Breath Machine 2 Flûte à bec (duo) - Intermédiaire/avancé Schott
8 Duets for 2 Alto Recorder. Composed by Karel van Steenhoven. This editi...(+)
8 Duets for 2 Alto
Recorder. Composed by
Karel van Steenhoven.
This edition: Saddle
stitching. Sheet music.
Original Music for
Recorder. Performance
score, Softcover. 220.
20 pages. Duration 14'.
Schott Music #OFB220.
Published by Schott Music
(HL.49019732).
Rockschool Classics. Exam
Material. Book with
Online Audio. Composed
2018. Rockschool
#RSK200073. Published by
Rockschool
(BT.RSK200073).
ISBN
9781789360097.
English.
Learn
to play rock and pop with
Rockschool. These
specially written
arrangements develop the
skills and techniques you
need to help you achieve
your musical goals.
Rockschool Classics
Guitar Grade 5 contains
eight of thebiggest rock
tracks from the past five
decades arranged for you
to play in your Grade 5
Exam. You can choose two
pieces from Rockschool
Classics to play in your
Grade Exam or three to
play in your Peformance
Certificate.
Featur
ing:
Velvet
Revolver - Fall To
Pieces
AC/DC -
Back In Black
Metallica - Sad But
True
Lynyrd
Skynyrd - Sweet Home
Alabama
Kings Of
Leon - Radioactive
Foo Fighters-The
Pretender
Joe
Satriani - Surfing With
The Alien
Steve
Vai - The Crying
Machine
Plus:
Band and artist fact
files with recommended
listening
Score and Parts Concert Band (Score and Parts) - Grade 3 SKU: HL.4008730...(+)
Score and Parts
Concert Band (Score and
Parts) - Grade 3
SKU:
HL.4008730
Concert
Band, Grade 3 3:50 Score
and parts. Composed
by Peter Knockaert.
Symphonic Dimensions.
Concert Band. Softcover.
Duration 230 seconds. Hal
Leonard #SDP2392302.
Published by Hal Leonard
(HL.4008730).
ISBN
9798350119473. UPC:
196288195238.
The
last decades we humans
have witnessed a
significant number of
disturbing developments.
If we look at the direct
and persistent
destructive influence of
humans on nature: air and
water quality are
reducing, soils are
depleting, crops are
short of pollinators,
coasts are less protected
from storms,
deforestation, the
degradation of land, loss
of biodiversity and
pollution. In stark
contrast we find the
intelligence and
boundless creativity of
humans: what about all
the high technological
advancements? What lies
ahead in the realm of
Artificial Intelligence?
Will we let machines make
human decisions? What
ethical issues arise
there? This composition
reflects the desperation
and urgency of the human
need for action. The
music draws inspiration
from the brutal natural
forces that ravage our
world as a direct
consequence of human
failure and selfishness.
Are we heading towards a
'Judgment Day'? Or will
humanity find a way to
reverse negative trends
towards a more livable,
peaceful, and joyful
environment for humans,
animals, and nature? To
underscore this message,
composer Peter Knockaert
opted for a highly
classical idiom that has
been used by many
composers in classical
music: the 'Dies Irae'.
Traditionally, the Dies
Irae is the third part of
a requiem (funeral mass).
The text used in
'Judgment DayÂ? (for
optional choir) is coming
from the original Latin
text.
Priority
Direct Import titles are
specialty titles that are
not generally offered for
sale by US based
retailers. These items
must be obtained from our
overseas suppliers. When
you order a Priority
Direct Import title, our
overseas warehouse will
ship it to you directly
at the time of order,
typically within one
business day. However,
the shipment time will be
slower than items shipped
from our US warehouse. It
may take up to 2-3 weeks
to get to
you.
Concert
Band, Grde 3 3:50
Score. Composed by
Peter Knockaert.
Symphonic Dimensions.
Concert Band. Softcover.
Duration 230 seconds. Hal
Leonard #SDP2392301.
Published by Hal Leonard
(HL.4008731).
UPC:
196288195245.
The
last decades we humans
have witnessed a
significant number of
disturbing developments.
If we look at the direct
and persistent
destructive influence of
humans on nature: air and
water quality are
reducing, soils are
depleting, crops are
short of pollinators,
coasts are less protected
from storms,
deforestation, the
degradation of land, loss
of biodiversity and
pollution. In stark
contrast we find the
intelligence and
boundless creativity of
humans: what about all
the high technological
advancements? What lies
ahead in the realm of
Artificial Intelligence?
Will we let machines make
human decisions? What
ethical issues arise
there? This composition
reflects the desperation
and urgency of the human
need for action. The
music draws inspiration
from the brutal natural
forces that ravage our
world as a direct
consequence of human
failure and selfishness.
