Recorder SKU: HL.49002346 C major. Composed by Nicolas Ché a...(+)
Recorder
SKU:
HL.49002346
C
major. Composed by
Nicolas Ché and
deville. Edited by Carl
F. Dolmetsch. This
edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. 12 pages.
Schott Music #ED10334.
Published by Schott Music
(HL.49002346).
ISBN
9790220102103. UPC:
073999616866.
9.0x12.0x0.065
inches.
Soprano or
treble recorder and piano
(harpsichord).
Violin and piano SKU: LM.P03093 Composed by Henri Classens. Classical. Sc...(+)
Violin and piano
SKU:
LM.P03093
Composed by
Henri Classens.
Classical. Score.
Editions Combre #P03093.
Published by Editions
Combre (LM.P03093).
ISBN
9790230300759.
CZER
NY Carl : Chanson gaie -
SENALLIE Jean-Baptiste :
Sarabande en La min. -
BRAHMS Johannes : Joie -
CORELLI Arcangelo :
Sarabande - LALANDE
Michel-Richard de :
Menuet - BIZET Georges :
Melodie - BRAHMS Johannes
: Dimanche - MOZART
Wolfgang Amadeus :
Serenite - BRAHMS
Johannes : Sans pays,
sans maison - HOTTETERRE
Jacques : Petit air
tendre - DUVAL Francois :
Rondeau - CHEDEVILLE
Nicolas : Gavotte -
DESTOUCHES Andre Cardinal
: Les Zephirs - GODARD
Benjamin : Chanson -
CZERNY Carl : Dans la
vallee - CZERNY Carl :
Marchons - CHEDEVILLE
Nicolas : Musette -
PINOLET de MONTECLAIR
Michel : Menuet -
DESTOUCHES Andre Cardinal
: Air de ballet -
CHEDEVILLE Nicolas :
Gavotte allemande -
TELEMANN Georg Philipp :
Menuet - DAUVERGNE
Antoine : Air CAIX
d'HERVELOIS Louis :
Menuet - LALANDE
Michel-Richard de :
Rigaudon - LALANDE
Michel-Richard de :
Passe-pied - FURSTENAU
Kaspar : Ecossaise -
MOZART Wolfgang Amadeus :
La Petite Fileuse.
Violin and piano SKU: LM.P03090 Composed by Henri Classens. Classical. Sc...(+)
Violin and piano
SKU:
LM.P03090
Composed by
Henri Classens.
Classical. Score.
Editions Combre #P03090.
Published by Editions
Combre (LM.P03090).
ISBN
9790230330909.
FIOC
CO Joseph-Hector :
Sarabande - TCHAIKOVSKY
Petr Ilitch : Chanson
triste - CHEDEVILLE
Nicolas : Menuet - DUVAL
Francois : Sarabande -
CHEDEVILLE Nicolas :
Vaudeville - TCHAIKOVSKY
Petr Ilitch : Vieille
chanson francaise -
COUPERIN Francois :
Gavotte - CARISSIMI
Giacomo : Air de bravoure
- SENALLIE Jean Baptiste
: Menuet - CAIX
d'HERVELOIS Louis :
L'inconstant - LALANDE
Michel-Richard de :
Musette - BACH Johann
Sebastian : Gavotte -
LALANDE Michel-Richard de
: Rondeau - LALANDE
Michel-Richard de : Noce
de village - GRETRY
Andre-Modeste : Danse
russe - CAIX d'HERVELOIS
Louis : Rondeau - BACH
Johann Sebastian : Menuet
en Sol maj. - KOZELUCH
Leopold : Bernoise -
FISCHER Johann Kaspar :
Passe-Pied - PINOLET de
MONTECLAIR Michel :
Bourree - BEETHOVEN
Ludwig van : Romance -
CAMPRA Andre : Passe-pied
- MION Charles-Louis :
Forlane.
Sonates pour la musette, viele, flute, hautbois, violon. By Nicolas Chedeville. ...(+)
Sonates pour la musette,
viele, flute, hautbois,
violon. By Nicolas
Chedeville. Edited by
Philippe Lescat. 1 high
instrument ad libitum and
continuo. For Flute,
Oboe, Musette,
Hurdy-gurdy, Violin.
Facsimiles. La Musique
Francaise Classique de
1650 a 1800. Level: Grade
0. 64 pages. Published by
Editions Fuzeau Classique
- France (French import).
By Nicolas Chedeville (Antonio Lucio Vivaldi). For Flute and Basso Continuo. Bar...(+)
By Nicolas Chedeville
(Antonio Lucio Vivaldi).
For Flute and Basso
Continuo. Baroque;
Chamber. Intermediate.
Full score, set of parts
and Play-Along CD.
Published by Recorder JP
Composed by Nicolas Chedeville (Antonio Lucio Vivaldi). Baroque; Chamber. Bookle...(+)
Composed by Nicolas
Chedeville (Antonio Lucio
Vivaldi). Baroque;
Chamber. Booklet,
including full score,
part and Play-Along CD.
