Popular and well-loved classical themes. Includes 'Bolero' (Ravel), 'Nimrod' (Elgar) and 'Radetzky March' (Strauss), plus many famous symphonies. / Saxophone

L'oeuvre musicale qui a pour support une Partition a pour titre Variations On Atheme By Sweelinck Sax Quartet. C'est une partition musicale qui est destinée aux joueurs de Saxophone. Le détail de l'instrumentation Saxophone vous permettra de savoir si cette partition correspond bien à ce que vous cherchez. Son style Classique vous permettra de découvrir ô combien la musique Classique est belle et enrichissante. / Saxophone / Partition

Imagine someone who has worked as an international saxophonist, an educator, a technician, a consultant, and as a designer, and you can imagine Peter Ponzol. For the first time, Peter offers details from his famous Saxophone Workshops. Learn about: ' Maintenance ' Reeds ' Mouthpieces ' Ligatures ' Sound ' Flexibility This exciting and informational pocket book will be a much needed addition to your musical library! Convenient pocket-sized book - 3.5 x 5.5 - perfect to toss in your gig bag! 64 pages. Peter has been around saxophones for decades, doing it all from manufacturing horns to reeds to mouthpieces. As well, he is a seasoned player. What he discusses in this book is coming from one of the sources-read carefully! - David Liebman, Sax artist/ author/ clinician. Read this review from Sax On The Web: The information in this book is right up SOTW's alley, with answers regarding reeds, necks, mouthpieces, saxes, maintenance, and the like. I would assume that the number of redundant threads started could be reduced almost in half simply with a reading of this book and those owning it could refer back to it at their leisure, as needed. And there is enough info in this book which contradicts some of our SOTW urban legends to make an episode of MythBusters. If you catch the right posts at the right time, much of the info in this book is already posted here on SOTW. But you have to see it and if hunting for it, you have to find it. OTOH it's all conveniently gathered and organized here in this primer - plus more. There are suggestions such as replacing the neck cork once or twice a year, which I would, if posting a response, say is not necessary. But here's the difference. Many of us on the forum are experienced musicians but few have the experience and depth that Ponzol has. We can write with credibility - Ponzol writes with authority. And this is based on decades not only as a top-echelon player, but as a successful and innovative sax, neck and mpc designer. The book is a 61 page pocket reference booklet which, in addition to topics mentioned above, include thoughts on ligatures, sound and flexibility. It is based on items of interest asked by attendees at workshops he has given over the years, hence the title. He begins by pointing out that at these workshops one of the first things he does is look at the condition of attendees' equipment with the observation that at least 90% of them need some kind of work and adjustments. What follows in the book's 61 pages are recommendations generated by this observation. Included are interesting comments such as: aging store-bought reeds by letting them sit for several years is fairly useless since the aging process stops once the bark has been cut away from the reed; not earth-shattering but interesting and certainly myth debunking. Again something that fits right in with many of the conversations on this forum. Interesting thoughts follow regarding the future of natural cane reeds, or how to select and get the most from your reeds - things I wouldn't think of like sanding the heel of your reed. SOTWers might also get a kick out of, and relate to, the title of his section on mouthpieces, 'Now the Fun Begins'. There are also interesting side comments we don't often hear like: in the 70s so many young players like Ponzol were trying to get Trane's recorded sound by working on metal Links because that's what they saw in photos and yet, Trane often recorded with hard rubber mpcs because, in Trane's opinion, it didn't have as much spit in the sound for him. It's interesting how some things come around back to you. There are two exercises I recommend to my students and have recommended on the forum regarding volume and embouchure control and flexibility. I've never heard anyone else recommend these exercises and yet here they are in Peter's book. Then it hit me. The only other one I know who uses them is a former teacher of mine and I remembered that years ago he said he had had some lessons with Ponzol. So 'the circle is unbroken' LOL. I would highly recommend it for beginners and intermediates, as well as for more advanced players to recommend to their students. It has made me re-think even some of my most basic assumptions regarding equipment and maintenance, which has made the read well worth it. I wish every SOTW newbie would start out their Forum time with this booklet at their disposal.

