(P/V/G). By Various. Songbooks and Methods. Music Sales America. Patriotic, Sacred. Softcover. 320 pages

By Robert J Powell. For organ. Organ Music. Published by MorningStar Music Publishers.
Level: Medium.

By Jay Althouse. For Choir. (SATB). Comfort, Encouragement, Gods Attributes/Character, Guidance, Promise and Sacred. Print Music Single (SATB). Published by Hope Publishing Company.

(Simple Songs for Sunday School). By Mark Burrows. For unison choir, piano and performance/accompaniment CD. Sacred. Sacred Choral Collection

Orchestra SB vocal soli, 2 oboes, taille (english horn), 2 violins, viola, basso continuo - Grade 3

SKU: CA.3105819

Cantata for the Sunday after New Year. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. German title: Ach Gott, wie manches Herzeleid. Sacred vocal music, Cantatas, New year. Set of Orchestra Parts. Composed 1733/1734. BWV 58. Duration 17 minutes. Carus Verlag #CV 31.058/19. Published by Carus Verlag (CA.3105819).

ISBN 9790007136208. Key: C major. Language: German/English.

The cantata O God, what glut of care and pain BWV 58, which Bach subtitled Dialogus and wrote for the Sunday after New Year, limits itself accordingly to the dialog couple consisting of soprano and bass; further soloists or a choir are not required. In the framing movements, the dialog takes on the form of a chorale arrangement: the soprano presents a cantus firmus whose words are consolingly commented on by the bass. Both the expansive chorale arrangements leave room for an aria which is framed by two recitatives. The cantata was composed for the Sunday after New Year 1727, but the received form is from a subsequent performance that took place six or seven years later. For this performance, Bach not only expanded the instrumentation but also replaced an entire aria. Later, he assigned the cantata to his annual cycle of chorale cantatas, probably due to its high proportion of chorales; this Sunday was missing in that annual cycle as there was no Sunday between New Year and Epiphany in 1725. Score and parts available separately - see item CA.3105800.

Orchestra SB vocal soli, 2 oboes, taille (english horn), 2 violins, viola, basso continuo - Grade 3

SKU: CA.3105814

Cantata for the Sunday after New Year. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. German title: Ach Gott, wie manches. Sacred vocal music, Cantatas, New year. Single Part, Cello/Double Bass. Composed 1733/1734. BWV 58. 8 pages. Duration 17 minutes. Carus Verlag #CV 31.058/14. Published by Carus Verlag (CA.3105814).

ISBN 9790007043261. Key: C major. Language: German/English.

The cantata O God, what glut of care and pain BWV 58, which Bach subtitled Dialogus and wrote for the Sunday after New Year, limits itself accordingly to the dialog couple consisting of soprano and bass; further soloists or a choir are not required. In the framing movements, the dialog takes on the form of a chorale arrangement: the soprano presents a cantus firmus whose words are consolingly commented on by the bass. Both the expansive chorale arrangements leave room for an aria which is framed by two recitatives. The cantata was composed for the Sunday after New Year 1727, but the received form is from a subsequent performance that took place six or seven years later. For this performance, Bach not only expanded the instrumentation but also replaced an entire aria. Later, he assigned the cantata to his annual cycle of chorale cantatas, probably due to its high proportion of chorales; this Sunday was missing in that annual cycle as there was no Sunday between New Year and Epiphany in 1725. Score and part available separately - see item CA.3105800.

Orchestra SB vocal soli, 2 oboes, taille (english horn), 2 violins, viola, basso continuo - Grade 3

SKU: CA.3105849

Cantata for the Sunday after New Year. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. Organ. Sacred vocal music, Cantatas, New year. Single Part, Organ. Composed 1733/1734. BWV 58. 16 pages. Duration 17 minutes. Carus Verlag #CV 31.058/49. Published by Carus Verlag (CA.3105849).

ISBN 9790007206611. Key: C major. Language: German/English.

