Wildflowers Flûte, Clarinette, Piano (trio) Theodore Presser Co.
(A Trio for Piccolo (or Flute), Clarinet, and Piano). By Eric Ewazen. Piano trio...(+)
(A Trio for Piccolo (or
Flute), Clarinet, and
Piano). By Eric Ewazen.
Piano trio. For Piccolo
(or Flute), Clarinet in
Bb, Piano. Contemporary.
Score and part(s).
Standard notation. 40 12
pages. Duration 22
minutes. Published by
Theodore Presser Company
By Tom Shelton. For SATB/SAB Choir, Piano, descant, steel Drums, percussion (wit...(+)
By Tom Shelton. For
SATB/SAB Choir, Piano,
descant, steel Drums,
percussion (with optional
bass). Concert,
Multicultural. Octavo.
Published by Heritage
Music Press
Composed by
Peter Relph. Evoking
Sound. Music Education.
20 pages. GIA
Publications #9610.
Published by GIA
Publications (GI.G-9610).
UPC: 785147961000.
Latin. Text Source: Attr.
Ambrose of Milan,
340–397. Text by
Ambrose of
Milan.
Composer's
Notes When I met Kelsey
Rose in Oxford in St.
Stephen’s House
chapel over the summer of
2017, we had both just
attended a very moving
candlelit concert by
Westminster Williamson
Voices, featuring my
setting of
“Tenebrae
lumini.†I was
delighted to be asked to
write a piece for
compline in Princeton
University Chapel,
celebrating the 150th
anniversary of the
Anglican/Episcopal
chaplaincy at Princeton
University.
“Aurora†is
the result of that
meeting. Composing by
commission often throws
up some interesting
challenges. The piece had
to fit both as an
accompanying piece to the
plainchant of compline,
whilst simultaneously
being a celebratory
anthem. I was instantly
drawn back to the poetry
and hymns of St. Ambrose
of Milan, particularly
“Aurora iam spargit
polum.†Fragments
of chant (both real and
imagined) are used to
create the powerful
imagery of the descending
golden light of dawn. The
piece reaches its climax
with the plea for the
despair of night to
“vanish,â€
which it then does,
leaving the sopranos
alone on a high G.
Choral (SATB Choir) SKU: HL.48021234 From Cantata academica, Carmen ba...(+)
Choral (SATB Choir)
SKU: HL.48021234
From Cantata
academica, Carmen
basiliense. Composed
by Benjamin Britten.
Boosey & Hawkes Sacred
Choral. Classical.
Octavo. 16 pages. Boosey
& Hawkes #M051482474.
Published by Boosey &
Hawkes (HL.48021234).
ISBN 9781458423542.
UPC: 884088642037.
6.75x10.5
inches.
Text: in
Latin compiled from the
charter of the
University, and from
older orations in praise
of Basle by Bernhard
Wyss.
Publisher:
Boosey &
Hawkes
Difficulty
level: 4 (for
chorus)
Britten's
genius lifts this work
above being just a worthy
celebration of the 500th
anniversary of the
foundation of Basle
University. It is
tongue-in-cheek and
mockingly non-academic
while referring all the
time to academic musical
forms and formulae. It is
written in two parts
(everything is in the
statutory Latin including
the titles of the parts -
Pars I and Pars II). The
titles of the movements
show Britten's intention
to show off a wide
variety of techniques.
Here are some examples:
Chorale/Alla Rovescio
(the theme is given and
responded to with the
same melody upside
down)/Recitativo/Tema
seriale con fuga/Canone
ed ostinato. There is a
good deal of humour
here.
There are
seven movements in Pars I
and six in Pars II. The
tenor soloist is given
three florid recitatives,
accompanied only by a
piano, which act as
bridges between other
orchestrally accompanied
movements. Of these the
most noteworthy are the
Arioso con canto popolare
for soprano solo with
tenors and basses who hum
a student song; another
terrific Britten scherzo;
and a wonderfully raucous
final pair of movements
(Canon ed ostinato and
Corale con canto) where
Britten seems to be aping
the Vivat Regina! cries
in Parry's I was glad or
encouraging the kind of
noisy 'I'm from the best
university' kind of
student touchline shout.
