Concert Band/Harmonie - Grade 3 SKU: BT.AMP-337-140 For the victims of...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.AMP-337-140
For
the victims of the
Japanese earthquake and
tsunami, March 2011.
Composed by Philip
Sparke. Anglo Music
Midway Series. Score
Only. Composed 2011. 16
pages. Anglo Music Press
#AMP 337-140. Published
by Anglo Music Press
(BT.AMP-337-140).
9x12
inches.
English-German-French-Dut
ch.
The composer
writes:On March 11th 2011
a massive 9.0- magnitude
earthquake occurred off
the coast of
north-eastern Japan.I'm
writing these programme
notes barely a week later
and the death toll caused
by the quake and
resulting tsunami already
exceeds 6000, with
thousands of people still
unaccounted for. I have
many friends associated
with many bands
throughout Japan and one
of these, Yutaka Nishida,
suggested I write a piece
to raise money to help
those affected by the
disaster. I was
immediately attracted by
the idea and have
arranged Cantilena (a
brass band piece recently
commissioned by the
Grenland International
Brass Festival, Norway)
for wind band, giving it
a new title tohonour my
friends in the Land of
the Rising Sun.I will be
donating royalties from
this piece to the
Japanese Red Cross
Society Emergency Relief
Fund and am delighted to
say that my distributors,
De Haske, who will
generously also donate
all net profits from
sales of this piece, have
pledged a substantial
advance payment to the
Red Cross so that what
little help this project
generates can be
immediate.It is my
sincere wish that this
'Band Aid' project will
allow wind bands around
the world support the
people of Japan, where
bands are a way of life
for many, in this
difficult time.Philip
Sparke
De
componist schrijft:Op 11
maart 2011 vond er vlak
bij de noordkust van
Japan een enorme
aardbeving - 9.0 op de
schaal van Richter -
plaats.Ik maak deze
werkbeschrijving
nauwelijks een week later
en het aantal doden dat
de aardbevingen de
daaropvolgende tsunami
hebben geëist, komt al
uit boven de 6000,
terwijl er nog steeds
duizenden mensen worden
vermist.Ik heb veel
vrienden die met orkesten
in heel Japan werken, en
een van hen, Yutaka
Nishida, steldevoor dat
ik een stuk zou schrijven
om geld bij elkaar te
krijgen voor hulp aan de
slachtoffers van de ramp.
Ik vond het meteen een
goed idee en ik heb
vervolgens Cantilena (
een brassbandwerk dat ik
recentelijk heb
gecomponeerd voorhet
Grenland International
Brass festival in
Noorwegen) gearrangeerd
voor harmonieorkest en er
een nieuwe titel aan
gegeven, als eerbewijs
aan mijn vrienden in het
land van de rijzende
zon.De royalty's die ik
voor dit werk krijg,zal
ik doneren aan het
Japanse noodhulpfonds van
het Rode Kruis, en ik ben
heel blij dat mijn
distributeur, De Haske,
die eveneens alle
nettowinst op dit werk
zal doneren, bereid is
alvast een grote
vooruitbetaling te doen
aanhet Rode Kruis, zodat
de hulp die uit dit
project voortkomt, hoe
bescheiden wellicht ook,
onmiddellijk in gang
gezet kan worden.Ik hoop
oprecht dat dit 'Band
Aid-project' het
blaasorkesten wereldwijd
mogelijk maakt de mensen
in Japante steunen - een
land waar blaasmuziek
voor velen een manier van
leven is.
Der
Komponist schreibt
über sein Stück:Am
11. März 2011
ereignete sich ein
Erdbeben der Stärke
9,0 vor der
nordöstlichen Küste
Japans.Diese
Werkbeschreibung schreibe
ich nur eine Woche
später. Die Zahl der
Todesopfer des Erdbebens
und des dadurch
ausgelösten Tsunamis
überschreitet bereits
die 6000, wobei noch
tausende Menschen als
vermisst gelten.Ich habe
zahlreiche Freunde in
Japan, die mit vielen
Blasorchestern im ganzen
Land verbunden sind.
Einer dieser Freunde,
Yutaka Nishida, schlug
mir vor, ein Stück zu
schreiben, um mit dem
Erlös den von der
Katastrophe betroffenen
Menschen zu helfen. Ich
war gleich begeistert von
dieser Idee und habe
daraufhin
Cantilena(ein
Brass-Band-Stück, das
ich jüngst für das
Grenland International
Brass Festival in
Norwegen komponierte)
für Blasorchester
bearbeitet und ihm zu
Ehren meiner Freunde im
Land der aufgehenden
Sonne einen neuen Titel
gegeben.Ich werde meine
Tantiemen für dieses
Stück dem Hilfsfonds
des Japanischen Roten
Kreuzes spenden. Ich bin
auch sehr froh, dass mein
Verlag De Haske, der
ebenfalls alle Erlöse
aus diesem Stück
spenden wird, dem Roten
Kreuz bereits im Voraus
eine bedeutende Summe
geschickt hat, damit der
kleine Beitrag, den
dieses Projekt beitragen
kann, sofort ankommt.Es
ist mein inniger Wunsch,
dass dieses Band
Aid“-Projekt
Blasorchestern auf der
ganzen Welt
ermöglichen wird, den
Menschen in Japan zu
helfen, wo Blasorchester
in dieser schweren Zeit
für viele ein Weg
sind, das Leben aufrecht
zu erhalten.“Philip
Sparke
La
recente tragedia del
Giappone, messo in
ginocchio dal terremoto,
ha spinto Philip Sparke a
comporre The Sun Will
Rise Again (Il sole
sorger nuovamente), un
brano che vuole essere un
messaggio di solidariet
al popolo nipponico, ma
anche un aiuto concreto:
gli introiti saranno
interamente devoluti, sia
dal compositore sia dalla
casa editrice De Haske,
alla Croce Rossa
giapponese.
Concert Band - Grade 5 SKU: BT.EMBZ14690 Composed by Istvan Bogar. EMB Co...(+)
Concert Band - Grade 5
SKU: BT.EMBZ14690
Composed by Istvan Bogar.
