Chorus; Organ SKU: HL.14048027 For 2-Part Choir and Organ. Compose...(+)
Chorus; Organ
SKU:
HL.14048027
For
2-Part Choir and
Organ. Composed by
Rupert Jeffcoat. Choral.
Classical. Octavo.
Composed 2016. Music
Sales #NOV295955.
Published by Music Sales
(HL.14048027).
English.
Hear My
Voice, O Lord is a work
by Rupert Jeffcoat for
2-Part Choir and Organ
Accompaniment. A setting
of words from Psalm 27,
the piece lasts around 2
minutes.
Medium solo voice & organ SKU: OU.9780193550353 Composed by David Bednall...(+)
Medium solo voice & organ
SKU:
OU.9780193550353
Composed by David
Bednall. Medium voice
vocal score. 20 pages.
Duration 15'. Oxford
University Press
#9780193550353. Published
by Oxford University
Press (OU.9780193550353).
ISBN 9780193550353. 12
x 8 inches.
For
medium solo voice and
organ This mass setting,
with texts in both Latin
and English (Book of
Common Prayer), is
typical of the composer's
style: musically
sophisticated, with
motivic solo lines and a
great deal of
chromaticism and
continual time changes.
Vocal range: C4-Gb5 (opt.
A5).
Medium voice and organ - difficult SKU: HL.49044612 For medium voice a...(+)
Medium voice and organ -
difficult
SKU:
HL.49044612
For
medium voice and
organ. Composed by
Bertold Hummel. This
edition: Saddle
stitching. Sheet music.
Vocal. Softcover.
Composed 2000. Op. 103g.
22 pages. Duration 9'.
Schott Music #ED21338.
Published by Schott Music
(HL.49044612).
ISBN
9790001187282.
9.0x12.0x0.099 inches.
Latin.
The rushing
of the Holy Spirit to
which the hymn 'Veni
creator' refers is
symbolized by fast
semiquaver runs of the
organ which return again
and again during the
whole piece. Alternately,
the text is interpreted
musically in seven verses
according to the
respective content.
Traditional melodies
appear in a contemporary
harmonic makeup. From
this context emerges a
field of tension between
old and new which
eventually dissolves in
the 'Amen' of the vocal
soloist. The work on the
rather demanding piece is
rewarding for every
performer and the
performance at the church
is very impressive.
Voice and organ SKU: BA.BA02085 Faksimile-Ausgabe der letzten Komposit...(+)
Voice and organ
SKU:
BA.BA02085
Faksimile-Ausgabe der
letzten
Kompositionen.
Composed by Armin Knab.
This edition: facsimile.
Stapled. Facsimile.
Composed 1951. 4 pages.
Baerenreiter Verlag
#BA02085_00. Published by
Baerenreiter Verlag
(BA.BA02085).
High voice and organ - intermediate SKU: HL.49019859 Drei Meditationen...(+)
High voice and organ -
intermediate
SKU:
HL.49019859
Drei
Meditationen fur hohe
Singstimme und Orgel nach
Texten von Jakob
Bohme. Composed by
Enjott Schneider. This
edition: Saddle
stitching. Sheet music.
Vocal. Softcover.
Composed 1987. 20 pages.
Duration 10'. Schott
Music #ED21541. Published
by Schott Music
(HL.49019859).
Chamber Music Solo Organ SKU: CF.SGB502 Composed by Albert Peace, Anonymo...(+)
Chamber Music Solo Organ
SKU: CF.SGB502
Composed by Albert Peace,
Anonymous, Felice
Giardini, Felix Bartholdy
Mendelssohn, George
Frideric Handel, Henry
Gauntlett, John Bacchus
Dykes, John Wyeth,
William Kirkpatrick,
William Monk, William
Sherwin, and William
Walker. Arranged by A.
Whitworth. SWS.
Performance Score. With
Standard notation. 40
pages. Carl Fischer Music
#SGB502. Published by
Carl Fischer Music
(CF.SGB502).
ISBN
9780825856907. UPC:
798408056902. 9 X 12
inches.
A noted
church workshop and
conference leader,
Whitworth has published
numerous keyboard
collections for the
church musician. Thine Is
The Glory, one of
Whitworth's most useful
books, is back in print
by popular demand. The
updated folio brings the
church organist 12
classic hymn settings
that are appropriate for
the various seasons in
the church calendar. The
book includes: Thine Is
the Glory, We Would See
Jesus, What Wondrous Love
Is This?, Once in Royal
David's City, I Heard the
Voice of Jesus Say, O
Love That Wilt Not Let Me
Go, 'Tis So Sweet to
Trust in Jesus, Come,
Thou Almighty King, My
Shepherd Will Supply My
Need, Break Thou the
Bread of Life, Come, Thou
Fount of Every Blessing,
and Abide With Me.
