By Various. For Cello and Piano (Organ). Swiss import. Level: Grade 3. Published by Editions Marc Reift. (EMR 2409)

Composed by J.B. Senaille. For cello and piano (organ). Grade 3+. Published by Editions Marc Reift

Violoncello & Piano (Organ) or CD Play Back / Play Along - Grade 4

SKU: MA.EMR-57139

Composed by Benedetto Marcello. Arranged by John G. Mortimer. Score and parts. Duration 5'45. Editions Marc Reift #EMR 57139. Published by Editions Marc Reift (MA.EMR-57139).

A Minor.

Violoncello & Piano (Organ) or CD Play Back / Play Along - Grade 4

SKU: MA.EMR-57451

Composed by Johann Ernst Galliard. Arranged by John G. Mortimer. Score and parts. Duration 7'40. Editions Marc Reift #EMR 57451. Published by Editions Marc Reift (MA.EMR-57451).

C Major.

Composed by Georg Goltermann. Edited by Julius Klengel, Daniel Morganstern. Score and part. Published by International Music Company (IM.3732).

Cello and Piano

SKU: IS.VCP4195EM

Composed by Flor Alpaerts. Strings - Cello. Metropolis Music Publishers #VCP4195EM. Published by Metropolis Music Publishers (IS.VCP4195EM).

ISBN 9790365041954.

In 1901, Flor Alpaerts finished his music studies at the Flemish School of Music of Antwerp, which later became the Royal Flemish Conservatory. He studied harmony and composition with Jan Blockx. In 1903 he became professor at this institute and from 1934 until 1941 its director. For one season (1922-1923) he was also director of the Royal Flemish Opera House of Antwerp together with the Bass Arthur Steurbaut. His fame, as a composer and a conductor, came shortly after World War I, when he succeeded in 1919 Eduard Keurvels as conductor of the concerts organized by the Royal Zoological Society of Antwerp and as artistic director of the Peter Benoit Fonds. He also conducted the choral group Arti Vocali. As a composer, Flor Alpaerts was the leading figure in the Flemish impressionistic movement. An impressionism that came closer to Richard Strauss and Ottorino Respighi than to Claude Debussy. A highlight in this direction was the symphonic poem Pallieter (1921-1924). With his suite James Ensor, inspired by four works of the Ostend painter, he created an expressionistic work. In his later compositions he turned to neo-classicism.