Orchestra SATB vocal soli, SATB choir, 2 oboes, [4 trombones], 2 violins, viola, basso continuo - Grade 3

SKU: CA.3103809

Cantata for the 21st Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. 1x 31.038/21 oboe 1, 1x 31.038/22 oboe 2, 1x 31.038/31 trumpet 1, 1x 31.038/32 trumpet 2, 1x 31.038/33 trombone 1, 1x 31.038/34 trombone 2, 1x 31.038/35 trombone 3, 1x 31.038/36 trombone 4. Hymns by Martin Luther: Aus tiefer Not schrei ich zu dir. German title: Aus tiefer Not schrei ich zu dir 8. Sacred vocal music, Cantatas. Set of Orchestra Parts. Composed 1724. BWV 38. 20 pages. Duration 21 minutes. Carus Verlag #CV 31.038/09. Published by Carus Verlag (CA.3103809).

ISBN 9790007042783. Key: E phrygian. Language: German. Text: Luther, Martin. Text: Martin Luther.

The opening movement of Bach's chorale cantata on Luther's In deepest need I cry to you BWV 38, which was composed for the 21st Sunday after Trinity Sunday, belongs to a group of cantatas whose opening choruses are not concertante but have been kept in the style of a motet; the instruments merely amplify the vocal parts. The archaic character of the movement is emphasized by the addition of a trombone quartet. An exciting recitative and an aria full of pungent harmonies is followed by an entirely unusual recitative in which the chorale melody forms the bass foundation for the vocal part. A second aria - which is no less unusual -is a trio which is only accompanied by the continuo; it leads into the concluding chorale which, pursuant to the 1st line of text Ob bei uns ist der Sunden viel, already begins with a brusque dissonance. Score and parts available separately - see item CA.3103800.

Chamber Music Viola 1, Viola 2, Violin 1, Violin 2, Violoncello 1, Violoncello 2

SKU: PR.114421310

Composed by Peter Schickele. Set of Score and Parts. 74+21+20+22+19+21+19 pages. Duration 26 minutes. Theodore Presser Company #114-42131. Published by Theodore Presser Company (PR.114421310).

UPC: 680160680993.

A lot of chamber music playing went on in Fargo, North Dakota during my teenage years. The participants included both high school friend - my brother, who plays viola, was an is an inveterate chamber music player - and members of parents' generation. The latter included not only professional musicians (the conductor of the Fargo-Moorhead Community Orchestra, who also played cello and was my first composition teacher, his wife, who was the orchestra's concert mistress, and others) but also people from various other walks of life. Although I don't play a string instrument, I was almost always in attendance, with score in hand. (One summer, all the young cellists we played with went to the Interlochen Music Camp, so I got to play the cello parts on the bassoon.) Mostly it was string quartets that were played, but one of the larger pieces I remember being done more than once was the Brahms Sextet in G Major, and I think that the idea for utilizing that combination had been lurking in the back of my mind since then. In the middle 1980's, ideas for a string sextet began appearing in my sketchbooks; one movement (the fourth) was actually completed in one of the sketchbooks. But without a deadline, it's hard for me to finish a major work, since there are always other pieces (with deadlines) waiting to be completed. So when the Composers Showcase at Lincoln Center asked me to put together a retrospective of my work, I knew I wanted to have a premiere on the program, and May 7, 1990 became the deadline that I got the piece done. The work is in six movements, with a symmetrical key pattern; the movements range from the very dramatic to the very easy-going. I had contacted the Lark Quartet, who had commissioned my String Quartet No.2, about forming the core of the sextet. Unfortunately, one of the Larks had a scheduling conflict, but the other three rounded up three more players, and the six of them gave the piece a rousing performance, in spite of the limited rehearsal time. The players were Eva Gruesser, Genovia Cummins, Anna Kruger, Mary Hamman, Astrid Schween and Julia Lichten.
A lot of chamber music playing went on in Fargo, North Dakota during my teenage years. The participants included both high school friend – my brother, who plays viola, was an is an inveterate chamber music player – and members of parents’ generation. The latter included not only professional musicians (the conductor of the Fargo-Moorhead Community Orchestra, who also played cello and was my first composition teacher, his wife, who was the orchestra’s concert mistress, and others) but also people from various other walks of life. Although I don’t play a string instrument, I was almost always in attendance, with score in hand. (One summer, all the young cellists we played with went to the Interlochen Music Camp, so I got to play the cello parts on the bassoon.)Mostly it was string quartets that were played, but one of the larger pieces I remember being done more than once was the Brahms Sextet in G Major, and I think that the idea for utilizing that combination had been lurking in the back of my mind since then. In the middle 1980’s, ideas for a string sextet began appearing in my sketchbooks; one movement (the fourth) was actually completed in one of the sketchbooks. But without a deadline, it’s hard for me to finish a major work, since there are always other pieces (with deadlines) waiting to be completed. So when the Composers Showcase at Lincoln Center asked me to put together a retrospective of my work, I knew I wanted to have a premiere on the program, and May 7, 1990 became the deadline that I got the piece done.The work is in six movements, with a symmetrical key pattern; the movements range from the very dramatic to the very easy-going.I had contacted the Lark Quartet, who had commissioned my String Quartet No.2, about forming the core of the sextet. Unfortunately, one of the Larks had a scheduling conflict, but the other three rounded up three more players, and the six of them gave the piece a rousing performance, in spite of the limited rehearsal time. The players were Eva Gruesser, Genovia Cummins, Anna Kruger, Mary Hamman, Astrid Schween and Julia Lichten.