This has outrageously
high notes for the tenors
(top B) which further
endorse this feeling.
There are real echoes of
the Spring Symphony (see
separate entry) final
movement here which are
further underlined by the
last section of the
Cantata which brings in
the bells, piano, huge
percussion and the
inevitable chorale in
which the choir sings
'that a free academy may
thrive in a free
community, for ever the
ornament and treasure of
illustrious
Basle'.
This may
not be Britten at his
most soul-searching but,
as always, there is
plenty here to enjoy,
especially if the work is
not taken too seriously.
It is a celebratory,
occasional piece and it
could be well taken up by
other academic
establishments
celebrating big
anniversaries. The chorus
parts are not very
difficult, though they do
present challenges for
the choir - not least in
having tenors capable of
those very high notes at
the end. The Tema seriale
con fuga is sinewy and
needs careful tuning. It
also has the subject
regularly given upside
down after its initial
sounding by the basses.
All good
fun.
Sing Allelu Chorale Unison Unison/2-parties, Piano [Octavo] Lorenz Publishing Company
(A Christmas or Easter Anthem). By Ruth Elaine Schram. For Unison/2-part choir a...(+)
(A Christmas or Easter
Anthem). By Ruth Elaine
Schram. For Unison/2-part
choir and piano (with
optional 3 octave
handbells). Christmas,
Eastertide, Sacred.
Sacred Anthem
(The Great Trees: 4. The Steps of the City). By Gwyneth W. Walker (1947-). For s...(+)
(The Great Trees: 4. The
Steps of the City). By
Gwyneth W. Walker
(1947-). For soprano
voice solo, clarinet,
piano. Concerts, Secular.
Moderately Easy.
Published by E.C.
Schirmer Publishing
(The Great Trees: 2. The Silence). By Gwyneth W. Walker (1947-). For soprano voi...(+)
(The Great Trees: 2. The
Silence). By Gwyneth W.
Walker (1947-). For
soprano voice solo,
clarinet, piano.
Concerts, Secular.
Moderately Easy.
Published by E.C.
Schirmer Publishing
Soli Deo Chorale SATB SATB, Piano [Octavo] Lorenz Publishing Company
Composed by David Waggoner. For SATB choir, piano (with optional percussion). Sa...(+)
Composed by David
Waggoner. For SATB choir,
piano (with optional
percussion). Sacred
Anthem, All Saints' Day,
Christ the King, General.
Octavo. Published by
Lorenz Publishing Company
Harmonices Mundi.
Composed by Robert
Livingston Aldridge.
Piano/Keyboard. Edition
Peters. Living Composer.
Score and Part(s). 100
pages. Edition Peters
#98-EP68582. Published by
Edition Peters
(PE.EP68582).
ISBN
9790300759791. 297 x
420mm
inches.
This
composition was
commissioned anonymously
and by the Brevard Music
Center in honor of Evan
Armstrong North
(1982-2011)
"T
he task of writing a
piece of music for
someone who has left the
world all too soon is not
an easy one. Does one
write celebratory music,
in honor of his
well-lived life? Or does
one musically depict the
loss of such a beloved
young man? I tried to do
something of both. The
first movement begins
with the musical
depiction of the loss, a
descending scale of
despair. As it is a
concerto, much of the
piece is a dialogue
between the soloist and
the orchestra. For the
most part, the piano is
the voice of love and
hope while the orchestra
is the voice of despair
and loss. How does one
move forward to live
after such a loss? What
ensues in the process of
the first movement
represents a gradual
triumph over
despair." - Robert
Livingston
Aldridge
Sisi Ne Moja Piano seul - Intermédiaire Santa Barbara Music Publishing
Piano - Intermediate SKU: SB.SBMP-1693 Composed by Jacob Narverud. Classi...(+)
Piano - Intermediate
SKU: SB.SBMP-1693
Composed by Jacob
Narverud. Classical.