The cantata O God, what glut of care and pain BWV 58, which Bach subtitled Dialogus and wrote for the Sunday after New Year, limits itself accordingly to the dialog couple consisting of soprano and bass; further soloists or a choir are not required. In the framing movements, the dialog takes on the form of a chorale arrangement: the soprano presents a cantus firmus whose words are consolingly commented on by the bass. Both the expansive chorale arrangements leave room for an aria which is framed by two recitatives. The cantata was composed for the Sunday after New Year 1727, but the received form is from a subsequent performance that took place six or seven years later. For this performance, Bach not only expanded the instrumentation but also replaced an entire aria. Later, he assigned the cantata to his annual cycle of chorale cantatas, probably due to its high proportion of chorales; this Sunday was missing in that annual cycle as there was no Sunday between New Year and Epiphany in 1725. Score and part available separately - see item CA.3105800.

Orchestra SB vocal soli, 2 oboes, taille (english horn), 2 violins, viola, basso continuo - Grade 3

SKU: CA.3105812

Cantata for the Sunday after New Year. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. German title: Ach Gott, wie manches. Sacred vocal music, Cantatas, New year. Single Part, Violin 2. Composed 1733/1734. BWV 58. 4 pages. Duration 17 minutes. Carus Verlag #CV 31.058/12. Published by Carus Verlag (CA.3105812).

ISBN 9790007043247. Key: C major. Language: German/English.

The cantata O God, what glut of care and pain BWV 58, which Bach subtitled Dialogus and wrote for the Sunday after New Year, limits itself accordingly to the dialog couple consisting of soprano and bass; further soloists or a choir are not required. In the framing movements, the dialog takes on the form of a chorale arrangement: the soprano presents a cantus firmus whose words are consolingly commented on by the bass. Both the expansive chorale arrangements leave room for an aria which is framed by two recitatives. The cantata was composed for the Sunday after New Year 1727, but the received form is from a subsequent performance that took place six or seven years later. For this performance, Bach not only expanded the instrumentation but also replaced an entire aria. Later, he assigned the cantata to his annual cycle of chorale cantatas, probably due to its high proportion of chorales; this Sunday was missing in that annual cycle as there was no Sunday between New Year and Epiphany in 1725. Score and part available separately - see item CA.3105800.

Orchestra SB voice soli, 2 Oboes, Taille (English Horn), Violin solo, Strings, Organ - Level 3

SKU: CA.3105807

Cantata for the Sunday after New Year. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. This edition: Paperbound. Sacred vocal music, Cantatas, New year. Study score. Composed 1733/1734. BWV 58. 56 pages. Duration 17 minutes. Carus Verlag #CV 31.058/07. Published by Carus Verlag (CA.3105807).

ISBN 9790007043216. Key: C major. Language: German/English.

The cantata O God, what glut of care and pain BWV 58, which Bach subtitled Dialogus and wrote for the Sunday after New Year, limits itself accordingly to the dialog couple consisting of soprano and bass; further soloists or a choir are not required. In the framing movements, the dialog takes on the form of a chorale arrangement: the soprano presents a cantus firmus whose words are consolingly commented on by the bass. Both the expansive chorale arrangements leave room for an aria which is framed by two recitatives. The cantata was composed for the Sunday after New Year 1727, but the received form is from a subsequent performance that took place six or seven years later. For this performance, Bach not only expanded the instrumentation but also replaced an entire aria. Later, he assigned the cantata to his annual cycle of chorale cantatas, probably due to its high proportion of chorales; this Sunday was missing in that annual cycle as there was no Sunday between New Year and Epiphany in 1725. Score available separately - see item CA.3105800.

Orchestra SB vocal soli, 2 oboes, taille (english horn), 2 violins, viola, basso continuo - Grade 3

SKU: CA.3105809

Cantata for the Sunday after New Year. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. 1x 31.058/21 oboe 1, 1x 31.058/22 oboe 2, 1x 31.058/23 oboe d'amore. German title: Ach Gott, wie manches Herzeleid 3. Sacred vocal music, Cantatas, New year. Set of Orchestra Parts. Composed 1733/1734. BWV 58. 6 pages. Duration 17 minutes. Carus Verlag #CV 31.058/09. Published by Carus Verlag (CA.3105809).

