(Wolfgang Amadeus Mozart - Wunderkind Sonatas, Volume 2, K. 10-1). Composed by W...(+)
(Wolfgang Amadeus Mozart
- Wunderkind Sonatas,
Volume 2, K. 10-1).
Composed by Wolfgang
Amadeus Mozart
(1756-1791). Edited by
Wolf-Dieter Seiffert. For
Piano. Henle Music
Folios. Softcover. G.
Henle #HN1095. Published
by G. Henle
Chamber Music Violin SKU: CF.BF115 Composed by Johann Sebastian Bach. Edi...(+)
Chamber Music Violin
SKU: CF.BF115
Composed by Johann
Sebastian Bach. Edited by
Rachel Barton Pine. SWS.
Collection. With Standard
notation. 80 pages. Carl
Fischer Music #BF115.
Published by Carl Fischer
Music (CF.BF115).
ISBN
9781491150993. UPC:
680160908493. 9x12
inches.
Johann
Sebastian Bach’s
(1685—1750)
SixSonatas and Partitas
have captivated
violinistsfor centuries.
Rachel Barton
Pine—havingspent
decades studying the
music of Bach,his
contemporaries, and his
predecessors—now
offers this unparalleled
edition completewith
detailed historical
notes,
performancesuggestions,
and downloadable study
materialsincluding a new
Urtext edition and a
speciallyprepared
manuscript. Pine’s
interpretationis informed
by thorough historical
study, which has been
polished byyears of
performance insight, but
also encourages those
studying
Bach’srepertoire
to craft their own unique
interpretation of these
timelessmasterpieces.
This edition closely
follows Pine’s
critically acclaimed
2016recording
“Testament:
Complete Sonatas and
Partitas for Solo Violin
byJ.S. Bach†(Avie
2360) making it an
invaluable resource for
any student,teacher, or
performer enthralled with
J.S. Bach’s long
standing legacy.Ms. Pine
holds the distinction of
being the only American
and youngestperson to win
the gold medal at the
J.S. Bach International
ViolinCompetition in
Leipzig, Germany,
1992. here is no one
right way to play Bach.
More thanalmost any
repertoire, each
individual’s
interpretation isas
unique as their
personality. Though I
have spent
decadesstudying
Bach’s music as
well as that of his
contemporariesand
predecessors, my final
rationale for
artisticdecisions is
often taste and instinct.
Every violinist
whoundertakes a
lifetime’s journey
with this incredible
repertoireis continually
discovering new ideas.
Thus, theopinions on the
following pages may
evolve over time.However,
everything in the sheet
music closely follows
my2016 recording
“Testament:
Complete Sonatas and
Partitasfor Solo Violin
by J.S. Bach†(Avie
2360), which I trulyfeel
represents the
culmination of my
exploration intothese
extraordinary works.In
choosing to present this
edition, my hope is
thatyou will find useful
solutions to challenges
of fingering,bowing, and
polyphony, and helpful
information
aboutphrasing. I have
also included additional
dynamic suggestionswith
the hope that trying
these ideas will help
inspireyou to discover
your own. All of these
markings aredesigned to
work with a baroque
violin and baroque bow,a
modern violin and baroque
bow, or a modern
violinand modern bow.
While the information in
this editionis unusually
dense, there is much that
I did not include,such as
lifts, breaths,
articulations, whether to
play on oroff the string,
metronome markings,
details of timing,and
emphases other than
hemiolas.I offer this
book to you in the spirit
of Bach: “SoliDeo
Gloria.â€.
(Francesco Geminiani - Opera Omnia. Critical Edition directed by Christopher Hog...(+)
(Francesco Geminiani -
Opera Omnia. Critical
Edition directed by
Christopher Hogwood).
Composed by Francesco
Geminiani (1687-1762).
Edited by Christopher
Hogwood. For Violoncello
and Basso Continuo;
Violin and Basso
Continuo. Opera Omnia -
Vol. 5. Early Music.
Critical commentary. Op.
5 (H. 103-108, H.
109-114). 152 pages.
Published by Ut Orpheus
Euphonium/Tuba Trio - Advanced SKU: CY.CC3064 Composed by Henry Purcell. ...(+)
Euphonium/Tuba Trio -
Advanced
SKU:
CY.CC3064
Composed by
Henry Purcell. Arranged
by Ralph Sauer.
