Guitar solo SKU: BR.DV-32095 Composed by Adalbert Quadt. Edited by Adalbe...(+)
Guitar solo
SKU:
BR.DV-32095
Composed
by Adalbert Quadt. Edited
by Adalbert Quadt. Solo
instruments; Softbound.
Deutscher Verlag.
Baroque; Early classical.
Score. 64 pages.
Deutscher Verlag fur
Musik #DV 32095.
Published by Deutscher
Verlag fur Musik
(BR.DV-32095).
ISBN
9790200426403. 9 x 12
inches.
The guitar
is of oriental orgin. lt
had reached Spain by the
8th century, presumably
via the Arabs, and from
there, like the lute, it
spread through the rest
of Europe. Over the
centuries the guitar was
further developed into an
instrument with four
courses of strings - this
is evident from
early-16th-century
tablature-books, the
earliest known.
Guitar solo SKU: BR.DV-32004 Composed by Adalbert Quadt. Edited by Adalbe...(+)
Guitar solo
SKU:
BR.DV-32004
Composed
by Adalbert Quadt. Edited
by Adalbert Quadt. Solo
instruments; Softbound.
Deutscher Verlag.
Baroque; Early classical.
Score. 68 pages.
Deutscher Verlag fur
Musik #DV 32004.
Published by Deutscher
Verlag fur Musik
(BR.DV-32004).
ISBN
9790200425024. 9 x 12
inches.
The guitar
is of oriental orgin. lt
had reached Spain by the
8th century, presumably
via the Arabs, and from
there, like the lute, it
spread through the rest
of Europe. Over the
centuries the guitar was
further developed into an
instrument with four
courses of strings - this
is evident from
early-16th-century
tablature-books, the
earliest known.
Guitar solo SKU: BR.DV-32060 Composed by Adalbert Quadt. Edited by Adalbe...(+)
Guitar solo
SKU:
BR.DV-32060
Composed
by Adalbert Quadt. Edited
by Adalbert Quadt. Solo
instruments; Softbound.
Deutscher Verlag.
Baroque; Early classical.
Score. 72 pages.
Deutscher Verlag fur
Musik #DV 32060.
Published by Deutscher
Verlag fur Musik
(BR.DV-32060).
ISBN
9790200425826. 8.5 x 11.5
inches.
The guitar
is of oriental orgin. lt
had reached Spain by the
8th century, presumably
via the Arabs, and from
there, like the lute, it
spread through the rest
of Europe. Over the
centuries the guitar was
further developed into an
instrument with four
courses of strings - this
is evident from
early-16th-century
tablature-books, the
earliest known.
Guitar solo SKU: BR.DV-32023 Composed by Adalbert Quadt. Edited by Adalbe...(+)
Guitar solo
SKU:
BR.DV-32023
Composed
by Adalbert Quadt. Edited
by Adalbert Quadt. Solo
instruments; Softbound.
Deutscher Verlag.
Baroque; Early classical.
Score. 76 pages.
Deutscher Verlag fur
Musik #DV 32023.
Published by Deutscher
Verlag fur Musik
(BR.DV-32023).
ISBN
9790200425109. 9 x 12
inches.
The guitar
is of oriental orgin. lt
had reached Spain by the
8th century, presumably
via the Arabs, and from
there, like the lute, it
spread through the rest
of Europe. Over the
centuries the guitar was
further developed into an
instrument with four
courses of strings - this
is evident from
early-16th-century
tablature-books, the
earliest known.
By John Dowland (1563-1626). Edited by Johannes Monno, Thomas Muller-Pering, Ola...(+)
By John Dowland
(1563-1626). Edited by
Johannes Monno, Thomas
Muller-Pering, Olaf Van
Gonnissen. For Guitar.
New Karl Scheit Guitar
Edition. Solo part. 16
pages. Published by
Universal Edition
Guitar solo SKU: BR.DV-32094 Easy Guitar Music from the 16th-18th Cent...(+)
Guitar solo
SKU:
BR.DV-32094
Easy
Guitar Music from the
16th-18th Century.
Composed by Adalbert
Quadt. Edited by Adalbert
Quadt. Arranged by
Adalbert Quadt. Solo
instruments; Softbound.
Deutscher Verlag.
Renaissance/early
Baroque; Baroque. Score.
72 pages. Deutscher
Verlag fur Musik #DV
32094. Published by
Deutscher Verlag fur
Musik (BR.DV-32094).