Best Of Sacred * All Organ Edition with CD composed by Various. Arranged by Crai...(+)
Best Of Sacred * All
Organ Edition with CD
composed by Various.
Arranged by Craig
Stevens. For organ,
voice. This edition:
Paperback. Collection.
Sacred. Book and CD. Text
Language: English. 128
pages. Published by
Santorella Publications
Low voice, flute and piano or organ SKU: HL.49006306 Solo Cantata....(+)
Low voice, flute and
piano or organ
SKU:
HL.49006306
Solo
Cantata. Composed by
Hermann Reutter. This
edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. Composed 1973.
20 pages. Duration 12'.
Schott Music #ED 6423.
Published by Schott Music
(HL.49006306).
SATB voice soli, organ - Level 2 SKU: CA.2033100 Aus: Kleine geistlich...(+)
SATB voice soli, organ -
Level 2
SKU:
CA.2033100
Aus:
Kleine geistliche
Konzerte II. Composed
by Heinrich Schutz.
Edited by Gunter
Graulich. Arranged by
Paul Horn. This edition:
urtext. Cycles: Schutz:
Kleine geistliche
Konzerte II SWV 306-337.
Stuttgart Urtext Edition:
Schutz. German title: Die
Stimme des Herren. Sacred
concertos, Sacred vocal
music, Motets, Easter and
Eastertide, Praise and
thanks, Psalms. Full
score. Composed 1639. SWV
331. 8 pages. Duration 5
minutes. Carus Verlag #CV
20.331/00. Published by
Carus Verlag
(CA.2033100).
ISBN
9790007034498. Key: D
dorian. Language:
German/English.
Mixed choir (STB) and organ - intermediate SKU: HL.49017835 For mixed ...(+)
Mixed choir (STB) and
organ - intermediate
SKU: HL.49017835
For mixed choir with 3
voices (STB) and
organ. Composed by
Nino Rota. This edition:
Saddle stitching. Sheet
music. Choral. Score.
Composed 1961. 34 pages.
Duration 16'. Schott
Music #C52578. Published
by Schott Music
(HL.49017835).
ISBN
9790001148672. UPC:
884088566845.
7.5x11.0x0.108 inches.
Latin.
Rota's Mass
for choir and organ is
published in two
editions: for three-part
mixed choir and for
four-part male choir,
each with organ. The
organ part is identical
in both editions. As a
consequence, it is
possible to perform the
work with varying choir
ensembles. The mass, with
Latin text, is suitable
both for amateur choirs
and performance in small
churches or concert
halls.
Unison voices (with optional second part) & piano/organ SKU: OU.9780193433540...(+)
Unison voices (with
optional second part) &
piano/organ
SKU:
OU.9780193433540
Composed by Bob Chilcott.
Vocal score. 8 pages.
Duration 2.5'. Oxford
University Press
#9780193433540. Published
by Oxford University
Press (OU.9780193433540).
ISBN 9780193433540. 10
x 7 inches.
For
unison voices (with opt.
second part) and piano or
organ Arranged here for
unison voices and piano,
this heartfelt setting is
built upon a haunting
melody of folk-like
simplicity, underpinned
throughout by a lyrical
and independent
accompaniment. Also
available in versions for
SATB, solo high voice,
and solo low voice.
Organ SKU: BR.EB-9306 Urtext - Critical Source Edition of the Free Org...(+)
Organ
SKU:
BR.EB-9306
Urtext
- Critical Source Edition
of the Free Organ
Works. Composed by
Dietrich Buxtehude.
Edited by Harald Vogel.
Solo instruments;
Softbound. Edition
Breitkopf.
Renaissance/early
Baroque; Baroque. Score.
84 pages. Breitkopf and
Haertel #EB 9306.
Published by Breitkopf
and Haertel (BR.EB-9306).
ISBN 9790004187708. 12
x 9 inches.
This
edition is the result of
Harald Vogel's many years
of practice as an
organist and
musicologist. The music
text is based on a
reevaluation of 17th- and
18th-century manuscripts
containing the free organ
and keyboard works by
Buxtehude. They
originated during a
transitional phase
between the traditional
letter tablature and the
staff notation still in
use today. Since many
works have survived only
in transcriptions for
staff notation, the
editor was confronted
with a high error rate,
which he carefully
analyzes in the
Einzelanmerkungen. During
the preparation of the
edition, the editor
always kept sight of the
performance practice, but
still, the image of the
sources is never
distorted (e. g. by
superfluous rests,
beaming not conforming to
the sources and the
unhistorical adjustment
of time signatures) and
stays very close to the
compositional notation,
the letter tablature. The
flexible use of three
staves and the
differentiated
distribution of the
voices on the staves
allow for an
approximation in reading
conventions of historical
notation with its
resulting information
about hand division.