Classical. Score and
Parts. Cherry Classics
#CC3064. Published by
Cherry Classics
(CY.CC3064).
ISBN
9790530110416. 8.5 x 11
in
inches.
Purcell's
Trio Sonatas of 1683 are
a blend or hybrid of
French and Italian
Baroque 17th Century
musical styles. The six
Sonatas of Volume 2
alternate between major
and minor keys. Each work
consists of several short
movements, ranging
between melancholy and
joyous. Volume 2 is a
continuation of the six
sonatas from volume one,
with more surprises and
enjoyment for performers
and listeners alike.
Especially delightful are
the dissonances that the
composer intersperses
throughout each work.
Each Sonata is about 6-7
minutes in length and
they are an absolute
delight to perform. Part
three may also be
performed on Tuba. For
advanced performers.
Trombone Trio - advanced SKU: CY.CC2793 Composed by Henry Purcell. Arrang...(+)
Trombone Trio - advanced
SKU: CY.CC2793
Composed by Henry
Purcell. Arranged by
Ralph Sauer. English
Baroque. Coil bound score
& parts. Published by
Cherry Classics
(CY.CC2793).
Purcell's Trio
Sonatas of 1683 are a
blend or hybrid of French
and Italian Baroque 17th
Century musical styles.
The six Sonatas of Volume
2 alternate between major
and minor keys. Each work
consists of several short
movements, ranging
between melancholy and
joyous. Volume 2 is a
continuation of the six
sonatas from volume one,
with more surprises and
enjoyment for performers
and listeners
alike.
Especiall
y delightful are the
dissonances that the
composer intersperses
throughout each
work.
Each
Sonata is about 6-7
minutes in length and
they are an absolute
delight to
perform.
Keyboard SKU: HH.HH570-SOL Composed by Henri-Joseph Rigel. Edited by Mich...(+)
Keyboard
SKU:
HH.HH570-SOL
Composed
by Henri-Joseph Rigel.
Edited by Michael Talbot.
Playing score. Edition HH
Music Publishers
#HH570-SOL. Published by
Edition HH Music
Publishers
(HH.HH570-SOL).
ISBN
9790708185857.
Rige
l’s keyboard music
is a relatively neglected
area within his oeuvre.
This edition of his first
published collection
– a set of six
sonatas for solo
harpsichord or piano
issued in 1767 –
seeks to bring it to the
attention of players and
listeners. These highly
idiomatic sonatas display
the richness and
pan-European character of
Rigel’s musical
inheritance. In them we
hear a blend of
influences drawn from the
Italian tradition of
galant keyboard music,
the drama-filled world of
the German symphony and
the intimate milieu of
French pièces de
clavecin.
Keyboard SKU: HH.HH569-SOL Composed by Henri-Joseph Rigel. Edited by Mich...(+)
Keyboard
SKU:
HH.HH569-SOL
Composed
by Henri-Joseph Rigel.
Edited by Michael Talbot.
Playing score. Edition HH
Music Publishers
#HH569-SOL. Published by
Edition HH Music
Publishers
(HH.HH569-SOL).
ISBN
9790708185840.
Rige
l’s keyboard music
is a relatively neglected
area within his oeuvre.
This edition of his first
published collection
– a set of six
sonatas for solo
harpsichord or piano
issued in 1767 –
seeks to bring it to the
attention of players and
listeners. These highly
idiomatic sonatas display
the richness and
pan-European character of
Rigel’s musical
inheritance. In them we
hear a blend of
influences drawn from the
Italian tradition of
galant keyboard music,
the drama-filled world of
the German symphony and
the intimate milieu of
French pièces de
clavecin.
Violin and Guitar SKU: AP.36-M139591 Arranged by Nicolo Paganini and ed./...(+)
Violin and Guitar
SKU:
AP.36-M139591
Arranged by Nicolo
Paganini and ed./arr. by
Erwin Schwarz-Reiflingen.
String Duo & Ensemble,
Duo, Parts. Master String
Series. Part(s).
LudwigMasters
Publications #36-M139591.
Published by
LudwigMasters
Publications
(AP.36-M139591).