EMB Concert Band Series.
Concert Piece. Score
Only. Composed 2010. 56
pages. Editio Musica
Budapest #EMBZ14690.
Published by Editio
Musica Budapest
(BT.EMBZ14690).
9x12
inches.
This
splendidly instrumented
work successfully
combines 20th-century
musical language with the
antique elements deriving
from its theme - for
example, in the first
movement we immediately
find an ancient Greek
asymmetrical rhythm. The
second movement takes us
on an adventurous journey
to those astonishing
geological wonders, the
Meteoras the third
movement presents a
picture of the Delphic
dancers, in its title the
fourth movement indicates
the form used in it,
which preserves the unity
between the
thousands-of-years-old
building and its
contrasting environment,
echoing to the music of
the bouzouki. In the
suite the composer
expertly exploits the
possibilities of
instrumentationoffered by
the wind orchestra, this
extremely effective work
can be a rewarding
concert piece for any
ensemble. (Recorded by
Mirasound on CD 'Salute
from Hungary' wwm 500.009
for World Wind Music
label -
www.worldwindmusic.nl ).
Dieses Werk von
István Bogár ist
eines der ungarischen
Stücke für
Blasorchester, welches in
den letzten Jahrzehnten
international einen
großen Erfolg erntete.
Es entstand im Auftrag
des Ungarischen
Rundfunks, seine
Erstaufführung fand
1982 statt. Das
grossartig
instrumentierte Werk
vereint erfolgreich die
musikalische Sprache des
20. Jahrhunderts mit den
vom Thema vorgegebenen,
antiken Elementen. Ein
Beispiel hierzu ist
gleich im ersten Satz
‚Thessaloniki' ein
altgriechischer,
asymmetrischer Rhythmus.
Der zweite Satz führt
uns zu einem
verblüffenden
geologischen Wunder, den
Meteoren, im dritten Satz
wird das Bild der
Delphi-Tänzer
gezeichnet. Im vierten
Teil (‚Athen') wird
diegebrauchte Form schon
im Titel angekündigt:
Diese verewigt die
kontrastierende Einheit
der mehrere Jahrtausend
alten Akropolis und ihr
von Bouzouki-Musik lautes
Umfeld (‚Plaka').
Der Komponist nutzt in
der Suite die vom
Blasorchester
vermittelten
Instrumentierungsmögli
chkeiten meisterhaft aus.
Un
brano dalla splendida
strumentazione, composto
anche per ricordare le
origini in parte greche
del compositore, che
abbina al linguaggio
musicale del XX°
secolo elementi antichi.
I quattro movimenti
Thessaloniki (Danza
proveniente dalla
Macedonia), Meteora,
Delphi (Antica danza) e
Athens compongono insieme
un brano da concerto
esigente ma allo stesso
tempo molto
gratificante.
Concert Band - Grade 5 SKU: BT.EMBZ14690SET Composed by Istvan Bogar. EMB...(+)
Concert Band - Grade 5
SKU:
BT.EMBZ14690SET
Composed by Istvan Bogar.
EMB Concert Band Series.
Concert Piece. Set (Score
& Parts). Composed 2010.
338 pages. Editio Musica
Budapest #EMBZ14690SET.
Published by Editio
Musica Budapest
(BT.EMBZ14690SET).
9x12
inches.
This
splendidly instrumented
work successfully
combines 20th-century
musical language with the
antique elements deriving
from its theme - for
example, in the first
movement we immediately
find an ancient Greek
asymmetrical rhythm. The
second movement takes us
on an adventurous journey
to those astonishing
geological wonders, the
Meteoras the third
movement presents a
picture of the Delphic
dancers, in its title the
fourth movement indicates
the form used in it,
which preserves the unity
between the
thousands-of-years-old
building and its
contrasting environment,
echoing to the music of
the bouzouki. In the
suite the composer
expertly exploits the
possibilities of
instrumentationoffered by
the wind orchestra, this
extremely effective work
can be a rewarding
concert piece for any
ensemble. (Recorded by
Mirasound on CD 'Salute
from Hungary' wwm 500.009
for World Wind Music
label -
www.worldwindmusic.nl ).
Dieses Werk von
István Bogár ist
eines der ungarischen
Stücke für
Blasorchester, welches in
den letzten Jahrzehnten
international einen
großen Erfolg erntete.
Es entstand im Auftrag
des Ungarischen
Rundfunks, seine
Erstaufführung fand
1982 statt. Das
grossartig
instrumentierte Werk
vereint erfolgreich die
musikalische Sprache des
20. Jahrhunderts mit den
vom Thema vorgegebenen,
antiken Elementen. Ein
Beispiel hierzu ist
gleich im ersten Satz
‚Thessaloniki' ein
altgriechischer,
asymmetrischer Rhythmus.
Der zweite Satz führt
uns zu einem
verblüffenden
geologischen Wunder, den
Meteoren, im dritten Satz
wird das Bild der
Delphi-Tänzer
gezeichnet. Im vierten
Teil (‚Athen') wird
diegebrauchte Form schon
im Titel angekündigt:
Diese verewigt die
kontrastierende Einheit
der mehrere Jahrtausend
alten Akropolis und ihr
von Bouzouki-Musik lautes
Umfeld (‚Plaka').
Der Komponist nutzt in
der Suite die vom
Blasorchester
vermittelten
Instrumentierungsmögli
chkeiten meisterhaft aus.
Un
brano dalla splendida
strumentazione, composto
anche per ricordare le
origini in parte greche
del compositore, che
abbina al linguaggio
musicale del XX°
secolo elementi antichi.
I quattro movimenti
Thessaloniki (Danza
proveniente dalla
Macedonia), Meteora,
Delphi (Antica danza) e
Athens compongono insieme
un brano da concerto
esigente ma allo stesso
tempo molto
gratificante.