Octavo. 16 pages. Santa
Barbara Music Publishing
#SBMP1693. Published by
Santa Barbara Music
Publishing
(SB.SBMP-1693).
UPC:
000308159653.
Ever
clever, composer Narverud
came up with a highly
rhythmic celebratory
composition. The title
translates “We are
oneâ€, the theme
being that all human
beings have much in
common. The energetic
djembe sets the tone, the
piano adds its own
rhythmic design, and the
singers deliver the
message, at times
sounding as though there
should be a campfire at
the center of their
circle. This BEST SELLER
is great fun, a profound
message, and an
intriguing piece. See
composer notes below for
pronunciation.
Composed
by Matthew Emery. Choral.
Jamie Hillman Choral
Series. Classical,
Sacred. Octavo. 12 pages.
Santa Barbara Music
Publishing #SBMP1663.
Published by Santa
Barbara Music Publishing
(SB.SBMP-1663).
UPC:
000308159035.
Ever
clever, composer Narverud
came up with a highly
rhythmic celebratory
composition. The title
translates “We are
oneâ€, the theme
being that all human
beings have much in
common. The energetic
djembe sets the tone, the
piano adds its own
rhythmic design, and the
singers deliver the
message, at times
sounding as though there
should be a campfire at
the center of their
circle. This BEST SELLER
is great fun, a profound
message, and an
intriguing piece. See
composer notes below for
pronunciation.
Sisi ni moja Chorale SATB SATB, Piano [Octavo] Santa Barbara Music Publishing
Composed by Jacob J. Narverud. Concert, General. Octavo. Santa Barbara Music Pu...(+)
Composed by Jacob J.
Narverud. Concert,
General. Octavo. Santa
Barbara Music Publishing
#SBMP1338. Published by
Santa Barbara Music
Publishing
(SB.SBMP-1338).
Roll of Honour Fanfare [Conducteur] - Facile De Haske Publications
Fanfare Band - Grade 3 SKU: BT.DHP-1125214-120 Composed by Jacob De Haan....(+)
Fanfare Band - Grade 3
SKU:
BT.DHP-1125214-120
Composed by Jacob De
Haan. Concert and Contest
Collection Brass Band en
Fanfare. Score Only.
Composed 2012. 40 pages.
De Haske Publications
#DHP 1125214-120.
Published by De Haske
Publications
(BT.DHP-1125214-120).
9x12 inches.
English-German-French-Dut
ch.
On a war
memorial in the Dutch
village of Wons is
engraved a list of names
to honour the fallen in
World War II. This is the
basis for the name of
this piece. However, this
composition was written
for everyone who has made
Wons what it is today: a
pretty place near to Lake
IJssel with a
comfortable way of life.
The piece begins with a
celebratory introduction
in which the village is
presented to the
listener. There follows a
delightful rhythmic and
high-tempo theme that
reflects the happiness,
innocence and carefree
atmosphere before the
war. Now we hear a moody,
fragmented theme
depicting soldiers
shooting. This is brought
to a close with dissonant
clusters of
sound,intoning the
dreadful tragedy of the
war. The ensuing quiet
gives way to a calm
middle section in a minor
key that portrays both
frustration and
consolation. The fast
tempo of the beginning
returns, this time in the
form of a victory march.
We hear freedom being
celebrated. We hear the
previous happy, innocent
and carefree themes, too.
There follows a festive,
martial theme, a tribute
to the village, before
the piece closes with
sounds of celebration.