ISBN 9790007043223. Key: C major. Language: German/English.

The cantata O God, what glut of care and pain BWV 58, which Bach subtitled Dialogus and wrote for the Sunday after New Year, limits itself accordingly to the dialog couple consisting of soprano and bass; further soloists or a choir are not required. In the framing movements, the dialog takes on the form of a chorale arrangement: the soprano presents a cantus firmus whose words are consolingly commented on by the bass. Both the expansive chorale arrangements leave room for an aria which is framed by two recitatives. The cantata was composed for the Sunday after New Year 1727, but the received form is from a subsequent performance that took place six or seven years later. For this performance, Bach not only expanded the instrumentation but also replaced an entire aria. Later, he assigned the cantata to his annual cycle of chorale cantatas, probably due to its high proportion of chorales; this Sunday was missing in that annual cycle as there was no Sunday between New Year and Epiphany in 1725. Score and parts available separately - see item CA.3105800.

Choral (SATB)

SKU: HL.347024

Composed by Nick Strimple. Pavane Choral. Concert, Traditional. Octavo. 8 pages. Pavane Publishing #NS0025. Published by Pavane Publishing (HL.347024).

UPC: 840126926521. 6.75x10.5x0.019 inches.

Nick Strimple has composed a set of three easy anthems, and lacking in difficulty is absolutely true. But elegant and distinguished also describes these settings of familiar texts. The words by 19th century English poet John Bowring is the least known text, but it is timeless and speaks of God's enduring love. The organ accompaniment contains scrumptious suspensions and resolutions for an anthem that works equally well as a choral piece, a solo, or for unison choir.

Orchestra SB vocal soli, 2 oboes, taille (english horn), 2 violins, viola, basso continuo - Grade 3

SKU: CA.3105813

Cantata for the Sunday after New Year. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. German title: Ach Gott, wie manches. Sacred vocal music, Cantatas, New year. Single Part, Viola. Composed 1733/1734. BWV 58. 4 pages. Duration 17 minutes. Carus Verlag #CV 31.058/13. Published by Carus Verlag (CA.3105813).

ISBN 9790007043254. Key: C major. Language: German/English.

The cantata O God, what glut of care and pain BWV 58, which Bach subtitled Dialogus and wrote for the Sunday after New Year, limits itself accordingly to the dialog couple consisting of soprano and bass; further soloists or a choir are not required. In the framing movements, the dialog takes on the form of a chorale arrangement: the soprano presents a cantus firmus whose words are consolingly commented on by the bass. Both the expansive chorale arrangements leave room for an aria which is framed by two recitatives. The cantata was composed for the Sunday after New Year 1727, but the received form is from a subsequent performance that took place six or seven years later. For this performance, Bach not only expanded the instrumentation but also replaced an entire aria. Later, he assigned the cantata to his annual cycle of chorale cantatas, probably due to its high proportion of chorales; this Sunday was missing in that annual cycle as there was no Sunday between New Year and Epiphany in 1725. Score and part available separately - see item CA.3105800.

Mixed choir (SMezATB) - Level 3

SKU: BA.BA07417

Composed by Marten Jansson. Stapled. Choral score. 28 pages. Baerenreiter Verlag #BA07417_00. Published by Baerenreiter Verlag (BA.BA07417).

ISBN 9790006561469. 27 x 19 cm inches. Text Language: Swedish, English. Preface: Jansson, MÃ¥rten.

“I asked my friend, the poet Einar Askestad, if he could write a poem for me about love between father and son, brothers and God.
I felt that these forms of love are seldom sung about. The poem moved me greatly and I have tried to put music to these words which is simple yet full of beauty. In the four movements of this suite-like piece, various aspects of these relationships are conveyed.” (Marten Jansson)


†œMy music is my own and I have never tried to be original. That has always been my motto and I have only tried to use music to express all the feelings which life has to offer. This has led people to describe my music as ‘so sad that it sounds like birds who have lost their wings‘ but also as ‘the happiest classical music that we have ever heard’.
My compositions are almost all sacred. They express not only my own faith but also my appreciation and respect for the timeless texts that have been used for centuries and centuries.”