ATB vocal soli, SATB choir, 2 flutes, 2 oboes, 3 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.3103409

Cantata for the 1st day of Pentecost. Composed by Johann Sebastian Bach. Edited by Paul Horn, Felix Loy. This edition: urtext. 1x 31.034/21 flute 1, 1x 31.034/22 flute 2, 1x 31.034/23 oboe 1, 1x 31.034/24 oboe 2, 4x 31.034/31 trumpet/timpani. Stuttgart Urtext Edition: Bach vocal. Harmony parts. Sacred vocal music, Cantatas, Whitsun, Wedding. Set of Orchestra Parts. Composed 1745. BWV 34. 20 pages. Duration 21 minutes. Carus Verlag #CV 31.034/09. Published by Carus Verlag (CA.3103409).

ISBN 9790007042592. Key: D major. Language: German/English.

The marriage cantata (BWV 34a) on which this work is based was composed in 1726. This parody was composed in the first half of the 1740's. Score and parts available separately - see item CA.3103400.

SATB solo, SATB choir, flute, 2 clarinets, 2 trumpets, timpani, 2 violins and basso continuo

SKU: CA.2706909

Composed by Johann Baptist Schiedermayr. Edited by Armin Kircher. 1x 27.069/21 flute, 1x 27.069/22 clarinet 1, 1x 27.069/23 clarinet 2, 1x 27.069/24 bassoon, 1x 27.069/31 trumpet 1, 1x 27.069/32 trumpet 2, 1x 27.069/41 timpani. Harmony parts. Sacred vocal music, Masses, Latin, Christmas. Set of Orchestra Parts. Op. 72. 68 pages. Duration 17 minutes. Carus Verlag #CV 27.069/09. Published by Carus Verlag (CA.2706909).

ISBN 9790007199890. Key: C major. Language: Latin.

In the south German-Austrian region the Pastoral Mass of Johann Baptist Schiedermayr was regarded as one of the most well-known and beloved works in this genre. Engaging melodies, passages in thirds and sixths, and typical pastoral motives, such as horn calls and open fifths, the latter a reminder of the bourdon of bagpipes or a hurdy-gurdy, characterize the movements of the Mass. Lyrical sections, such as the Et incarnatus est, which is the center of Shiedermayr's setting of the Ordinary, alternate with festive passages in which trumpets and timpani brilliantly express the festive joy of Christmas. Score and parts available separately - see item CA.2706900.