Published by Recorder JP
(J1.2097).
Il pastor fido Vol. 2 Flûte traversière, Basse continue [Conducteur] - Intermédiaire Recorder JP
By Nicolas Chedeville (Antonio Lucio Vivaldi). For Flute and Basso Continuo. Bar...(+)
By Nicolas Chedeville
(Antonio Lucio Vivaldi).
For Flute and Basso
Continuo. Baroque,
Chamber. Intermediate.
Full score, set of parts
and 2 Play-Along CDs.
Published by Recorder JP
By Nicolas Chedeville (Antonio Lucio Vivaldi). For Flute and Basso Continuo. Bar...(+)
By Nicolas Chedeville
(Antonio Lucio Vivaldi).
For Flute and Basso
Continuo. Baroque;
Chamber. Intermediate.
Full score, set of parts
and Play-Along CD.
Published by Recorder JP
By Nicolas Chedeville (Antonio Lucio Vivaldi). For Alto Recorder and Basso Conti...(+)
By Nicolas Chedeville
(Antonio Lucio Vivaldi).
For Alto Recorder and
Basso Continuo. Baroque;
Chamber. Intermediate.
Booklet, including full
score, part and
Play-Along CD. Published
by Recorder JP
By Nicolas Chedeville (Antonio Lucio Vivaldi). For Alto Recorder and Basso Conti...(+)
By Nicolas Chedeville
(Antonio Lucio Vivaldi).
For Alto Recorder and
Basso Continuo. Baroque;
Chamber. Intermediate.
Booklet, including full
score, part, and
Play-Along CD. Published
by Recorder JP
By Nicolas Chedeville (Antonio Lucio Vivaldi). For Alto Recorder and Basso Conti...(+)
By Nicolas Chedeville
(Antonio Lucio Vivaldi).
For Alto Recorder and
Basso Continuo. Baroque;
Chamber. Intermediate.
Booklet, including full
score, part and
Play-Along CD. Published
by Recorder JP
By Nicolas Chedeville (Antonio Lucio Vivaldi). For Alto Recorder and Basso Conti...(+)
By Nicolas Chedeville
(Antonio Lucio Vivaldi).
For Alto Recorder and
Basso Continuo. Baroque;
Chamber. Intermediate.
Full score, set of parts
and 2 Play-Along CDs.
Published by Recorder JP
Composed by Nicolas Chedeville (Antonio Lucio Vivaldi). Baroque; Chamber. Full s...(+)
Composed by Nicolas
Chedeville (Antonio Lucio
Vivaldi). Baroque;
Chamber. Full score, set
of parts and 2 Play-Along
CDs. Published by
Recorder JP (J1.4037).
Composed by Nicolas Chedeville (Antonio Lucio Vivaldi). Baroque; Chamber. Full s...(+)
Composed by Nicolas
Chedeville (Antonio Lucio
Vivaldi). Baroque;
Chamber. Full score, set
of parts and Play-Along
CD. Published by Recorder
JP (J1.5037).
By Nicolas Chedeville (Antonio Lucio Vivaldi). For Flute and Basso Continuo. Bar...(+)
By Nicolas Chedeville
(Antonio Lucio Vivaldi).
For Flute and Basso
Continuo. Baroque;
Chamber. Intermediate.
Full score, set of parts
and Play-Along CD.
Published by Recorder JP
By Nicolas Chedeville (Antonio Lucio Vivaldi). For Alto Recorder and Basso Conti...(+)
By Nicolas Chedeville
(Antonio Lucio Vivaldi).
For Alto Recorder and
Basso Continuo. Baroque;
Chamber. Intermediate.
Booklet, including full
score, part, and
Play-Along CD. Published
by Recorder JP
By Nicolas Chedeville (Antonio Lucio Vivaldi). For Alto Recorder and Basso Conti...(+)
By Nicolas Chedeville
(Antonio Lucio Vivaldi).
For Alto Recorder and
Basso Continuo. Baroque;
Chamber. Intermediate.
Booklet, including full
score, part and
Play-Along CD. Published
by Recorder JP
By Nicolas Chedeville (Antonio Lucio Vivaldi). For Flute and Basso Continuo. Bar...(+)
By Nicolas Chedeville
(Antonio Lucio Vivaldi).
For Flute and Basso
Continuo. Baroque;
Chamber. Intermediate.
Full score, set of parts
and Play-Along CD.
Published by Recorder JP
Recorder SKU: FZ.5845 Edited by Suzi Mohlmeier, Frederique Thouvenot. Thi...(+)
Recorder
SKU:
FZ.5845
Edited by
Suzi Mohlmeier,
Frederique Thouvenot.
This edition: Facsimile.
Fac-Similes Enseignement.
Score. Published by Anne
Fuzeau Productions -
France (FZ.5845).
ISBN
9790230658454. 22.00 x
31.00 cm
inches.