ISBN
9798888529737. UPC:
659359734151.
English.
Niccolò
Paganini's (1782-1840)
wrote two installments
(Op. 2 and Op. 3) of six
sonatas each for violin
and guitar between 1805
and 1809 while he lived
in Florence with a
guitar-playing
noblewoman. Paganini kept
both his love for the
guitar and the noblewoman
secret, and these twelve
sonatas were written for
more intimate settings
rather than the larger
public performances we
often associate with
Paganini's virtuosity.
Reprint of guitarist
Erwin
Schwarz-Reiflingen's
(1891-1964) edition. Both
Op. 2 and Op. 3 are
available from the
publisher.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Six Sonatas. Composed by Nicolas Chedeville (1705-1782). Edited by Federi...(+)
Six Sonatas.
Composed by Nicolas
Chedeville (1705-1782).
Edited by Federico Maria
Sardelli. This edition:
urtext edition.
Paperback. Barenreiter
Urtext. Attributed to
Antonio Vivaldi.
Performance score, set
of parts. Duration 3
hours. Baerenreiter
Verlag #BA08735.
Published by Baerenreiter
Verlag (BA.BA08735).
Composed by Muzio
Clementi. Arranged by
Douglas Townsend. Carl
Fischer Young String
Orchestra Series.
Classical. Full score.
With Standard notation.
12 pages. Carl Fischer
Music #YAS13F. Published
by Carl Fischer Music
(CF.YAS13F).
ISBN
9780825848339. UPC:
798408048334. 8.5 X 11
inches. Key: G
major.
IApart from
some of his Sonatinas,
Opus 36, Clementi's life
and music are hardly
known to the piano
teachers and students of
today. For example, in
addition to the above
mentioned Sonatinas,
Clementi wrote sixty
sonatas for the piano,
many of them unjustly
neglected, although his
friend Beethoven regarded
some of them very highly.
Clementi also wrote
symphonies (some of which
he arranged as piano
sonatas), a substantial
number of waltzes and
other dances for the
piano as well as sonatas
and sonatinas for piano
four-hands.In addition to
composing, Clementi was a
much sought after piano
teacher, and included
among his students John
Field (Father of the
'Nocturne'), and
Meyerbeer.In his later
years, Clementi became a
very successful music
publisher, publishing
among other works the
first English edition of
Beethoven's Violin
Concerto, in the great
composer's own
arrangement for the
piano, as well as some of
his string quartets.
Clementi was also one of
the first English piano
manufacturers to make
pianos with a metal frame
and string them with
wire.The Sonatina in C,
Opus 36, No. 1 was one of
six such works Clementi
wrote in 1797. He must
have been partial to
these little pieces (for
which he also provided
the fingerings), since
they were reissued
(without the fingering)
by the composer shortly
after 1801. About 1820,
he issued ''the sixth
edition, with
considerable improvements
by the author;· with
fingerings added and
several minor changes,
among which were that
many of them were written
an octave higher.IIIt has
often been said,
generally by those
unhampered by the facts,
that composers of the
past (and, dare we add,
the present?), usually
handled their financial
affairs with their public
and publishers with a
poor sense of business
acumen or common sense.
As a result they
frequently found
themselves in financial
straits.Contrary to
popular opinion, this was
the exception rather than
the rule. With the
exception of Mozart and
perhaps a few other
composers, the majority
of composers then, as
now, were quite
successful in their
dealings with the public
and their publishers, as
the following examples
will show.It was not
unusual for 18th- and
19th-century composers to
arrange some of their
more popular compositions
for different
combinations of
instruments in order to
increase their
availability to a larger
music-playing public.
Telemann, in the
introduction to his
seventy-two cantatas for
solo voice and one melody
instrument (flute, oboe
or violin, with the usual
continua) Der Harmonische
Gottesdienst, tor
example, suggests that if
a singer is not available
to perform a cantata the
voice part could be
played by another
instrument. And in the
introduction to his Six
Concertos and Six Suites
for flute, violin and
continua, he named four
different instrumental
combinations that could
perform these pieces, and
actually wrote out the
notes for the different
possibilities. Bach
arranged his violin
concertos for keyboard,
and Beethoven not only
arranged his Piano Sonata
in E Major, Opus 14, No.