ATB vocal soli, SATB choir, 2 oboes, 2 horns, Taille (english horn), 3 soli violins + viola + cello, 2 violins, viola, basso continuo

SKU: CA.3117412

Cantata for the 2nd day of Pentecost. Composed by Johann Sebastian Bach. Edited by Karin Wollschlager. Stuttgart Urtext Edition: Bach vocal. Violin solo 2. Sacred vocal music, Cantatas, Whitsun, Praise and thanks. Single Part, Violin Solo 2. Composed 1729. BWV 174. 12 pages. Duration 23 minutes. Carus Verlag #CV 31.174/12. Published by Carus Verlag (CA.3117412).

ISBN 9790007209650. Text language: German/English. Text: Henrici (Picander), Christian Friedrich.

The cantata Ich liebe den Hochsten von ganzem Gemute (I love the Almighty with all of my spirit) BWV 174 was composed for Whit Monday 1729. It probably belongs to Bach's fourth cycle of cantatas, known as the Picander cycle. Most of the cantata is taken up by the introductory Sinfonia. This is a reworking of the first movement of the famous third Brandenburg Concerto BWV 1048. Bach took the movement almost unaltered and simply added wind parts to strengthen the sound to the nine string parts (three violins, three violas, three violoncelli) and basso continuo - two corni da caccia and two oboes, reinforced by two violins, an oboe da caccia (taille) and a viola. The following movements (aria, recitative, aria) form a distinct contrast with their chamber music scoring (two oboes or one or two string parts with basso continuo). A simple four-part chorale concludes the cantata. Score and part available separately - see item CA.3117400.

Double bass (2.2(cor ang).2.A-sax.2 - 4.2.2CaP.3.0 - timp.perc - hp/pno - str)

SKU: BR.EOS-20828-27

Urtext. Composed by Georges Bizet. Edited by Lesley A. Wright. Orchestra; stapled. Eulenburg Orchestral Series.

The world premiere of the play L'Arlesienne with the incidental music by Georges Bizet was a notable failure not only for the playwright Alphonse Daudet, but also for the composer.

Suite; Romantic. Part. 4 pages. Duration 17'. Breitkopf and Haertel #EOS 20828-27. Published by Breitkopf and Haertel (BR.EOS-20828-27).

ISBN 9790004785485. 10 x 12.5 inches.

The two four-movement orchestral suites, in turn, are still thrilling concert-goers all over the world, ever since their first performances in 1872 and 1880 respectively. In 1998 and 2001, Lesley A. Wright presented the score and orchestral parts of the two repertoire pieces in an Urtext edition prepared for the first time on the basis of all relevant sources. Thus not only will the yellow Urtext angel be gracing the conducting score and orchestral parts, but, next to the standardized large format and new layout of the parts, there are other user-friendly improvements, such as practical page-turns, page-turn aids and intelligent cue notes.

Oboe, orchestra (solos: ob - 0.2.0.0 - 2.0.0.0 - str)

SKU: BR.PB-5526-07

Urtext. Composed by Wolfgang Amadeus Mozart. Edited by Henrik Wiese. Stapled. Partitur-Bibliothek (Score Library). This handsome urtext edition from Breitkopf is edited by Henrik Wiese and comprises the complete suit of full score, orchestral parts, oboe copy and piano accompaniment. (Double Reed News). Solo concerto; Classical. Study Score. 48 pages. Duration 20'. Breitkopf and Haertel #PB 5526-07. Published by Breitkopf and Haertel (BR.PB-5526-07).

ISBN 9790004212554. 6.5 x 9 inches.

Mozart is believed to have written an oboe concerto for the Salzburg virtuoso Giuseppe Ferlendis in 1777. The work was considered lost until 1920, when Bernhard Paumgartner discovered a copy of the parts that must have been written shortly before Mozart's death. Nevertheless, this copy proved to be much more unreliable than the copy of the parts of the flute concerto. Every source-critical edition must take these parts into consideration, as there is otherwise no extant source material aside from a brief autograph sketch. Henrik Wiese's new edition consistently distinguishes between what can be regarded as Urtext and what the informed player must interpret himself. To this end, the edition for oboe and piano also contains a study part in which the solo parts for flute and oboe are placed synoptically opposite each other.,,This handsome urtext edition from Breitkopf is edited by Henrik Wiese and comprises the complete suit of full score, orchestral parts, oboe copy and piano accompaniment. (Double Reed News)

This handsome urtext edition from Breitkopf is edited by Henrik Wiese and comprises the complete suit of full score, orchestral parts, oboe copy and piano accompaniment. (Double Reed News).