Mårten Jansson (b. 1965), elected member of the Föreningen svenska tonsättare (the Society of Swedish Composers), graduated from the Royal College of Music, Stockholm (KHM) with an MFA degree in Music Education, Dalcroze Eurhythmics and Voice. For more than ten years he was the music director and conductor of “Carmen”, one of the most prominent womens’ vocal ensembles in Sweden. He currently teaches choral conducting and music theory as well as giving vocal tuition at the Bolandgymnasiet and Musikskolan in his home town of Uppsala.

Composed by Eugene Butler. Choral. Sacred Anthem. Octavo. Sacred Music Press #10/5112S. Published by Sacred Music Press

Organ, SATB choir

SKU: LO.10-5528S

Composed by Eugene Butler. Choral. Sacred Anthem. Octavo. Sacred Music Press #10/5528S. Published by Sacred Music Press (LO.10-5528S).

ISBN 9780787771676.

Vers es from Psalm 104 form the text of this celebratory anthem by Eugene Butler. It celebrates the greatness of God as manifested throughout the majesty and splendor of creation.

SATB choir, organ

SKU: LO.10-5198S

Composed by Eugene Butler. Choral. Sacred Anthem. Octavo. Sacred Music Press #10/5198S. Published by Sacred Music Press (LO.10-5198S).

ISBN 9780787763633.

Euge ne Butler has crafted a striking setting of text from Psalm 36, celebrating the love of God that reaches to the heavens. Beginning grandly and joyfully, the music moves through several contrasting moods to reach a glorious climax before ending with a brief, prayerful coda.

SATB choir, organ - Medium/Medium Difficult

SKU: PL.9825

Composed by Peter Pindar Stearns. Cathedral/Parish. Choral, General. Octavo. Paraclete Press #9825. Published by Paraclete Press (PL.9825).

This is a welcome setting of these famous words from Psalm 51. Peter Pindar Stearns contributes a typically imaginative melodic and harmonic setting of the text, but in addition, he has given such prominence to the organ part that it becomes as a fifth voice. The organ introduces the musical material and also provides interludes that set the atmosphere for the text. The vocal ranges are moderate in scope, thus aiding in the learning process. This fresh setting of these beloved words will be most appropriate for the Lenten season.

Concert Band/Harmonie - Grade 5

SKU: BT.DHP-1043752-140

Composed by Modest Petrovich Mussorgsky. Arranged by Tohru Takahashi. The Great Classics. Concert Piece. Score Only. Composed 2004. De Haske Publications #DHP 1043752-140. Published by De Haske Publications (BT.DHP-1043752-140).

English-German-French- Dutch.

Composer Modest Moussorgsky (1839-1881) came from the prosperous environment of Russian nobility. In 1865, after his officer’s education, he joined the guard’s regiment in St. Petersburg. Here he met a number of well-known colleague-composers, including Balakirev, Cui, Rimsky- Korsakov and Borodin. They strived to develop a “classical style” of composing while at the same time retaining a strong Russian influence. His opera Boris Godunov tells the tale of Boris, who with the support of the people, declared himself Tsar, but totally fell short of the role. The opera became popular in the re-orchestrated version produced by Rimsky-Korsakov in 1896. Tohru Takahashi has usedthe beautiful musical themes of this opera in Selections from Boris Godunov - a captivating work for concert band.

Moussorgsky� ��s opera Boris Godunov - gebaseerd op het gelijknamige drama van Aleksandr Pushkin (waarin Boris Godunov zichzelf met steun van het volk uitroept tot tsaar, maar in deze rol compleet tekortschiet) - werd populairin de bewerking die Rimsky-Korsakov in 1896 maakte. De oorspronkelijke partituur van Moussorgsky staat echter vol originele vondsten en vooruitstrevende harmonische, melodische en instrumentale details. Tohru Takahashi gebruiktede prachtige muzikale thematiek van deze opera in Selections from Boris Godunov - een boeiend werk voor harmonieorkest.