Arr. James Curnow. A versatile collection of original pieces for the beginner. The CD will keep them interested in practising and provide lots of fun. The pieces are arranged in order of difficulty. / Niveau : Très Facile à Facile / Recueil / Saxophone

This transcription of Bach's Six Suites makes them available to jazz players as well as classical recitalists. This edition features well thought out key changes and page turns, making the suites much more playable. / Saxophone

Par TOMASI HENRI. French composer and conductor, Henri Tomasi (1901-1971) published Evocations 1969. As with his other wind compositions, Evocations for Solo Saxophone was well-received by audiences. Tomasi was born in Marseille, but his Father and Mother were originally from La Casinca in Corsica. Despite being pressured in to musical studies by his parents, Tomasi dreamed of becoming a sailor, and during the summer, he stayed with his Grandmother in Corsica where he learnt traditional Corsican songs. However, in 1921, he began his studies at the Paris Conservatoire and wenton to become a high profile composer and conductor. Tomasi did not forget his Corsican routes, often incorporating themes of the songs he had learnt during the summers with his Grandmother in to his compositions. Evocations is in four movements; 1) Peruvian, 2) Nigerian, 3) Cambodian. and 4) Scotsman. This Tomasi piece is suitable for advanced saxophonists, providing an exciting, alternative addition to the instrument's repertoire./ Répertoire / Saxophone en Mib

St Louis Blues (Handy W.C.) - Imagine (Lennon J.) - La Chanson de Solveig (Grieg E.) - Blanche Neige, Un jour mon prince viendra (Churchill F.) - Danse polovtsienne (Borodine A.) - The James Bond Theme (Norman M.) - L'Accompagnatrice, Scènes d'enfants (Schumann R.) - Merrily we roll along (Cantor E., Mencher M. et Tobias C.) - Titanic, My Heart Will Go On (Jennings W. et Homer J.) - Jean de Florette, Ouverture de La Force du destin (Verdi G.)

Ce livre fait parti d'une série instrumentale arrangée pour flûte, Clarinette, Sax alto, Sax ténor, Cor en Fa et trompette. Les arrangements sont compatibles avec chacun et peuvent être joués en groupe ou en solo. Chaque livre contient une partie pour joueur de niveau 2-3, ainsi qu'un CD. Celui-ci inclus une piste démo pour chaque chanson ainsi qu'une piste playback pour s'exercer. Partitions pour Saxophone Alto. Inclus des photos du film en couleurs et NandB. / Saxophone

Si vous pratiquez un instrument depuis quelques temps déjà, vous avez certainement envie de jouer des airs connus. Cette collection propose un large choix de morceaux célèbres, notamment des tubes de la pop, des musiques de films, ou encore des airs classiques. Différents recueils sont disponibles : Flûte Traversière, Clarinette, Saxophone, Trombone, Trompette, et Violon./ Recueil / Saxophone

Forty-nine of the most popular tunes of all time for both alto and tenor saxophone. Featuring easy keys and ranges, these arrangements are ideal for beginners up to intermediate standard. Includes Jerusalem , The Power Of Love , Unchained Melody . / Saxophone

Les 99 mélodies dans ce volume ont été soigneusement choisis selon deux critères. Premièrement, ils sont bons airs durable qui sont amusantes à jouer et présenter le musicien de développement avec du matériel digne de l'exploration plus loin. Deuxièmement, ils offrent la pratique à tous niveaux dans la production de ton, la technique des doigts, articulation, élocution et sa musicalité en général. / Saxophone / 50 pages / niveau : Facile - Elémentaire / Partition

Une séléction de Bandes Originales de films récents arrangés pour solos de sax alto, complété par un CD contenant les 'playalong' de tous les morceaux. / Saxophone

Avec grilles de guitare and piano. Avec CD play-backs. / Jazz / Recueil / Saxophone