Concert Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Cornet, Cornet 1, Crash Cymbals, Euphonium, Flute, Oboe, Snare Drum, Suspended Cymbal, Tambourine, Triangle, Trombone, Trumpet 1, Trumpet 2, Tuba, alto Clarinet, alto Saxophone and more.

SKU: PR.165000790

Full Score and Parts. Composed by Anonymous. Arranged by Heskel Brisman. Folk Songs for Band. Score and Set of Parts. With Standard notation. 4+2+6+6+2+2+2+2+2+2+3+3+3 +2+2+2+2+3 pages. Duration 2:10. Theodore Presser Company #165-00079. Published by Theodore Presser Company (PR.165000790).

ISBN 9781491133590. UPC: 680160039289. Key: Ab major.

Orchestra bass voice solo, SATB choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 violins, 2 violas, 2 cellos, contrabass - Grade 3

SKU: CA.4018609

Chorale cantata. Composed by Felix Bartholdy Mendelssohn. Edited by Oswald Bill. This edition: urtext. 1x 40.186/21 flute 1, 1x 40.186/22 flute 2, 1x 40.186/23 oboe 1, 1x 40.186/24 oboe 2, 1x 40.186/25 clarinet 1, 1x 40.186/26 clarinet 2, 1x 40.186/27 bassoon 1, 1x 40.186/28 bassoon 2, 1x 40.186/31 horn 1, 1x 40.186/32 horn 2. Stuttgart Urtext Edition: Mendelssohn. German title: O Haupt voll Blut 10. Innovative practice aids, Sacred vocal music, Cantatas, Lent and Passiontide, Holy Week, Eucharist, Communion. Set of Orchestra Parts. Composed 1830. MWV. 32 pages. Duration 12 minutes. Carus Verlag #CV 40.186/09. Published by Carus Verlag (CA.4018609).

ISBN 9790007064365. Language: German/English. Text: Gerhardt, Paul. Text: Paul Gerhardt.

During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach's works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known chorale melodies for choir, instruments, and sometimes also for soloists. Score and parts available separately - see item CA.4018600.

Orchestra SBar vocal soli, SATB choir, 2 flutes, 2 oboes, english horn, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, 3 trombones, timpani, 2 violins, viola, cello, contrabass, organ, harp - Grade 3

SKU: CA.5016409

Christmas cantata. Composed by Josef Gabriel Rheinberger. Edited by Harald Wanger. 1x 50.164/21 flute 1, 1x 50.164/22 flute 2, 1x 50.164/23 oboe 1, 1x 50.164/24 oboe 2, 1x 50.164/25 English horn, 1x 50.164/26 clarinet 1, 1x 50.164/27 clarinet 2, 1x 50.164/28 bassoon 1, 1x 50.164/29 bassoon 2, 1x 50.164/31 horn 1, 1x 50.164/32 horn 2, 1x. German title: Der Stern von Bethlehem 18. Innovative practice aids, Sacred vocal music, Christmas. Set of Orchestra Parts. Composed 1890. Op. 164. 116 pages. Duration 48 minutes. Carus Verlag #CV 50.164/09. Published by Carus Verlag (CA.5016409).

ISBN 9790007080242. Language: German/English. Text: von Hoffnaass, Franziska (Fanny). Text: Franziska (Fanny) von Hoffnaass.