Op de gedenksteen
in het Friese dorp Wons
staat een erelijst (roll
of honour) gegraveerd ter
nagedachtenis aan de
gevallenen van de Tweede
Wereldoorlog. De titel
van dit werk verwijst
naar deze lijst. Deze
compositie is echter
tevens geschreven voor
alle mensen die Wons
hebben gemaakt tot wat
het nu is: een prachtig
dorpje vlak bij het
IJsselmeer waar het
prettig toeven is. De
compositie begint met een
statige inleiding, waarin
het dorp zich presenteert
aan de luisteraar. Dan
klinkt een aansprekend
ritmisch thema in een
snel tempo dat de
vrolijkheid,
onbevangenheid en
onbezorgdheid van voor de
oorlog uitstraalt. Dit
gaat over in een melodie
in mineur, die het
naderendeoorlogsgevaar
aankondigt. Dan is er een
grillig thema met stops
waarin het schieten van
de soldaten te horen is.
Dit eindigt in enkele
dissonante clusters die
het tragische dieptepunt
van de oorlog
accentueren. De
daaropvolgende stilte
lost op in een gedragen
middendeel in mineur
waaruit enerzijds
verdriet en anderzijds
troost spreekt. Dan komt
het snelle tempo van het
begin weer terug, ditmaal
in de vorm van een
vreugdemars. De vrijheid
wordt gevierd. Ook het
thema van de vrolijkheid,
onbevangenheid en
onbezorgdheid is weer te
horen. Er volgt nu een
statig martiaal thema,
een eerbetoon aan het
dorp, waarna het werk
wordt afgesloten met
feestelijke klanken.
Auf einem
Gedenkstein im
niederländischen Dorf
Wons ist eine Namensliste
zu Ehren der Gefallenen
im Zweiten Weltkrieg
eingraviert. Auf diese
bezieht sich der Titel
des Werkes, der
wörtlich übersetzt
‘Ehrenliste’
bedeutet. Diese
Komposition wurde jedoch
für alle Menschen
geschrieben, die Wons zu
dem gemacht haben, was es
heute ist: ein schöner
Ort nahe des
IJsselmeeres, in dem es
sich gut leben lässt.
Das Werk beginnt mit
einer feierlichen
Einleitung, in welcher
sich das Dorf dem
Zuhörer
präsentiert. Dann
erklingt ein reizvolles
rhythmisches und
temporeiches Thema, das
die Fröhlichkeit,
Unbefangenheit und
Sorglosigkeit vor dem
Krieg ausstrahlt. Dieses
geht in eine
Moll-Melodieüber,
welche von der nahenden
Kriegsgefahr kündet.
Dann erklingt ein
launenhaftes Thema mit
Unterbrechungen, in dem
das Schießen der
Soldaten zu hören ist.
Dieses endet in einigen
dissonanten Clustern, die
den tragischen Tiefpunkt
des Krieges betonen. Die
darauffolgende Stille
löst sich in einen
ruhigen Mittelteil in
Moll auf, aus dem
einerseits Verdruss und
andererseits Trost
spricht. Dann kehrt das
schnelle Tempo des
Anfangs zurück, dieses
Mal in der Form eines
Freudenmarsches. Die
Freiheit wird gefeiert.
Auch das Thema der
Fröhlichkeit,
Unbefangenheit und
Sorglosigkeit ist wieder
zu hören. Nun folgt
ein feierliches,
martialisches Thema, eine
Ehrerbietung an das Dorf,
bevor das Werk mit
festlichen Klängen
endet.
Roll of Honour Fanfare [Conducteur et Parties séparées] - Facile De Haske Publications
Fanfare Band - Grade 3 SKU: BT.DHP-1125214-020 Composed by Jacob De Haan....(+)
Fanfare Band - Grade 3
SKU:
BT.DHP-1125214-020
Composed by Jacob De
Haan. Concert and Contest
Collection Brass Band en
Fanfare. Set (Score &
Parts). Composed 2012. De
Haske Publications #DHP
1125214-020. Published by
De Haske Publications
(BT.DHP-1125214-020).
9x12 inches.
English-German-French-Dut
ch.