Grouping the free organ
repertoire into works
with obbligato pedal and
works for manuals, this
edition is organized in
two volumes. The first
subvolume (I/1, EB 9304)
contains the Preface and
the Preludes, whereas the
second subvolume (I/2, EB
9305) contains Toccatas,
Ostinato works,
alternative versions and
a comprehensive Critical
Commentary (in German
only). Volume II (EB
9306) contains
Buxtehude's free organ
and keyboard works
(manualiter) with the
corresponding texts
(Preface and Critical
Commentary).Until 1971,
Harald Vogel worked on a
dissertation (with Georg
von Dadelsen, Hamburg) on
Die Fuge um Bach. Besides
the description of the
inclusion of triple
measures into the C
notation and the
irregularities of the
voice mutation in the
polyphonic structures,
this also included a
discussion about the
justification of the
inner textual criticism.
With the inner textual
criticism, deviations in
parallel passages are
unified. The North German
fugue style, reaching a
peak in Buxtehude's work,
is characterized by a
constant diversity of
details in subject and
polyphonic progressions.
One of the indicators of
the fantastic style is
the dissolution of the
polyphonic structures at
the ends of the fugues,
evident in Buxtehude's
work.In this edition, a
musical text is presented
that avoids the
uniformity of detail not
conforming to the
sources. However, there
are many examples of
transcription and cursory
errors, which are
analyzed in a methodical
systematic manner. About
the editor: As an
organist, professor,
organ expert, and
scholar, Harald Vogel has
rendered outstanding
services to the
interpretation of early
music and especially to
historical performance
practice concerning the
organ for decades. He has
received numerous awards,
including an ECHO Klassik
as Instrumentalist of the
Year (2012), honorary
doctorates from Lulea
University of Technology
(Sweden, 2008) and
Oberlin College (USA,
2014), as well as the
Buxtehude Prize of the
City of Lubeck (2018).
Harald Vogel is the
author and editor of
numerous scholarly
publications and
editions. Through his
lifelong performance
practice, he can look
back on an extensive
discography, including
the complete recording of
Buxtehude's organ works,
which he recorded in
various locations with
historical organ
instruments of the North
German organ building
tradition in Scandinavia,
North Germany and the
Netherlands.
pure
source edition (no
mixture of different
transmissions)
comprehensive commentary
(Vol. I/2 & II) (with
texts about the sources,
chronology, use of keys,
liturgic placement as
well as detailed critical
remarks, incl. music
examples (in German
only))good page
turnsflexible division of
voices (on 2 or 3
systems, good
legibility)contains
facsimiles.
Organ SKU: BR.EB-9415 Urtext - Critical Source Edition of the Free Org...(+)
Organ
SKU:
BR.EB-9415
Urtext
- Critical Source Edition
of the Free Organ
Works. Composed by
Dietrich Buxtehude.
Edited by Harald Vogel.
Solo instruments;
Softbound. Edition
Breitkopf.
Renaissance/early
Baroque; Baroque. Score.
192 pages. Breitkopf and
Haertel #EB 9415.
Published by Breitkopf
and Haertel (BR.EB-9415).
ISBN 9790004188897. 12
x 9 inches.
This
edition is the result of
Harald Vogel's many years
of practice as an
organist and
musicologist. The music
text is based on a
reevaluation of 17th- and
18th-century manuscripts
containing the free organ
and keyboard works by
Buxtehude. They
originated during a
transitional phase
between the traditional
letter tablature and the
staff notation still in
use today. Since many
works have survived only
in transcriptions for
staff notation, the
editor was confronted
with a high error rate,
which he carefully
analyzes in the
Einzelanmerkungen. During
the preparation of the
edition, the editor
always kept sight of the
performance practice, but
still, the image of the
sources is never
distorted (e. g. by
superfluous rests,
beaming not conforming to
the sources and the
unhistorical adjustment
of time signatures) and
stays very close to the
compositional notation,
the letter tablature. The
flexible use of three
staves and the
differentiated
distribution of the
voices on the staves
allow for an
approximation in reading
conventions of historical
notation with its
resulting information
about hand division.
Grouping the free organ
repertoire into works
with obbligato pedal and
works for manuals, this
edition is organized in
two volumes. The first
subvolume (I/1, EB 9304)
contains the Preface and
the Preludes, whereas the
second subvolume (I/2, EB
9305) contains Toccatas,
Ostinato works,
alternative versions and
a comprehensive Critical
Commentary (in German
only). Volume II (EB
9306) contains
Buxtehude's free organ
and keyboard works
(manualiter) with the
corresponding texts
(Preface and Critical
Commentary).Until 1971,
Harald Vogel worked on a
dissertation (with Georg
von Dadelsen, Hamburg) on
Die Fuge um Bach. Besides
the description of the
inclusion of triple
measures into the C
notation and the
irregularities of the
voice mutation in the
polyphonic structures,
this also included a
discussion about the
justification of the
inner textual criticism.