He who seeks a moving and lyrical work with rewarding roles for the choir could do no better than to choose Rheinberger's Stern von Bethlehem. In nine scenes (Expectation, The shepherds, The appearance of the angels, The Star, etc.) the Christmas story is lyrically portrayed. Songlike and pastoral choruses, a heartfelt soprano part and finally, the exotic, charming procession of the Wisemen through the desert have insured this work an increasing popularity. It was written in 1890 to a libretto by Rheinberger's wife Fanny. On account of their similar scoring, this work can be easily combined for a performance with Mendelssohn's Vom Himmel hoch or Die Geburt Christi. Score and parts available separately - see item CA.5016400.

SATB choir (unison children's choir), 2 english horns, 2 bassoons, 2 trumpets, 2 trombones, timpani, 2 violins, viola, cello/contrabass, organ

SKU: CA.9193309

Weihnachtslieder-Messe . Composed by Max Eham. 1x 91.933/21 English horn 1, 1x 91.933/22 English horn 2, 1x 91.933/23 bassoon 1, 1x 91.933/24 bassoon 2, 2x 91.933/31 2 trumpets, 2x 91.933/31 2 trumpets, 2x 91.933/31 2 trumpets, 2x 91.933/31 2 trumpets, 2x 91.933/32 2 trombones, 1x 91.933/41 timpani. Missa Carminum. Orchesterfassung. Sacred vocal music, Masses, Latin, Christmas. Set of Orchestra Parts. Composed 1984. 34 pages. Carus Verlag #CV 91.933/09. Published by Carus Verlag (CA.9193309).

ISBN 9790007236120. Key: F major. Language: Latin/German.

The Mass with Christmas hymns, Missa carminum is available from Carus in a orchestra version and in a version for choir and organ. The unique feature of this work is that each movement of the Ordinary employs a well-known Christmas hymn as an instrumental cantus firmus. In the score the text of each hymn has been included in the appropriate passage, so that the Christmas signature tune may be performed vocally, for example, by a one-part children's choir. Score and parts available separately - see item CA.9193300.

Orchestra SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, timpani, 2 violins, viola, basso (cello, double bass, organ)

SKU: CA.4068809

Missa in C. Composed by Ludwig van Beethoven. Edited by Ernst Herttrich. 1x 40.688/21 flute 1, 1x 40.688/22 flute 2, 1x 40.688/23 oboe 1, 1x 40.688/24 oboe 2, 1x 40.688/25 clarinet 1, 1x 40.688/26 clarinet 2, 1x 40.688/27 bassoon 1, 1x 40.688/28 bassoon 2, 1x 40.688/31 horn 1, 1x 40.688/32 horn 2, 1x 40.688/33 trumpet 1, 1x 40. Carus sheet music series: Vocal scores XL. Messe In C Op. 86. Innovative practice aids, Sacred vocal music, Masses, Latin. Set of Orchestra Parts. Op. 86. 120 pages. Duration 50 minutes. Carus Verlag #CV 40.688/09. Published by Carus Verlag (CA.4068809).

ISBN 9790007220327. Language: Latin.

With its tonal language of subjective avowal, the first of Beethoven's two masses opens up new worlds of expression for the liturgical texts of the Mass which are expressly modern and point towards the future. Not to be considered a preliminary work to the Missa solemnis, it is an entirely independent work which set standards for the further development of settings of the Mass in the 19th century. Its newness, of which the composer himself was fully aware (I do not speak gladly of my Mass, or of myself, but I do believe that I have treated the text in a manner in which only few have treated it.), paves a way to an hitherto unknown, contemporary avenue to faith which today is still current. Carus presents this important work of church music history in a new critical edition by the Beethoven expert Ernst Herttrich. Score and parts available separately - see item CA.4068800.