Bamboleo Orchestre d'harmonie [Conducteur] - Intermédiaire Mitropa Music
As performed by the Gipsy Kings. Arranged by Gerald Oswald. Ovation Series. Po...(+)
As performed by the Gipsy
Kings. Arranged by Gerald
Oswald. Ovation Series.
Pop
and Rock. Score Only.
Composed
2019. 24 pages. Mitropa
Music #2171-19-140 M.
Published by Mitropa
Music
Bamboleo Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Mitropa Music
As performed by the Gipsy Kings. Arranged by Gerald Oswald. Ovation Series. Po...(+)
As performed by the Gipsy
Kings. Arranged by Gerald
Oswald. Ovation Series.
Pop
and Rock. Set (Score and
Parts).
Composed 2019. Mitropa
Music
#2171-19-010 M. Published
by
Mitropa Music
Concert Band/Harmonie and Piano SKU: BT.BMP8095417 Composed by Leroy Ande...(+)
Concert Band/Harmonie and
Piano
SKU:
BT.BMP8095417
Composed by Leroy
Anderson. Arranged by
Jörg Murschinski.
Score Only. Composed
2008. Beriato Music
#BMP8095417. Published by
Beriato Music
(BT.BMP8095417).
A lot is known
about the American
composer Leroy Anderson.
This son of Swedish
immigrants played the
piano, organ, accordion,
trombone, tuba and double
bass. He spoke several
languages fluently and
graduated from Harvard
with first-class
honours.While on military
service, the army also
commissioned him to write
a manual on Icelandic
grammar.He already
started writing musical
arrangements as a
student, and from his
30th year arranged and
composed for the Boston
Pops Orchestra. Such
melodiesas Serenata, The
Typewriter, Sleigh Ride
and Bugler�s
Holiday made him world
famous. His best-known
work, Blue Tango, reached
number one in the US
charts in 1952, and it
sold more than a million
copies. In 1975, a year
after hisdeath, he was
given a star at the Walk
of Fame in Hollywood.Most
of his works last no
longer than three
minutes, about the
maximum length of a
single at that time. One
work that lasts longer is
his 1953 Piano Concerto
in C for piano and
orchestra.The first
performance was in
Chicago, conducted by the
composer and with Eugene
List at the piano.
However, after three
performances he was no
longer happy with the
work and withdrew it. He
always intended to revise
it, but never got round
to it. Itwas only in 1989
that the Anderson family
decided to republish the
work.This three-part
composition is on the one
hand characterised by a
careless elegance, but on
the other one can hear
the influence of
Rachmaninoff, Copland,
Gershwin, and
evenBeethoven and Mozart,
as well as the Viennese
classics.Anderson used
the sonata form for the
first movement. It ends
with a cadenza that
carries us on into the
second part (in e minor).
The third part is a
typically cheerful
American folk dance in2/4
time, a so-called Hoe
Down, with a lilting,
lyrical passage as its
middle section. At the
end comes a solo passage
followed by a rapid
close.In this piano
concerto, Anderson
combines a rigidly
classical form of
composition with simple
andappealing themes and
elements from light
music. So this work is a
perfect synthesis of
light music and what is
called serious music, in
the same way as
Gershwin�s
Rhapsody in Blue. A work
that can be played
equally well in a
concerthall, at an
open-air concert or even
a pop
concert.
Concert Band/Harmonie and Piano SKU: BT.BMP8091417 Composed by Leroy Ande...(+)
Concert Band/Harmonie and
Piano
SKU:
BT.BMP8091417
Composed by Leroy
Anderson. Arranged by
Jörg Murschinski. Set
(Score & Parts). Composed
2008. Beriato Music
#BMP8091417. Published by
Beriato Music
(BT.BMP8091417).
A lot is known
about the American
composer Leroy Anderson.
This son of Swedish
immigrants played the
piano, organ, accordion,
trombone, tuba and double
bass. He spoke several
languages fluently and
graduated from Harvard
with first-class
honours.While on military
service, the army also
commissioned him to write
a manual on Icelandic
grammar.He already
started writing musical
arrangements as a
student, and from his
30th year arranged and
composed for the Boston
Pops Orchestra. Such
melodiesas Serenata, The
Typewriter, Sleigh Ride
and Bugler�s
Holiday made him world
famous. His best-known
work, Blue Tango, reached
number one in the US
charts in 1952, and it
sold more than a million
copies. In 1975, a year
after hisdeath, he was
given a star at the Walk
of Fame in Hollywood.Most
of his works last no
longer than three
minutes, about the
maximum length of a
single at that time. One
work that lasts longer is
his 1953 Piano Concerto
in C for piano and
orchestra.The first
performance was in
Chicago, conducted by the
composer and with Eugene
List at the piano.
However, after three
performances he was no
longer happy with the
work and withdrew it. He
always intended to revise
it, but never got round
to it. Itwas only in 1989
that the Anderson family
decided to republish the
work.This three-part
composition is on the one
hand characterised by a
careless elegance, but on
the other one can hear
the influence of
Rachmaninoff, Copland,
Gershwin, and
evenBeethoven and Mozart,
as well as the Viennese
classics.Anderson used
the sonata form for the
first movement. It ends
with a cadenza that
carries us on into the
second part (in e minor).
The third part is a
typically cheerful
American folk dance in2/4
time, a so-called Hoe
Down, with a lilting,
lyrical passage as its
middle section. At the
end comes a solo passage
followed by a rapid
close.In this piano
concerto, Anderson
combines a rigidly
classical form of
composition with simple
andappealing themes and
elements from light
music. So this work is a
perfect synthesis of
light music and what is
called serious music, in
the same way as
Gershwin�s
Rhapsody in Blue. A work
that can be played
equally well in a
concerthall, at an
open-air concert or even
a pop
concert.
Folksong Suite No. 2 Orchestre d'harmonie - Intermédiaire/avancé EMB (Editio Musica Budapest)
Folk Song Suite No. 2. (for Wind Band). By Frigyes Hidas. For Concert Band (Scor...(+)
Folk Song Suite No. 2.