Se in Meisterwerk, die Oper Boris Godunow, schrieb Mussorgski auf der Grundlage des gleichnamigen Dramas von Alexander Puschkin. In diesem Stück erklärt sich Boris Godunow mit Unterstützung des Volkes selbst zum Zaren, versagt aber kläglich in dieser Rolle. Das Werk ist voll von einzigartigen Ideen und damals sehr innovativen harmonischen, melodischen und instrumentalen Details. Tohru Takahashi verwendete in Selections from Boris Godunov die wunderschönen musikalischen Themen der Oper - ein bezauberndes Werk für Blasorchester.

Com positeur essentiellement autodidacte, Modest Moussorgski (1839-1881) descend d’une famille aisée de la noblesse russe. Son chef-d’oeuvre lyrique Boris Godounov est basé sur la tragédie d’Alexandre Pouchkine, dans laquelle Boris Godounov, tsar autoproclamé et soutenu par le peuple faillit son rôle. En 1896, l’opéra connaît le succès dans une version retouchée par Rimski-Korsakov. La version originale de Moussorgski contient cependant des idées uniques, des détails harmoniques, mélodiques et instrumentaux innovateurs. Pour réaliser cette pièce captivante pour Orchestre d’Harmonie, Tohru Takahashi a rassemblé les superbes thèmes musicaux de l’opéra.

Compositore essenzialmente autodidatta, Modest Mussorgski (1839-1881) discende da una famiglia agiata della nobilt russa. Il suo capolavoro lirico, Boris Godunov, si basa sulla tragedia di Alexander Puschkin, nella quale Boris Godunov, proclamatosi zar e sostenuto dal popolo, fallisce nel suo ruolo. Nel 1896, l’opera conosce il successo in una versione ritoccata da Rimski Korsakov. La versione originale di Mussorgski contiene idee uniche, dettagli armonici, melodici e strumenti innovativi. Per trascrivere questo brano per banda, Tohru Takahashi ha raccolto i superlativi temi musicali dell’opera.

Concert Band - Grade 5

SKU: BT.DHP-1043752-040

Composed by Modest Petrovich Mussorgsky. Arranged by Tohru Takahashi. The Great Classics. Concert Piece. Set (Score & Parts). Composed 2004. De Haske Publications #DHP 1043752-040. Published by De Haske Publications (BT.DHP-1043752-040).

English-German-French- Dutch.

Composer Modest Moussorgsky (1839-1881) came from the prosperous environment of Russian nobility. In 1865, after his officer’s education, he joined the guard’s regiment in St. Petersburg. Here he met a number of well-known colleague-composers, including Balakirev, Cui, Rimsky- Korsakov and Borodin. They strived to develop a “classical style” of composing while at the same time retaining a strong Russian influence. His opera Boris Godunov tells the tale of Boris, who with the support of the people, declared himself Tsar, but totally fell short of the role. The opera became popular in the re-orchestrated version produced by Rimsky-Korsakov in 1896. Tohru Takahashi has usedthe beautiful musical themes of this opera in Selections from Boris Godunov - a captivating work for concert band.

Moussorgsky� ��s opera Boris Godunov - gebaseerd op het gelijknamige drama van Aleksandr Pushkin (waarin Boris Godunov zichzelf met steun van het volk uitroept tot tsaar, maar in deze rol compleet tekortschiet) - werd populairin de bewerking die Rimsky-Korsakov in 1896 maakte. De oorspronkelijke partituur van Moussorgsky staat echter vol originele vondsten en vooruitstrevende harmonische, melodische en instrumentale details. Tohru Takahashi gebruiktede prachtige muzikale thematiek van deze opera in Selections from Boris Godunov - een boeiend werk voor harmonieorkest.