With the inner textual
criticism, deviations in
parallel passages are
unified. The North German
fugue style, reaching a
peak in Buxtehude's work,
is characterized by a
constant diversity of
details in subject and
polyphonic progressions.
One of the indicators of
the fantastic style is
the dissolution of the
polyphonic structures at
the ends of the fugues,
evident in Buxtehude's
work.In this edition, a
musical text is presented
that avoids the
uniformity of detail not
conforming to the
sources. However, there
are many examples of
transcription and cursory
errors, which are
analyzed in a methodical
systematic manner. About
the editor: As an
organist, professor,
organ expert, and
scholar, Harald Vogel has
rendered outstanding
services to the
interpretation of early
music and especially to
historical performance
practice concerning the
organ for decades. He has
received numerous awards,
including an ECHO Klassik
as Instrumentalist of the
Year (2012), honorary
doctorates from Lulea
University of Technology
(Sweden, 2008) and
Oberlin College (USA,
2014), as well as the
Buxtehude Prize of the
City of Lubeck (2018).
Harald Vogel is the
author and editor of
numerous scholarly
publications and
editions. Through his
lifelong performance
practice, he can look
back on an extensive
discography, including
the complete recording of
Buxtehude's organ works,
which he recorded in
various locations with
historical organ
instruments of the North
German organ building
tradition in Scandinavia,
North Germany and the
Netherlands.
pure
source edition (no
mixture of different
transmissions)
comprehensive commentary
(Vol. I/2 & II) (with
texts about the sources,
chronology, use of keys,
liturgic placement as
well as detailed critical
remarks, incl. music
examples (in German
only))good page
turnsflexible division of
voices (on 2 or 3
systems, good
legibility)contains
facsimiles.
Organ SKU: BR.EB-9305 Urtext - Critical Source Edition of the Free Org...(+)
Organ
SKU:
BR.EB-9305
Urtext
- Critical Source Edition
of the Free Organ
Works. Composed by
Dietrich Buxtehude.
Edited by Harald Vogel.
Solo instruments;
Softbound. Edition
Breitkopf.
Renaissance/early
Baroque; Baroque. Score.
84 pages. Breitkopf and
Haertel #EB 9305.
Published by Breitkopf
and Haertel (BR.EB-9305).
ISBN 9790004187692. 12
x 9 inches.
This
edition is the result of
Harald Vogel's many years
of practice as an
organist and
musicologist. The music
text is based on a
reevaluation of 17th- and
18th-century manuscripts
containing the free organ
and keyboard works by
Buxtehude. They
originated during a
transitional phase
between the traditional
letter tablature and the
staff notation still in
use today. Since many
works have survived only
in transcriptions for
staff notation, the
editor was confronted
with a high error rate,
which he carefully
analyzes in the
Einzelanmerkungen. During
the preparation of the
edition, the editor
always kept sight of the
performance practice, but
still, the image of the
sources is never
distorted (e. g. by
superfluous rests,
beaming not conforming to
the sources and the
unhistorical adjustment
of time signatures) and
stays very close to the
compositional notation,
the letter tablature. The
flexible use of three
staves and the
differentiated
distribution of the
voices on the staves
allow for an
approximation in reading
conventions of historical
notation with its
resulting information
about hand division.
Grouping the free organ
repertoire into works
with obbligato pedal and
works for manuals, this
edition is organized in
two volumes. The first
subvolume (I/1, EB 9304)
contains the Preface and
the Preludes, whereas the
second subvolume (I/2, EB
9305) contains Toccatas,
Ostinato works,
alternative versions and
a comprehensive Critical
Commentary (in German
only). Volume II (EB
9306) contains
Buxtehude's free organ
and keyboard works
(manualiter) with the
corresponding texts
(Preface and Critical
Commentary).Until 1971,
Harald Vogel worked on a
dissertation (with Georg
von Dadelsen, Hamburg) on
Die Fuge um Bach. Besides
the description of the
inclusion of triple
measures into the C
notation and the
irregularities of the
voice mutation in the
polyphonic structures,
this also included a
discussion about the
justification of the
inner textual criticism.
With the inner textual
criticism, deviations in
parallel passages are
unified. The North German
fugue style, reaching a
peak in Buxtehude's work,
is characterized by a
constant diversity of
details in subject and
polyphonic progressions.
