic
Justice: How do issues of
social class and the
distribution of wealth
relate to broader
questions of social
justice within the
context of instrumental
music education?
Professional Ethics: What
are the primary ethical
responsibilities of the
wind band conductor?
Democratic Citizenship:
What relationship, if
any, can be drawn between
membership in the wind
band and citizen
participation in
democracy? Such exchanges
can only strengthen our
profession and pay rich
dividends in our musical
and educational work with
the students we serve.
Editor of this book,
William (Bill) M. Perrine
is Associate Professor of
Music and Director of
Instrumental Activities
at Concordia University
in Ann Arbor, Michigan,
where he directs the wind
ensemble, marching band,
and community
orchestra. $42.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
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