Se in Meisterwerk, die Oper Boris Godunow, schrieb Mussorgski auf der Grundlage des gleichnamigen Dramas von Alexander Puschkin. In diesem Stück erklärt sich Boris Godunow mit Unterstützung des Volkes selbst zum Zaren, versagt aber kläglich in dieser Rolle. Das Werk ist voll von einzigartigen Ideen und damals sehr innovativen harmonischen, melodischen und instrumentalen Details. Tohru Takahashi verwendete in Selections from Boris Godunov die wunderschönen musikalischen Themen der Oper - ein bezauberndes Werk für Blasorchester.

Com positeur essentiellement autodidacte, Modest Moussorgski (1839-1881) descend d’une famille aisée de la noblesse russe. Son chef-d’oeuvre lyrique Boris Godounov est basé sur la tragédie d’Alexandre Pouchkine, dans laquelle Boris Godounov, tsar autoproclamé et soutenu par le peuple faillit son rôle. En 1896, l’opéra connaît le succès dans une version retouchée par Rimski-Korsakov. La version originale de Moussorgski contient cependant des idées uniques, des détails harmoniques, mélodiques et instrumentaux innovateurs. Pour réaliser cette pièce captivante pour Orchestre d’Harmonie, Tohru Takahashi a rassemblé les superbes thèmes musicaux de l’opéra.

Compositore essenzialmente autodidatta, Modest Mussorgski (1839-1881) discende da una famiglia agiata della nobilt russa. Il suo capolavoro lirico, Boris Godunov, si basa sulla tragedia di Alexander Puschkin, nella quale Boris Godunov, proclamatosi zar e sostenuto dal popolo, fallisce nel suo ruolo. Nel 1896, l’opera conosce il successo in una versione ritoccata da Rimski Korsakov. La versione originale di Mussorgski contiene idee uniche, dettagli armonici, melodici e strumenti innovativi. Per trascrivere questo brano per banda, Tohru Takahashi ha raccolto i superlativi temi musicali dell’opera.

Concert Band/Harmonie - Grade 5

SKU: BT.DHP-1043752-010

Composed by Modest Petrovich Mussorgsky. Arranged by Tohru Takahashi. The Great Classics. Concert Piece. Set (Score & Parts). Composed 2004. De Haske Publications #DHP 1043752-010. Published by De Haske Publications (BT.DHP-1043752-010).

English-German-French- Dutch.

Composer Modest Moussorgsky (1839-1881) came from the prosperous environment of Russian nobility. In 1865, after his officer’s education, he joined the guard’s regiment in St. Petersburg. Here he met a number of well-known colleague-composers, including Balakirev, Cui, Rimsky- Korsakov and Borodin. They strived to develop a “classical style” of composing while at the same time retaining a strong Russian influence. His opera Boris Godunov tells the tale of Boris, who with the support of the people, declared himself Tsar, but totally fell short of the role. The opera became popular in the re-orchestrated version produced by Rimsky-Korsakov in 1896. Tohru Takahashi has usedthe beautiful musical themes of this opera in Selections from Boris Godunov - a captivating work for concert band.

Moussorgsky� ��s opera Boris Godunov - gebaseerd op het gelijknamige drama van Aleksandr Pushkin (waarin Boris Godunov zichzelf met steun van het volk uitroept tot tsaar, maar in deze rol compleet tekortschiet) - werd populairin de bewerking die Rimsky-Korsakov in 1896 maakte. De oorspronkelijke partituur van Moussorgsky staat echter vol originele vondsten en vooruitstrevende harmonische, melodische en instrumentale details. Tohru Takahashi gebruiktede prachtige muzikale thematiek van deze opera in Selections from Boris Godunov - een boeiend werk voor harmonieorkest.

Se in Meisterwerk, die Oper Boris Godunow, schrieb Mussorgski auf der Grundlage des gleichnamigen Dramas von Alexander Puschkin. In diesem Stück erklärt sich Boris Godunow mit Unterstützung des Volkes selbst zum Zaren, versagt aber kläglich in dieser Rolle. Das Werk ist voll von einzigartigen Ideen und damals sehr innovativen harmonischen, melodischen und instrumentalen Details. Tohru Takahashi verwendete in Selections from Boris Godunov die wunderschönen musikalischen Themen der Oper - ein bezauberndes Werk für Blasorchester.