Orchestra tenor solo voice, SATTBB choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, 3 trombones, timpani, 2 violins, viola, cello, contrabass - Grade 3

SKU: CA.4016909

Oratorio fragament. Part I: The Birth of Christ; Part II: The Passion of Christ. Composed by Felix Bartholdy Mendelssohn. Edited by R. Larry Todd. This edition: urtext. 1x 40.169/21 flute 1, 1x 40.169/22 flute 2, 1x 40.169/23 oboe 1, 1x 40.169/24 oboe 2, 1x 40.169/25 clarinet 1, 1x 40.169/26 clarinet 2, 1x 40.169/27 bassoon 1, 1x 40.169/28 bassoon 2, 1x 40.169/31 horn 1, 1x 40.169/32 horn 2, 1x 40.169/33 trombone 1, 1x 4. Stuttgart Urtext Edition: Mendelssohn. Christus-Oratorium (Fragment). Innovative practice aids, Sacred vocal music, Oratorios, Lent and Passiontide, Holy Week, Christmas. Set of Orchestra Parts. Composed 1847. Op. 97, MWV A 26. 28 pages. Duration 21 minutes. Carus Verlag #CV 40.169/09. Published by Carus Verlag (CA.4016909).

ISBN 9790007063528. Language: German/English.

Men delssohns unfinished 3rd oratorio in its first critical edition. The parts Die Geburt Christi and Das Leiden Christi are presented with full orchestration. In 1852, five years after Mendelsohn's death, two independently-performable fragments of an unfinished oratorio were published under the title Christus. The second fragment, The Suffering of Jesus, comes from the middle of the Passion story: the scene Jesus before Pilot is presented with rapid, dramatic alternation between the recitatives of the evangelist (tenor) and choruses of the people. A contemplative choral movement closes the fragment.

Orchestra SATB vocal soli, SATB/SATB choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, 3 trombones, timpani, 2 violins, viola, cello, contrabass, organ, harp - Grade 3

SKU: CA.4007509

Sing to the Lord a newmade song. Composed by Felix Bartholdy Mendelssohn. Edited by R. Larry Todd. This edition: urtext. 1x 40.075/21 flute 1, 1x 40.075/22 flute 2, 1x 40.075/23 oboe 1, 1x 40.075/24 oboe 2, 1x 40.075/25 clarinet 1, 1x 40.075/26 clarinet 2, 1x 40.075/27 bassoon 1, 1x 40.075/28 bassoon 2, 1x 40.075/31 horn 1, 1x 40.075/32 horn 2, 1x 40.075/33 trumpet 1, 1x 40. Stuttgart Urtext Edition: Mendelssohn. Der 98.Psalm Singet Dem Herrn. Sacred vocal music, Psalms, German, Easter and Eastertide, Praise and thanks, Psalms. Set of Orchestra Parts. Composed 1843. Op. 91, MWV A 23. 52 pages. Duration 8 minutes. Carus Verlag #CV 40.075/09. Published by Carus Verlag (CA.4007509).

ISBN 9790007060923. Language: German/English.

The Psalms inspired Mendelssohn throughout his working life, and, aside from a cappella settings, he left behind five great orchestral Psalms. Score and parts available separately - see item CA.4007500.

Orchestra tenor solo voice, SATTBB choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, 3 trombones, timpani, 2 violins, viola, cello, contrabass - Grade 3

SKU: CA.4017009

Oratorio fragament. Part I: The Birth of Christ; Part II: The Passion of Christ. Composed by Felix Bartholdy Mendelssohn. Edited by R. Larry Todd. This edition: urtext. 1x 40.170/21 flute 1, 1x 40.170/22 flute 2, 1x 40.170/23 oboe 1, 1x 40.170/24 oboe 2, 1x 40.170/25 clarinet 1, 1x 40.170/26 clarinet 2, 1x 40.170/27 bassoon 1, 1x 40.170/28 bassoon 2, 1x 40.170/31 horn 1, 1x 40.170/32 horn 2, 1x 40.170/33 trumpet 1, 1x 40. Stuttgart Urtext Edition: Mendelssohn. Christus-Oratorium (Fragment). Innovative practice aids, Sacred vocal music, Oratorios, Lent and Passiontide, Holy Week, Christmas. Set of Orchestra Parts. Composed 1847. Op. 97, MWV A 26. 48 pages. Duration 21 minutes. Carus Verlag #CV 40.170/09. Published by Carus Verlag (CA.4017009).

ISBN 9790007063610. Language: German/English.