ISBN 9790200426397. 9
x 12 inches.
Die
vorliegende Ausgabe
beinhaltet eine Vielzahl
verhaltnismassig leicht
spielbarer Stucke -
uberwiegend Lieder und
Tanze - und wendet sich
daher besonders an
Spieler, die ihr
technisches Konnen noch
weiter vervollkommnen
mochten, aber schon
Freude und Interesse an
der Wiederbelebung alter
Musik haben. Die
Kompositionen und
Bearbeitungen fur Lauten-
und Gitarreninstrumente
wurden bis gegen Ende des
18. Jahrhunderts in einer
Griffzeichenschrift - der
Tabulatur -
aufgezeichnet. Diese
Griffnotation ist in
verschiedenen Arten, auf
Buchstaben oder Zahlen
bzw. auf Buchstaben und
Zahlen basierend,
uberliefert. Man
unterscheidet deutsche,
italienische, spanische
und franzosische
Tabulaturen. Sie
bestanden lange Zeit
nebeneinander, wobei sich
schliesslich die
franzosische Tabulatur,
der ein Liniensystem (fur
die Saiten), auf dem die
Bunde durch Buchstaben
gekennzeichnet wurden,
zugrunde lag, als die
praktischste erwies. Um
die in diesen
verschiedenen
Griffzeichenschriften
niedergeschriebenen
Kompositionen allgemein
zuganglich zu machen, ist
es zweckmassig, sie in
die heute gultige
Notenschrift umzusetzen.
Da aber die
Tabulaturdrucke und
-manuskripte leider oft
sehr fehlerhaft und
unvollstandig sind,
verlangt die Ubertragung
grosse Sachkenntnis;
zuweilen ist die Auslese
an wirklich guter Musik
im Verhaltnis zur
aufgewendeten Zeit recht
gering. Um aber dem
Anliegen, moglichst viele
qualitatsvolle und
dennoch auf der Gitarre
leicht spielbare
Kompositionen vorzulegen,
gerecht zu werden, sind
in die Sammlung neben
Ubertragungen aus
Tabulaturen fur Gitarre
auch solche aus
Tabulaturen fur Calichon,
Mandora und
Renaissancelaute
aufgenommen worden. Von
einem grossen Teil der
Stucke sind die
Komponisten unbekannt, da
sie in den Quellen nicht
genannt werden - eine
Erscheinung, die in fast
allen Tabulaturen zu
beobachten ist. Die
alteste uns bekannte
Gitarrenmusik (Anfang des
16. Jahrhunderts) stammt
aus Uberlieferungen fur
die viersaitige
(doppelchorig) spanische
Gitarre. Gegen Ende des
16. Jahrhunderts wurde
die Gitarre funfsaitig
(doppelchorig) und erst
etwa 200 Jahre spater
erhielt sie die sechste
Saite - jedoch einchorig
- und hat sich so bis
heute erhalten. Die
Stimmung von Calichon und
Mandora war die gleiche
wie die der Gitarre,
allerdings waren sie
bereits seit der Wende
vom 17. zum 18.
Jahrhundert sechssaitig.
Es ist durchaus legitim,
die fur Calichon und
Mandora uberlieferten
Kompositionen auf der
Gitarre zum Klingen zu
bringen -dies um so mehr,
da kaum mit der
Wiedererweckung und
Verbreitung der beiden
Instrumente zu rechnen
ist. Anders verhalt es
sich mit der
Renaissancelaute, die
heute wieder haufiger
gespielt wird. Sie hat
die gleichen
Saitenintervalle (Quarten
und Terz) wie die
Gitarre, lediglich dass
das Terzintervall
zwischen der dritten und
vierten Saite liegt. Im
Interesse der weitaus
grosseren Zahl von
Gitarrespielern wurden
fur die vorliegende
Sammlung nur solche
Stucke ausgewahlt, die
auf der Gitarre bequem zu
greifen sind. Dem
Lautenspieler werden sie
infolge ihres geringen
Schwierigkeitsgrades
ebenfalls sehr willkommen
sein. Den im
Quellenverzeichnis
genannten Bibliotheken,
in denen ich zum Teil
schon vor mehr als 50
Jahren begonnen habe,
alte Lauten- und
Gitarrentabulaturen fur
diese und andere Ausgaben
zu sichten und zu
sammeln, sei bestens fur
die Uberlassung von
Handschriften, Drucken
und Filmen zur
Ubertragung oder zum
Vergleich gedankt. Die
Wiedergabe der Stucke
folgt so weit wie moglich
den Originalquellen,
lediglich offensichtliche
Fehler wurden
stillschweigend
korrigiert. Adalbert
Quadt, Berlin, im
Fruhjahr 1985.