(for Wind Band). By
Frigyes Hidas. For
Concert Band (Score and
Parts). EMB. Grade 4.
Editio Musica Budapest
#Z13147SET. Published by
Editio Musica Budapest
Concert Band/Harmonie - Grade 3 SKU: BT.AMP-425-010 Spirit of the Sequ...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.AMP-425-010
Spirit of the
Sequoia. Composed by
Philip Sparke. Anglo
Music Midway Series.
Concert Piece. Set (Score
& Parts). Composed 2016.
Anglo Music Press #AMP
425-010. Published by
Anglo Music Press
(BT.AMP-425-010).
English-German-French-
Dutch.
This work
was commissioned by Dr.
Robert Oertli from
Möhlin, Switzerland,
and is based on an
earlier composition
called Spirit of the
Sequoia. The piece is
inspired by how the human
spirit can gain from
setbacks: we become
stronger after adversity.
Sparke used the
Californian redwood tree
as a metaphor for this
basic idea. The
remarkable life cycle of
these amazing trees
involves them dropping
seeds to the ground,
which require heat to
open their shells and
germinate; the seeds
require destruction in
order to procreate. This
piece is particularly
suitable for younger
bands - one of the last
wishes of the initial
commissioner.
Dit
werk is geschreven in
opdracht van dr. Robert
Oertli uit het Zwitserse
Möhlin. Het is een
vereenvoudigde versie van
een eerdere compositie:
Spirit of the
Sequoia. De muziek is
ge nspireerd op de wijze
waarop mensen hun
voordeel doen met
tegenslag vaak komen we
er sterker uit. Sparke
gebruikte de
Californische sequoiaboom
als metafoor voor dit
basisidee. In hun
opmerkelijke levenscyclus
laten deze bijzondere
bomen zaden op de grond
vallen, die vervolgens
hitte nodig hebben om
open te barsten en te
kiemen; de bomen hebben
dus eigenlijk een ramp
nodig om zich voort te
planten. Deze compositie
is geschikt voor jongere
orkesten dit was een van
de laatste wensen van
deaanvankelijke
opdrachtgever.
Dieses Werk
basiert auf der
Komposition Spirit of
the Sequoia, welche
von Dr. Robert Oertli aus
Möhlin (Schweiz) in
Auftrag gegeben wurde.
Sparke nutzte den
kalifornischen Mammutbaum
als Metapher für seine
Grundidee: Der
bemerkenswerte
Lebenszyklus dieser
erstaunlichen Bäume
hängt damit zusammen,
dass seine Samen auf die
Erde fallen und Wärme
benötigen, damit sich
ihre Schale öffnet und
sie zu keimen beginnen.
Waldbrände
zerstören den
Mutterbaum,
ermöglichen aber
paradoxerweise das
Sprießen der Samen,
welche die Zerstörung
zur Fortpflanzung
benötigen. Auf
ähnliche Weise kann
die menschliche Seele
profitieren: Wir gehen
gestärkt aus einem
Unglück hervor. And
Still, theSpirit
eignet sich besonders
für jüngere
Orchester einem der
letzten Wünsche des
Auftraggebers
entsprechend.
Concert Band/Harmonie - Grade 3 SKU: BT.AMP-425-140 Spirit of the Sequ...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.AMP-425-140
Spirit of the
Sequoia. Composed by
Philip Sparke. Anglo
Music Midway Series.
Score Only. Composed
2016. Anglo Music Press
#AMP 425-140. Published
by Anglo Music Press
(BT.AMP-425-140).
English-German-French-
Dutch.
This work
was commissioned by Dr.
Robert Oertli from
Möhlin, Switzerland,
and is based on an
earlier composition
called Spirit of the
Sequoia. The piece is
inspired by how the human
spirit can gain from
setbacks: we become
stronger after adversity.
Sparke used the
Californian redwood tree
as a metaphor for this
basic idea. The
remarkable life cycle of
these amazing trees
involves them dropping
seeds to the ground,
which require heat to
open their shells and
germinate; the seeds
require destruction in
order to procreate. This
piece is particularly
suitable for younger
bands - one of the last
wishes of the initial
commissioner.
Dit
werk is geschreven in
opdracht van dr. Robert
Oertli uit het Zwitserse
Möhlin. Het is een
vereenvoudigde versie van
een eerdere compositie:
Spirit of the
Sequoia. De muziek is
ge nspireerd op de wijze
waarop mensen hun
voordeel doen met
tegenslag vaak komen we
er sterker uit. Sparke
gebruikte de
Californische sequoiaboom
als metafoor voor dit
basisidee. In hun
opmerkelijke levenscyclus
laten deze bijzondere
bomen zaden op de grond
vallen, die vervolgens
hitte nodig hebben om
open te barsten en te
kiemen; de bomen hebben
dus eigenlijk een ramp
nodig om zich voort te
planten. Deze compositie
is geschikt voor jongere
orkesten dit was een van
de laatste wensen van
deaanvankelijke
opdrachtgever.
Dieses Werk
basiert auf der
Komposition Spirit of
the Sequoia, welche
von Dr. Robert Oertli aus
Möhlin (Schweiz) in
Auftrag gegeben wurde.
Sparke nutzte den
kalifornischen Mammutbaum
als Metapher für seine
Grundidee: Der
bemerkenswerte
Lebenszyklus dieser
erstaunlichen Bäume
hängt damit zusammen,
dass seine Samen auf die
Erde fallen und Wärme
benötigen, damit sich
ihre Schale öffnet und
sie zu keimen beginnen.
Waldbrände
zerstören den
Mutterbaum,
ermöglichen aber
paradoxerweise das
Sprießen der Samen,
welche die Zerstörung
zur Fortpflanzung
benötigen. Auf
ähnliche Weise kann
die menschliche Seele
profitieren: Wir gehen
gestärkt aus einem
Unglück hervor. And
Still, theSpirit
eignet sich besonders
für jüngere
Orchester einem der
letzten Wünsche des
Auftraggebers
entsprechend.