These
original publications of
Mancini, Telemann,
Chedeville and Haendel
are in facsimile on
Fac-similes et
Enseignement collection.
Mancini Francesco : XII
Solos for a flute or
violin with a thorough
bass. London, Walsh and
Hare, 1727. Sonate XII :
Allegro, Largo, Allegro.
Telemann Georg Philipp :
Der getreue
Music-Meister. Hamburg,
1728. Neunzehnte Lection
: Cantabile, Allegro,
Grave, Vivace. Chedeville
Nicolas : Il pastor fido.
Sonates pour la musette,
viole, flute, hautbois,
violon, avec la basse
continue. Paris, Bovin,
1737. Sonata VI : Vivace,
Allabreve, Largo, Allegro
ma non presto. Haendel
Georg Friedrich : Sonates
pour un traversiere, un
violon ou hautbois con
basso continuo.
Amsterdam, Roger, 1727.
Sonata VII : Larghetto,
Allegro, Larghetto,
Allegro. Collection
supervised by the
musicologist Jean
Saint-Arroman, professor
at the Conservatoire
National Superieur de
Musique et de Danse of
Paris and at the CEFEDEM
Ile de France (Training
Centre for Music
Teachers). He is the
author of the majority of
our prefaces and has also
been involved in library
searches. This facsimile
was realized by Susi
Mohlmeier and Frederique
Thouvenot for recorder.
Facsimile of copies from:
- British Library of
London (England). -
National Library of Paris
(France). - Bayerische
Staatsbibliothek of
Munich (Germany). Anne
Fuzeau Classique propose
period copies of
classical music
scores.
Composed by Nicolas Chedeville (1705-1782). Edited by Walter Upmeyer. Stapled. H...(+)
Composed by Nicolas
Chedeville (1705-1782).
Edited by Walter Upmeyer.
Stapled. Hortus Musicus.
Performance score. Opus
8/3, 6. Published by
Hortus Musicus
(BA.HM246).
(Duet In Bb). By Nicolas Chedeville (1705-1782). Arranged by A. Den Arend. For F...(+)
(Duet In Bb). By Nicolas
Chedeville (1705-1782).
Arranged by A. Den Arend.
For Flexible Duet
(Trumpet/Cornet/Flugelhor
n/Baritone / Euphonium)
and Piano. Solo Pieces.
Grade 2. Published by
Molenaar Edition
Piano - Grade 4 SKU: FA.MFCD007PN By Nicolas Horvath. By Claude Debussy a...(+)
Piano - Grade 4
SKU:
FA.MFCD007PN
By
Nicolas Horvath. By
Claude Debussy and Robert
Orledge. Rediscoverd
Debussy. Classical,
Impressionistic. Score.
Musik Fabrik #MFCD007PN.
Published by Musik Fabrik
(FA.MFCD007PN).
8.27 x
11.69
inches.
Debussy's
friendship with the
versatile poet and
playwright Gabriel Mourey
began in 1899, and in
July 1907 Mourey offered
Debussy a libretto based
on Le roman de Tristan -
Joseph Bedier's
adaptation of a
twelfth-century Breton
romance by the
Anglo-Norman poet known
as Thomas - which had
recently been published
in Paris. Debussy
enthusiastically outlined
the four-act plot to
Victor Segalen that
October, and the main
differences from Wagner's
Tristan und Isolde are
that none of the action
takes place in Cornwall
and that Isolde of the
White Hands is found
guilty of cuckolding King
Marc with Tristan, who
has to rescue her from
the leper colony in which
she is abandoned in Act
1. She also betrays him
when he goes mad at the
end.
The idea of a
Tristan that restored its
'legendary character' and
had no connections with
Wagner, appealed to
Debussy, who was
extremely moved by the
circumstances of
Tristan's death. Even if
he thought that Mourey's
poetry was 'not very
lyrical and many passages
do not exactly invite
music', he did work on
the libretto and the
music that summer and
sent his publisher,
Jacques Durand, 'one of
the 363 themes for the
Roman de Tristan' in a
letter sent from
Pourville on 23 August,
1907. The present prelude
grows from this theme,
together with the
poignant Breton folksong
Le Faucon. After a short
atmospheric introduction,
Debussy's dance-like
theme (which is
definitely not a
leitmotif) gradually
gains momentum and after
it reaches its ecstatic
climax, representing the
transient happiness of
the lovers, it dissolves
into an expressive coda
and an elegiac close (all
growing from Debussy's
opening, off-stage
trumpet calls), leaving
us with the ultimate
tragedy of their
ill-fated
affair.
Unfortunat
ely, Mourey's actual
libretto has been lost
and the project
eventually foundered
because Bedier's cousin,
Louis Artus, wanted
Debussy to use the
scenario he had prepared
and copyrighted for the
stage, and would not
allow him to proceed with
Mourey's version.
Debussy, it need hardly
be said, would never have
dreamed of collaborating
with the author of the
vaudeville hit La culotte
(The pants)!