With Variants, Examples and Advice for Playing and Improvising on any instrument...(+)
With Variants, Examples
and Advice for Playing
and Improvising on any
instrument. Edited by
Pascale Boquet, Gerard
Rebours. Music Books/CDs.
Teaching Works. Level:
Grade 0. 144 pages.
Published by Editions
Fuzeau Classique - France
(French import).
24 Transcriptions for Guitar. Composed by John Dowland (1563-1626). Arranged...(+)
24 Transcriptions for
Guitar.
Composed by John Dowland
(1563-1626). Arranged by
Martin Hegel. Guitar.
Softcover. 38 pages.
Schott
Music #ED22743. Published
by
Schott Music
Guitar SKU: BT.SY-2232 Polnische Meister. Composed by Heinz Teuche...(+)
Guitar
SKU:
BT.SY-2232
Polnische Meister.
Composed by Heinz
Teuchert. Book Only.
Composed 2009. Ricordi
#SY 2232. Published by
Ricordi (BT.SY-2232).
In this series
European Guitar and Lute
Music, seven albums will
be published on original
16th to 18th century
music. Each album will be
devoted to music from one
country. Choice of pieces
for transcription for the
guitar, selected from the
vast amount of tablature
available, has been made
with consideration for
their particular musical
merit and for their
suitability for the
instrument in use today.
In der Reihe
Europa sche Gitarren- und
Lautenmusik erscheinen
originale Werke des 16.
bis 18. Jahrhunderts in
sieben nach Ländern
geordneten Heften. Aus
der Fülle
überlieferter
Gitarren- und
Lautentabulaturen wurden
solche Werke
ausgewählt, die
musikalisch wertvoll sind
und sich ohne
Schwierigkeit auf der
heutigen Gitarre spielen
lassen.
Nella
serie Musica europea per
chitarra e liuto appaiono
composizioni originali
del 16°, 17° e
18° secolo raccolte in
sette fascicoli ordinati
secondo i paesi. Dalle
numerose intavolature
disponibili per chiatarra
e liuto sono state scelte
le opere musicalmente
più valide e che si
possono suonare senza
difficolt sulle chitarre
d'oggi.
Guitar SKU: BT.SY-2231 Holländische Meister. Composed by Heinz ...(+)
Guitar
SKU:
BT.SY-2231
Holländische
Meister. Composed by
Heinz Teuchert. Book
Only. Composed 2009.
Ricordi #SY 2231.
Published by Ricordi
(BT.SY-2231).
In this series
European Guitar and Lute
Music, seven albums will
be published on original
16th to 18th century
music. Each album will be
devoted to music from one
country. Choice of pieces
for transcription for the
guitar, selected from the
vast amount of tablature
available, has been made
with consideration for
their particular musical
merit and for their
suitability for the
instrument in use today.
In der Reihe
Europa sche Gitarren- und
Lautenmusik erscheinen
originale Werke des 16.
bis 18. Jahrhunderts in
sieben nach Ländern
geordneten Heften. Aus
der Fülle
überlieferter
Gitarren- und
Lautentabulaturen wurden
solche Werke
ausgewählt, die
musikalisch wertvoll sind
und sich ohne
Schwierigkeit auf der
heutigen Gitarre spielen
lassen.
Nella
serie Musica europea per
chitarra e liuto appaiono
composizioni originali
del 16°, 17° e
18° secolo raccolte in
sette fascicoli ordinati
secondo i paesi. Dalle
numerose intavolature
disponibili per chiatarra
e liuto sono state scelte
le opere musicalmente
più valide e che si
possono suonare senza
difficolt sulle chitarre
d'oggi.
Guitar SKU: BT.SY-2224 Englische Meister. Composed by Heinz Teuche...(+)
Guitar
SKU:
BT.SY-2224
Englische Meister.
Composed by Heinz
Teuchert. Book Only.
Composed 2005. Ricordi
#SY 2224. Published by
Ricordi (BT.SY-2224).
In this series
European Guitar and Lute
Music, seven albums will
be published on original
16th to 18th century
music. Each album will be
devoted to music from one
country. Choice of pieces
for transcription for the
guitar, selected from the
vast amount of tablature
available, has been made
with consideration for
their particular musical
merit and for their
suitability for the
instrument in use today.