Com positeur essentiellement autodidacte, Modest Moussorgski (1839-1881) descend d’une famille aisée de la noblesse russe. Son chef-d’œuvre lyrique Boris Godounov est basé sur la tragédie d’Alexandre Pouchkine, dans laquelle Boris Godounov, tsar autoproclamé et soutenu par le peuple faillit son rôle. En 1896, l’opéra connaît le succès dans une version retouchée par Rimski-Korsakov. La version originale de Moussorgski contient cependant des idées uniques, des détails harmoniques, mélodiques et instrumentaux innovateurs. Pour réaliser cette pièce captivante pour Orchestre d’Harmonie, Tohru Takahashi a rassemblé les superbes thèmes musicaux de l’opéra.

Compositore essenzialmente autodidatta, Modest Mussorgski (1839-1881) discende da una famiglia agiata della nobilt russa. Il suo capolavoro lirico, Boris Godunov, si basa sulla tragedia di Alexander Puschkin, nella quale Boris Godunov, proclamatosi zar e sostenuto dal popolo, fallisce nel suo ruolo. Nel 1896, l’opera conosce il successo in una versione ritoccata da Rimski Korsakov. La versione originale di Mussorgski contiene idee uniche, dettagli armonici, melodici e strumenti innovativi. Per trascrivere questo brano per banda, Tohru Takahashi ha raccolto i superlativi temi musicali dell’opera.

By Brant Adams. For SATB Choir. Choral, General Use, Orchestration, Tracks and Sacred. Sheet Music. Published by Shawnee Press.

Unison/2-part children's choir, piano accompaniment

SKU: WD.080689580390

11 Cool Tunes for Kidz Worship Choir!. Composed by Brian Hitt. Choral, cantatas. WordKidz. Christmas. DVD preview pak. Word Music #080689580390. Published by Word Music (WD.080689580390).

UPC: 080689580390.

Relev ant songs, innovative sounds, and a signature style are just some of the reasons your Kidz Worship Choir will love this new project from WORDKIDZ and creator Brian Hitt. Singable, accessible, fun, and full of great ministry opportunities, Praize Jamz is a cutting-edge worship project for children's choir guaranteed to revolutionize and raise your expectations for your children's music ministry.

Praize Jamz takes your kids' choir experience and turns it up a notch! While perfect for any children's choir ministry and performance opportunity, it can also be used as a soundtrack for worship in children's church, camps, or any time and place kids gather to worship their God and Savior. Use Praize Jamz as the ideal resource to help train the next generation of worship leaders and instill in them a love and passion to lead others into the presence of the Lord through song, as they lift their hearts and voices in worship. Turn things up yet another notch with the use of the high-wattage, visually-explosive DVD Accompaniment Track. Praize Jamz... a new experience and fresh sound for Kidz Worship Choirs everywhere!

Unison/2-part children's choir, piano accompaniment

SKU: WD.080689512094

11 Cool Tunes for Kidz Worship Choir!. Composed by Brian Hitt. Choral, cantatas. WordKidz. Praise & worship. Accompaniment video. Word Music #080689512094. Published by Word Music (WD.080689512094).

UPC: 080689512094.

Relev ant songs, innovative sounds, and a signature style are just some of the reasons your Kidz Worship Choir will love this new project from WORDKIDZ and creator Brian Hitt. Singable, accessible, fun, and full of great ministry opportunities, Praize Jamz is a cutting-edge worship project for children's choir guaranteed to revolutionize and raise your expectations for your children's music ministry.

Praize Jamz takes your kids' choir experience and turns it up a notch! While perfect for any children's choir ministry and performance opportunity, it can also be used as a soundtrack for worship in children's church, camps, or any time and place kids gather to worship their God and Savior. Use Praize Jamz as the ideal resource to help train the next generation of worship leaders and instill in them a love and passion to lead others into the presence of the Lord through song, as they lift their hearts and voices in worship. Turn things up yet another notch with the use of the high-wattage, visually-explosive DVD Accompaniment Track. Praize Jamz... a new experience and fresh sound for Kidz Worship Choirs everywhere!