Sbandiamo! Orchestre d'harmonie - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1175843-010 Composed by Jacob...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1175843-010
Composed by Jacob De
Haan. Concert and Contest
Collection CBHA. Concert
Piece. Set (Score &
Parts). Composed 2018. De
Haske Publications #DHP
1175843-010. Published by
De Haske Publications
(BT.DHP-1175843-010).
English-German-French-
Dutch.
Sbandiamo
! is a
joyous—and
swinging—work,
taking its title from the
wind music event held
annually in the medieval
Italian city of Gubbio,
Umbria in which various
bands from all over Italy
participate. The first
performance of this piece
was given at the Piazza
Grande, Gubbio, under the
baton of the composer
himself, with a wind band
of some 250 musicians. A
stately introduction,
with festive percussion,
is followed by a catchy
theme in alternating pop
and march rhythms. The
opening theme then
returns as a marcia
cantabile, and the
work is brought to a
grand and compelling
conclusion.
Sba
ndiamo! is zowel een
vreugdevol als swingend
werk. De titel verwijst
naar het gelijknamige
blaasmuziekevenement in
de middeleeuwse stad
Gubbio in Umbrië
(Italië). Daar klonk
op de Piazza Grande de
première met een
blaasorkest bestaande uit
ongeveer 250 musici,
onder leiding van de
componist. Elk jaar nemen
diverse orkesten uit heel
Italië deel aan dit
evenement. Een statige
inleiding met feestelijk
slagwerk wordt gevolgd
door een pakkend thema in
afwisselende pop- en
marsritmes. Dan keert het
beginthema terug als
marcia cantabile
en eindigt het werk
meeslepend en
groots.
Sbandia
mo! ist ein
fröhliches und
schwungvolles Werk. Der
Titel bezieht sich auf
die gleichnamige
Blasmusik-Veranstaltung
in der mittelalterlichen
Stadt Gubbio in Umbrien
(Italien). Dort fand auch
die Uraufführung des
Stückes mit einem etwa
250-köpfigen
Blasorchester unter der
Leitung des Komponisten
auf der Piazza Grande
statt. Jedes Jahr nehmen
an dieser Veranstaltung
verschiedene
Blasorchester aus ganz
Italien teil. Auf die
majestätische
Einleitung mit festlichem
Schlagwerk folgt ein
eingängiges Thema mit
wechselnden Posp- und
Marschrhythmen.
Sbandiamo! Eine
Komposition, die sowohl
den Musikern als auch
ihrem Publikum gefallen
wird.
Sba
ndiamo! è un brano
gioioso e swing il cui
titolo è tratto dalla
rassegna dedicata ai
fiati che si tiene nella
cittadina medioevale di
Gubbio una volta
all’anno, e che
vede chiamate a raccolta
varie bande provenienti
da ogni parte
d’Italia. La prima
esecuzione del brano è
avvenuta nella Piazza
Grande di Gubbio, sotto
la guida dello stesso
compositore con una banda
di 250 strumentisti a
fiato. Una maestosa
introduzione con festose
percussioni è seguita
da un tema accattivante
che alterna ritmi pop e
di marcia. Il tema
iniziale ritorna poi come
una marcia
cantabile e il brano
si avvia ad una grande ed
irresistibile
conclusione.
Sbandiamo! Orchestre d'harmonie - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1175843-140 Composed by Jacob...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1175843-140
Composed by Jacob De
Haan. Concert and Contest
Collection CBHA. Concert
Piece. Score Only.
Composed 2018. 23 pages.
De Haske Publications
#DHP 1175843-140.
Published by De Haske
Publications
(BT.DHP-1175843-140).
English-German-French-
Dutch.
Sbandiamo
! is a
joyous—and
swinging—work,
taking its title from the
wind music event held
annually in the medieval
Italian city of Gubbio,
Umbria in which various
bands from all over Italy
participate. The first
performance of this piece
was given at the Piazza
Grande, Gubbio, under the
baton of the composer
himself, with a wind band
of some 250 musicians. A
stately introduction,
with festive percussion,
is followed by a catchy
theme in alternating pop
and march rhythms. The
opening theme then
returns as a marcia
cantabile, and the
work is brought to a
grand and compelling
conclusion.
Sba
ndiamo! is zowel een
vreugdevol als swingend
werk. De titel verwijst
naar het gelijknamige
blaasmuziekevenement in
de middeleeuwse stad
Gubbio in Umbrië
(Italië). Daar klonk
op de Piazza Grande de
première met een
blaasorkest bestaande uit
ongeveer 250 musici,
onder leiding van de
componist. Elk jaar nemen
diverse orkesten uit heel
Italië deel aan dit
evenement. Een statige
inleiding met feestelijk
slagwerk wordt gevolgd
door een pakkend thema in
afwisselende pop- en
marsritmes. Dan keert het
beginthema terug als
marcia cantabile
en eindigt het werk
meeslepend en
groots.
Sbandia
mo! ist ein
fröhliches und
schwungvolles Werk. Der
Titel bezieht sich auf
die gleichnamige
Blasmusik-Veranstaltung
in der mittelalterlichen
Stadt Gubbio in Umbrien
(Italien). Dort fand auch
die Uraufführung des
Stückes mit einem etwa
250-köpfigen
Blasorchester unter der
Leitung des Komponisten
auf der Piazza Grande
statt. Jedes Jahr nehmen
an dieser Veranstaltung
verschiedene
Blasorchester aus ganz
Italien teil. Auf die
majestätische
Einleitung mit festlichem
Schlagwerk folgt ein
eingängiges Thema mit
wechselnden Posp- und
Marschrhythmen.
Sbandiamo! Eine
Komposition, die sowohl
den Musikern als auch
ihrem Publikum gefallen
wird.