On a war
memorial in the Dutch
village of Wons is
engraved a list of names
to honour the fallen in
World War II. This is the
basis for the name of
this piece. However, this
composition was written
for everyone who has made
Wons what it is today: a
pretty place near to Lake
IJssel with a
comfortable way of life.
The piece begins with a
celebratory introduction
in which the village is
presented to the
listener. There follows a
delightful rhythmic and
high-tempo theme that
reflects the happiness,
innocence and carefree
atmosphere before the
war. Now we hear a moody,
fragmented theme
depicting soldiers
shooting. This is brought
to a close with dissonant
clusters of
sound,intoning the
dreadful tragedy of the
war. The ensuing quiet
gives way to a calm
middle section in a minor
key that portrays both
frustration and
consolation. The fast
tempo of the beginning
returns, this time in the
form of a victory march.
We hear freedom being
celebrated. We hear the
previous happy, innocent
and carefree themes, too.
There follows a festive,
martial theme, a tribute
to the village, before
the piece closes with
sounds of celebration.
Op de gedenksteen
in het Friese dorp Wons
staat een erelijst (roll
of honour) gegraveerd ter
nagedachtenis aan de
gevallenen van de Tweede
Wereldoorlog. De titel
van dit werk verwijst
naar deze lijst. Deze
compositie is echter
tevens geschreven voor
alle mensen die Wons
hebben gemaakt tot wat
het nu is: een prachtig
dorpje vlak bij het
IJsselmeer waar het
prettig toeven is. De
compositie begint met een
statige inleiding, waarin
het dorp zich presenteert
aan de luisteraar. Dan
klinkt een aansprekend
ritmisch thema in een
snel tempo dat de
vrolijkheid,
onbevangenheid en
onbezorgdheid van voor de
oorlog uitstraalt. Dit
gaat over in een melodie
in mineur, die het
naderendeoorlogsgevaar
aankondigt. Dan is er een
grillig thema met stops
waarin het schieten van
de soldaten te horen is.
Dit eindigt in enkele
dissonante clusters die
het tragische dieptepunt
van de oorlog
accentueren. De
daaropvolgende stilte
lost op in een gedragen
middendeel in mineur
waaruit enerzijds
verdriet en anderzijds
troost spreekt. Dan komt
het snelle tempo van het
begin weer terug, ditmaal
in de vorm van een
vreugdemars. De vrijheid
wordt gevierd. Ook het
thema van de vrolijkheid,
onbevangenheid en
onbezorgdheid is weer te
horen. Er volgt nu een
statig martiaal thema,
een eerbetoon aan het
dorp, waarna het werk
wordt afgesloten met
feestelijke klanken.
Auf einem
Gedenkstein im
niederländischen Dorf
Wons ist eine Namensliste
zu Ehren der Gefallenen
im Zweiten Weltkrieg
eingraviert. Auf diese
bezieht sich der Titel
des Werkes, der
wörtlich übersetzt
‘Ehrenliste’
bedeutet. Diese
Komposition wurde jedoch
für alle Menschen
geschrieben, die Wons zu
dem gemacht haben, was es
heute ist: ein schöner
Ort nahe des
IJsselmeeres, in dem es
sich gut leben lässt.
Das Werk beginnt mit
einer feierlichen
Einleitung, in welcher
sich das Dorf dem
Zuhörer
präsentiert. Dann
erklingt ein reizvolles
rhythmisches und
temporeiches Thema, das
die Fröhlichkeit,
Unbefangenheit und
Sorglosigkeit vor dem
Krieg ausstrahlt. Dieses
geht in eine
Moll-Melodieüber,
welche von der nahenden
Kriegsgefahr kündet.
Dann erklingt ein
launenhaftes Thema mit
Unterbrechungen, in dem
das Schießen der
Soldaten zu hören ist.