In der Reihe
Europa sche Gitarren- und
Lautenmusik erscheinen
originale Werke des 16.
bis 18. Jahrhunderts in
sieben nach Ländern
geordneten Heften. Aus
der Fülle
überlieferter
Gitarren- und
Lautentabulaturen wurden
solche Werke
ausgewählt, die
musikalisch wertvoll sind
und sich ohne
Schwierigkeit auf der
heutigen Gitarre spielen
lassen.
Nella
serie Musica europea per
chitarra e liuto appaiono
composizioni originali
del 16°, 17° e
18° secolo raccolte in
sette fascicoli ordinati
secondo i paesi. Dalle
numerose intavolature
disponibili per chiatarra
e liuto sono state scelte
le opere musicalmente
più valide e che si
possono suonare senza
difficolt sulle chitarre
d'oggi.
Guitar Solo SKU: AP.36-M182691 The Guitar Styles of New Orleans Funk, ...(+)
Guitar Solo
SKU:
AP.36-M182691
The
Guitar Styles of New
Orleans Funk, Cajun, and
Zydeco Greats.
Composed by Luys de
Narvaez. Arranged by
Emilio Pujol.
Artist/Personality;
Guitar, Collections;
Method/Instruction.
Master Guitar Series.
Book. LudwigMasters
Publications #36-M182691.
Published by
LudwigMasters
Publications
(AP.36-M182691).
ISBN
9798888522301. UPC:
676737517076.
English.
Luis de
Narváez (ca. 1500 -
ca. 1550) was a 16th
century composer and
performer on the vihuela,
also notable for being
the first composer for
vihuela to adapt the
contemporary Italian
style of lute music. He
is best known today for
Los seys libros del
Delphin, a historically
significant collection of
polyphonic music for the
guitar. Part 3 includes
18 Romances and
Villancicos (with voice),
plus additional
variations. Edited and
transcribed for guitar by
Emilio Pujol.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Guitar Solo SKU: AP.36-M176991 The Guitar Styles of New Orleans Funk, ...(+)
Guitar Solo
SKU:
AP.36-M176991
The
Guitar Styles of New
Orleans Funk, Cajun, and
Zydeco Greats.
Composed by Luys de
Narvaez. Arranged by
Emilio Pujol.
Artist/Personality;
Guitar, Collections;
Method/Instruction.
Master Guitar Series.
Book. LudwigMasters
Publications #36-M176991.
Published by
LudwigMasters
Publications
(AP.36-M176991).
ISBN
9798888522288. UPC:
676737516642.
English.
Luis de
Narváez (ca. 1500 -
ca. 1550) was a 16th
century composer and
performer on the vihuela,
also notable for being
the first composer for
vihuela to adapt the
contemporary Italian
style of lute music. He
is best known today for
Los seys libros del
Delphin, a historically
significant collection of
polyphonic music for the
guitar. Part 1 includes
14 fantasias. Edited and
transcribed for guitar by
Emilio Pujol.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Guitar Solo SKU: AP.36-M179691 The Guitar Styles of New Orleans Funk, ...(+)
Guitar Solo
SKU:
AP.36-M179691
The
Guitar Styles of New
Orleans Funk, Cajun, and
Zydeco Greats.
Composed by Luys de
Narvaez. Arranged by
Emilio Pujol.
Artist/Personality;
Guitar, Collections;
Method/Instruction.
Master Guitar Series.
Book. LudwigMasters
Publications #36-M179691.
Published by
LudwigMasters
Publications
(AP.36-M179691).
ISBN
9798888522295. UPC:
676737516659.
English.
Luis de
Narváez (ca. 1500 -
ca. 1550) was a 16th
century composer and
performer on the vihuela,
also notable for being
the first composer for
vihuela to adapt the
contemporary Italian
style of lute music. He
is best known today for
Los seys libros del
Delphin, a historically
significant collection of
polyphonic music for the
guitar. Part 2 includes
20 variations. Edited and
transcribed for guitar by
Emilio Pujol.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Variations on a dance from El Maestro by Luis de Milan. Composed by Enjot...(+)
Variations on a dance
from El Maestro by Luis
de Milan. Composed by
Enjott Schneider. This
edition: Saddle
stitching. Sheet music.
Woodwind. Contemporary,
Classical. Softcover.