Sba
ndiamo! è un brano
gioioso e swing il cui
titolo è tratto dalla
rassegna dedicata ai
fiati che si tiene nella
cittadina medioevale di
Gubbio una volta
all’anno, e che
vede chiamate a raccolta
varie bande provenienti
da ogni parte
d’Italia. La prima
esecuzione del brano è
avvenuta nella Piazza
Grande di Gubbio, sotto
la guida dello stesso
compositore con una banda
di 250 strumentisti a
fiato. Una maestosa
introduzione con festose
percussioni è seguita
da un tema accattivante
che alterna ritmi pop e
di marcia. Il tema
iniziale ritorna poi come
una marcia
cantabile e il brano
si avvia ad una grande ed
irresistibile
conclusione.
Little Suite Orchestre d'harmonie - Intermédiaire/avancé EMB (Editio Musica Budapest)
Concert Band - Grade 4 SKU: BT.EMBZ14493 Score for Symphonic Band....(+)
Concert Band - Grade 4
SKU: BT.EMBZ14493
Score for Symphonic
Band. Composed by
László Dubrovay.
EMB Concert Band Series.
Concert Piece. Score
Only. Composed 2010. 56
pages. Editio Musica
Budapest #EMBZ14493.
Published by Editio
Musica Budapest
(BT.EMBZ14493).
9x12
inches.
English-Hungarian.
This work was written in
2005, prompted by the
composer's determination
that young members of
junior, music school and
conservatoire wind
ensembles should not be
limited to transcriptions
for lack of original
compositions, especially
contemporary ones. The
new devices used in the
Little Suite are suitable
for student players to
try out. Indeed, they
enjoy them - for
instance, purring or
whistling into the
instrument. Each of the
three-or-four-minute
movements of this
four-movement work can
also be performed
separately. The titles of
the movements are the
following: 1. In cheerful
mood, 2. Song, 3. Joke,
4. March. This music in
modern idiom, full
ofinteresting new
effects, offers young
players an opportunity
for enjoyable
music-making together,
and at the same time
prepares them for playing
more difficult
contemporary works.
Dieses Werk
schrieb der Komponist
2005, für
Jugendblasorchester.
Jeder der vier Sätze
dieser Komposition
lässt sich auch
einzeln vortragen. Die
Titel der Sätze sind:
1. Gutgelaunt, 2. Lied,
3. Spass, 4. Marsch. Die
in moderner Sprache
gehaltene, mit vielen
interessanten neuen
Effekten bereicherte
Musik bietet den jungen
Instrumentalisten
Möglichkeiten zum
heiteren, gutgelaunten
Musizieren in der
Gemeinschaft und bereitet
sie auch auf das Spielen
schwierigerer
zeitgenössischer Musik
vor.
Little Suite si
presta per essere
eseguito da banda di
livello avanzato come
anche per tutte le
formazioni desiderose di
suonare un brano
originale moderno con
effetti sorprendenti. I
quattro movimenti di
questa piccola suite, In
Cheerful Mood, Song, Joke
e March, possono essere
eseguiti
separatamente.
(The Lovin' Spoonful 1996). Composed by John Sebastian/Steve Boone/Mark...(+)
(The Lovin' Spoonful
1996).
Composed by John
Sebastian/Steve
Boone/Mark
Sebastian. Arranged by
Marleen Schipper. For
concert band.
Arrangements
of Modern Light
Music/Catalogue New Band
Music Vol. 13. Molenaar
Limited Band. Recorded on
Overture to Avalon
(ML.311125720). Grade 2.
Full set. Duration 4
minutes, 20 seconds.
Published by Molenaar
Edition
Bilbo the Hobbit Orchestre d'harmonie - Intermédiaire/avancé De Haske Publications
Concert Band/Harmonie and Horn Solo - Grade 4 SKU: BT.DHP-1064055-010 ...(+)
Concert Band/Harmonie and
Horn Solo - Grade 4
SKU:
BT.DHP-1064055-010
Pièce pour cor et
orchestre d'harmonie.
Composed by Maxime Aulio.
Solo Spectrum. Solo &
Concerto. Set (Score &
Parts). Composed 2006. De
Haske Publications #DHP
1064055-010. Published by
De Haske Publications
(BT.DHP-1064055-010).
9x12 inches.
English-German-French-Dut
ch.
Originally
written by the great
English writer J.R.R.
Tolkien (1892-1973), The
Lord of the Rings has
encountered new-found
popularity recently with
the release of three
?huge-hit? motion
pictures. With Bilbo the
Hobbit we enter the lands
of Middle-earth during
the Third Age, some
decades before The Lord
of the Rings trilogy.
Fascinated by the works
of the masters of film
music, Maxime Aulio
structured this work in
their way. When the end
credits roll, Maxime?s
music displays all the
basic characters and
passages of the novel.
From the landscapes of
the Shire to
Middle-earth, the Great
Dragons to Gandalf the
Wizard, Bilbo Baggins
tells us his story
through light and
virtuosoarabesques in the
solo part. Bilbo the
Hobbit is a wonderful
addition to the french
horn repertoire and one
to be a sure-fire hit
with horn players
everywhere.
ijdens zijn leven
schiep J.R.R. Tolkien
(1892-1973) met zijn boek
The Hobbit en de
trilogie The Lord of
the Rings (In de ban van
de ring) een totaal
nieuwe wereld, bevolkt
met fabuleuze wezens:
dwergen, elven, drakenen
natuurlijk hobbits.
Maxime Aulio gaf dit
concertante werk vorm in
filmische stijl. Met de
aftiteling voor ogen
verklankt Aulio’s
muziek de hoofdpersonen
en belangrijkste
gebeurtenissen in de
wereld van Bilbo de
hobbit,zijn visie op
het verhaal is imposant.
Van de landschappen van
de Gouw tot Middenaarde
en van de draken tot
Gandalf de tovenaar
vertelt Bilbo
Baggins ons zijn
verhaal door middel van
lichte en virtuoze
arabesken in de
solpartij.