Dieses endet in einigen
dissonanten Clustern, die
den tragischen Tiefpunkt
des Krieges betonen. Die
darauffolgende Stille
löst sich in einen
ruhigen Mittelteil in
Moll auf, aus dem
einerseits Verdruss und
andererseits Trost
spricht. Dann kehrt das
schnelle Tempo des
Anfangs zurück, dieses
Mal in der Form eines
Freudenmarsches. Die
Freiheit wird gefeiert.
Auch das Thema der
Fröhlichkeit,
Unbefangenheit und
Sorglosigkeit ist wieder
zu hören. Nun folgt
ein feierliches,
martialisches Thema, eine
Ehrerbietung an das Dorf,
bevor das Werk mit
festlichen Klängen
endet.
Discovery Level 1.
Composed by Jay Smith and
Vasile Sirli. Arranged by
Cristi Cary Miller.
Discovery Choral.
Christmas, Disney,
French, Holiday. Octavo.
Duration 180 seconds.
Published by Hal Leonard
(HL.355228).
UPC:
840126939217.
6.75x10.5x0.036
inches.
This
celebratory song first
appeared at Disneyland
Paris in 2005 and was
written for their holiday
parade.The opening melody
is easy to sing yet
sounds sophisticated and
majestic. This can easily
be a processional for
your holiday concert and
one that will surely put
your audience in a
holiday mood.
Discovery Level 1.
Composed by Jay Smith and
Vasile Sirli. Arranged by
Cristi Cary Miller.
Discovery Choral.
Christmas, Christmas
Secular, Disney, French,
Holiday. Octavo. Duration
180 seconds. Published by
Hal Leonard (HL.355229).
UPC: 840126939224.
6.75x10.5x0.029
inches.
This
celebratory song first
appeared at Disneyland
Paris in 2005 and was
written for their holiday
parade. The opening
melody is easy to sing
yet sounds sophisticated
and majestic. This can
easily be a processional
for your holiday concert
and one that will surely
put your audience in a
holiday mood.Ÿ.
Choral SSA choir, piano SKU: CF.CM9772 Composed by Greg Gilpin. Duration ...(+)
Choral SSA choir, piano
SKU: CF.CM9772
Composed by Greg Gilpin.
Duration 3 minutes, 16
seconds. Carl Fischer
Music #CM9772. Published
by Carl Fischer Music
(CF.CM9772).
ISBN
9781491164433. UPC:
680160923335. Key: G
major. English. Words
adapted from Angels from
the Realms of Glory by
JAMES MONTGOMERY
(1771-1854).
I've
always enjoyed
celebratory and rhythmic
singing. I also know
there's a need for this
style in treble voices.
The holiday season is a
perfect time to create
such a work.The text of
The Angels' Gloria is
based on the familiar
Montgomery hymn with
original music. This work
can be easily be done as
a call and answer or
antiphonal setting. Try
using it as a
processional, too.
Hearing the voices
surround the audience is
always exciting for
everyone and a superb
teaching and learning
experience.The
accompaniment is
intentionally simple and
bell-like, supporting the
three-part harmonies.
I've also created a
B-section that is a
cappella in full
three-part singing, rich
and full giving lots of
contrast to the
piece.There is so much
good teaching throughout
the piece, making for
interesting rehearsals
and a terrific
performance piece. I hope
this adds just the right
sparkle for your
Christmas or holiday
program.—Greg
Gilpin.
Composed by Lloyd Larson.
Choral, cantatas. Advent,
Christmas. Choral score.
Lorenz Publishing Company
#65/2085L. Published by
Lorenz Publishing Company
(LO.65-2085L).
Composed by Lloyd Larson. Choral, cantatas. Advent, Christmas. SATB score with ...(+)
Composed by Lloyd Larson.
Choral, cantatas. Advent,
Christmas. SATB score
with performance CD.
Lorenz Publishing Company
#65/2084L. Published by
Lorenz Publishing Company
(LO.65-2084L).
Composed by Lloyd Larson.
Choral, cantatas. Advent,
Christmas. Choral score.
Lorenz Publishing Company
#65/2083L. Published by
Lorenz Publishing Company