1 for string quartet, he
also transposed it to the
key of F. Brahm's
well-known Quintet in F
Minor for piano and
strings was his own
arrangement of his
earlier sonata for two
pianos, also in F
Minor.IIIWe come now to
Clementi. It is well
known that some of his
sixty piano sonatas were
his own arrangements of
some of his lost
symphonies, and that some
of his rondos for piano
four-hands were
originally the last
movements of his solo
sonatas or piano trios.In
order to make the first
movement of his
delightful Sonatina in C,
Opus 36, No. 1 accessible
to young string players,
I have followed the
example established by
the composer himself by
arranging and transposing
one of his piano
compositions from one
medium (the piano) to
another. (string
instruments). In order to
simplify the work for
young string players, in
the process of adapting
it to the new medium it
was necessary to
transpose it from the
original key of C to G,
thereby doing away with
some of the difficulties
they would have
encountered in the
original key. The first
violin and cello parts
are similar to the right-
and left-hand parts of
the original piano
version. The few changes
I have made in these
parts have been for the
convenience of the string
players, but in no way do
they change the nature of
the music.Since the
original implied a
harmonic framework in
many places, I have added
a second violin and viola
part in such a way that
they not only have
interesting music to
play, but also fill in
some of the implied
harmony without in any
way detracting from the
composition's musical
value. Occasionally, it
has been necessary to
raise or lower a few
passages an octave or to
modify others slightly to
make them more accessible
for young players.It is
hoped that the musical
value of the composition
has not been too
compromised, and that
students and teachers
will come to enjoy this
little piece in its new
setting as much as
pianists have in the
original one. This
arrangement may also be
performed by a solo
string quartet. When
performed by a string
orchestra, the double
bass part may be
omitted.- Douglas
TownsendString editing by
Amy Rosen.
About Carl
Fischer Young String
Orchestra
Series
Thi
s series of Grade 2/Grade
2.5 pieces is designed
for second and third year
ensembles. The pieces in
this series are
characterized
by: --Occasionally
extending to third
position --Keys
carefully considered for
appropriate
difficulty --Addition
of separate 2nd violin
and viola
parts --Viola T.C.
part
included --Increase
in independence of parts
over beginning levels
Piano SKU: BR.EB-4342 Instructive Edition. Composed by Ludwig van ...(+)
Piano
SKU:
BR.EB-4342
Instructive
Edition. Composed by
Ludwig van Beethoven.
Edited by Frederic
Lamond. This edition:
paperback. Solo
instruments; Softbound.
Edition Breitkopf. The
Scotsman and his
Beethoven - The 32 Piano
Sonatas in the
Instructive Edition,
edited and supplied with
fingerings by Frederic
LamondHave a look into EB
4342. Sonata; Classical.
Score. 316 pages.
Breitkopf and Haertel #EB
4342. Published by
Breitkopf and Haertel
(BR.EB-4342).
ISBN
9790004162873. 9 x 12
inches.
Whereas in
past decades Urtext
editions with assorted
aspirations and readings
by various editors were
the primary points of
departure in addressing
Beethoven's piano
sonatas, today it is more
often the question of
what significance
so-called instructive
editions have in the
history of
interpretation, what
additional benefit is
generated from them, and
wherein lies their
legitimacy. Unlike his
teacher Hans von Bulow in
his edition of the
sonatas, Lamond did not
allow any intervention in
the music text per se.
His indications give
instead interpretive
approaches, additionally
inspiring today's
musicians in the
realization of the
musical composition. By
the beginning of the 20th
century he was a
successful and celebrated
pianist, concertizing in
the US and across much of
Europe. He repeatedly
caused a stir with his
Beethoven projects such
as performing sixteen
sonatas as well as the
Diabelli and Eroica
variations within four
days at the Queen's Hall
in London (1925). Dating
from this period is also
his edition of
Beethoven's 32 piano
sonatas that first
appeared from Breitkopf &
Hartel in 1923. Frederic
Lamond thus epitomizes
Beethoven interpretation.
Even today his name is
still associated
primarily with Beethoven.
The present ,,Instructive
Edition of Beethoven's 32
Piano Sonatas is a part
of the ,,Breitkopf
Originals series on the
occasion of Beethoven's
250th Birthday in 2020.