Are we heading towards a
'Judgment Day'? Or will
humanity find a way to
reverse negative trends
towards a more livable,
peaceful, and joyful
environment for humans,
animals, and nature? To
underscore this message,
composer Peter Knockaert
opted for a highly
classical idiom that has
been used by many
composers in classical
music: the 'Dies Irae'.
Traditionally, the Dies
Irae is the third part of
a requiem (funeral mass).
The text used in
'Judgment DayÂ? (for
optional choir) is coming
from the original Latin
text.
Priority
Direct Import titles are
specialty titles that are
not generally offered for
sale by US based
retailers. These items
must be obtained from our
overseas suppliers. When
you order a Priority
Direct Import title, our
overseas warehouse will
ship it to you directly
at the time of order,
typically within one
business day. However,
the shipment time will be
slower than items shipped
from our US warehouse. It
may take up to 2-3 weeks
to get to
you.
Piano and string quartet - difficult SKU: HL.49019803 For Piano and St...(+)
Piano and string quartet
- difficult
SKU:
HL.49019803
For
Piano and String
Quartet. Composed by
Thierry Pecou. This
edition: Saddle
stitching. Sheet music.
Ensemble. Softcover.
Composed 2008/2009. 148
pages. Duration 16'.
Schott Music #ED21661.
Published by Schott Music
(HL.49019803).
ISBN
9790001193771. UPC:
888680009359.
9.25x12.0x0.4
inches.
32 Pieces by 16 Composers in Progressive Order. Composed by Various. Edit...(+)
32 Pieces by 16
Composers in Progressive
Order. Composed by
Various. Edited by
Richard Walters. Schirmer
Performance Editions.
Baroque, Modern,
Classical. Softcover. 56
pages. Published by G.
Schirmer (HL.297105).
For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chor...(+)
For voice and C
instrument. Format:
fakebook. With vocal
melody, lyrics and chord
names. Randb and classic
soul. Series: Hal Leonard
Fake Books. 437 pages.
9x12 inches. Published by
Hal Leonard.
A Complete Approach to Latin Rhythms, Jazz-Rock, Fusion and Smooth Jazz. ...(+)
A Complete Approach to
Latin Rhythms, Jazz-Rock,
Fusion and Smooth
Jazz. By Gabriel
Rosati. Music Minus One.
Softcover with CD. 168
pages. Music Minus One
#MMO3852. Published by
Music Minus One
(HL.150967).
Guitar/Bass/Drum. Artist
Folio. Score. Yamaha
Music Media #GTL01096480.
Published by Yamaha Music
Media (YM.GTL01096480).
ISBN
9784636964806.
CD
maching score of rock
heroine LiSA, who was
appointed as a main
vocalist of the Rock Band
Group Girls Dead Monster
in the TV animation
program Angel Beats! in
Sprint, 2010. After her
debut as a slolo singer
in Spring, 2011 with mini
CD, she has sung many
title songs for Japanese
animation like
Fate/ZeroSword Art Online
and Underachiever in
Magic High School; 8
pages for photographes
and her messages to each
song requested for this
book. Ben Shu Pei He
LiSADe Yao Gun Ying Xiong
Zhuan Ji Fa Xing .
LiSAZai 2010Nian Chun Ji
De Dian Shi Dong Hua Tian
Shi De Xin Tiao Zhong De
Yao Gun Le Dui Girls Dead
MonsterBan Yan Zhu Chang
De Jiao Se . 2011Nian
Chun Fa Xing Mi Ni Zhuan
Ji ,Yi Dan Ren Ge Shou
Shen Fen Chu Dao . Yan
Chang Guo Hen Duo Ri Ben
Dong Man De Zhu Ti Ge ,Bi
Ru Ming Yun Zhi Ye Qian
Chuan , Dao Jian Shen Yu
Yi Ji Mo Fa Ke Gao Xiao
De Lie Deng Sheng . Ben
Shu Ling Bao Han 8Ye De
Ge Ren Xie Zhen Ji Zhuan
Fang . Fen Si Bi Ru .
1. Catch the
Moment; 2. Thrill, Risk,
Heartless; 3. oath sign;
4. ASH; 5. Rally Go
Round; 6. Hello Good Day;
7. No More Time Machine;
8. Hi FiVE!; 9. Cosmic
Jet Coaster; 10. Brave
Freak Out; 11. ROCK-mode
'18; 12. Mr. Launcher;
13. Believe in ourselves;
14. best day, best
way.
For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chor...(+)
For voice and C
instrument. Format:
fakebook. With vocal
melody, lyrics and chord
names. Traditional pop
and vocal standards.