One of the indicators of
the fantastic style is
the dissolution of the
polyphonic structures at
the ends of the fugues,
evident in Buxtehude's
work.In this edition, a
musical text is presented
that avoids the
uniformity of detail not
conforming to the
sources. However, there
are many examples of
transcription and cursory
errors, which are
analyzed in a methodical
systematic manner. About
the editor: As an
organist, professor,
organ expert, and
scholar, Harald Vogel has
rendered outstanding
services to the
interpretation of early
music and especially to
historical performance
practice concerning the
organ for decades. He has
received numerous awards,
including an ECHO Klassik
as Instrumentalist of the
Year (2012), honorary
doctorates from Lulea
University of Technology
(Sweden, 2008) and
Oberlin College (USA,
2014), as well as the
Buxtehude Prize of the
City of Lubeck (2018).
Harald Vogel is the
author and editor of
numerous scholarly
publications and
editions. Through his
lifelong performance
practice, he can look
back on an extensive
discography, including
the complete recording of
Buxtehude's organ works,
which he recorded in
various locations with
historical organ
instruments of the North
German organ building
tradition in Scandinavia,
North Germany and the
Netherlands.
pure
source edition (no
mixture of different
transmissions);
comprehensive commentary
(Vol. I/2 & II) (with
texts about the sources,
chronology, use of keys,
liturgic placement as
well as detailed critical
remarks, incl. music
examples (in German
only)); good page
turnsflexible division of
voices (on 2 or 3
systems, good
legibility); contains
facsimiles. Contains the
Critical Commentary of
the subvolumes I/1 and
I/2.
Organ SKU: BR.EB-9304 Urtext - Critical Source Edition of the Free Org...(+)
Organ
SKU:
BR.EB-9304
Urtext
- Critical Source Edition
of the Free Organ
Works. Composed by
Dietrich Buxtehude.
Edited by Harald Vogel.
Solo instruments;
Softbound. Edition
Breitkopf.
Renaissance/early
Baroque; Baroque. Score.
108 pages. Breitkopf and
Haertel #EB 9304.
Published by Breitkopf
and Haertel (BR.EB-9304).
ISBN 9790004187685. 12
x 9 inches.
This
edition is the result of
Harald Vogel's many years
of practice as an
organist and
musicologist. The music
text is based on a
reevaluation of 17th- and
18th-century manuscripts
containing the free organ
and keyboard works by
Buxtehude. They
originated during a
transitional phase
between the traditional
letter tablature and the
staff notation still in
use today. Since many
works have survived only
in transcriptions for
staff notation, the
editor was confronted
with a high error rate,
which he carefully
analyzes in the
Einzelanmerkungen. During
the preparation of the
edition, the editor
always kept sight of the
performance practice, but
still, the image of the
sources is never
distorted (e. g. by
superfluous rests,
beaming not conforming to
the sources and the
unhistorical adjustment
of time signatures) and
stays very close to the
compositional notation,
the letter tablature. The
flexible use of three
staves and the
differentiated
distribution of the
voices on the staves
allow for an
approximation in reading
conventions of historical
notation with its
resulting information
about hand division.
Grouping the free organ
repertoire into works
with obbligato pedal and
works for manuals, this
edition is organized in
two volumes. The first
subvolume (I/1, EB 9304)
contains the Preface and
the Preludes, whereas the
second subvolume (I/2, EB
9305) contains Toccatas,
Ostinato works,
alternative versions and
a comprehensive Critical
Commentary (in German
only). Volume II (EB
9306) contains
Buxtehude's free organ
and keyboard works
(manualiter) with the
corresponding texts
(Preface and Critical
Commentary).Until 1971,
Harald Vogel worked on a
dissertation (with Georg
von Dadelsen, Hamburg) on
Die Fuge um Bach. Besides
the description of the
inclusion of triple
measures into the C
notation and the
irregularities of the
voice mutation in the
polyphonic structures,
this also included a
discussion about the
justification of the
inner textual criticism.
With the inner textual
criticism, deviations in
parallel passages are
unified. The North German
fugue style, reaching a
peak in Buxtehude's work,
is characterized by a
constant diversity of
details in subject and
polyphonic progressions.
One of the indicators of
the fantastic style is
the dissolution of the
polyphonic structures at
the ends of the fugues,
evident in Buxtehude's
work.In this edition, a
musical text is presented
that avoids the
uniformity of detail not
conforming to the
sources. However, there
are many examples of
transcription and cursory
errors, which are
analyzed in a methodical
systematic manner. About
the editor: As an
organist, professor,
organ expert, and
scholar, Harald Vogel has
rendered outstanding
services to the
interpretation of early
music and especially to
historical performance
practice concerning the
organ for decades. He has
received numerous awards,
including an ECHO Klassik
as Instrumentalist of the
Year (2012), honorary
doctorates from Lulea
University of Technology
(Sweden, 2008) and
Oberlin College (USA,
2014), as well as the
Buxtehude Prize of the
City of Lubeck (2018).