Unison/2-part children's choir, piano accompaniment

SKU: WD.080689799723

11 Cool Tunes for Kidz Worship Choir!. Composed by Brian Hitt. Choral, cantatas. WordKidz. Praise & worship. Bulk CD (10-pak). Word Music #080689799723. Published by Word Music (WD.080689799723).

UPC: 080689799723.

Relev ant songs, innovative sounds, and a signature style are just some of the reasons your Kidz Worship Choir will love this new project from WORDKIDZ and creator Brian Hitt. Singable, accessible, fun, and full of great ministry opportunities, Praize Jamz is a cutting-edge worship project for children's choir guaranteed to revolutionize and raise your expectations for your children's music ministry.

Praize Jamz takes your kids' choir experience and turns it up a notch! While perfect for any children's choir ministry and performance opportunity, it can also be used as a soundtrack for worship in children's church, camps, or any time and place kids gather to worship their God and Savior. Use Praize Jamz as the ideal resource to help train the next generation of worship leaders and instill in them a love and passion to lead others into the presence of the Lord through song, as they lift their hearts and voices in worship. Turn things up yet another notch with the use of the high-wattage, visually-explosive DVD Accompaniment Track. Praize Jamz... a new experience and fresh sound for Kidz Worship Choirs everywhere!

By Michael D. Costello. For organ. General. Level: Medium. Published by MorningStar Music Publishers.

Unison/2-part children's choir, piano accompaniment

SKU: WD.080689874222

11 Cool Tunes for Kidz Worship Choir!. Composed by Brian Hitt. Choral, cantatas. WordKidz. Praise & worship. Listening CD. Word Music #080689874222. Published by Word Music (WD.080689874222).

UPC: 080689874222.

Relev ant songs, innovative sounds, and a signature style are just some of the reasons your Kidz Worship Choir will love this new project from WORDKIDZ and creator Brian Hitt. Singable, accessible, fun, and full of great ministry opportunities, Praize Jamz is a cutting-edge worship project for children's choir guaranteed to revolutionize and raise your expectations for your children's music ministry.

Praize Jamz takes your kids' choir experience and turns it up a notch! While perfect for any children's choir ministry and performance opportunity, it can also be used as a soundtrack for worship in children's church, camps, or any time and place kids gather to worship their God and Savior. Use Praize Jamz as the ideal resource to help train the next generation of worship leaders and instill in them a love and passion to lead others into the presence of the Lord through song, as they lift their hearts and voices in worship. Turn things up yet another notch with the use of the high-wattage, visually-explosive DVD Accompaniment Track. Praize Jamz... a new experience and fresh sound for Kidz Worship Choirs everywhere!

Choir

SKU: GI.G-6051

Composed by Carol Browning. Sacred. Collection. GIA Publications #6051. Published by GIA Publications (GI.G-6051).

English, Latin.

Her octavos have been featured in our Choral Subscription Series and in numerous reading sessions. Now, Carol Browning's original compositions are available on CD and cassette! Great for contemporary ensemble, Carol's catchy refrains spark natural assembly participation. The spirited Give Thanks to the Lord, based on Psalm107, is energetic and fun, while O Lord, the Guardian of My Heart offers a prayer of quiet strength. With Grateful Hearts is ideal for Thanksgiving celebrations. But perhaps the best and brightest of this great collection is Ubi Caritas, a stunningly beautiful version of the classic chant text with music and verse texts by Browning. This recording is simply a great new way to become familiar with the works of this rising new composer. Contains one each of the following octavos: Give Thanks to the Lord - Sing a New Song - O Lord, the Guardian of My Life - I Come to You, O God - Benediction - With Grateful Hearts - Fill Us with Your Love, O Lord - God of Our Comings and Goings - Jesus, Lamb of God - If Jesus Wept - Ubi Caritas - Alleluia, Christ Is Risen.