Men delssohns unfinished 3rd oratorio in its first critical edition. The parts Die Geburt Christi and Das Leiden Christi are presented with full orchestration. In 1852, five years after Mendelsohn's death, two independently-performable fragments of an unfinished oratorio were published under the title Christus. The second fragment, The Suffering of Jesus, comes from the middle of the Passion story: the scene Jesus before Pilot is presented with rapid, dramatic alternation between the recitatives of the evangelist (tenor) and choruses of the people. A contemplative choral movement closes the fragment.

SATB choir, 2 oboes, 2 bassoons, 2 horns, 2 trumpets, timpani, 2 violin, viola, basso continuo

SKU: CA.5132209

Fragment, completed by Maximilian Stadler. Composed by Wolfgang Amadeus Mozart. Edited by Bernhard Janz. Arranged by Abbe Maximilian Stadler. This edition: urtext. 1x 51.322/21 oboe 1, 1x 51.322/22 oboe 2, 2x 51.322/23 2 bassoons, 2x 51.322/31 2 horns, 2x 51.322/32 2 trumpets, 2x 51.322/32 2 trumpets, 2x 51.322/32 2 trumpets, 2x 51.322/32 2 trumpets, 1x 51.322/41 timpani. Stuttgart Urtext Edition: Mozart. German title: Kyrie In Es (Erganzung Stadler). Sacred vocal music, Mass sections. Set of Orchestra Parts. Composed 1778/79. KV 322. 18 pages. Duration 4 minutes. Carus Verlag #CV 51.322/09. Published by Carus Verlag (CA.5132209).

ISBN 9790007224813. Language: Latin.

Both of the Kyrie settings in E flat major K. 322 (1778/79) and C major K. 323 (probably not prior to 1790) belong to those works by Mozart which were only handed down as incomplete draft scores. However, in both cases Mozart's original drafts were so extensive and well advanced that Abbe Maximilian Stadler, Mozart's friend and known from the history associated with the Requiem, could complete both settings. Score and parts available separately - see item CA.5132200.

Orchestra SATB choir, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, 3 trombones, timpani, 2 violins, viola, 2 cellos, double bass, [organ] - Grade 3

SKU: CA.4018709

Chorale cantata. Composed by Felix Bartholdy Mendelssohn and Martin Luther. Edited by Gunter Graulich. This edition: urtext. 1x 40.187/21 oboe 1, 1x 40.187/22 oboe 2, 1x 40.187/23 clarinet 1, 1x 40.187/24 clarinet 2, 1x 40.187/25 bassoon 1, 1x 40.187/26 bassoon 2, 1x 40.187/31 horn 1, 1x 40.187/32 horn 2, 1x 40.187/33 trumpet 1, 1x 40.187/34 trumpet 2, 1x 40.187/35 trombone 1, . Stuttgart Urtext Edition: Mendelssohn. German title: Wir glauben all an einen Gott 14. Sacred vocal music, Cantatas. Set of Orchestra Parts. Composed 1831. MWV A 12. 44 pages. Duration 8 minutes. Carus Verlag #CV 40.187/09. Published by Carus Verlag (CA.4018709).

ISBN 9790007064464. Language: German/English. Text: Luther, Martin. Text: Martin Luther.

During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach's works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known chorale melodies for choir, instruments, and sometimes also for soloists. Score and parts available separately - see item CA.4018700.

Orchestra 2 Flutes, 2 Oboes, 2 Clarinets, 2 Bassoons, 2 Horns, 2 Trumpets, 3 Trombones, Timpani, 2 Violins, Viola, Cello, Contrabass, Piano

SKU: CA.5009409

Klavierkonzert in As. Composed by Josef Gabriel Rheinberger. Edited by Han Theill. This edition: Complete edition. 1x 50.094/21 flute 1, 1x 50.094/22 flute 2, 1x 50.094/23 oboe 1, 1x 50.094/24 oboe 2, 1x 50.094/25 clarinet 1, 1x 50.094/26 clarinet 2, 1x 50.094/27 bassoon 1, 1x 50.094/28 bassoon 2, 1x 50.094/31 horn 1, 1x 50.094/32 horn 2, 1x 50.094/33 trumpet 1, 1x 50. Josef Gabriel Rheinberger - Complete Works. Harmony parts. Set of Orchestra Parts. Composed 1876. Op. 94. 70 pages. Duration 30 minutes. Carus Verlag #CV 50.094/09. Published by Carus Verlag (CA.5009409).