Harald Vogel is the
author and editor of
numerous scholarly
publications and
editions. Through his
lifelong performance
practice, he can look
back on an extensive
discography, including
the complete recording of
Buxtehude's organ works,
which he recorded in
various locations with
historical organ
instruments of the North
German organ building
tradition in Scandinavia,
North Germany and the
Netherlands.
pure
source edition (no
mixture of different
transmissions);
comprehensive commentary
(Vol. I/2 & II) (with
texts about the sources,
chronology, use of keys,
liturgic placement as
well as detailed critical
remarks, incl. music
examples (in German
only)); good page
turnsflexible division of
voices (on 2 or 3
systems, good
legibility); contains
facsimiles. The
corresponding Critical
Commentary is contained
in Volume I/2 (EB
9305).
Soprano voice solo (choir) and organ - Level 2 SKU: CA.5006205 Missa p...(+)
Soprano voice solo
(choir) and organ - Level
2
SKU: CA.5006205
Missa puerorum
(Kleiner und leichter
Messgesang). Composed
by Josef Gabriel
Rheinberger. Missa
Puerorum. Sacred vocal
music, Masses, Latin.
Choral Score. Composed
1871-72. Op. 62. 8 pages.
Duration 11 minutes.
Carus Verlag #CV
50.062/05. Published by
Carus Verlag
(CA.5006205).
ISBN
9790007079307. Key: F
minor. Language:
Latin.
Of Josef
Rheinberger's eighteen
masses, five are for
unaccompanied voices,
four with accompaniment
by a small instrumental
ensemble and nine with
organ. Among the last
group the leicht
ausfuhrbare (easy to
perform) works take a
special place: Considered
by their composer as
purely utility music,
they achieved great
popularity during his
lifetime and soon became
part of the standard
repertory of small church
choirs. Score available
separately - see item
CA.5006200.
Orchestra soprano solo voice, alto solo voice, tenor solo voice, bass solo voice...(+)
Orchestra soprano solo
voice, alto solo voice,
tenor solo voice, bass
solo voice, SATB choir, 2
oboes, 2 bassoons, 2
clarinos/trumpets,
timpani, 2 violins,
viola, basso continuo [2
horns in benedictus],
organ
SKU:
CA.4060419
Missa
Cellensis in honorem BVM.
Cacilienmesse.
Composed by Franz Joseph
Haydn. Edited by Leonhard
Riedel. This edition:
urtext. Stuttgart Urtext
Edition: Joseph Haydn,
Sacred vocal music.
HAYDN: GROssE
MARIAZELLER-MESSE IN C
XXII:5. Innovative
practice aids, Sacred
vocal music, Masses,
Latin. Set of Orchestra
Parts. Composed 1766.
Hob. XXII:5. Duration 68
minutes. Carus Verlag #CV
40.604/19. Published by
Carus Verlag
(CA.4060419).
ISBN
9790007133214. Key: C
major. Language:
Latin.
When Joseph
Haydn assumed the
position as music
director of the Court of
Esterhazy in 1766,
following the death of
his predecessor, Gregor
Joseph Werner, he began
by composing his first
and most extensive Missa
solemnis. The title Missa
Cellensis (later also
known as the Cecilian
Mass) and the date of an
autograph score suggest
that this work was
probably commissioned by
Prince Nicolaus Esterhazy
for the 600th anniversary
of the pilgrimage church
Mariazell located in
Styria. With regard to
the scoring as well as
form, this Mass is still
in the tradition of the
late baroque number mass.
In contrast to previous
mixed versions based on
various sources, the new
edition follows the
authentic (original)
version using the most
reliable sources. This
work is now available in
carus music, the choir
app. Score and parts
available separately -
see item CA.4060400.
Orchestra soprano solo voice, alto solo voice, tenor solo voice, bass solo voice...(+)
Orchestra soprano solo
voice, alto solo voice,
tenor solo voice, bass
solo voice, SATB choir, 2
oboes, 2 bassoons, 2
clarinos/trumpets,
timpani, 2 violins,
viola, basso continuo [2
horns in benedictus],
organ
SKU:
CA.4060403
Missa
Cellensis in honorem BVM.
Cacilienmesse.
Composed by Franz Joseph
Haydn. Edited by Leonhard
Riedel. This edition:
urtext. Stuttgart Urtext
Edition: Joseph Haydn,
Sacred vocal music.