Apart from the
established Urtext
editions, this reissue
opens up a fascinating
view on the
interpretation- and
performance practice of
one of the most important
Beethoven interpreters in
the 19th and 20th
century.
The
Scotsman and his
Beethoven - The 32 Piano
Sonatas in the
Instructive Edition,
edited and supplied with
fingerings by Frederic
Lamond.
Piano SKU: BR.EB-4341 Instructive Edition. Composed by Ludwig van ...(+)
Piano
SKU:
BR.EB-4341
Instructive
Edition. Composed by
Ludwig van Beethoven.
Edited by Frederic
Lamond. Solo instruments;
Softbound. Edition
Breitkopf. The Scotsman
and his Beethoven - The
32 Piano Sonatas in the
Instructive Edition,
edited and supplied with
fingerings by Frederic
LamondHave a look into EB
4342. Sonata; Classical.
Score. 260 pages.
Breitkopf and Haertel #EB
4341. Published by
Breitkopf and Haertel
(BR.EB-4341).
ISBN
9790004162866. 9 x 12
inches.
Whereas in
past decades Urtext
editions with assorted
aspirations and readings
by various editors were
the primary points of
departure in addressing
Beethoven's piano
sonatas, today it is more
often the question of
what significance
so-called instructive
editions have in the
history of
interpretation, what
additional benefit is
generated from them, and
wherein lies their
legitimacy. Unlike his
teacher Hans von Bulow in
his edition of the
sonatas, Lamond did not
allow any intervention in
the music text per se.
His indications give
instead interpretive
approaches, additionally
inspiring today's
musicians in the
realization of the
musical composition. By
the beginning of the 20th
century he was a
successful and celebrated
pianist, concertizing in
the US and across much of
Europe. He repeatedly
caused a stir with his
Beethoven projects such
as performing sixteen
sonatas as well as the
Diabelli and Eroica
variations within four
days at the Queen's Hall
in London (1925). Dating
from this period is also
his edition of
Beethoven's 32 piano
sonatas that first
appeared from Breitkopf &
Hartel in 1923. Frederic
Lamond thus epitomizes
Beethoven interpretation.
Even today his name is
still associated
primarily with Beethoven.
The present ,,Instructive
Edition of Beethoven's 32
Piano Sonatas is a part
of the ,,Breitkopf
Originals series on the
occasion of Beethoven's
250th Birthday in 2020.
Apart from the
established Urtext
editions, this reissue
opens up a fascinating
view on the
interpretation- and
performance practice of
one of the most important
Beethoven interpreters in
the 19th and 20th
century.
The
Scotsman and his
Beethoven - The 32 Piano
Sonatas in the
Instructive Edition,
edited and supplied with
fingerings by Frederic
Lamond.
Flute and continuo SKU: FZ.50144 1734. Composed by Johann Joachim ...(+)
Flute and continuo
SKU: FZ.50144
1734. Composed by
Johann Joachim Quantz.
This edition: Facsimile.
Collection FacsiMusic.
Score. Published by Anne
Fuzeau Productions -
France (FZ.50144).
ISBN 9790049501446.
21.00 x 29.70 cm
inches.
This
facsimile of an original
by Johann Joachim Quantz
is part of our Facsimusic
collection. Dresden, (s.
d. = 1734). Six
sonatas for flute and
continuo. Edition
reviewed by the author.
Collection supervised by
the musicologist Jean
Saint-Arroman, professor
at the Conservatoire
National Superieur de
Musique et de Danse of
Paris and at the CEFEDEM
Ile de France (Training
Centre for Music
Teachers). He is the
author of the majority of
our prefaces and has also
been involved in library
searches. Facsimile
of a copy in the National
Library of Paris
(France). Anne Fuzeau
Classique propose period
copies of classical music
scores.
Six Sonatas Clarinette Basse, Piano Alea Publishing
Composed by Antonio Vivaldi (1678-1741). Arranged by Michael and Kimberly Davenp...(+)
Composed by Antonio
Vivaldi (1678-1741).
Arranged by Michael and
Kimberly Davenport.
Classical; baroque. Piano
score and part. Published
by Alea Publishing
(A7.ALEA1012).