Composed 2011. 21260. 24
pages. Duration 6' 37''.
Schott Music #ED21260.
Published by Schott Music
(HL.49019402).
Oboe SKU: OT.23127 Composed by Daniel Akiva. 4 miniatures for oboe solo. ...(+)
Oboe
SKU: OT.23127
Composed by Daniel Akiva.
4 miniatures for oboe
solo. Classical, Jewish.
Score. OR-TAV Music
Publications #23127.
Published by OR-TAV Music
Publications (OT.23127).
ISBN 9789655050721.
8.27 x 11.69
inches.
Bakashot
are piyyutim (relig
ious poems) which are
sung late at night mostly
on Sabbaths and holidays.
These poems have many
spiritual and mystical
influences, and their
origin is among the
Sephardic Jews before the
Expulsion from Spain. The
singing of
the bakashot was
expanded during the 16th
Century, particularly by
the mystics in Safed, and
appears also in the
singing of the
the maftirim among
Turkish Jews. These
four miniatures for oboe
solo are personal prayers
written in the
inspiration of the
bakashot. Daniel Akiva
is a composer, performer,
and educator whose
performances on guitar
and lute have won great
acclaim. Mr. Akiva
graduated from the Rubin
Academy of Music in
Jerusalem in 1981, where
he studied classical
guitar with Haim Asulin
and composition with Haim
Alexander. In 1987 he
completed his studies at
the Geneva Conservatorium
in Switzerland where he
studied lute with
Jonathon Rubin and
composition with Jean
Ballisa. For many years,
he headed the Music
Department at the WIZO
High School for the Arts
in Haifa, which he
founded in 1986, and
served as the Artistic
Director of the Guitar
Gems Festival from
2006-2019. As part of his
work at WIZO High School,
he has developed a method
for teaching free
improvisation that has
been incorporated into
the music program at the
school. Mr. Akiva has
appeared in concert as a
guitarist and lutist and
given master classes in
Israel, Europe, Russia,
the United States, and
Latin America. Daniel
Akiva’s
compositional output
includes works for solo
instruments, chamber
ensembles, choir, voice
and guitar, piano, and
chamber orchestra. His
works have been recorded
on twelve CDs, the latest
of which, Malchut, was
issued by OR-TAV in
2014. A native of
Haifa whose family has
lived in Israel for over
five hundred years, he
was steeped in the
Sephardic
(Jewish-Spanish)
tradition from his youth.
Much of his compositional
output has been devoted
to a dialogue with the
music of the Sephardic
Jews. Daniel Akiva has
also maintained a
creative dialogue over
many years with the poets
and writers Amnon
Shamash, Rivka Miriam,
and Avner Peretz.
Composed by Vincenzo
Galilei. Arranged by
Morgan Denney. Series;
String Orchestra. FJH
Beginning Strings.
Masterwork Arrangement.
Score and Part(s).
Duration 1:45. The FJH
Music Company Inc
#98-ST6473. Published by
The FJH Music Company Inc
(FJ.ST6473).
UPC:
241444399538.
English.
This
lively triple-meter dance
from the 16th century is
very popular with
classical guitarists and
is now a wonderful
addition to the string
orchestra repertoire.
Pizzicato accompaniments
interact with a playful
melody that is cleverly
developed throughout the
ensemble. A delightful
work perfect as a change
of pace on any
program.
About FJH
Beginning
Strings
Ap
propriate for first year
string students. All
instruments stay in first
position, and optional
third violin (viola)
parts and piano are
included to aid in
rehearsal and performance
situations. Grade 1 -
1.5
Score Only.
Composed by Vincenzo
Galilei. Arranged by
Morgan Denney. Series;
String Orchestra. FJH
Beginning Strings.
Masterwork Arrangement.
Score. Duration 1:45. The
FJH Music Company Inc
#98-ST6473S. Published by
The FJH Music Company Inc
(FJ.ST6473S).
English.
This
lively triple-meter dance
from the 16th century is
very popular with
classical guitarists and
is now a wonderful
addition to the string
orchestra repertoire.
Pizzicato accompaniments
interact with a playful
melody that is cleverly
developed throughout the
ensemble. A delightful
work perfect as a change
of pace on any
program.
About FJH
Beginning
Strings
Ap
propriate for first year
string students. All
instruments stay in first
position, and optional
third violin (viola)
parts and piano are
included to aid in
rehearsal and performance
situations. Grade 1 -
1.5