HAYDN: GROssE
MARIAZELLER-MESSE IN C
XXII:5. Innovative
practice aids, Sacred
vocal music, Masses,
Latin. Vocal score.
Composed 1766. Hob.
XXII:5. Duration 68
minutes. Carus Verlag #CV
40.604/03. Published by
Carus Verlag
(CA.4060403).
ISBN
9790007092078. Key: C
major. Language:
Latin.
When Joseph
Haydn assumed the
position as music
director of the Court of
Esterhazy in 1766,
following the death of
his predecessor, Gregor
Joseph Werner, he began
by composing his first
and most extensive Missa
solemnis. The title Missa
Cellensis (later also
known as the Cecilian
Mass) and the date of an
autograph score suggest
that this work was
probably commissioned by
Prince Nicolaus Esterhazy
for the 600th anniversary
of the pilgrimage church
Mariazell located in
Styria. With regard to
the scoring as well as
form, this Mass is still
in the tradition of the
late baroque number mass.
In contrast to previous
mixed versions based on
various sources, the new
edition follows the
authentic (original)
version using the most
reliable sources. This
work is now available in
carus music, the choir
app. Score available
separately - see item
CA.4060400.
Orchestra soprano solo voice, alto solo voice, tenor solo voice, bass solo voice...(+)
Orchestra soprano solo
voice, alto solo voice,
tenor solo voice, bass
solo voice, SATB choir, 2
oboes, 2 bassoons, 2
clarinos/trumpets,
timpani, 2 violins,
viola, basso continuo [2
horns in benedictus],
organ
SKU:
CA.4060409
Missa
Cellensis in honorem BVM.
Cacilienmesse.
Composed by Franz Joseph
Haydn. Edited by Leonhard
Riedel. This edition:
urtext. 1x 40.604/21 oboe
1, 1x 40.604/22 oboe 2,
2x 40.604/23 2 bassoons,
1x 40.604/31 horn 1, 1x
40.604/32 horn 2, 1x
40.604/33 clarino 1, 1x
40.604/34 clarino 2, 1x
40.604/41 timpani.
Stuttgart Urtext Edition:
Joseph Haydn, Sacred
vocal music. HAYDN:
GROssE MARIAZELLER-MESSE
IN C XXII:5. Innovative
practice aids, Sacred
vocal music, Masses,
Latin. Set of Orchestra
Parts. Composed 1766.
Hob. XXII:5. 72 pages.
Duration 68 minutes.
Carus Verlag #CV
40.604/09. Published by
Carus Verlag
(CA.4060409).
ISBN
9790007219383. Key: C
major. Language:
Latin.
When Joseph
Haydn assumed the
position as music
director of the Court of
Esterhazy in 1766,
following the death of
his predecessor, Gregor
Joseph Werner, he began
by composing his first
and most extensive Missa
solemnis. The title Missa
Cellensis (later also
known as the Cecilian
Mass) and the date of an
autograph score suggest
that this work was
probably commissioned by
Prince Nicolaus Esterhazy
for the 600th anniversary
of the pilgrimage church
Mariazell located in
Styria. With regard to
the scoring as well as
form, this Mass is still
in the tradition of the
late baroque number mass.
In contrast to previous
mixed versions based on
various sources, the new
edition follows the
authentic (original)
version using the most
reliable sources. This
work is now available in
carus music, the choir
app. Score and parts
available separately -
see item CA.4060400.
Orchestra soprano solo voice, alto solo voice, tenor solo voice, bass solo voice...(+)
Orchestra soprano solo
voice, alto solo voice,
tenor solo voice, bass
solo voice, SATB choir, 2
oboes, 2 bassoons, 2
clarinos/trumpets,
timpani, 2 violins,
viola, basso continuo [2
horns in benedictus],
organ
SKU:
CA.4060400
Missa
Cellensis in honorem BVM.
Cacilienmesse.
Composed by Franz Joseph
Haydn. Edited by Leonhard
Riedel. This edition:
urtext. Stuttgart Urtext
Edition: Joseph Haydn,
Sacred vocal music.
German title: HAYDN:
GROssE MARIAZELLER-MESSE
IN C XXII:5. Innovative
practice aids, Sacred
vocal music, Masses,
Latin. Full score.
Composed 1766. Hob.
XXII:5. Duration 68
minutes. Carus Verlag #CV
40.604/00. Published by
Carus Verlag
(CA.4060400).
ISBN
9790007091385. Key: C
major. Language:
Latin.