Series: Hal Leonard Fake
Books. 424 pages. 9x12
inches. Published by Hal
Leonard.
Score
and Parts. Composed
by Harald Weiss. This
edition: Saddle
stitching. Sheet music.
Ensemble. Classical.
Softcover. Composed
2011-2012. 68 pages.
Duration 19'. Schott
Music #ED21830. Published
by Schott Music
(HL.49044339).
ISBN
9790001197755.
9.0x12.0x0.222 inches.
German. Author: Maria
Bogel.
Returning
from Majorca one autumn
evening, composer Harald
Weiss met poet Maria
Bogel at a defective
ticket machine at the
airport metro station in
Hanover. The
malfunctioning equipment
brought them together,
but since then their
paths repeatedly crossed
and a collaboration was
planned combining words
and sound. The result is
this collection of four
settings of Bogel's
poetry for mezzo soprano
and small chamber
ensemble composed by
Weiss.
Chamber Music String Quartet SKU: PR.114410380 Composed by Lowell Lieberm...(+)
Chamber Music String
Quartet
SKU:
PR.114410380
Composed
by Lowell Liebermann.
Saddle, Tape Junction.
Set of Score and Parts.
With Standard notation.
Composed 1998. Opus 60.
48 + 92 pages. Duration
30 minutes. Theodore
Presser Company
#114-41038. Published by
Theodore Presser Company
(PR.114410380).
UPC:
680160015160. 9.5 x 13
inches.
My second
String Quartet was
written twenty years
after the first, Opus 4
from 1978. The First
Quartet is an obsessively
contrapuntal work in one
movement, which was no
doubt influenced by my
studies with David
Diamond. I had always
intended to return to the
medium once I left the
astringency of my earlier
style, but it was only
when the National
Federation of Music Clubs
commissioned a major
chamber work, with
unspecified
instrumentation, to
celebrate their 100th
Anniversary that I was
enabled to do so. The
Second Quartet is in four
movements: Moderato,
Allegro isterico, an
Andante theme with 11
variations, and the
closing Allegro, which
then returns to the tempo
of the first movement. An
audience member at the
premiere told me that she
heard echoes of recent
tragic events such as the
Oklahoma bombing in this
work. While I had no such
programmatic intent while
writing the quartet, it
was not an entirely
incorrect assessment of
the work's intended
emotional impact. The
quartet is pervaded by a
sense of seriousness,
even mournfulness. The
second movement's scherzo
is an aggressively
animated piece of musical
machinery. The third
movement's Variations
unfold into a greater
variety of moods than the
others - but the moments
of lyricism are countered
by aggressive or ironic
outbursts. The final
movement's attempt at
triumph quickly subsides
into a return of the
first movement, before
being transformed onto a
sense of resignation and
acceptance as the
chromaticism of the
opening theme is
transformed into a pure
and diatonic C-Major. The
work received its world
premiere by the Shanghai
Quartet at the 100th
Anniversary Congress of
the National Federation
of Music Clubs at the
Congress Hotel in Chicago
on August 19th
1998. My second String
Quartet was written
twenty years after the
first, Opus 4 from
1978. The First
Quartet is an obsessively
contrapuntal work in one
movement, which was no
doubt influenced by my
studies with David
Diamond. I had always
intended to return to the
medium once I left the
astringency of my earlier
style, but it was only
when the National
Federation of Music Clubs
commissioned a major
chamber work, with
unspecified
instrumentation, to
celebrate their 100th
Anniversary that I was
enabled to do so.The
Second Quartet is in four
movements:Â Moderato,
Allegro isterico, an
Andante theme with 11
variations, and the
closing Allegro, which
then returns to the tempo
of the first movement.An
audience member at the
premiere told me that she
heard echoes of recent
tragic events such as the
Oklahoma bombing in this
work. While I had no
such programmatic intent
while writing the
quartet, it was not an
entirely incorrect
assessment of the
work’s intended
emotional impact. The
quartet is pervaded by a
sense of seriousness,
even mournfulness.Â
The second
movement’s scherzo
is an aggressively
animated piece of musical
machinery. The third
movement’s
Variations unfold into a
greater variety of moods
than the others –
but the moments of
lyricism are countered by
aggressive or ironic
outbursts. The final
movement’s attempt
at triumph quickly
subsides into a return of
the first movement,
before being transformed
onto a sense of
resignation and
acceptance as the
chromaticism of the
opening theme is
transformed into a pure
and diatonic C-Major.The
work received its world
premiere by the Shanghai
Quartet at the 100th
Anniversary Congress of
the National Federation
of Music Clubs at the
Congress Hotel in Chicago
on August 19th 1998.