Faszini
ert vom Schaffen der
großen Meister der
Filmmusik, versuchte
Maxime Aulio dieses
konzertante Werk über
den Fantasy-Roman Werk
Der kleine Hobbit
von J.R.R.Tolkien in
ihrem Sinne zu
strukturieren.Wie in
einem Abspann illustriert
Aulios Musik alle
wichtigen Figuren und
Passagen der Erzählung
in einer beeindruckenden
Vision. Von den
Landschaften in Auenland
bis hin zu ganz
Mittelerde, von den
großen Drachen bis zu
Gandalf, dem Zauberer,
erzählt uns Bilbo
Beutlin in seinem Solo
seine Geschichte in
leichten, virtuosen
Arabesken.
Affascinato
dal lavoro di Tolkien e
dai maestri delle musiche
da film, Maxime Aulio
struttura questo brano
concertante alla loro
maniera. La musica
riprende passaggi e
personaggi chiave del
romanzo Bilbo,
l’Hobbit. La
sua visione è
grandiosa. Dai paesaggi
della contea alla Terra
di Mezzo, dai Grandi
Draghi a Gandalf il Mago,
Bilbon Saquet racconta la
sua storia attraverso
virtuosi ed eterei
arabeschi interpretatati
dal solista.
The Book of Urizen is Jacob de Haan his first Symphony for concert band, ...(+)
The Book of Urizen
is Jacob de Haan his
first Symphony for
concert band, solo
soprano, and a male
narrator in which sound
collages of expressions
are used. The piece is
inspired by the
compelling visionary poem
of the samename (which
the poet illustrated
himself) by the
Englishman William Blake
(1757-1827). The
Vision, first
movement and The
Creation, second
movement of The Book
of Urizen are
available by following
editionnumber: DHP
1043551. The Web,
the third movement of
The Book of Urizen
is available by the
following edition number:
DHP 1125252. Download the
audio samples here: track
1, track 2, track
3
In The Book
of Urizen - Jacob de
Haan zijn eerste symfonie
voor harmonieorkest,
zangstem (sopraan) en een
mannelijke spreekstem -
wordt gebruik gemaakt van
geluidscollages. De
compositie is ge
nspireerd op het
gelijknamigegedicht van
William Blake
(1757-1827). The
Vision, het eerste
deel en The
Creation, het tweede
deel van The Book of
Urizen zijn
beschikbaar via volgend
editienummer: DHP
1043551. The Web,
het derdedeel van The
Book of Urizen is
verkrijgbaar via
editienummer: DHP
1125252. Download
audiofragmenten hier:
track 1, track 2, track
3
The Book of
Urizen ist Jacob de
Haan seine erste
Symphonie für
Blasorchester, Gesang
(Sopran) und
(männliche)
Sprechstimme, in welcher
Botschaften durch
Geräuschcollagen
wiedergegeben werden. Als
Inspirationsquelle
dienteder gleichnamige
Gedichtzyklus des
großen englischen
Dichters und Malers
William Blake
(1757-1827). The
Vision, erster Satz
und The Creation,
zweiter Satz von The
Book of Urizen sind
unter der
folgendenEditionsnummer
erhältlich: DHP
1043551. The Web,
der dritte Satz von
The Book of Urizen , ist
unter der folgenden
Editionsnummer
erhältlich: DHP
1125252. Laden Sie hier
die Audiosamples
herunter: track 1, track
2,track 3
The Book of
Urizen is a work for
concert band, solo
soprano, and a male
narrator in which sound
collages of religious
expressions are used. The
piece is inspired by the
compelling visionary poem
of the same name (which
the poet
illustratedhimself) by
the Englishman William
Blake (1757-1827), who
occupies a unique
position in western
literature and the visual
arts. He was not just a
poet and a writer, but he
was also a graphic
artist, a painter, an
illustrator, a
spiritualist, areligious
visionary, and a mystic
philosopher. For the
performance of this work,
a professional sound
system, including two
microphones and a CD
player, is needed. The
three sound collages are
three separate tracks on
the enclosed CD and can
beplayed easily at the
right moment. The Book
of Urizen bears
resemblance to Genesis
and Exodus, of which the
contents form the basis
of the Christian, Jewish,
and Islamic faith. Blake
adhered to the principle
that all religions are in
fact one,and that deities
reside in human beings.
In The Book of
Urizen this is
represented in “The
Net of Religion,â€
which is spanned over the
earth by Urizen. The
sound collages, compiled
by Jacob de Haan in the
studio, find their origin
inJerusalem, the Holy
City, where the
afore-mentioned faiths
“come
together.†In the
first movement of
this composition, The
Vision, Urizen
prepares his vision of
the world, and he
presents this to the
“Eternals.â€
His vision is
rejected,and Urizen locks
himself up in his own
abstract world. When he
does emerge again, he is
confronted with rage by
the gathered Eternals.
Urizen flees the wrath of
the Eternals, “the
flames of eternal
fury,†and enwombs
himself in his own world.
Whenthe Eternals see
Urizen in his
“stony
sleep,†they wonder
if this is death. The
blacksmith Los is torn by
grief because of the
isolation of Urizen. It
brings him to rouse his
fires, prepare his forge,
and to give
Urizen’s world
concrete form. In
thesecond
movement, The
Creation,
Urizen’s world,
but also man, woman, and
child are created. Los is
horrified with the
appearance of
Urizen’s body. He
mourns and pities Urizen,
and from his blood a
female form comes into
being, with thename
Enitharmon. The Eternals,
fearful of the female
form, decide to erect a
tent to obstruct their
view to eternity.
Enitharmon and Los beget
a son, called Orc. Los
baptizes him as a child
of the “fallen
world.†Orc is fed
at Enitharmon’s
breast,which makes a
girdle of jealousy
restrict Los’
chest. He takes the child
to the top of the
mountain and chains him
down. The cries of Orc
awaken Urizen, who
explores his world
creating instruments of
scientific measurement to
do so. Los encircles
theface of Enitharmon
from the sight of Urizen
and Orc. She then
populates the earth by
giving birth to an
enormous race.The
Web, third movement
of The Book of
Urizen is now
available: DHP 1125252
Concert Band/Harmonie - easy SKU: BT.CMP-0704-03-010 Composed by Mike Han...(+)
Concert Band/Harmonie -
easy
SKU:
BT.CMP-0704-03-010
Composed by Mike
Hannickel. Great
Foundation Series.