When Joseph
Haydn assumed the
position as music
director of the Court of
Esterhazy in 1766,
following the death of
his predecessor, Gregor
Joseph Werner, he began
by composing his first
and most extensive Missa
solemnis. The title Missa
Cellensis (later also
known as the Cecilian
Mass) and the date of an
autograph score suggest
that this work was
probably commissioned by
Prince Nicolaus Esterhazy
for the 600th anniversary
of the pilgrimage church
Mariazell located in
Styria. With regard to
the scoring as well as
form, this Mass is still
in the tradition of the
late baroque number mass.
In contrast to previous
mixed versions based on
various sources, the new
edition follows the
authentic (original)
version using the most
reliable sources. This
work is now available in
carus music, the choir
app.
Orchestra soprano solo voice, alto solo voice, tenor solo voice, bass solo voice...(+)
Orchestra soprano solo
voice, alto solo voice,
tenor solo voice, bass
solo voice, SATB choir, 2
oboes, 2 bassoons, 2
clarinos/trumpets,
timpani, 2 violins,
viola, basso continuo [2
horns in benedictus],
organ
SKU:
CA.4060449
Missa
Cellensis in honorem BVM.
Cacilienmesse.
Composed by Franz Joseph
Haydn. Edited by Leonhard
Riedel. This edition:
urtext. Stuttgart Urtext
Edition: Joseph Haydn,
Sacred vocal music.
HAYDN: GROssE
MARIAZELLER-MESSE IN C
XXII:5. Innovative
practice aids, Sacred
vocal music, Masses,
Latin. Single Part,
Organ. Composed 1766.
Hob. XXII:5. 48 pages.
Duration 68 minutes.
Carus Verlag #CV
40.604/49. Published by
Carus Verlag
(CA.4060449).
ISBN
9790007219437. Key: C
major. Language:
Latin.
When Joseph
Haydn assumed the
position as music
director of the Court of
Esterhazy in 1766,
following the death of
his predecessor, Gregor
Joseph Werner, he began
by composing his first
and most extensive Missa
solemnis. The title Missa
Cellensis (later also
known as the Cecilian
Mass) and the date of an
autograph score suggest
that this work was
probably commissioned by
Prince Nicolaus Esterhazy
for the 600th anniversary
of the pilgrimage church
Mariazell located in
Styria. With regard to
the scoring as well as
form, this Mass is still
in the tradition of the
late baroque number mass.
In contrast to previous
mixed versions based on
various sources, the new
edition follows the
authentic (original)
version using the most
reliable sources. This
work is now available in
carus music, the choir
app. Score and part
available separately -
see item CA.4060400.
TTB vocal soli, TTB choir, organ SKU: CA.4083200 Composed by Franz von Su...(+)
TTB vocal soli, TTB
choir, organ
SKU:
CA.4083200
Composed
by Franz von Suppe.
Edited by Rainer Boss.
This edition: Paperbound.
Sacred vocal music, Mass,
latin. German title:
Missa Dalmatica. Sacred
vocal music, Masses,
Latin. Full score.
Composed 1879. Duration
45 minutes. Carus Verlag
#CV 40.832/00. Published
by Carus Verlag
(CA.4083200).
ISBN
9790007017781. Key: F
major. Language:
Latin.
In addition
to the Requiem, the Missa
Dalmatica, which was
first composed in 1835
and revised in 1876,
offers further proof of
the remarkable sacred
music composed by the
famous composer of
operettas, Franz von
Suppe. He dedicated the
Mass to his Dalmatian
homeland. In this Mass
for three-voiced men's
choir and organ, which in
his unmistakable personal
style combined the most
varied influences of the
tradition of church
music, Italian and German
opera, as well as the
folk idioms of Vienna and
Dalmatia, Suppe created
an attractive and unique
work which has earned a
special place in the
history of 19th century
church music.
TTB vocal soli, TTB choir, organ SKU: CA.4083205 Composed by Franz von Su...(+)
TTB vocal soli, TTB
choir, organ
SKU:
CA.4083205
Composed
by Franz von Suppe.
Edited by Rainer Boss.
Sacred vocal music,
Masses, Latin. Choral
Score. Composed 1879.
Duration 45 minutes.
Carus Verlag #CV
40.832/05. Published by
Carus Verlag
(CA.4083205).
ISBN
9790007109233. Key: F
major. Language:
Latin.
In addition
to the Requiem, the Missa
Dalmatica, which was
first composed in 1835
and revised in 1876,
offers further proof of
the remarkable sacred
music composed by the
famous composer of
operettas, Franz von
Suppe. He dedicated the
Mass to his Dalmatian
homeland. In this Mass
for three-voiced men's
choir and organ, which in
his unmistakable personal
style combined the most
varied influences of the
tradition of church
music, Italian and German
opera, as well as the
folk idioms of Vienna and
Dalmatia, Suppe created
an attractive and unique
work which has earned a
special place in the
history of 19th century
church music. Score
available separately -
see item CA.4083200.