ISBN 9790007223229. Key: A flat major. Language: all languages.

We consider Rheinberger's new Piano Concerto to be one of his most significant and inspired works, wrote a critic following the premiere in 1876 of this virtuoso Concerto op. 94, which enjoyed a spontaneous success in German centers of musical life. vocal score (version for two pianos) available: 50.094/03.

Soprano voice solo, SATB choir, 2 clarinos/trumpets, timpani, 2 violins, basso continuo - Level 3

SKU: CA.4004209

Offertorium in festo Sti Benedicti. Composed by Wolfgang Amadeus Mozart. Arranged by Eberhard Kraus. This edition: urtext. 1x 40.042/31 clarino 1, 1x 40.042/32 clarino 2, 1x 40.042/41 timpani. Stuttgart Urtext Edition: Mozart. Scande Coeli Limina Rev.2003. Sacred vocal music, Cantatas, Special days. Set of Orchestra Parts. Composed circa 1766/76. KV 34. 6 pages. Duration 4 minutes. Carus Verlag #CV 40.042/09. Published by Carus Verlag (CA.4004209).

ISBN 9790007058371. Key: C major. Language: Latin.

Since the autograph of the offertory Scande coeli limina KV 34 has not survived, the discovery of the oldest existing copy of the parts in 1998 in the archives of the Holy Chapel in Altotting were a significant contribution to the preservation of this work. Robert Munster discovered the parts, the new source upon which the present critical edition is based. Score and parts available separately - see item CA.4004200.

Band Bass Clarinet, Bass Drum, Bassoon, Clarinet, Crash Cymbals, Euphonium, Euphonium T.C., Flute, Flute 2, Horn, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Ratchet, Slap Stick, Snare Drum, Timpani, Tom-tom, Trombone, Trumpet, Tuba and more. - Grade 0.5

SKU: CF.PPS52F

A Fantasy for Band. Composed by Joseph Compello. Primer Band (PPS). Full score. With Standard notation. 16 pages. Carl Fischer Music #PPS52F. Published by Carl Fischer Music (CF.PPS52F).

ISBN 9781491152645. UPC: 680160910144.

Balle t of the Dinosaur Hatchlings is an imaginative and fun selection for a beginning band with less than one year of instruction. Wind parts use only five pitches and only the percussion parts use eighth notes. Two sound effects are required in the piece. First, the hatching eggs are portrayed by a ratchet, and second, the snapping dinosaurs jaws are represented by  a slapstick. Ballet of the Dinosaur Hatchlings is an intriguing piece that beginning students are sure to love.
Ballet of the Dinosaur Hatchlings is a descriptive novelty selection for a beginning band with less than one year of instruction. Wind parts use only five pitches. Only percussion parts use eighth notes. Two sound effects are required. First, the hatching eggs are portrayed by the ratchet beginning at m. 2, and second, the snapping dinosaurs jaws, which are first heard at m. 14, are represented by an accented note augmented by a slapstick. Directors are encouraged to use more elaborate sound effects if they are inclined to do so. The story described by the music is as follows:• Dinosaur eggs begin to hatch (the ratchet, mm. 1-8).• The parent dinosaurs guard the nest (Low Brass and Woodwinds mm. 9-12).• The hatchlings begin walking (m. 13).• The hatchlings snap their jaws as they learn to eat (m. 14, Xylophone and Slapstick).• Thunder (Timpani, m. 29).• The parent dinosaurs seek shelter for all (m. 33, Low Brass and Woodwinds).• The hatchlings follow while they continue snapping their jaws (m. 41).• More thunder (mm. 53-54).• All the dinosaurs roar loudly at the clouds (m. 55) as the thunder becomes louder.