Concert Piece. Set (Score
& Parts). Composed 2003.
Curnow Music #CMP
0704-03-010. Published by
Curnow Music
(BT.CMP-0704-03-010).
This delightful
beginning band suite is
based on three Chinese
folk songs. The extremely
limited ranges and
rhythms make it
accessible to any band,
and the
“suiteâ€
format gives you a great
deal of flexibility in
performance.There are
numerous suggestions for
additional interest in
the percussion section,
but it is easily
performed with just the
standard instruments, or
even lacking a percussion
section
altogether!Explore the
orient with CHINA SUITE
this year!
Deze
fraaie suite voor
blaasorkest is gebaseerd
op drie Chinese
volksliedjes. Het eerste
verwijst naar werken op
de boerderij, het tweede
beschrijft een prachtige
bloem, terwijl het derde
gaat over een onderwerp
dat kinderen overalter
wereld bezighoudt: de
school gaat uit! De
creatieve toepassing van
aanvullende, deels
optionele,
slagwerkinstrumenten
geeft China Suite
een exotische, Chinees
aandoende
sfeer.
Diese
entzückende Suite
für Blasorchester
basiert auf drei
chinesischen
Volksliedern. Der erste
Satz erzählt von der
Arbeit auf dem Lande. Der
zweite beschreibt eine
wunderschöne Blume,
während der dritte
Satz einen Titel
trägt, der die
Schülerherzen auf der
ganzen Welt höher
schlagen lässt: Die
Schule ist aus! Der
kreative Einsatz von
zusätzlichen, teils
optionalen
Schlaginstrumenten
verleiht der China
Suite einen
exotischen, original
chinesisch anmutenden
Charakter.
Concert Band/Harmonie - easy SKU: BT.CMP-0704-03-140 Composed by Mike Han...(+)
Concert Band/Harmonie -
easy
SKU:
BT.CMP-0704-03-140
Composed by Mike
Hannickel. Great
Foundation Series.
Concert Piece. Score
Only. Composed 2003. 16
pages. Curnow Music #CMP
0704-03-140. Published by
Curnow Music
(BT.CMP-0704-03-140).
This delightful
beginning band suite is
based on three Chinese
folk songs. The extremely
limited ranges and
rhythms make it
accessible to any band,
and the
“suiteâ€
format gives you a great
deal of flexibility in
performance.There are
numerous suggestions for
additional interest in
the percussion section,
but it is easily
performed with just the
standard instruments, or
even lacking a percussion
section
altogether!Explore the
orient with CHINA SUITE
this year!
Deze
fraaie suite voor
blaasorkest is gebaseerd
op drie Chinese
volksliedjes. Het eerste
verwijst naar werken op
de boerderij, het tweede
beschrijft een prachtige
bloem, terwijl het derde
gaat over een onderwerp
dat kinderen overalter
wereld bezighoudt: de
school gaat uit! De
creatieve toepassing van
aanvullende, deels
optionele,
slagwerkinstrumenten
geeft China Suite
een exotische, Chinees
aandoende
sfeer.
Diese
entzückende Suite
für Blasorchester
basiert auf drei
chinesischen
Volksliedern. Der erste
Satz erzählt von der
Arbeit auf dem Lande. Der
zweite beschreibt eine
wunderschöne Blume,
während der dritte
Satz einen Titel
trägt, der die
Schülerherzen auf der
ganzen Welt höher
schlagen lässt: Die
Schule ist aus! Der
kreative Einsatz von
zusätzlichen, teils
optionalen
Schlaginstrumenten
verleiht der China
Suite einen
exotischen, original
chinesisch anmutenden
Charakter.
This Is It Orchestre d'harmonie - Intermédiaire Music Sales
Concert Band/Harmonie - Grade 3 SKU: BT.1919-12-140-MS Composed by Michae...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.1919-12-140-MS
Composed by Michael
Jackson and Paul Anka.
Arranged by Hideaki
Miura. Pop & Rock. Score
Only. Composed 2012. 20
pages. Music Sales
#1919-12-140 MS.
Published by Music Sales
(BT.1919-12-140-MS).
9x12 inches.
English.
This Is
It is the title track
from the film of the same
name that first appeared
after the death of
Michael Jackson. The
title, that should have
represented the climax of
a great career, has now
taken on a second,
unintentionally sadder
meaning. In a brand new
arrangement for wind
orchestra by Hideaki
Miura, the last hit of
the ‘King of
Pop’ is a must for
your entertaining
repertoire!
This Is It
is de titelsong van de
gelijknamige film die pas
na de dood van Michael
Jackson werd uitgebracht.
De titel was eigenlijk
bedoeld als afsluiting
van een grootse
carrière van de grote
Michael Jackson.
Onbedoeld heeft het door
zijn vroegtijdige dood
een treurige bijbetekenis
gekregen. De laatste hit
van de King of Pop geven
wij nu uit in een
gloednieuwe bewerking
voor orkest. Een
must-have voor op uw
amusementsrepertoire!
This Is It
ist das Titellied zum
gleichnamigen Film, der
erst nach dem Tod von
Michael Jackson
veröffentlicht wurde.
Der Titel Das
war’s“, der
eigentlich den Abschluss
einer großartigen
Karriere markieren
sollte, hat nun ungewollt
eine zweite, traurige
Bedeutung bekommen. Der
letzte Hit des King of
Pop“ für
Blasorchester von Hideaki
Miura ist ein Muss
für Ihr
unterhaltsames
Repertoire!
This Is It
è il titolo della
canzone che accompagna
l’omonimo
documentario del 2009, in
gran parte realizzato
utilizzando il materiale
girato da Michael Jackson
nei giorni immediatamente
precedenti il suo
decesso, mentre preparava
le coreografie per il
tour. Un titolo, che dopo
la tragica morte del
grande artista, suonò
come una premonizione.
L’arrangiamento di
Hideaki Miura è un
must del repertorio di
musica da
intrattenimento.